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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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study here
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. How high resolution is achieved in MIDI Controllers
Tempo
Control Change (Controllers)
Mirroring
Trigger- to- MIDI Devices (Examples)
2. Modulation
Quarter Frame Message
Tempo Sync Types
1
Offset
3. Tells analog oscillators to 'tune up'
Where to Save SysEx Data
Tune Request
System Common Messages
Synchronization
4. Using handshake wiring - requests for data are continuously sent between devices
System Reset
Handshake
Control Change Data Train
Start
5. (Controller + Channel) + Controller # + Amount
Channel Mode Message 122
Low Resolution
Start of Exclusive
Control Change Data Train
6. Converting an analog signal or sound into a MIDI message
Where to Save SysEx Data
Stop
Location
Pitch- to- MIDI
7. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
Timing Clock
MIDI Time Code
Active Sensing
LTC
8. Base 16 (0 - F); The numbers 0 - 9 are still the same but the numbers 10 - 15 are represented by the letters A - F
120 - 127
Absolute Location Synchronization
Hexadecimal
Location
9. Local ON/OFF
Channel Mode Message 122
Channel Mode Message 121
Examples of Location Sync
Trigger- to- MIDI
10. Setting the SMPTE time to match the desired Bars/Beats/Ticks location; Set by the slave device after frame rate is set; Start of sequence should typically be at the same time as the start of media's MTC address
120 - 127
Offset
MIDI Show Control
Controller Categories
11. High Resolution (LSB)
32 - 63
Song Position Pointer
Mirroring Requirements
VCF
12. Beat Clock does not care where the device's location is (where in the song it is) as long as BPM is the same; Always make sure devices are ALL set to the location value desired for start; (Ex... two devices one set at Bar 1 and the other at Bar 9...M
Syncing MIDI Beat Clock
Event Chasing
1
Channel Mode Message 123
13. Controller that will commonly change banks on most MIDI devices (sometimes 0 & 32 are necessary)
Song Select
Controller #0
120 - 127
System Exclusive Protocol
14. F7h
3 Ways to Transfer SysEx Data
MTC Full Frame Message
End of Exclusive (EOX)
Types of Location Sync
15. Voltage signal changes PITCH
SMPTE
Active Sensing
VCO
SPP
16. Preferred; Not referenced from the beginning of the song; Slave always identifies with location of bar
Quarter Frame
Tune Request
Absolute Location Synchronization
Trigger- to- MIDI
17. Resets to default power up state
Full Frame Message
System Reset
Channel Mode Message 124
96 - 119
18. Divide the number by 16 and convert remainder to hexadecimal value
00 - 31
Full Frame
Program Data
Best Way to Calculate Hexadecimal
19. MIDI Time Code message only sent on start - stop or continue
Full Frame
SMPTE
Song Position Pointer
Absolute Location Synchronization
20. Reset All Controllers
00 - 31
Song Select
Types of Location Sync
Channel Mode Message 121
21. 0 - 32 - Bank Select 1 - Modulation 7 - Volume 10 - Pan 64 - Sustain Pedal
64 - 95
Most Common Controllers
Relative Location Synchronization
MIDI Region
22. Stops the sequence or pattern
Pitch- to- MIDI
Channel Mode Message 127
Stop
Registered Parameter Numbers
23. MIDI Time Code; Sub- format of SMPTE; Absolute
Quarter Frame
Location
MTC
120 - 127
24. Longitudinal Time Code; When SMPTE time code is encoded as an audio signal on audio track; Audio version of SMPTE; Absolute
LTC
Tempo
VITC
Song Select
25. Synchronization to the timing or speed of a pattern or song
Tempo
Song Position Pointer
1
Mirroring
26. Using a key - button - pad - slider - knob - etc. to generate a MIDI message; 80% - 90% of MIDI controllers use this method for MIDI conversion
Synchronization Types
Syncing MIDI Beat Clock
Trigger- to- MIDI
MIDI Beat Clock
27. MONO
Tempo Sync Types
VITC
96 - 119
Channel Mode Message 126
28. Multiply the values (2nd Data Bytes) of a Low Resolution and a High Resolution Controller together; Controller numbers (1st Data Bytes) must be 32 digits apart
Start
Mirroring Requirements
0 - 32
Program Data
29. 16 -384
High Resolution Bank Total
Device ID
Timing Clock
Mirroring
30. Sometimes called a USER ID; Can be changed on two pieces of the same equipment
Device ID
Tempo Sync Types
7
3 Ways to Transfer SysEx Data
31. The parameters that make up an operating system; Think of it like the 'stuff a band would need to do before actually making music during practice'
Binary
Hexadecimal
MIDI Beat Clock
System Messages
32. Contains entire SMPTE address plus the last issued transport command (Start - Stop - Continue); 10 bytes long
Where to Save SysEx Data
End of Exclusive (EOX)
MIDI Beat Clock
MTC Full Frame Message
33. OMNI OFF
Channel Mode Message 124
Registered Parameter Numbers
Control Change Data Train
BPM
34. Low Resolution (MSB)
Control Change Data Train
00 - 31
Pitch- to- MIDI
Channel Mode Message 124
35. A pulse is sent out every 300 ms; If a slave device receives them it will function normally
Continue
VCA
Active Sensing
End of Exclusive (EOX)
36. 1 (msb) ---> 110 (System Message) ---> 0100 (Which Message)
Pitch- to- MIDI
System Message Format
System Exclusive Protocol
MIDI Event
37. MIDI Time Code message sent during playback
Quarter Frame
Control Change (Controllers)
Direct
Mirroring
38. Base 2
Binary
Tempo Sync Types
MIDI Time Code
VCA
39. Switches
End of Exclusive (EOX)
SPP
64 - 95
Control Change (Controllers)
40. Least Significant Byte; Controller #32
BPM
Tempo
LSB
Handshake
41. Start of Exclusive; Manufacturer's ID; Product ID; Device ID; Program Data; End of Exclusive (EOX)
Mirroring
System Message Format
System Exclusive Protocol
Mirroring Requirements
42. (Vertical Interval Time Code); Popular method for recording time code onto videotape; Video version of SMPTE; Absolute
Binary
120 - 127
System Exclusive Protocol
VITC
43. Synchronization to a point in time or a direct address
Location
LSB
Product ID
Registered Parameter Numbers
44. SMPTE; MTC; LTC; VITC; SPP
Timing Clock
Examples of Location Sync
Song Select
Location
45. Voltage signal changes HARMONIC CONTENT (TIMBRE)
120 - 127
Decimal
00 - 31
VCF
46. ( S -> 01:01:01:01 -> Transport Method ); 1 for 'System Message' -> 8 for SMPTE -> 1 for Transport Method; Data = 0; 3 numbers = Which column of SMPTE; 4 numbers = Value for the column
Synchronization Types
7
Full Frame Message
System Exclusive Protocol
47. Always referenced from the beginning of the song
Channel Mode Message 127
Bank Select
End of Exclusive (EOX)
Relative Location Synchronization
48. Starts a sequence or pattern
Relative Location Synchronization
Start
0 - 32
Binary
49. 2 Bytes Long; 4 sent per frame of SMPTE; 8 frames needed to make a complete SMPTED address; 2 full frames of SMPTE are needed to visually update the address
Quarter Frame Message
MTC Full Frame Message
Channel Mode Message 123
Channel Mode Message 126
50. Single MIDI message; Status Byte + associated Data Bytes; Can be edited individually allowing complete control over every minute detail of the MIDI sequence
Channel Mode Message 124
MIDI Event
Types of Location Sync
Synchronization Types
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