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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. High Resolution (LSB)
VCF
Full Frame Message
High Resolution Bank Total
32 - 63
2. Used to represent sound or performance parameters (must be used by all manufacturers)
Registered Parameter Numbers
Stop
Examples of Location Sync
End of Exclusive (EOX)
3. Using a key - button - pad - slider - knob - etc. to generate a MIDI message; 80% - 90% of MIDI controllers use this method for MIDI conversion
System Exclusive
MTC Full Frame Message
Trigger- to- MIDI
End of Exclusive (EOX)
4. Tells analog oscillators to 'tune up'
MTC
Tune Request
System Common Messages
32 - 63
5. Setting the SMPTE time to match the desired Bars/Beats/Ticks location; Set by the slave device after frame rate is set; Start of sequence should typically be at the same time as the start of media's MTC address
Offset
Controller #0
Channel Mode Message 125
Pitch- to MIDI Devices (Examples)
6. Reset All Controllers
Channel Mode Message 123
Channel Mode Message 121
VITC
Control Change (Controllers)
7. Single MIDI message; Status Byte + associated Data Bytes; Can be edited individually allowing complete control over every minute detail of the MIDI sequence
MIDI Event
System Common Messages
Mirroring Requirements
VCA
8. OMNI OFF
VCO
Low Resolution
Full Frame
Channel Mode Message 124
9. Manually initiate transfer from device
Direct
System Messages
Running Status
Continue
10. Low Resolution (MSB)
00 - 31
MIDI Sync
Channel Mode Message 120
Full Frame
11. 00 - 31 = Low Resolution (MSB) 32 - 63 = High Resolution (LSB) 64 - 95 = Switches 96 - 119 = Various / FX 120 - 127 = Channel Mode Messages
Channel Mode Message 127
Tempo Sync Types
Controller Categories
Song Position Pointer
12. Designed for the Theatrical and Staging Industries; Allows MIDI to control over audio and video playback systems - lighting & effects - pyrotechnics - machinery - and robotics
MIDI Show Control
Controller Categories
Song Select
High Resolution Bank Total
13. MIDI Time Code message only sent on start - stop or continue
Decimal
Full Frame
Handshake
7
14. Voltage signal changes AMPLITUDE
64 - 95
MTC Full Frame Message
VCA
MIDI Event
15. Synchronization to the timing or speed of a pattern or song
96 - 119
Running Status
Tempo
System Exclusive
16. 1 (msb) ---> 110 (System Message) ---> 0100 (Which Message)
Control Change (Controllers)
Registered Parameter Numbers
Song Select
System Message Format
17. All Notes OFF (Release Time) ~ Does not guarantee a complete sound loss
Channel Mode Message 123
Channel Mode Message 125
Event Chasing
System Common Messages
18. The parameters that make up an operating system; Think of it like the 'stuff a band would need to do before actually making music during practice'
Binary
Syncing MIDI Beat Clock
MIDI Implementation Chart
System Messages
19. Beat Clock does not care where the device's location is (where in the song it is) as long as BPM is the same; Always make sure devices are ALL set to the location value desired for start; (Ex... two devices one set at Bar 1 and the other at Bar 9...M
SMPTE
VCO
Syncing MIDI Beat Clock
10
20. Always referenced from the beginning of the song
Relative Location Synchronization
ReWire
Control Change (Controllers)
Manufacturer's ID
21. Timing Clock; Start; Continue; Stop; Active Sensing; System Reset
96 - 119
Control Change (Controllers)
System Realtime Messages
MIDI Beat Clock
22. Longitudinal Time Code; When SMPTE time code is encoded as an audio signal on audio track; Audio version of SMPTE; Absolute
Channel Mode Message 125
MSB
MIDI Implementation Chart
LTC
23. Tune Request; Song Select; Song Position Pointer; MIDI Time Code
System Exclusive
System Common Messages
Absolute Location Synchronization
Direct
24. Sustain Pedal
Bank Select
High Resolution Bank Total
64
Mirroring Requirements
25. Base 10
Pitch- to MIDI Devices (Examples)
Decimal
120 - 127
Controller Categories
26. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
MIDI Time Code
00 - 31
Trigger- to- MIDI Devices (Examples)
Tempo
27. Volume
7
Tempo Sync Types
Offset
Control Change Data Train
28. Local ON/OFF
Song Position Pointer
System Message Format
Channel Mode Message 122
VCO
29. Reduces the load by about ? (30 -33%) by removing redundant Status Bytes; Only for Channel Messages; Occurs only on playback; Function of the Sequencer; Basically drops similar status bytes so they don't have to be repeated each time
Full Frame Message
LTC
Control Change Data Train
Running Status
30. Assigned by MMA and JMSC; These need to be used with all future SysEx messages or they will be ignored (think saved patches)
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183
31. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; 24 PPQN; Also known as the Timing Clock; Setup is generally the same as MTC
System Exclusive Protocol
Control Change (Controllers)
MIDI Beat Clock
System Common Messages
32. