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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Modulation
Channel Mode Message 126
Quarter Frame
Mirroring Requirements
1
2. Based on System Exclusive; Allows more control over MIDI devices unlike standard Common or RealTime messages; Fast-Forward - Fast-Rewind - Shuttle Control - Track Arming - Variable Playback - etc.
3 Ways to Transfer SysEx Data
Direct
MIDI Sync
MIDI Implementation Chart
3. Actual bulk of data; Easily up to 100 parameters (Patch Name - Filters - LFO - Oscillator Settings - and all other data)
Program Data
Direct
0 - 32
Best Way to Calculate Hexadecimal
4. MIDI Time Code message only sent on start - stop or continue
Full Frame Message
LSB
Full Frame
Channel Mode Message 122
5. Stops the sequence or pattern
Stop
System Exclusive Protocol
MIDI Beat Clock
64 - 95
6. Assigned by MMA and JMSC; These need to be used with all future SysEx messages or they will be ignored (think saved patches)
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7. Internal device expressed in BPM that keeps multiple devices locked at the same tempo; Also known at the MIDI Beat Clock; Setup is generally the same as MTC
Timing Clock
Control Change (Controllers)
MTC Full Frame Message
High Resolution Bank Total
8. Channel Mode Messages
120 - 127
System Exclusive Protocol
Channel Mode Message 120
MIDI Time Code
9. Guitar - Bass - Strings - & Monophonic Audio- to-Video Conversion; More Expressive
Pitch- to MIDI Devices (Examples)
Controller #0
Stop
Manufacturer's ID
10. Model number (functions similar to MAN ID but happens after the MAN ID is validated)
Running Status
Manufacturer's ID
Product ID
MTC Full Frame Message
11. The process of locking two or more devices together in time and/or tempo
Timing Clock
System Exclusive
Synchronization
96 - 119
12. 00 - 31 = Low Resolution (MSB) 32 - 63 = High Resolution (LSB) 64 - 95 = Switches 96 - 119 = Various / FX 120 - 127 = Channel Mode Messages
10
Controller Categories
120 - 127
Syncing MIDI Beat Clock
13. Least Significant Byte; Controller #32
LSB
Start
Registered Parameter Numbers
LTC
14. Status Byte = Controller + Channel Data Byte 1 = Controller Number Data Byte 2 = 0 - 127 (Value/Range)
Song Select
Where to Save SysEx Data
Low Resolution
64
15. Voltage signal changes PITCH
Synchronization
Channel Mode Message 127
VCO
120 - 127
16. Base 10
Controller #0
Decimal
Low Resolution
120 - 127
17. (MIDI Beat Clock) - Keeps devices locked to the same tempo (24 PPQN)
1
Timing Clock
Channel Mode Message 126
Product ID
18. Multiply the values (2nd Data Bytes) of a Low Resolution and a High Resolution Controller together; Controller numbers (1st Data Bytes) must be 32 digits apart
Best Way to Calculate Hexadecimal
Mirroring Requirements
Examples of Location Sync
MIDI Show Control
19. Controls some aspect of sound on a channel; 128 Different controllers available (1 -127); Give us the ability to automate changes when recorded
LSB
64 - 95
Examples of Location Sync
Control Change (Controllers)
20. High Resolution (LSB)
10
System Message Format
32 - 63
Synchronization Types
21. MIDI Time Code; Sub- format of SMPTE; Absolute
Device ID
ReWire
Syncing MIDI Beat Clock
MTC
22. All Notes OFF (Release Time) ~ Does not guarantee a complete sound loss
Trigger- to- MIDI Devices (Examples)
Examples of Location Sync
64
Channel Mode Message 123
23. Local ON/OFF
Tune Request
3 Ways to Transfer SysEx Data
Channel Mode Message 122
Start of Exclusive
24. Sometimes called a USER ID; Can be changed on two pieces of the same equipment
Device ID
VITC
MIDI Sync
VCO
25. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
Hexadecimal
Mirroring
MIDI Time Code
Event Chasing
26. ( S -> 01:01:01:01 -> Transport Method ); 1 for 'System Message' -> 8 for SMPTE -> 1 for Transport Method; Data = 0; 3 numbers = Which column of SMPTE; 4 numbers = Value for the column
Timing Clock
Types of Location Sync
Song Select
Full Frame Message
27. Using a key - button - pad - slider - knob - etc. to generate a MIDI message; 80% - 90% of MIDI controllers use this method for MIDI conversion
ReWire
Trigger- to- MIDI
Timing Clock
VCF
28. Used to represent sound or performance parameters (must be used by all manufacturers)
Registered Parameter Numbers
Continue
Program Data
Quarter Frame Message
29. F7h
3 Ways to Transfer SysEx Data
End of Exclusive (EOX)
120 - 127
Absolute Location Synchronization
30. Container that carries all MIDI events in a sequence; Method of grouping MIDI events to make editing and arranging easier
MIDI Region
MIDI Show Control
Trigger- to- MIDI Devices (Examples)
VITC
31. Converting an analog signal or sound into a MIDI message
Program Data
Tempo
System Messages
Pitch- to- MIDI
32. A pulse is sent out every 300 ms; If a slave device receives them it will function normally
MSB
Active Sensing
MTC
Pitch- to- MIDI
33. Looks previous to the play line for any prior MIDI information and updates the sequence accordingly; Most commonly used with Program Change and Controller Messages
Event Chasing
BPM
Channel Mode Message 123
LTC
34. Tune Request; Song Select; Song Position Pointer; MIDI Time Code
Hexadecimal
Low Resolution
Request
System Common Messages
35. F0h (One of the highest priority system message)
MIDI Sync
Start of Exclusive
96 - 119
1
36. Time code developed for the film industry but now extensively used in music and recording; Related to hours - minutes - seconds and film or video frames rather than to musical tempo; Absolute
Handshake
120 - 127
SMPTE
MIDI Region
37. Beats Per Minute
BPM
MIDI Sync
Channel Mode Message 127
Channel Mode Message 120
38. SMPTE; MTC; LTC; VITC; SPP
Control Change Data Train
Examples of Location Sync
Tempo
Timing Clock
39. Pan
Song Position Pointer
10
Active Sensing
7
40. Increments of 16th notes measured from the beginning of the song; Provides bars - beats - and ticks; Relative
SPP
System Exclusive
MIDI Beat Clock
MIDI Implementation Chart
41. Voltage signal changes AMPLITUDE
Handshake
Relative Location Synchronization
VCA
Mirroring Requirements
42. SPP with added tempo information; Relative
7
System Common Messages
System Message Format
MIDI Sync
43. Reduces the load by about ? (30 -33%) by removing redundant Status Bytes; Only for Channel Messages; Occurs only on playback; Function of the Sequencer; Basically drops similar status bytes so they don't have to be repeated each time
VCO
System Exclusive
Offset
Running Status
44. A way to save or change complete settings
MIDI Event
System Message Format
System Exclusive
Mirroring Requirements
45. Base 2
MIDI Region
System Exclusive Protocol
Binary
Running Status
46. OMNI OFF
Decimal
Channel Mode Message 124
Start of Exclusive
MIDI Region
47. Message sent for the device to send SysEx data - then sends it to the device; Most commonly used by an editor or library program
Request
120 - 127
Channel Mode Message 122
00 - 31
48. POLY
MTC
Channel Mode Message 127
Running Status
Direct
49. Using handshake wiring - requests for data are continuously sent between devices
Low Resolution
VCF
Syncing MIDI Beat Clock
Handshake
50. Volume
Tempo
VITC
7
ReWire