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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. MIDI Time Code message only sent on start - stop or continue
32 - 63
Channel Mode Message 121
00 - 31
Full Frame
2. Keyboards - Wind Controllers - Brass Controllers - Electronic Drums - and Control Surfaces; Significantly less latency
Trigger- to- MIDI Devices (Examples)
VITC
64 - 95
MIDI Implementation Chart
3. Sometimes called a USER ID; Can be changed on two pieces of the same equipment
Device ID
Synchronization Types
VITC
Handshake
4. SMPTE; MTC; LTC; VITC; SPP
Examples of Location Sync
Relative Location Synchronization
Program Data
Active Sensing
5. Assigned by MMA and JMSC; These need to be used with all future SysEx messages or they will be ignored (think saved patches)
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6. Beats Per Minute
Binary
Location
ReWire
BPM
7. Internal device expressed in BPM that keeps multiple devices locked at the same tempo; Also known at the MIDI Beat Clock; Setup is generally the same as MTC
Timing Clock
Controller #0
Channel Mode Message 124
System Message Format
8. Voltage signal changes HARMONIC CONTENT (TIMBRE)
Trigger- to- MIDI Devices (Examples)
VCF
Channel Mode Message 123
32 - 63
9. All Notes OFF (Release Time) ~ Does not guarantee a complete sound loss
Song Select
MIDI Sync
Timing Clock
Channel Mode Message 123
10. Status Byte = Controller + Channel Data Byte 1 = Controller Number Data Byte 2 = 0 - 127 (Value/Range)
MIDI Show Control
Low Resolution
10
Active Sensing
11. Beat Clock does not care where the device's location is (where in the song it is) as long as BPM is the same; Always make sure devices are ALL set to the location value desired for start; (Ex... two devices one set at Bar 1 and the other at Bar 9...M
Tune Request
Control Change (Controllers)
Syncing MIDI Beat Clock
MTC
12. 00 - 31 = Low Resolution (MSB) 32 - 63 = High Resolution (LSB) 64 - 95 = Switches 96 - 119 = Various / FX 120 - 127 = Channel Mode Messages
120 - 127
Direct
Controller Categories
System Realtime Messages
13. Divide the number by 16 and convert remainder to hexadecimal value
System Common Messages
System Reset
Channel Mode Message 122
Best Way to Calculate Hexadecimal
14. MONO
Registered Parameter Numbers
Quarter Frame Message
Program Data
Channel Mode Message 126
15. Message sent for the device to send SysEx data - then sends it to the device; Most commonly used by an editor or library program
Mirroring Requirements
MIDI Region
Request
MIDI Show Control
16. Resets to default power up state
10
Mirroring Requirements
System Messages
System Reset
17. Based on System Exclusive; Allows more control over MIDI devices unlike standard Common or RealTime messages; Fast-Forward - Fast-Rewind - Shuttle Control - Track Arming - Variable Playback - etc.
