SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. SMPTE; MTC; LTC; VITC; SPP
Event Chasing
Direct
Tune Request
Examples of Location Sync
2. Low Resolution (MSB)
00 - 31
Product ID
Request
Mirroring
3. Starts a sequence or pattern
Mirroring Requirements
Start
Trigger- to- MIDI Devices (Examples)
Start of Exclusive
4. Setting the SMPTE time to match the desired Bars/Beats/Ticks location; Set by the slave device after frame rate is set; Start of sequence should typically be at the same time as the start of media's MTC address
Program Data
Channel Mode Message 127
Offset
Trigger- to- MIDI
5. Voltage signal changes AMPLITUDE
Full Frame
MIDI Implementation Chart
MSB
VCA
6. Voltage signal changes PITCH
System Message Format
Pitch- to- MIDI
Pitch- to MIDI Devices (Examples)
VCO
7. Modulation
Pitch- to- MIDI
64 - 95
LSB
1
8. Increments of 16th notes measured from the beginning of the song; Provides bars - beats - and ticks; Relative
SPP
High Resolution Bank Total
Channel Mode Message 125
Channel Mode Message 124
9. How high resolution is achieved in MIDI Controllers
7
Full Frame
ReWire
Mirroring
10. Local ON/OFF
Timing Clock
Channel Mode Message 125
Channel Mode Message 122
System Exclusive Protocol
11. Using a key - button - pad - slider - knob - etc. to generate a MIDI message; 80% - 90% of MIDI controllers use this method for MIDI conversion
Channel Mode Message 124
Trigger- to- MIDI
Running Status
Channel Mode Message 127
12. Voltage signal changes HARMONIC CONTENT (TIMBRE)
3 Ways to Transfer SysEx Data
VCF
Song Position Pointer
Program Data
13. Storage Media or Sequence Track
System Exclusive
Where to Save SysEx Data
Low Resolution
10
14. Single MIDI message; Status Byte + associated Data Bytes; Can be edited individually allowing complete control over every minute detail of the MIDI sequence
Control Change (Controllers)
Direct
MIDI Event
Absolute Location Synchronization
15. Assigned by MMA and JMSC; These need to be used with all future SysEx messages or they will be ignored (think saved patches)
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
16. Model number (functions similar to MAN ID but happens after the MAN ID is validated)
Product ID
Timing Clock
64
Direct
17. (MIDI Beat Clock) - Keeps devices locked to the same tempo (24 PPQN)
Best Way to Calculate Hexadecimal
Timing Clock
Control Change Data Train
MTC Full Frame Message
18. Various / FX
96 - 119
Start
Manufacturer's ID
Absolute Location Synchronization
19. Relative & Absolute
System Common Messages
Control Change (Controllers)
MIDI Implementation Chart
Types of Location Sync
20. (Controller + Channel) + Controller # + Amount
Offset
Control Change Data Train
Direct
Channel Mode Message 125
21. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
3 Ways to Transfer SysEx Data
Program Data
Full Frame Message
MIDI Time Code
22. 0 - 32 - Bank Select 1 - Modulation 7 - Volume 10 - Pan 64 - Sustain Pedal
Most Common Controllers
Low Resolution
3 Ways to Transfer SysEx Data
Synchronization
23. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; 24 PPQN; Also known as the Timing Clock; Setup is generally the same as MTC
3 Ways to Transfer SysEx Data
32 - 63
MIDI Beat Clock
Synchronization
24. Base 10
SMPTE
MIDI Beat Clock
Decimal
Continue
25. Controls some aspect of sound on a channel; 128 Different controllers available (1 -127); Give us the ability to automate changes when recorded
Full Frame
MIDI Sync
Control Change (Controllers)
Offset
26. 2 Bytes Long; 4 sent per frame of SMPTE; 8 frames needed to make a complete SMPTED address; 2 full frames of SMPTE are needed to visually update the address
Synchronization
Tempo
Manufacturer's ID
Quarter Frame Message
27. Least Significant Byte; Controller #32
