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Test your basic knowledge |
MIDI - 2
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Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Controls some aspect of sound on a channel; 128 Different controllers available (1 -127); Give us the ability to automate changes when recorded
Program Data
MTC Full Frame Message
Control Change (Controllers)
3 Ways to Transfer SysEx Data
2. Pan
Most Common Controllers
High Resolution Bank Total
10
MTC
3. (MIDI Beat Clock) - Keeps devices locked to the same tempo (24 PPQN)
Timing Clock
MIDI Beat Clock
Song Position Pointer
VCA
4. Various / FX
BPM
96 - 119
Channel Mode Message 127
Absolute Location Synchronization
5. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
MIDI Time Code
System Reset
Device ID
Location
6. Designed for the Theatrical and Staging Industries; Allows MIDI to control over audio and video playback systems - lighting & effects - pyrotechnics - machinery - and robotics
MTC Full Frame Message
Channel Mode Message 127
MIDI Show Control
Types of Location Sync
7. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; 24 PPQN; Also known as the Timing Clock; Setup is generally the same as MTC
96 - 119
Best Way to Calculate Hexadecimal
MIDI Implementation Chart
MIDI Beat Clock
8. 0 - 32 - Bank Select 1 - Modulation 7 - Volume 10 - Pan 64 - Sustain Pedal
Channel Mode Message 127
Most Common Controllers
MIDI Sync
Program Data
9. Looks previous to the play line for any prior MIDI information and updates the sequence accordingly; Most commonly used with Program Change and Controller Messages
Channel Mode Message 120
MIDI Time Code
Event Chasing
MIDI Implementation Chart
10. Beats Per Minute
Examples of Location Sync
BPM
End of Exclusive (EOX)
Trigger- to- MIDI Devices (Examples)
11. Switches between songs or patterns on a sequence
ReWire
Types of Location Sync
Song Select
VITC
12. F7h
End of Exclusive (EOX)
Timing Clock
Synchronization Types
00 - 31
13. SPP with added tempo information; Relative
MTC
Synchronization Types
System Reset
MIDI Sync
14. Sometimes called a USER ID; Can be changed on two pieces of the same equipment
Device ID
System Exclusive
64 - 95
Synchronization Types
15. Model number (functions similar to MAN ID but happens after the MAN ID is validated)
Types of Location Sync
Product ID
Timing Clock
LSB
16. Controller that will commonly change banks on most MIDI devices (sometimes 0 & 32 are necessary)
Manufacturer's ID
Controller #0
Event Chasing
MIDI Beat Clock
17. Longitudinal Time Code; When SMPTE time code is encoded as an audio signal on audio track; Audio version of SMPTE; Absolute
Event Chasing
LTC
Registered Parameter Numbers
SPP
18. Keyboards - Wind Controllers - Brass Controllers - Electronic Drums - and Control Surfaces; Significantly less latency
Location
Trigger- to- MIDI Devices (Examples)
0 - 32
LTC
19. OMNI ON
Channel Mode Message 125
Location
Channel Mode Message 120
Offset
20. All Notes OFF (Release Time) ~ Does not guarantee a complete sound loss
Full Frame
Channel Mode Message 123
LTC
Channel Mode Message 126
21. Internal device expressed in BPM that keeps multiple devices locked at the same tempo; Also known at the MIDI Beat Clock; Setup is generally the same as MTC
BPM
Timing Clock
Types of Location Sync
Channel Mode Message 125
22. Tells analog oscillators to 'tune up'
VITC
Stop
00 - 31
Tune Request
23. Base 2
64 - 95
Where to Save SysEx Data
MIDI Event
Binary
24. Actual bulk of data; Easily up to 100 parameters (Patch Name - Filters - LFO - Oscillator Settings - and all other data)
VCF
Program Data
VCO
32 - 63
25. Based on System Exclusive; Allows more control over MIDI devices unlike standard Common or RealTime messages; Fast-Forward - Fast-Rewind - Shuttle Control - Track Arming - Variable Playback - etc.
