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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Base 16 (0 - F); The numbers 0 - 9 are still the same but the numbers 10 - 15 are represented by the letters A - F
Channel Mode Message 121
Binary
Hexadecimal
Synchronization
2. Bank Select
Binary
Controller Categories
0 - 32
Device ID
3. Increments of 16th notes measured from the beginning of the song; Provides bars - beats - and ticks; Relative
Channel Mode Message 121
System Realtime Messages
SPP
Full Frame
4. Sometimes called a USER ID; Can be changed on two pieces of the same equipment
Direct
Channel Mode Message 120
Hexadecimal
Device ID
5. Relative & Absolute
Pitch- to- MIDI
120 - 127
MIDI Time Code
Types of Location Sync
6. Using a key - button - pad - slider - knob - etc. to generate a MIDI message; 80% - 90% of MIDI controllers use this method for MIDI conversion
Trigger- to- MIDI
VCO
MIDI Region
96 - 119
7. Starts a sequence or pattern
Start
1
Channel Mode Message 127
Registered Parameter Numbers
8. Sustain Pedal
Mirroring Requirements
Pitch- to- MIDI
MSB
64
9. Single MIDI message; Status Byte + associated Data Bytes; Can be edited individually allowing complete control over every minute detail of the MIDI sequence
System Reset
120 - 127
Request
MIDI Event
10. Used to represent sound or performance parameters (must be used by all manufacturers)
Registered Parameter Numbers
00 - 31
Control Change Data Train
MTC
11. Divide the number by 16 and convert remainder to hexadecimal value
Tune Request
Song Select
Best Way to Calculate Hexadecimal
MIDI Time Code
12. (Vertical Interval Time Code); Popular method for recording time code onto videotape; Video version of SMPTE; Absolute
VCF
End of Exclusive (EOX)
VITC
Location
13. Designed for the Theatrical and Staging Industries; Allows MIDI to control over audio and video playback systems - lighting & effects - pyrotechnics - machinery - and robotics
Controller Categories
MIDI Show Control
MSB
Handshake
14. Beats Per Minute
64
BPM
Song Select
0 - 32
15. Always referenced from the beginning of the song
VCO
Device ID
Relative Location Synchronization
0 - 32
16. Contains entire SMPTE address plus the last issued transport command (Start - Stop - Continue); 10 bytes long
SPP
MTC Full Frame Message
Pitch- to- MIDI
Channel Mode Message 123
17. MIDI Time Code message sent during playback
MIDI Beat Clock
Program Data
Quarter Frame
Pitch- to MIDI Devices (Examples)
18. Using handshake wiring - requests for data are continuously sent between devices
Manufacturer's ID
Handshake
Product ID
MTC
19. All Notes OFF (Release Time) ~ Does not guarantee a complete sound loss
Channel Mode Message 123
Start
VITC
Channel Mode Message 126
20. Volume
Quarter Frame Message
LSB
7
Channel Mode Message 127
21. Message sent for the device to send SysEx data - then sends it to the device; Most commonly used by an editor or library program
Bank Select
Absolute Location Synchronization
Request
Start of Exclusive
22. Switches
LTC
Song Position Pointer
64 - 95
1
23. MIDI Time Code message only sent on start - stop or continue
ReWire
Full Frame
64
VITC
24. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; 24 PPQN; Also known as the Timing Clock; Setup is generally the same as MTC
Program Data
Synchronization Types
MIDI Beat Clock
SMPTE
25. 2 Bytes Long; 4 sent per frame of SMPTE; 8 frames needed to make a complete SMPTED address; 2 full frames of SMPTE are needed to visually update the address
Channel Mode Message 123
Start
Synchronization Types
Quarter Frame Message
26. Switches between songs or patterns on a sequence
Song Select
Location
Tempo Sync Types
Stop
27. The parameters that make up an operating system; Think of it like the 'stuff a band would need to do before actually making music during practice'
MTC Full Frame Message
System Messages
LTC
Device ID
28. Storage Media or Sequence Track
Program Data
Mirroring Requirements
Active Sensing
Where to Save SysEx Data
29. Looks previous to the play line for any prior MIDI information and updates the sequence accordingly; Most commonly used with Program Change and Controller Messages
System Messages
SMPTE
Event Chasing
VCA
30. Actual bulk of data; Easily up to 100 parameters (Patch Name - Filters - LFO - Oscillator Settings - and all other data)
0 - 32
System Messages
Program Data
Start of Exclusive
31. Based on System Exclusive; Allows more control over MIDI devices unlike standard Common or RealTime messages; Fast-Forward - Fast-Rewind - Shuttle Control - Track Arming - Variable Playback - etc.
SPP
ReWire
Controller Categories
MIDI Implementation Chart
32. A pulse is sent out every 300 ms; If a slave device receives them it will function normally
Active Sensing
Request
7
Channel Mode Message 126
33. ( S -> 01:01:01:01 -> Transport Method ); 1 for 'System Message' -> 8 for SMPTE -> 1 for Transport Method; Data = 0; 3 numbers = Which column of SMPTE; 4 numbers = Value for the column
MIDI Event
Song Position Pointer
Timing Clock
Full Frame Message
34. SPP with added tempo information; Relative
Request
MIDI Sync
Channel Mode Message 120
120 - 127
35. Assigned by MMA and JMSC; These need to be used with all future SysEx messages or they will be ignored (think saved patches)
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36. Time code developed for the film industry but now extensively used in music and recording; Related to hours - minutes - seconds and film or video frames rather than to musical tempo; Absolute
SMPTE
LSB
SPP
System Messages
37. Reduces the load by about ? (30 -33%) by removing redundant Status Bytes; Only for Channel Messages; Occurs only on playback; Function of the Sequencer; Basically drops similar status bytes so they don't have to be repeated each time
VITC
VCF
Channel Mode Message 122
Running Status
38. Tempo & Location
Song Position Pointer
Synchronization Types
Tempo
Trigger- to- MIDI
39. Resets to default power up state
System Reset
Running Status
Channel Mode Message 121
VCF
40. Voltage signal changes HARMONIC CONTENT (TIMBRE)
Running Status
Quarter Frame
VCF
0 - 32
41. Modulation
System Common Messages
Direct
1
Continue
42. Controls some aspect of sound on a channel; 128 Different controllers available (1 -127); Give us the ability to automate changes when recorded
MTC Full Frame Message
Control Change (Controllers)
MIDI Implementation Chart
Decimal
43. Container that carries all MIDI events in a sequence; Method of grouping MIDI events to make editing and arranging easier
VCF
MIDI Sync
Controller #0
MIDI Region
44. Tune Request; Song Select; Song Position Pointer; MIDI Time Code
MIDI Show Control
Request
System Common Messages
Timing Clock
45. All Sounds OFF ~ Cuts all outputs of sound ==> SILENCE
Timing Clock
Trigger- to- MIDI
Active Sensing
Channel Mode Message 120
46. Keyboards - Wind Controllers - Brass Controllers - Electronic Drums - and Control Surfaces; Significantly less latency
0 - 32
Running Status
Trigger- to- MIDI Devices (Examples)
Hexadecimal
47. High Resolution (LSB)
LSB
Program Data
32 - 63
Where to Save SysEx Data
48. Channel Mode Messages
120 - 127
Trigger- to- MIDI Devices (Examples)
Song Select
Manufacturer's ID
49. Timing Clock; Start; Continue; Stop; Active Sensing; System Reset
00 - 31
Location
Stop
System Realtime Messages
50. Most Significant Byte; Controller #0
Stop
Trigger- to- MIDI
MIDI Region
MSB