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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Most Significant Byte; Controller #0
Direct
MSB
System Exclusive
120 - 127
2. POLY
Song Select
Channel Mode Message 127
Most Common Controllers
64
3. High Resolution (LSB)
Synchronization Types
0 - 32
1
32 - 63
4. Keyboards - Wind Controllers - Brass Controllers - Electronic Drums - and Control Surfaces; Significantly less latency
Trigger- to- MIDI Devices (Examples)
Pitch- to MIDI Devices (Examples)
System Message Format
Hexadecimal
5. MIDI Time Code message sent during playback
Quarter Frame
Control Change Data Train
Channel Mode Message 125
Synchronization
6. Starts a sequence or pattern
Start
Program Data
Mirroring Requirements
Tune Request
7. The parameters that make up an operating system; Think of it like the 'stuff a band would need to do before actually making music during practice'
System Messages
Tune Request
Full Frame
Quarter Frame
8. Base 16 (0 - F); The numbers 0 - 9 are still the same but the numbers 10 - 15 are represented by the letters A - F
Types of Location Sync
SMPTE
Hexadecimal
Tempo Sync Types
9. A pulse is sent out every 300 ms; If a slave device receives them it will function normally
Running Status
VCF
Active Sensing
High Resolution Bank Total
10. Resets to default power up state
10
Channel Mode Message 120
System Reset
Control Change Data Train
11. (Controller + Channel) + Controller # + Amount
Control Change Data Train
Controller #0
Mirroring
Synchronization Types
12. Low Resolution (MSB)
Start of Exclusive
System Exclusive Protocol
ReWire
00 - 31
13. Always referenced from the beginning of the song
High Resolution Bank Total
MIDI Implementation Chart
Relative Location Synchronization
Types of Location Sync
14. F7h
Timing Clock
End of Exclusive (EOX)
Location
Relative Location Synchronization
15. Manually initiate transfer from device
Direct
Timing Clock
Program Data
0 - 32
16. MIDI Clock; MIDI Sync
Direct
0 - 32
Controller #0
Tempo Sync Types
17. F0h (One of the highest priority system message)
MIDI Sync
Handshake
Tempo Sync Types
Start of Exclusive
18. Sustain Pedal
Bank Select
Song Position Pointer
64
MIDI Sync
19. Beat Clock does not care where the device's location is (where in the song it is) as long as BPM is the same; Always make sure devices are ALL set to the location value desired for start; (Ex... two devices one set at Bar 1 and the other at Bar 9...M
Syncing MIDI Beat Clock
System Realtime Messages
Examples of Location Sync
Stop
20. Used to represent sound or performance parameters (must be used by all manufacturers)
Channel Mode Message 123
Continue
MIDI Region
Registered Parameter Numbers
21. 0 - 32 - Bank Select 1 - Modulation 7 - Volume 10 - Pan 64 - Sustain Pedal
MIDI Sync
Most Common Controllers
MTC Full Frame Message
MIDI Beat Clock
22. Multiply the values (2nd Data Bytes) of a Low Resolution and a High Resolution Controller together; Controller numbers (1st Data Bytes) must be 32 digits apart
10
Mirroring Requirements
Trigger- to- MIDI
Channel Mode Message 125
23. Bank Select
0 - 32
Timing Clock
Pitch- to MIDI Devices (Examples)
Channel Mode Message 127
24. Reset All Controllers
MIDI Show Control
Channel Mode Message 121
Pitch- to MIDI Devices (Examples)
Timing Clock
25. Propellerhead Software's standard for timing - audio channels - and transport control available on most DAW's & Sequencers; Designed to control multiple applications within the same computer
Product ID
ReWire
Song Select
Offset
26. Controls some aspect of sound on a channel; 128 Different controllers available (1 -127); Give us the ability to automate changes when recorded
Registered Parameter Numbers
Running Status
0 - 32
Control Change (Controllers)
27. Guitar - Bass - Strings - & Monophonic Audio- to-Video Conversion; More Expressive
Pitch- to MIDI Devices (Examples)
0 - 32
Start
Quarter Frame
28. A way to save or change complete settings
0 - 32
System Exclusive
Trigger- to- MIDI Devices (Examples)
Start
29. (MIDI Beat Clock) - Keeps devices locked to the same tempo (24 PPQN)
Timing Clock
System Reset
Synchronization
Tempo
30. Volume
7
ReWire
System Messages
Request
31. Direct; Request; Handshake
Event Chasing
3 Ways to Transfer SysEx Data
Relative Location Synchronization
Synchronization
32. Model number (functions similar to MAN ID but happens after the MAN ID is validated)
Product ID
Running Status
MIDI Event
Synchronization
33. Relative & Absolute
Mirroring Requirements
Trigger- to- MIDI Devices (Examples)
Tempo Sync Types
Types of Location Sync
34. Base 2
Binary
Absolute Location Synchronization
Start
Control Change (Controllers)
35. Designed for the Theatrical and Staging Industries; Allows MIDI to control over audio and video playback systems - lighting & effects - pyrotechnics - machinery - and robotics
LTC
Product ID
3 Ways to Transfer SysEx Data
MIDI Show Control
36. OMNI ON
MIDI Show Control
Channel Mode Message 126
MTC
Channel Mode Message 125
37. All Notes OFF (Release Time) ~ Does not guarantee a complete sound loss
64
MIDI Beat Clock
Handshake
Channel Mode Message 123
38. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
64
00 - 31
MIDI Time Code
120 - 127
39. Looks previous to the play line for any prior MIDI information and updates the sequence accordingly; Most commonly used with Program Change and Controller Messages
Binary
VCF
Event Chasing
ReWire
40. Converting an analog signal or sound into a MIDI message
Binary
Pitch- to- MIDI
Tune Request
MIDI Time Code
41. 2 Bytes Long; 4 sent per frame of SMPTE; 8 frames needed to make a complete SMPTED address; 2 full frames of SMPTE are needed to visually update the address
Decimal
Channel Mode Message 122
Quarter Frame Message
Trigger- to- MIDI
42. 1 (msb) ---> 110 (System Message) ---> 0100 (Which Message)
System Message Format
Full Frame Message
Synchronization Types
Channel Mode Message 126
43. How high resolution is achieved in MIDI Controllers
Mirroring
Timing Clock
96 - 119
Trigger- to- MIDI Devices (Examples)
44. (Vertical Interval Time Code); Popular method for recording time code onto videotape; Video version of SMPTE; Absolute
Hexadecimal
VCA
VITC
Channel Mode Message 126
45. Longitudinal Time Code; When SMPTE time code is encoded as an audio signal on audio track; Audio version of SMPTE; Absolute
MIDI Region
LTC
System Common Messages
MIDI Beat Clock
46. Channel Mode Messages
120 - 127
3 Ways to Transfer SysEx Data
Timing Clock
Channel Mode Message 123
47. 16 -384 available Banks; Most common mirrored controller; Each bank contains 128 Programs (0 - 127); 2 -097 -152 possible Program Changes for MIDI
Synchronization
Bank Select
VCF
Binary
48. Internal device expressed in BPM that keeps multiple devices locked at the same tempo; Also known at the MIDI Beat Clock; Setup is generally the same as MTC
Timing Clock
BPM
Mirroring
Product ID
49. Stops the sequence or pattern
Best Way to Calculate Hexadecimal
Channel Mode Message 124
Start
Stop
50. Controller that will commonly change banks on most MIDI devices (sometimes 0 & 32 are necessary)
Controller #0
Direct
64 - 95
Syncing MIDI Beat Clock