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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Timing Clock; Start; Continue; Stop; Active Sensing; System Reset
System Realtime Messages
Where to Save SysEx Data
Quarter Frame Message
Decimal
2. Designed for the Theatrical and Staging Industries; Allows MIDI to control over audio and video playback systems - lighting & effects - pyrotechnics - machinery - and robotics
MIDI Show Control
VCO
32 - 63
End of Exclusive (EOX)
3. Propellerhead Software's standard for timing - audio channels - and transport control available on most DAW's & Sequencers; Designed to control multiple applications within the same computer
Stop
ReWire
VCA
MTC Full Frame Message
4. Beats Per Minute
Controller Categories
Full Frame
BPM
MIDI Beat Clock
5. F7h
Most Common Controllers
LTC
0 - 32
End of Exclusive (EOX)
6. Synchronization to a point in time or a direct address
Event Chasing
Location
LSB
32 - 63
7. Setting the SMPTE time to match the desired Bars/Beats/Ticks location; Set by the slave device after frame rate is set; Start of sequence should typically be at the same time as the start of media's MTC address
Pitch- to MIDI Devices (Examples)
MIDI Sync
32 - 63
Offset
8. Synchronization to the timing or speed of a pattern or song
Tempo
Start of Exclusive
VCF
MIDI Event
9. Status Byte = Controller + Channel Data Byte 1 = Controller Number Data Byte 2 = 0 - 127 (Value/Range)
Low Resolution
Channel Mode Message 126
Mirroring
Where to Save SysEx Data
10. 16 -384 available Banks; Most common mirrored controller; Each bank contains 128 Programs (0 - 127); 2 -097 -152 possible Program Changes for MIDI
High Resolution Bank Total
Bank Select
MSB
System Message Format
11. OMNI ON
Absolute Location Synchronization
Low Resolution
Channel Mode Message 125
MIDI Region
12. Controller that will commonly change banks on most MIDI devices (sometimes 0 & 32 are necessary)
Controller #0
00 - 31
Tempo
MIDI Implementation Chart
13. Tempo & Location
Pitch- to- MIDI
Synchronization Types
MTC
MTC Full Frame Message
14. 16 -384
SPP
Decimal
Start of Exclusive
High Resolution Bank Total
15. Switches between songs or patterns on a sequence
Song Select
Event Chasing
Mirroring Requirements
System Common Messages
16. Preferred; Not referenced from the beginning of the song; Slave always identifies with location of bar
System Exclusive
120 - 127
Absolute Location Synchronization
SMPTE
17. 00 - 31 = Low Resolution (MSB) 32 - 63 = High Resolution (LSB) 64 - 95 = Switches 96 - 119 = Various / FX 120 - 127 = Channel Mode Messages
Controller Categories
Continue
Channel Mode Message 124
Start of Exclusive
18. Multiply the values (2nd Data Bytes) of a Low Resolution and a High Resolution Controller together; Controller numbers (1st Data Bytes) must be 32 digits apart
Mirroring Requirements
System Messages
SPP
MTC
19. Using handshake wiring - requests for data are continuously sent between devices
Product ID
Handshake
Channel Mode Message 121
MSB
20. OMNI OFF
00 - 31
Channel Mode Message 124
Syncing MIDI Beat Clock
System Messages
21. MIDI Time Code message only sent on start - stop or continue
Continue
Device ID
Full Frame
MTC
22. Low Resolution (MSB)
Synchronization
Registered Parameter Numbers
00 - 31
Synchronization Types
23. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; 24 PPQN; Also known as the Timing Clock; Setup is generally the same as MTC
MIDI Beat Clock
LTC
Low Resolution
System Realtime Messages
24. Beat Clock does not care where the device's location is (where in the song it is) as long as BPM is the same; Always make sure devices are ALL set to the location value desired for start; (Ex... two devices one set at Bar 1 and the other at Bar 9...M
MIDI Implementation Chart
Quarter Frame
SPP
Syncing MIDI Beat Clock
25. Most Significant Byte; Controller #0
