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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 0 - 32 - Bank Select 1 - Modulation 7 - Volume 10 - Pan 64 - Sustain Pedal
Channel Mode Message 125
Most Common Controllers
MSB
MIDI Show Control
2. How high resolution is achieved in MIDI Controllers
Channel Mode Message 122
Mirroring
Start
Tempo
3. Stops the sequence or pattern
LTC
Controller #0
Stop
Full Frame Message
4. All Sounds OFF ~ Cuts all outputs of sound ==> SILENCE
Best Way to Calculate Hexadecimal
System Exclusive Protocol
System Reset
Channel Mode Message 120
5. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
MIDI Time Code
0 - 32
Types of Location Sync
32 - 63
6. 00 - 31 = Low Resolution (MSB) 32 - 63 = High Resolution (LSB) 64 - 95 = Switches 96 - 119 = Various / FX 120 - 127 = Channel Mode Messages
64 - 95
MIDI Time Code
Controller Categories
64
7. Voltage signal changes AMPLITUDE
VCA
Timing Clock
Handshake
Request
8. Tells analog oscillators to 'tune up'
Low Resolution
Tune Request
Timing Clock
VITC
9. Switches
64 - 95
End of Exclusive (EOX)
Most Common Controllers
Trigger- to- MIDI
10. Most Significant Byte; Controller #0
Active Sensing
Synchronization
MSB
Location
11. Base 2
Full Frame
Binary
MTC Full Frame Message
Quarter Frame
12. POLY
LTC
7
Channel Mode Message 127
Synchronization
13. Increments of 16th notes measured from the beginning of the song; Provides bars - beats - and ticks; Relative
High Resolution Bank Total
Mirroring
SPP
MTC Full Frame Message
14. Keyboards - Wind Controllers - Brass Controllers - Electronic Drums - and Control Surfaces; Significantly less latency
Control Change (Controllers)
Trigger- to- MIDI Devices (Examples)
System Exclusive
ReWire
15. Actual bulk of data; Easily up to 100 parameters (Patch Name - Filters - LFO - Oscillator Settings - and all other data)
Program Data
Pitch- to- MIDI
SMPTE
64
16. Converting an analog signal or sound into a MIDI message
MIDI Sync
Pitch- to- MIDI
Quarter Frame
Most Common Controllers
17. MIDI Clock; MIDI Sync
Channel Mode Message 125
Tempo Sync Types
System Realtime Messages
Pitch- to- MIDI
18. 16 -384 available Banks; Most common mirrored controller; Each bank contains 128 Programs (0 - 127); 2 -097 -152 possible Program Changes for MIDI
End of Exclusive (EOX)
Bank Select
Product ID
Start
19. Assigned by MMA and JMSC; These need to be used with all future SysEx messages or they will be ignored (think saved patches)
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20. Start of Exclusive; Manufacturer's ID; Product ID; Device ID; Program Data; End of Exclusive (EOX)
Timing Clock
System Exclusive Protocol
Binary
Continue
21. Internal device expressed in BPM that keeps multiple devices locked at the same tempo; Also known at the MIDI Beat Clock; Setup is generally the same as MTC
ReWire
1
64 - 95
Timing Clock
22. Divide the number by 16 and convert remainder to hexadecimal value
Pitch- to- MIDI
Best Way to Calculate Hexadecimal
MIDI Beat Clock
System Common Messages
23. Contains entire SMPTE address plus the last issued transport command (Start - Stop - Continue); 10 bytes long
SMPTE
LSB
MTC Full Frame Message
Trigger- to- MIDI
24. Voltage signal changes PITCH
VCO
Control Change Data Train
Channel Mode Message 121
Channel Mode Message 123
25. Least Significant Byte; Controller #32
System Exclusive Protocol
LSB
Trigger- to- MIDI Devices (Examples)
32 - 63
26. Guitar - Bass - Strings - & Monophonic Audio- to-Video Conversion; More Expressive
Pitch- to MIDI Devices (Examples)