Hexadecimal
MIDI Beat Clock
Channel Mode Message 123
MIDI Implementation Chart
26. Message sent for the device to send SysEx data - then sends it to the device; Most commonly used by an editor or library program
Request
Song Select
Start
Location
27. SMPTE; MTC; LTC; VITC; SPP
Synchronization Types
Examples of Location Sync
Channel Mode Message 126
32 - 63
28. Preferred; Not referenced from the beginning of the song; Slave always identifies with location of bar
Absolute Location Synchronization
Tune Request
Channel Mode Message 126
System Messages
29. Switches
Tempo Sync Types
0 - 32
Pitch- to MIDI Devices (Examples)
64 - 95
30. Single MIDI message; Status Byte + associated Data Bytes; Can be edited individually allowing complete control over every minute detail of the MIDI sequence
MIDI Time Code
System Exclusive Protocol
Controller #0
MIDI Event
31. Contains entire SMPTE address plus the last issued transport command (Start - Stop - Continue); 10 bytes long
Start of Exclusive
MIDI Show Control
MTC Full Frame Message
00 - 31
32. The process of locking two or more devices together in time and/or tempo
Synchronization
Pitch- to MIDI Devices (Examples)
Mirroring Requirements
96 - 119
33. MIDI Clock; MIDI Sync
MIDI Beat Clock
VITC
Tempo Sync Types
Binary
34. Guitar - Bass - Strings - & Monophonic Audio- to-Video Conversion; More Expressive
Pitch- to MIDI Devices (Examples)
Full Frame Message
Timing Clock
MIDI Beat Clock
35. Always referenced from the beginning of the song
Tempo
Mirroring Requirements
MIDI Show Control
Relative Location Synchronization
36. Volume
7
Direct
System Exclusive
Tempo
37. F0h (One of the highest priority system message)
Channel Mode Message 121
System Reset
Start of Exclusive
Pitch- to MIDI Devices (Examples)
38. Most Significant Byte; Controller #0
Location
MTC
MSB
Handshake
39. Direct; Request; Handshake
VITC
Hexadecimal
Song Select
3 Ways to Transfer SysEx Data
40. 16 -384
VCA
High Resolution Bank Total
7
Trigger- to- MIDI
41. 2 Bytes Long; 4 sent per frame of SMPTE; 8 frames needed to make a complete SMPTED address; 2 full frames of SMPTE are needed to visually update the address
Quarter Frame Message
MSB
Quarter Frame
VCF
42. Divide the number by 16 and convert remainder to hexadecimal value
Absolute Location Synchronization
Most Common Controllers
Best Way to Calculate Hexadecimal
Channel Mode Message 127
43. (Vertical Interval Time Code); Popular method for recording time code onto videotape; Video version of SMPTE; Absolute
3 Ways to Transfer SysEx Data
MIDI Implementation Chart
MIDI Sync
VITC
44. Used to represent sound or performance parameters (must be used by all manufacturers)
Pitch- to MIDI Devices (Examples)
Binary
Best Way to Calculate Hexadecimal
Registered Parameter Numbers
45. 16 -384 available Banks; Most common mirrored controller; Each bank contains 128 Programs (0 - 127); 2 -097 -152 possible Program Changes for MIDI
Low Resolution
Bank Select
SPP
Manufacturer's ID
46. Base 10
VCA
LTC
Decimal
Stop
47. Voltage signal changes PITCH
VCO
VITC
SPP
LTC
48. ( S -> 01:01:01:01 -> Transport Method ); 1 for 'System Message' -> 8 for SMPTE -> 1 for Transport Method; Data = 0; 3 numbers = Which column of SMPTE; 4 numbers = Value for the column
Request
Start of Exclusive
Quarter Frame Message
Full Frame Message
49. POLY
Channel Mode Message 127
Tempo Sync Types
Device ID
Hexadecimal
50. Status Byte = Controller + Channel Data Byte 1 = Controller Number Data Byte 2 = 0 - 127 (Value/Range)
MIDI Beat Clock
64
System Common Messages
Low Resolution
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