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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Contains entire SMPTE address plus the last issued transport command (Start - Stop - Continue); 10 bytes long
MTC Full Frame Message
Examples of Location Sync
ReWire
Bank Select
2. Reduces the load by about ? (30 -33%) by removing redundant Status Bytes; Only for Channel Messages; Occurs only on playback; Function of the Sequencer; Basically drops similar status bytes so they don't have to be repeated each time
Start
High Resolution Bank Total
Running Status
10
3. The process of locking two or more devices together in time and/or tempo
Product ID
Synchronization
Event Chasing
Full Frame
4. Divide the number by 16 and convert remainder to hexadecimal value
Low Resolution
Registered Parameter Numbers
Best Way to Calculate Hexadecimal
Bank Select
5. Tempo & Location
System Messages
Channel Mode Message 125
Synchronization Types
Full Frame
6. Using handshake wiring - requests for data are continuously sent between devices
Channel Mode Message 125
Pitch- to- MIDI
Handshake
System Messages
7. How high resolution is achieved in MIDI Controllers
Channel Mode Message 124
Mirroring
00 - 31
Binary
8. Tells analog oscillators to 'tune up'
MSB
End of Exclusive (EOX)
VITC
Tune Request
9. Voltage signal changes HARMONIC CONTENT (TIMBRE)
Continue
VCF
Decimal
Offset
10. Internal device expressed in BPM that keeps multiple devices locked at the same tempo; Also known at the MIDI Beat Clock; Setup is generally the same as MTC
Channel Mode Message 127
Trigger- to- MIDI Devices (Examples)
Timing Clock
Best Way to Calculate Hexadecimal
11. Looks previous to the play line for any prior MIDI information and updates the sequence accordingly; Most commonly used with Program Change and Controller Messages
7
Channel Mode Message 125
Event Chasing
Location
12. 0 - 32 - Bank Select 1 - Modulation 7 - Volume 10 - Pan 64 - Sustain Pedal
MIDI Time Code
Types of Location Sync
Most Common Controllers
Synchronization
13. MIDI Clock; MIDI Sync
Channel Mode Message 123
Tempo Sync Types
Channel Mode Message 125
Mirroring Requirements
14. MONO
Trigger- to- MIDI
VCO
Channel Mode Message 126
VCF
15. Designed for the Theatrical and Staging Industries; Allows MIDI to control over audio and video playback systems - lighting & effects - pyrotechnics - machinery - and robotics
MIDI Show Control
System Reset
Tempo Sync Types
SMPTE
16. Starts a sequence or pattern
Stop
Control Change Data Train
MIDI Show Control
Start
17. Time code developed for the film industry but now extensively used in music and recording; Related to hours - minutes - seconds and film or video frames rather than to musical tempo; Absolute
MIDI Event
SMPTE
Stop
10
18. Base 10
Decimal
MSB
Offset
Types of Location Sync
19. Pan
VITC
Channel Mode Message 124
10
MIDI Implementation Chart
20. 16 -384 available Banks; Most common mirrored controller; Each bank contains 128 Programs (0 - 127); 2 -097 -152 possible Program Changes for MIDI
Bank Select
MIDI Event
MSB
Tempo
21. Timing Clock; Start; Continue; Stop; Active Sensing; System Reset
System Realtime Messages
Tempo
VCO
High Resolution Bank Total
22. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; 24 PPQN; Also known as the Timing Clock; Setup is generally the same as MTC
Decimal
Syncing MIDI Beat Clock
Trigger- to- MIDI Devices (Examples)
MIDI Beat Clock
23. 2 Bytes Long; 4 sent per frame of SMPTE; 8 frames needed to make a complete SMPTED address; 2 full frames of SMPTE are needed to visually update the address
Active Sensing
Channel Mode Message 124
Quarter Frame Message
MIDI Show Control
24. F7h
7
SMPTE
Direct
End of Exclusive (EOX)