Trigger- to- MIDI
MIDI Show Control
MTC Full Frame Message
MSB
26. Local ON/OFF
Channel Mode Message 122
0 - 32
MIDI Beat Clock
Most Common Controllers
27. Voltage signal changes AMPLITUDE
End of Exclusive (EOX)
VCA
Control Change (Controllers)
MIDI Region
28. Converting an analog signal or sound into a MIDI message
VCA
Trigger- to- MIDI
Best Way to Calculate Hexadecimal
Pitch- to- MIDI
29. Tune Request; Song Select; Song Position Pointer; MIDI Time Code
Syncing MIDI Beat Clock
System Common Messages
MTC
BPM
30. MIDI Time Code; Sub- format of SMPTE; Absolute
Channel Mode Message 126
Tune Request
System Message Format
MTC
31. The parameters that make up an operating system; Think of it like the 'stuff a band would need to do before actually making music during practice'
Low Resolution
System Reset
7
System Messages
32. Time code developed for the film industry but now extensively used in music and recording; Related to hours - minutes - seconds and film or video frames rather than to musical tempo; Absolute
LTC
SMPTE
Absolute Location Synchronization
Decimal
33. Relative & Absolute
Best Way to Calculate Hexadecimal
Relative Location Synchronization
Quarter Frame Message
Types of Location Sync
34. Contains entire SMPTE address plus the last issued transport command (Start - Stop - Continue); 10 bytes long
Pitch- to MIDI Devices (Examples)
MIDI Implementation Chart
Stop
MTC Full Frame Message
35. Looks previous to the play line for any prior MIDI information and updates the sequence accordingly; Most commonly used with Program Change and Controller Messages
Handshake
Low Resolution
Event Chasing
Channel Mode Message 127
36. Continues the sequence or pattern from where it was last stopped
Tempo
Continue
Event Chasing
System Message Format
37. A way to save or change complete settings
Binary
SPP
System Exclusive
120 - 127
38. Reduces the load by about ? (30 -33%) by removing redundant Status Bytes; Only for Channel Messages; Occurs only on playback; Function of the Sequencer; Basically drops similar status bytes so they don't have to be repeated each time
Running Status
Timing Clock
32 - 63
MIDI Beat Clock
39. 1 (msb) ---> 110 (System Message) ---> 0100 (Which Message)
System Message Format
Pitch- to- MIDI
Best Way to Calculate Hexadecimal
Low Resolution
40. Tells analog oscillators to 'tune up'
Tune Request
Mirroring
Control Change (Controllers)
System Messages
41. (Controller + Channel) + Controller # + Amount
Full Frame
Running Status
Control Change Data Train
LTC
42. Starts a sequence or pattern
Channel Mode Message 127
Absolute Location Synchronization
Start
3 Ways to Transfer SysEx Data
43. Locks devices to the same location (in increments of 16th notes)
Song Position Pointer
Bank Select
Timing Clock
Tune Request
44. Direct; Request; Handshake
Offset
MIDI Time Code
3 Ways to Transfer SysEx Data
Trigger- to- MIDI Devices (Examples)
45. The process of locking two or more devices together in time and/or tempo
Examples of Location Sync
Synchronization
Timing Clock
Synchronization Types
46. POLY
Channel Mode Message 127
3 Ways to Transfer SysEx Data
Absolute Location Synchronization
System Common Messages
47. Resets to default power up state
MSB
Quarter Frame Message
Full Frame Message
System Reset
48. Increments of 16th notes measured from the beginning of the song; Provides bars - beats - and ticks; Relative
Tempo Sync Types
Channel Mode Message 121
3 Ways to Transfer SysEx Data
SPP
49. Using a key - button - pad - slider - knob - etc. to generate a MIDI message; 80% - 90% of MIDI controllers use this method for MIDI conversion
VITC
Trigger- to- MIDI
Request
Stop
50. Assigned by MMA and JMSC; These need to be used with all future SysEx messages or they will be ignored (think saved patches)
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