Tempo Sync Types
MIDI Event
MIDI Implementation Chart
Full Frame Message
18. Converting an analog signal or sound into a MIDI message
Pitch- to- MIDI
Tempo
SPP
Control Change Data Train
19. Always referenced from the beginning of the song
Relative Location Synchronization
Product ID
Manufacturer's ID
MTC Full Frame Message
20. F0h (One of the highest priority system message)
Start of Exclusive
7
Active Sensing
System Exclusive
21. Low Resolution (MSB)
Timing Clock
32 - 63
0 - 32
00 - 31
22. High Resolution (LSB)
96 - 119
32 - 63
Request
Control Change Data Train
23. Using a key - button - pad - slider - knob - etc. to generate a MIDI message; 80% - 90% of MIDI controllers use this method for MIDI conversion
Trigger- to- MIDI
MIDI Implementation Chart
Quarter Frame Message
Song Position Pointer
24. All Sounds OFF ~ Cuts all outputs of sound ==> SILENCE
Relative Location Synchronization
Channel Mode Message 120
Trigger- to- MIDI
System Messages
25. The process of locking two or more devices together in time and/or tempo
00 - 31
MIDI Time Code
Channel Mode Message 121
Synchronization
26. Continues the sequence or pattern from where it was last stopped
Continue
Channel Mode Message 126
Synchronization
Start of Exclusive
27. Propellerhead Software's standard for timing - audio channels - and transport control available on most DAW's & Sequencers; Designed to control multiple applications within the same computer
ReWire
Channel Mode Message 124
MIDI Beat Clock
Channel Mode Message 122
28. Container that carries all MIDI events in a sequence; Method of grouping MIDI events to make editing and arranging easier
MIDI Region
120 - 127
Full Frame
Mirroring
29. Timing Clock; Start; Continue; Stop; Active Sensing; System Reset
MSB
Absolute Location Synchronization
System Realtime Messages
Channel Mode Message 122
30. Bank Select
Best Way to Calculate Hexadecimal
MIDI Event
Channel Mode Message 122
0 - 32
31. F7h
End of Exclusive (EOX)
BPM
High Resolution Bank Total
MIDI Time Code
32. Various / FX
MIDI Beat Clock
96 - 119
Handshake
Channel Mode Message 122
33. Switches
120 - 127
3 Ways to Transfer SysEx Data
64 - 95
Location
34. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
End of Exclusive (EOX)
MIDI Time Code
0 - 32
Manufacturer's ID
35. Switches between songs or patterns on a sequence
32 - 63
Syncing MIDI Beat Clock
Song Select
MTC Full Frame Message
36. Used to represent sound or performance parameters (must be used by all manufacturers)
3 Ways to Transfer SysEx Data
Direct
MIDI Sync
Registered Parameter Numbers
37. Base 10
System Messages
Decimal
Binary
Continue
38. Synchronization to a point in time or a direct address
Manufacturer's ID
Active Sensing
Location
Synchronization
39. MIDI Clock; MIDI Sync
High Resolution Bank Total
Tempo Sync Types
Request
Pitch- to MIDI Devices (Examples)
40. Base 2
System Exclusive Protocol
Timing Clock
Best Way to Calculate Hexadecimal
Binary
41. Setting the SMPTE time to match the desired Bars/Beats/Ticks location; Set by the slave device after frame rate is set; Start of sequence should typically be at the same time as the start of media's MTC address
00 - 31
Syncing MIDI Beat Clock
Offset
Tempo
42. Synchronization to the timing or speed of a pattern or song
BPM
Examples of Location Sync
Pitch- to- MIDI
Tempo
43. Multiply the values (2nd Data Bytes) of a Low Resolution and a High Resolution Controller together; Controller numbers (1st Data Bytes) must be 32 digits apart
Synchronization Types
Mirroring Requirements
MIDI Sync
Syncing MIDI Beat Clock
44. Preferred; Not referenced from the beginning of the song; Slave always identifies with location of bar
Running Status
Continue
Synchronization
Absolute Location Synchronization
45. Single MIDI message; Status Byte + associated Data Bytes; Can be edited individually allowing complete control over every minute detail of the MIDI sequence
MIDI Event
Trigger- to- MIDI
System Message Format
Control Change (Controllers)
46. SPP with added tempo information; Relative
MIDI Sync
Channel Mode Message 123
Hexadecimal
LTC
47. (Controller + Channel) + Controller # + Amount
Pitch- to- MIDI
MSB
Control Change Data Train
Channel Mode Message 127
48. How high resolution is achieved in MIDI Controllers
MIDI Beat Clock
Channel Mode Message 126
Mirroring
System Common Messages
49. Direct; Request; Handshake
Channel Mode Message 127
0 - 32
Song Position Pointer
3 Ways to Transfer SysEx Data
50. A way to save or change complete settings
Event Chasing
System Exclusive
System Common Messages
Binary