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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Tune Request; Song Select; Song Position Pointer; MIDI Time Code
Pitch- to- MIDI
System Messages
120 - 127
System Common Messages
2. Channel Mode Messages
Song Position Pointer
120 - 127
Binary
Offset
3. Least Significant Byte; Controller #32
32 - 63
LTC
LSB
Device ID
4. MIDI Time Code message only sent on start - stop or continue
Quarter Frame Message
Location
MTC
Full Frame
5. OMNI OFF
Channel Mode Message 124
Syncing MIDI Beat Clock
Full Frame Message
96 - 119
6. Sometimes called a USER ID; Can be changed on two pieces of the same equipment
Device ID
MIDI Show Control
System Reset
VCO
7. SMPTE; MTC; LTC; VITC; SPP
Examples of Location Sync
Pitch- to- MIDI
Best Way to Calculate Hexadecimal
0 - 32
8. Modulation
Channel Mode Message 127
1
Manufacturer's ID
Most Common Controllers
9. Setting the SMPTE time to match the desired Bars/Beats/Ticks location; Set by the slave device after frame rate is set; Start of sequence should typically be at the same time as the start of media's MTC address
Tempo Sync Types
Offset
Channel Mode Message 121
SPP
10. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; 24 PPQN; Also known as the Timing Clock; Setup is generally the same as MTC
Tempo Sync Types
VCA
Offset
MIDI Beat Clock
11. Timing Clock; Start; Continue; Stop; Active Sensing; System Reset
System Realtime Messages
MIDI Region
Handshake
MIDI Event
12. Start of Exclusive; Manufacturer's ID; Product ID; Device ID; Program Data; End of Exclusive (EOX)
System Exclusive Protocol
System Exclusive
Event Chasing
System Message Format
13. Message sent for the device to send SysEx data - then sends it to the device; Most commonly used by an editor or library program
Pitch- to MIDI Devices (Examples)
Request
Synchronization
High Resolution Bank Total
14. POLY
Device ID
Tune Request
MIDI Beat Clock
Channel Mode Message 127
15. Guitar - Bass - Strings - & Monophonic Audio- to-Video Conversion; More Expressive
Handshake
Pitch- to MIDI Devices (Examples)
Start of Exclusive
Channel Mode Message 126
16. Using a key - button - pad - slider - knob - etc. to generate a MIDI message; 80% - 90% of MIDI controllers use this method for MIDI conversion
120 - 127
MTC Full Frame Message
Start of Exclusive
Trigger- to- MIDI
17. Reset All Controllers
Absolute Location Synchronization
Tempo
Channel Mode Message 121
MIDI Sync
18. Resets to default power up state
VCF
Absolute Location Synchronization
System Reset
Product ID
19. Increments of 16th notes measured from the beginning of the song; Provides bars - beats - and ticks; Relative
SPP
7
32 - 63
Channel Mode Message 121
20. A pulse is sent out every 300 ms; If a slave device receives them it will function normally
VCF
Decimal
Most Common Controllers
Active Sensing
21. Relative & Absolute
Product ID
Syncing MIDI Beat Clock
Types of Location Sync
Channel Mode Message 124
22. Voltage signal changes PITCH
Bank Select
VCO
Channel Mode Message 120
Handshake
23. Starts a sequence or pattern
Start
Best Way to Calculate Hexadecimal
64
System Exclusive
24. Local ON/OFF
Handshake
System Reset
Channel Mode Message 122
MTC
25. Always referenced from the beginning of the song
Relative Location Synchronization
Control Change (Controllers)
MIDI Show Control
64
26. Continues the sequence or pattern from where it was last stopped
Song Select
1
System Exclusive Protocol
Continue
27. Bank Select
System Reset
Active Sensing
0 - 32
System Exclusive
28. Switches between songs or patterns on a sequence
ReWire
Channel Mode Message 121
Channel Mode Message 123
Song Select
29. A way to save or change complete settings
MIDI Event
0 - 32
System Exclusive
Full Frame
30. MONO
Channel Mode Message 126
Handshake
Trigger- to- MIDI
1
31. Switches
Timing Clock
1
64 - 95
Start
32. Base 16 (0 - F); The numbers 0 - 9 are still the same but the numbers 10 - 15 are represented by the letters A - F
Song Select
MIDI Time Code
Channel Mode Message 122
Hexadecimal
33. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
Where to Save SysEx Data
VCF
MIDI Time Code
Channel Mode Message 120
34. 0 - 32 - Bank Select 1 - Modulation 7 - Volume 10 - Pan 64 - Sustain Pedal
0 - 32
MIDI Implementation Chart
Most Common Controllers
Channel Mode Message 121
35. Multiply the values (2nd Data Bytes) of a Low Resolution and a High Resolution Controller together; Controller numbers (1st Data Bytes) must be 32 digits apart
Mirroring Requirements
SMPTE
Synchronization Types
Examples of Location Sync
36. Beats Per Minute
Direct
Most Common Controllers
Channel Mode Message 123
BPM
37. Assigned by MMA and JMSC; These need to be used with all future SysEx messages or they will be ignored (think saved patches)
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183
38. Propellerhead Software's standard for timing - audio channels - and transport control available on most DAW's & Sequencers; Designed to control multiple applications within the same computer
System Reset
VITC
ReWire
Trigger- to- MIDI
39. Storage Media or Sequence Track
LTC
Event Chasing
Where to Save SysEx Data
System Common Messages
40. Internal device expressed in BPM that keeps multiple devices locked at the same tempo; Also known at the MIDI Beat Clock; Setup is generally the same as MTC
32 - 63
Most Common Controllers
Event Chasing
Timing Clock
41. Controller that will commonly change banks on most MIDI devices (sometimes 0 & 32 are necessary)
Full Frame
Controller #0
LSB
Offset
42. 2 Bytes Long; 4 sent per frame of SMPTE; 8 frames needed to make a complete SMPTED address; 2 full frames of SMPTE are needed to visually update the address
Quarter Frame Message
System Exclusive Protocol
Handshake
Mirroring Requirements
43. Using handshake wiring - requests for data are continuously sent between devices
Handshake
Relative Location Synchronization
96 - 119
Decimal
44. Controls some aspect of sound on a channel; 128 Different controllers available (1 -127); Give us the ability to automate changes when recorded
Control Change (Controllers)
Absolute Location Synchronization
VITC
End of Exclusive (EOX)
45. Reduces the load by about ? (30 -33%) by removing redundant Status Bytes; Only for Channel Messages; Occurs only on playback; Function of the Sequencer; Basically drops similar status bytes so they don't have to be repeated each time
Manufacturer's ID
Running Status
Controller Categories
Pitch- to- MIDI
46. Beat Clock does not care where the device's location is (where in the song it is) as long as BPM is the same; Always make sure devices are ALL set to the location value desired for start; (Ex... two devices one set at Bar 1 and the other at Bar 9...M
Absolute Location Synchronization
64 - 95
LSB
Syncing MIDI Beat Clock
47. Manually initiate transfer from device
VCA
Direct
Timing Clock
Channel Mode Message 121
48. Most Significant Byte; Controller #0
MSB
Song Select
Channel Mode Message 124
Start of Exclusive
49. Tempo & Location
Pitch- to- MIDI
Synchronization Types
Types of Location Sync
VCO
50. Tells analog oscillators to 'tune up'
Tune Request
MIDI Show Control
Pitch- to- MIDI
Product ID
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