Timing Clock
LSB
Trigger- to- MIDI
Active Sensing
28. Always referenced from the beginning of the song
System Exclusive
System Message Format
Relative Location Synchronization
Program Data
29. Internal device expressed in BPM that keeps multiple devices locked at the same tempo; Also known at the MIDI Beat Clock; Setup is generally the same as MTC
Timing Clock
Where to Save SysEx Data
Channel Mode Message 122
Channel Mode Message 125
30. Multiply the values (2nd Data Bytes) of a Low Resolution and a High Resolution Controller together; Controller numbers (1st Data Bytes) must be 32 digits apart
Mirroring Requirements
Handshake
System Message Format
Program Data
31. F7h
Handshake
Location
End of Exclusive (EOX)
Synchronization
32. Status Byte = Controller + Channel Data Byte 1 = Controller Number Data Byte 2 = 0 - 127 (Value/Range)
MIDI Sync
MIDI Time Code
Relative Location Synchronization
Low Resolution
33. 00 - 31 = Low Resolution (MSB) 32 - 63 = High Resolution (LSB) 64 - 95 = Switches 96 - 119 = Various / FX 120 - 127 = Channel Mode Messages
Absolute Location Synchronization
Controller Categories
Channel Mode Message 124
Song Select
34. Used to represent sound or performance parameters (must be used by all manufacturers)
Quarter Frame
Registered Parameter Numbers
Start of Exclusive
7
35. High Resolution (LSB)
120 - 127
System Messages
Channel Mode Message 121
32 - 63
36. Designed for the Theatrical and Staging Industries; Allows MIDI to control over audio and video playback systems - lighting & effects - pyrotechnics - machinery - and robotics
Synchronization
Request
1
MIDI Show Control
37. 16 -384
End of Exclusive (EOX)
High Resolution Bank Total
32 - 63
Most Common Controllers
38. Channel Mode Messages
Channel Mode Message 127
High Resolution Bank Total
System Exclusive
120 - 127
39. Sometimes called a USER ID; Can be changed on two pieces of the same equipment
MSB
Device ID
VCA
Mirroring Requirements
40. Beat Clock does not care where the device's location is (where in the song it is) as long as BPM is the same; Always make sure devices are ALL set to the location value desired for start; (Ex... two devices one set at Bar 1 and the other at Bar 9...M
96 - 119
Syncing MIDI Beat Clock
7
Mirroring
41. Synchronization to a point in time or a direct address
Location
Channel Mode Message 123
Program Data
VCF
42. A pulse is sent out every 300 ms; If a slave device receives them it will function normally
Absolute Location Synchronization
System Exclusive
Active Sensing
SMPTE
43. Based on System Exclusive; Allows more control over MIDI devices unlike standard Common or RealTime messages; Fast-Forward - Fast-Rewind - Shuttle Control - Track Arming - Variable Playback - etc.
MIDI Implementation Chart
Trigger- to- MIDI
MTC Full Frame Message
Active Sensing
44. Converting an analog signal or sound into a MIDI message
System Reset
Trigger- to- MIDI
Pitch- to- MIDI
Handshake
45. Bank Select
0 - 32
Channel Mode Message 120
System Exclusive Protocol
Quarter Frame Message
46. Pan
10
64 - 95
Request
Quarter Frame Message
47. ( S -> 01:01:01:01 -> Transport Method ); 1 for 'System Message' -> 8 for SMPTE -> 1 for Transport Method; Data = 0; 3 numbers = Which column of SMPTE; 4 numbers = Value for the column
Bank Select
Examples of Location Sync
System Realtime Messages
Full Frame Message
48. Beats Per Minute
Quarter Frame Message
Location
32 - 63
BPM
49. Switches between songs or patterns on a sequence
Channel Mode Message 122
Channel Mode Message 126
Tempo
Song Select
50. The parameters that make up an operating system; Think of it like the 'stuff a band would need to do before actually making music during practice'
LSB
System Realtime Messages
System Messages
VCF