25. Start of Exclusive; Manufacturer's ID; Product ID; Device ID; Program Data; End of Exclusive (EOX)
Control Change (Controllers)
120 - 127
System Exclusive Protocol
System Exclusive
26. Keyboards - Wind Controllers - Brass Controllers - Electronic Drums - and Control Surfaces; Significantly less latency
Syncing MIDI Beat Clock
System Message Format
Trigger- to- MIDI Devices (Examples)
Device ID
27. Actual bulk of data; Easily up to 100 parameters (Patch Name - Filters - LFO - Oscillator Settings - and all other data)
Timing Clock
System Messages
Program Data
Tune Request
28. Switches between songs or patterns on a sequence
Types of Location Sync
Channel Mode Message 127
Song Select
MIDI Show Control
29. F0h (One of the highest priority system message)
Absolute Location Synchronization
Song Position Pointer
Event Chasing
Start of Exclusive
30. Longitudinal Time Code; When SMPTE time code is encoded as an audio signal on audio track; Audio version of SMPTE; Absolute
96 - 119
Direct
LTC
Trigger- to- MIDI Devices (Examples)
31. Beats Per Minute
Program Data
MIDI Event
System Reset
BPM
32. Locks devices to the same location (in increments of 16th notes)
Controller Categories
Channel Mode Message 123
Song Position Pointer
3 Ways to Transfer SysEx Data
33. (Vertical Interval Time Code); Popular method for recording time code onto videotape; Video version of SMPTE; Absolute
VITC
SPP
Channel Mode Message 126
Channel Mode Message 124
34. Modulation
1
Most Common Controllers
Relative Location Synchronization
3 Ways to Transfer SysEx Data
35. A way to save or change complete settings
Direct
Song Select
Quarter Frame Message
System Exclusive
36. Beat Clock does not care where the device's location is (where in the song it is) as long as BPM is the same; Always make sure devices are ALL set to the location value desired for start; (Ex... two devices one set at Bar 1 and the other at Bar 9...M
ReWire
Syncing MIDI Beat Clock
Channel Mode Message 123
Absolute Location Synchronization
37. OMNI ON
Location
Channel Mode Message 125
00 - 31
Product ID
38. Setting the SMPTE time to match the desired Bars/Beats/Ticks location; Set by the slave device after frame rate is set; Start of sequence should typically be at the same time as the start of media's MTC address
VITC
1
Offset
VCF
39. All Sounds OFF ~ Cuts all outputs of sound ==> SILENCE
VCF
Channel Mode Message 120
120 - 127
32 - 63
40. Continues the sequence or pattern from where it was last stopped
Program Data
Best Way to Calculate Hexadecimal
Continue
MIDI Region
41. SMPTE; MTC; LTC; VITC; SPP
Examples of Location Sync
System Exclusive
Pitch- to- MIDI
Full Frame
42. Manually initiate transfer from device
BPM
Control Change Data Train
Channel Mode Message 122
Direct
43. MIDI Time Code message sent during playback
Quarter Frame
VCF
Controller #0
Program Data
44. Preferred; Not referenced from the beginning of the song; Slave always identifies with location of bar
End of Exclusive (EOX)
00 - 31
System Realtime Messages
Absolute Location Synchronization
45. Message sent for the device to send SysEx data - then sends it to the device; Most commonly used by an editor or library program
Types of Location Sync
Channel Mode Message 124
Request
VCF
46. Storage Media or Sequence Track
Offset
Where to Save SysEx Data
64 - 95
VITC
47. POLY
Pitch- to MIDI Devices (Examples)
Channel Mode Message 127
Registered Parameter Numbers
Best Way to Calculate Hexadecimal
48. All Notes OFF (Release Time) ~ Does not guarantee a complete sound loss
Offset
ReWire
System Messages
Channel Mode Message 123
49. Sustain Pedal
Timing Clock
Best Way to Calculate Hexadecimal
Low Resolution
64
50. Converting an analog signal or sound into a MIDI message
10
Tempo
LTC
Pitch- to- MIDI