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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Local ON/OFF
MIDI Beat Clock
Channel Mode Message 122
Trigger- to- MIDI Devices (Examples)
Manufacturer's ID
2. Actual bulk of data; Easily up to 100 parameters (Patch Name - Filters - LFO - Oscillator Settings - and all other data)
Program Data
VCA
Tempo Sync Types
MIDI Time Code
3. Channel Mode Messages
120 - 127
Quarter Frame Message
Start
Channel Mode Message 122
4. Locks devices to the same location (in increments of 16th notes)
32 - 63
Song Position Pointer
Controller Categories
Pitch- to- MIDI
5. All Notes OFF (Release Time) ~ Does not guarantee a complete sound loss
Hexadecimal
Channel Mode Message 123
Channel Mode Message 126
System Exclusive
6. Starts a sequence or pattern
Start
Most Common Controllers
1
MTC Full Frame Message
7. Message sent for the device to send SysEx data - then sends it to the device; Most commonly used by an editor or library program
Trigger- to- MIDI
VCF
Low Resolution
Request
8. Relative & Absolute
System Reset
SPP
Quarter Frame Message
Types of Location Sync
9. Propellerhead Software's standard for timing - audio channels - and transport control available on most DAW's & Sequencers; Designed to control multiple applications within the same computer
System Reset
Synchronization Types
ReWire
Trigger- to- MIDI
10. MIDI Time Code message only sent on start - stop or continue
Full Frame
Control Change Data Train
VCA
MIDI Show Control
11. (MIDI Beat Clock) - Keeps devices locked to the same tempo (24 PPQN)
Timing Clock
Full Frame
SMPTE
Channel Mode Message 125
12. POLY
Channel Mode Message 127
MIDI Beat Clock
Stop
ReWire
13. F7h
Channel Mode Message 124
Control Change Data Train
End of Exclusive (EOX)
MIDI Implementation Chart
14. Designed for the Theatrical and Staging Industries; Allows MIDI to control over audio and video playback systems - lighting & effects - pyrotechnics - machinery - and robotics
Request
MIDI Show Control
Location
Tune Request
15. Tune Request; Song Select; Song Position Pointer; MIDI Time Code
System Common Messages
Control Change (Controllers)
MIDI Region
LTC
16. 16 -384
ReWire
Timing Clock
High Resolution Bank Total
96 - 119
17. Looks previous to the play line for any prior MIDI information and updates the sequence accordingly; Most commonly used with Program Change and Controller Messages
System Message Format
MIDI Time Code
Pitch- to- MIDI
Event Chasing
18. SPP with added tempo information; Relative
Active Sensing
Tempo
MIDI Sync
0 - 32
19. Timing Clock; Start; Continue; Stop; Active Sensing; System Reset
Channel Mode Message 120
Registered Parameter Numbers
Examples of Location Sync
System Realtime Messages
20. Controls some aspect of sound on a channel; 128 Different controllers available (1 -127); Give us the ability to automate changes when recorded
Active Sensing
Control Change (Controllers)
MIDI Time Code
ReWire
21. Using handshake wiring - requests for data are continuously sent between devices
System Common Messages
Handshake
Channel Mode Message 120
10
22. Tempo & Location
End of Exclusive (EOX)
MIDI Time Code
High Resolution Bank Total
Synchronization Types
23. Increments of 16th notes measured from the beginning of the song; Provides bars - beats - and ticks; Relative
System Common Messages
Best Way to Calculate Hexadecimal
SPP
System Exclusive
24. 16 -384 available Banks; Most common mirrored controller; Each bank contains 128 Programs (0 - 127); 2 -097 -152 possible Program Changes for MIDI
Bank Select
Mirroring Requirements
Synchronization
120 - 127
25. 1 (msb) ---> 110 (System Message) ---> 0100 (Which Message)
Control Change (Controllers)