Control Change (Controllers)
MIDI Time Code
Event Chasing
27. 1 (msb) ---> 110 (System Message) ---> 0100 (Which Message)
System Message Format
Channel Mode Message 121
MSB
Song Select
28. Status Byte = Controller + Channel Data Byte 1 = Controller Number Data Byte 2 = 0 - 127 (Value/Range)
Decimal
Control Change Data Train
System Exclusive Protocol
Low Resolution
29. (Vertical Interval Time Code); Popular method for recording time code onto videotape; Video version of SMPTE; Absolute
VITC
MTC Full Frame Message
0 - 32
VCF
30. Multiply the values (2nd Data Bytes) of a Low Resolution and a High Resolution Controller together; Controller numbers (1st Data Bytes) must be 32 digits apart
Controller #0
Tune Request
BPM
Mirroring Requirements
31. Base 16 (0 - F); The numbers 0 - 9 are still the same but the numbers 10 - 15 are represented by the letters A - F
Tempo
Song Select
System Realtime Messages
Hexadecimal
32. Channel Mode Messages
Manufacturer's ID
Tune Request
120 - 127
Pitch- to- MIDI
33. MIDI Time Code; Sub- format of SMPTE; Absolute
Quarter Frame
System Common Messages
Full Frame
MTC
34. F0h (One of the highest priority system message)
Start of Exclusive
Full Frame
3 Ways to Transfer SysEx Data
VCA
35. Timing Clock; Start; Continue; Stop; Active Sensing; System Reset
System Realtime Messages
1
Trigger- to- MIDI
Quarter Frame Message
36. OMNI OFF
Mirroring Requirements
Event Chasing
Offset
Channel Mode Message 124
37. A pulse is sent out every 300 ms; If a slave device receives them it will function normally
Direct
Active Sensing
High Resolution Bank Total
System Realtime Messages
38. Base 10
Quarter Frame Message
Decimal
120 - 127
Handshake
39. OMNI ON
96 - 119
Request
Channel Mode Message 125
MIDI Sync
40. Time code developed for the film industry but now extensively used in music and recording; Related to hours - minutes - seconds and film or video frames rather than to musical tempo; Absolute
SMPTE
System Reset
Pitch- to- MIDI
Tune Request
41. Local ON/OFF
Types of Location Sync
Tune Request
Channel Mode Message 120
Channel Mode Message 122
42. 16 -384
Quarter Frame Message
Location
High Resolution Bank Total
MIDI Sync
43. Reduces the load by about ? (30 -33%) by removing redundant Status Bytes; Only for Channel Messages; Occurs only on playback; Function of the Sequencer; Basically drops similar status bytes so they don't have to be repeated each time
7
Running Status
Pitch- to- MIDI
Pitch- to MIDI Devices (Examples)
44. Beats Per Minute
BPM
SMPTE
VCF
Trigger- to- MIDI Devices (Examples)
45. Longitudinal Time Code; When SMPTE time code is encoded as an audio signal on audio track; Audio version of SMPTE; Absolute
Types of Location Sync
System Realtime Messages
LTC
Control Change (Controllers)
46. Relative & Absolute
Most Common Controllers
Full Frame
Types of Location Sync
Mirroring Requirements
47. Using handshake wiring - requests for data are continuously sent between devices
LTC
Handshake
Device ID
Channel Mode Message 121
48. Preferred; Not referenced from the beginning of the song; Slave always identifies with location of bar
Timing Clock
Absolute Location Synchronization
ReWire
Control Change (Controllers)
49. 2 Bytes Long; 4 sent per frame of SMPTE; 8 frames needed to make a complete SMPTED address; 2 full frames of SMPTE are needed to visually update the address
Quarter Frame Message
MIDI Implementation Chart
120 - 127
Handshake
50. Synchronization to a point in time or a direct address
Timing Clock
0 - 32
Location
Most Common Controllers