SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Pan
10
VITC
Full Frame Message
Channel Mode Message 124
2. Setting the SMPTE time to match the desired Bars/Beats/Ticks location; Set by the slave device after frame rate is set; Start of sequence should typically be at the same time as the start of media's MTC address
MIDI Show Control
Trigger- to- MIDI
Offset
Start of Exclusive
3. All Notes OFF (Release Time) ~ Does not guarantee a complete sound loss
LTC
Channel Mode Message 123
Control Change (Controllers)
Stop
4. Controls some aspect of sound on a channel; 128 Different controllers available (1 -127); Give us the ability to automate changes when recorded
Timing Clock
10
MIDI Implementation Chart
Control Change (Controllers)
5. Sustain Pedal
BPM
96 - 119
SMPTE
64
6. Using handshake wiring - requests for data are continuously sent between devices
Channel Mode Message 123
1
Handshake
Tempo
7. Voltage signal changes HARMONIC CONTENT (TIMBRE)
Registered Parameter Numbers
SPP
VCF
MIDI Implementation Chart
8. Switches between songs or patterns on a sequence
Control Change (Controllers)
System Common Messages
Where to Save SysEx Data
Song Select
9. SPP with added tempo information; Relative
Direct
SPP
0 - 32
MIDI Sync
10. Preferred; Not referenced from the beginning of the song; Slave always identifies with location of bar
Pitch- to- MIDI
Absolute Location Synchronization
Quarter Frame
Controller #0
11. Propellerhead Software's standard for timing - audio channels - and transport control available on most DAW's & Sequencers; Designed to control multiple applications within the same computer
Mirroring Requirements
Channel Mode Message 124
ReWire
MIDI Sync
12. Using a key - button - pad - slider - knob - etc. to generate a MIDI message; 80% - 90% of MIDI controllers use this method for MIDI conversion
Location
Trigger- to- MIDI
Registered Parameter Numbers
Pitch- to MIDI Devices (Examples)
13. 0 - 32 - Bank Select 1 - Modulation 7 - Volume 10 - Pan 64 - Sustain Pedal
Most Common Controllers
MIDI Time Code
Offset
MTC Full Frame Message
14. Base 10
Direct
96 - 119
Start of Exclusive
Decimal
15. Low Resolution (MSB)
Running Status
00 - 31
Syncing MIDI Beat Clock
Product ID
16. Time code developed for the film industry but now extensively used in music and recording; Related to hours - minutes - seconds and film or video frames rather than to musical tempo; Absolute
Location
Event Chasing
SMPTE
Pitch- to MIDI Devices (Examples)
17. The process of locking two or more devices together in time and/or tempo
VITC
VCO
Synchronization
SMPTE
18. Synchronization to the timing or speed of a pattern or song
Synchronization Types
Syncing MIDI Beat Clock
Bank Select
Tempo
19. Divide the number by 16 and convert remainder to hexadecimal value
Channel Mode Message 126
Best Way to Calculate Hexadecimal
Controller Categories
Location
20. Start of Exclusive; Manufacturer's ID; Product ID; Device ID; Program Data; End of Exclusive (EOX)
System Exclusive Protocol
120 - 127
Tempo
Absolute Location Synchronization
21. Tells analog oscillators to 'tune up'
Control Change Data Train
Full Frame Message
Tune Request
MSB
22. 2 Bytes Long; 4 sent per frame of SMPTE; 8 frames needed to make a complete SMPTED address; 2 full frames of SMPTE are needed to visually update the address
Full Frame Message
Quarter Frame Message
Trigger- to- MIDI Devices (Examples)
Types of Location Sync
23. Continues the sequence or pattern from where it was last stopped
MIDI Time Code
Continue
Full Frame Message
Start
24. Single MIDI message; Status Byte + associated Data Bytes; Can be edited individually allowing complete control over every minute detail of the MIDI sequence
MIDI Event
Pitch- to- MIDI
End of Exclusive (EOX)
VCO
25. POLY
Channel Mode Message 127
64 - 95
Stop
Syncing MIDI Beat Clock
26. MIDI Time Code message sent during playback
Quarter Frame
Low Resolution
Absolute Location Synchronization
Decimal
27. Starts a sequence or pattern
Start
Full Frame Message
64 - 95
Pitch- to- MIDI
28. F7h
End of Exclusive (EOX)
Low Resolution
System Message Format
Best Way to Calculate Hexadecimal
29. Modulation
120 - 127
ReWire
MIDI Region
1
30. Internal device expressed in BPM that keeps multiple devices locked at the same tempo; Also known at the MIDI Beat Clock; Setup is generally the same as MTC
Manufacturer's ID
Stop
Song Select
Timing Clock
31. Least Significant Byte; Controller #32
Quarter Frame
Start of Exclusive
System Exclusive
LSB
32. Actual bulk of data; Easily up to 100 parameters (Patch Name - Filters - LFO - Oscillator Settings - and all other data)
Program Data
System Message Format
MIDI Show Control
MTC Full Frame Message
33. Status Byte = Controller + Channel Data Byte 1 = Controller Number Data Byte 2 = 0 - 127 (Value/Range)
Channel Mode Message 121
Low Resolution
7
Absolute Location Synchronization
34. Model number (functions similar to MAN ID but happens after the MAN ID is validated)
Product ID
Song Select
Synchronization Types
MIDI Beat Clock
35. Keyboards - Wind Controllers - Brass Controllers - Electronic Drums - and Control Surfaces; Significantly less latency
Trigger- to- MIDI Devices (Examples)
Tune Request
Absolute Location Synchronization
VCF
36. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; 24 PPQN; Also known as the Timing Clock; Setup is generally the same as MTC
MIDI Beat Clock
Types of Location Sync
Channel Mode Message 126
MIDI Sync
37. Most Significant Byte; Controller #0
Where to Save SysEx Data
System Exclusive
MSB
Full Frame
38. 16 -384 available Banks; Most common mirrored controller; Each bank contains 128 Programs (0 - 127); 2 -097 -152 possible Program Changes for MIDI
MIDI Region
Bank Select
Direct
High Resolution Bank Total
39. Resets to default power up state
MIDI Implementation Chart
System Reset
Product ID
Relative Location Synchronization
40. Converting an analog signal or sound into a MIDI message
Hexadecimal
System Exclusive Protocol
Direct
Pitch- to- MIDI
41. Tune Request; Song Select; Song Position Pointer; MIDI Time Code
System Common Messages
MIDI Sync
System Realtime Messages
Syncing MIDI Beat Clock
42. High Resolution (LSB)
32 - 63
System Exclusive Protocol
3 Ways to Transfer SysEx Data
Handshake
43. Switches
Decimal
MIDI Implementation Chart
64 - 95
Channel Mode Message 121
44. (Controller + Channel) + Controller # + Amount
Control Change Data Train
Decimal
Song Select
MIDI Region
45. Synchronization to a point in time or a direct address
Location
Timing Clock
System Exclusive Protocol
Types of Location Sync
46. Voltage signal changes PITCH
VCO
Event Chasing
Channel Mode Message 125
Pitch- to MIDI Devices (Examples)
47. 16 -384
Song Select
Quarter Frame
Stop
High Resolution Bank Total
48. 1 (msb) ---> 110 (System Message) ---> 0100 (Which Message)
64
Full Frame
Offset
System Message Format
49. A way to save or change complete settings
Channel Mode Message 124
Channel Mode Message 127
Controller Categories
System Exclusive
50. Container that carries all MIDI events in a sequence; Method of grouping MIDI events to make editing and arranging easier
Stop
Relative Location Synchronization
64 - 95
MIDI Region