System Message Format
Stop
96 - 119
26. Switches between songs or patterns on a sequence
Relative Location Synchronization
Song Select
Channel Mode Message 125
System Exclusive Protocol
27. Low Resolution (MSB)
MIDI Show Control
Timing Clock
ReWire
00 - 31
28. OMNI OFF
Channel Mode Message 124
Location
96 - 119
Binary
29. Reset All Controllers
MIDI Implementation Chart
Tempo
Channel Mode Message 121
Channel Mode Message 124
30. SMPTE; MTC; LTC; VITC; SPP
Examples of Location Sync
Binary
Channel Mode Message 125
Mirroring Requirements
31. 0 - 32 - Bank Select 1 - Modulation 7 - Volume 10 - Pan 64 - Sustain Pedal
VCA
Continue
Most Common Controllers
Syncing MIDI Beat Clock
32. Used to represent sound or performance parameters (must be used by all manufacturers)
MIDI Region
120 - 127
Types of Location Sync
Registered Parameter Numbers
33. The parameters that make up an operating system; Think of it like the 'stuff a band would need to do before actually making music during practice'
Channel Mode Message 123
System Messages
SPP
VCA
34. OMNI ON
Stop
Channel Mode Message 125
High Resolution Bank Total
Examples of Location Sync
35. Beat Clock does not care where the device's location is (where in the song it is) as long as BPM is the same; Always make sure devices are ALL set to the location value desired for start; (Ex... two devices one set at Bar 1 and the other at Bar 9...M
System Message Format
Syncing MIDI Beat Clock
VCA
Channel Mode Message 123
36. 2 Bytes Long; 4 sent per frame of SMPTE; 8 frames needed to make a complete SMPTED address; 2 full frames of SMPTE are needed to visually update the address
120 - 127
Hexadecimal
Quarter Frame Message
System Realtime Messages
37. How high resolution is achieved in MIDI Controllers
End of Exclusive (EOX)
Quarter Frame Message
ReWire
Mirroring
38. Preferred; Not referenced from the beginning of the song; Slave always identifies with location of bar
Absolute Location Synchronization
Handshake
LTC
Channel Mode Message 126
39. Reduces the load by about ? (30 -33%) by removing redundant Status Bytes; Only for Channel Messages; Occurs only on playback; Function of the Sequencer; Basically drops similar status bytes so they don't have to be repeated each time
Timing Clock
Controller #0
Running Status
Quarter Frame Message
40. Manually initiate transfer from device
Start
Most Common Controllers
Channel Mode Message 124
Direct
41. Assigned by MMA and JMSC; These need to be used with all future SysEx messages or they will be ignored (think saved patches)
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183
42. Voltage signal changes AMPLITUDE
VCA
VITC
Song Select
Channel Mode Message 120
43. Guitar - Bass - Strings - & Monophonic Audio- to-Video Conversion; More Expressive
10
Pitch- to MIDI Devices (Examples)
Synchronization
MIDI Beat Clock
44. Using a key - button - pad - slider - knob - etc. to generate a MIDI message; 80% - 90% of MIDI controllers use this method for MIDI conversion
MIDI Show Control
Tempo
Pitch- to MIDI Devices (Examples)
Trigger- to- MIDI
45. MIDI Time Code message sent during playback
Control Change (Controllers)
High Resolution Bank Total
Synchronization Types
Quarter Frame
46. Resets to default power up state
System Reset
Manufacturer's ID
120 - 127
VITC
47. Modulation
Continue
1
BPM
MTC
48. The process of locking two or more devices together in time and/or tempo
Timing Clock
LSB
Synchronization
Offset
49. Base 16 (0 - F); The numbers 0 - 9 are still the same but the numbers 10 - 15 are represented by the letters A - F
Hexadecimal
3 Ways to Transfer SysEx Data
Continue
MIDI Beat Clock
50. High Resolution (LSB)
Timing Clock
Absolute Location Synchronization
MIDI Region
32 - 63