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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Relative & Absolute
Types of Location Sync
1
VCF
120 - 127
2. Base 10
Decimal
Stop
Best Way to Calculate Hexadecimal
System Exclusive
3. MIDI Time Code message sent during playback
Mirroring Requirements
VCA
MIDI Beat Clock
Quarter Frame
4. ( S -> 01:01:01:01 -> Transport Method ); 1 for 'System Message' -> 8 for SMPTE -> 1 for Transport Method; Data = 0; 3 numbers = Which column of SMPTE; 4 numbers = Value for the column
Relative Location Synchronization
Full Frame Message
Song Select
Control Change (Controllers)
5. Switches
Where to Save SysEx Data
64 - 95
Running Status
Start
6. Direct; Request; Handshake
Most Common Controllers
3 Ways to Transfer SysEx Data
Channel Mode Message 123
Full Frame Message
7. Storage Media or Sequence Track
Channel Mode Message 121
Channel Mode Message 127
Where to Save SysEx Data
MIDI Beat Clock
8. Starts a sequence or pattern
1
Start
MSB
Channel Mode Message 120
9. Start of Exclusive; Manufacturer's ID; Product ID; Device ID; Program Data; End of Exclusive (EOX)
System Realtime Messages
System Exclusive Protocol
System Exclusive
Location
10. Time code developed for the film industry but now extensively used in music and recording; Related to hours - minutes - seconds and film or video frames rather than to musical tempo; Absolute
Control Change (Controllers)
SMPTE
Channel Mode Message 126
Song Select
11. Most Significant Byte; Controller #0
Most Common Controllers
Quarter Frame Message
Channel Mode Message 120
MSB
12. Base 16 (0 - F); The numbers 0 - 9 are still the same but the numbers 10 - 15 are represented by the letters A - F
96 - 119
Controller Categories
Hexadecimal
Quarter Frame Message
13. Timing Clock; Start; Continue; Stop; Active Sensing; System Reset
System Realtime Messages
Syncing MIDI Beat Clock
Start of Exclusive
Examples of Location Sync
14. High Resolution (LSB)
32 - 63
System Exclusive
Device ID
Types of Location Sync
15. Designed for the Theatrical and Staging Industries; Allows MIDI to control over audio and video playback systems - lighting & effects - pyrotechnics - machinery - and robotics
VCO
MIDI Show Control
ReWire
Binary
16. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; 24 PPQN; Also known as the Timing Clock; Setup is generally the same as MTC
MIDI Beat Clock
BPM
Synchronization Types
SPP
17. Multiply the values (2nd Data Bytes) of a Low Resolution and a High Resolution Controller together; Controller numbers (1st Data Bytes) must be 32 digits apart
Mirroring Requirements
Relative Location Synchronization
3 Ways to Transfer SysEx Data
LSB
18. Manually initiate transfer from device
Direct
Synchronization
Quarter Frame
Location
19. Pan
10
Low Resolution
Decimal
LSB
20. Contains entire SMPTE address plus the last issued transport command (Start - Stop - Continue); 10 bytes long
Channel Mode Message 124
MTC Full Frame Message
Trigger- to- MIDI
MIDI Beat Clock
21. Controls some aspect of sound on a channel; 128 Different controllers available (1 -127); Give us the ability to automate changes when recorded
Device ID
7
Program Data
Control Change (Controllers)
22. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
96 - 119
ReWire
MIDI Time Code
MIDI Beat Clock
23. All Notes OFF (Release Time) ~ Does not guarantee a complete sound loss
Running Status
Best Way to Calculate Hexadecimal
Channel Mode Message 123
VCF
24. Container that carries all MIDI events in a sequence; Method of grouping MIDI events to make editing and arranging easier
MIDI Region
MIDI Time Code
00 - 31
VCA
25. The parameters that make up an operating system; Think of it like the 'stuff a band would need to do before actually making music during practice'
Hexadecimal
10
System Messages
96 - 119
26. Synchronization to the timing or speed of a pattern or song
MSB
ReWire
Tempo
3 Ways to Transfer SysEx Data
27. Sustain Pedal
Active Sensing
64
VCA
Full Frame Message
28. Switches between songs or patterns on a sequence
3 Ways to Transfer SysEx Data
Channel Mode Message 120
Song Select
Timing Clock
29. Single MIDI message; Status Byte + associated Data Bytes; Can be edited individually allowing complete control over every minute detail of the MIDI sequence
MIDI Event
Most Common Controllers
7
End of Exclusive (EOX)
30. Voltage signal changes PITCH
ReWire
VCO
0 - 32
LSB
31. How high resolution is achieved in MIDI Controllers
VCA
Device ID
Mirroring
Control Change (Controllers)
32. Using a key - button - pad - slider - knob - etc. to generate a MIDI message; 80% - 90% of MIDI controllers use this method for MIDI conversion
Trigger- to- MIDI
Pitch- to- MIDI
System Realtime Messages
Synchronization Types
33. Internal device expressed in BPM that keeps multiple devices locked at the same tempo; Also known at the MIDI Beat Clock; Setup is generally the same as MTC
Quarter Frame
Timing Clock
Full Frame
Registered Parameter Numbers
34. Increments of 16th notes measured from the beginning of the song; Provides bars - beats - and ticks; Relative
Pitch- to MIDI Devices (Examples)
Timing Clock
SPP
VCA
35. (Vertical Interval Time Code); Popular method for recording time code onto videotape; Video version of SMPTE; Absolute
Mirroring
VITC
Running Status
Pitch- to MIDI Devices (Examples)
36. Used to represent sound or performance parameters (must be used by all manufacturers)
VCO
Manufacturer's ID
Registered Parameter Numbers
MIDI Beat Clock
37. Sometimes called a USER ID; Can be changed on two pieces of the same equipment
Absolute Location Synchronization
MTC
Device ID
Active Sensing
38. Beats Per Minute
BPM
Location
3 Ways to Transfer SysEx Data
00 - 31
39. Guitar - Bass - Strings - & Monophonic Audio- to-Video Conversion; More Expressive
System Exclusive
MIDI Implementation Chart
Pitch- to MIDI Devices (Examples)
Full Frame
40. F0h (One of the highest priority system message)
Start of Exclusive
Trigger- to- MIDI
Channel Mode Message 126
End of Exclusive (EOX)
41. (Controller + Channel) + Controller # + Amount
Song Position Pointer
Control Change Data Train
64 - 95
Channel Mode Message 121
42. Model number (functions similar to MAN ID but happens after the MAN ID is validated)
Decimal
System Messages
Product ID
Pitch- to- MIDI
43. F7h
Quarter Frame
End of Exclusive (EOX)
Channel Mode Message 126
Full Frame
44. Modulation
10
1
Continue
MTC Full Frame Message
45. Using handshake wiring - requests for data are continuously sent between devices
Synchronization Types
Handshake
Song Position Pointer
MIDI Region
46. OMNI OFF
MSB
Channel Mode Message 124
Running Status
Product ID
47. Channel Mode Messages
120 - 127
SMPTE
Event Chasing
Tempo Sync Types
48. The process of locking two or more devices together in time and/or tempo
32 - 63
Synchronization
MIDI Implementation Chart
VCA
49. 1 (msb) ---> 110 (System Message) ---> 0100 (Which Message)
System Message Format
Continue
Event Chasing
Control Change Data Train
50. Controller that will commonly change banks on most MIDI devices (sometimes 0 & 32 are necessary)
Trigger- to- MIDI Devices (Examples)
LTC
Controller #0
Full Frame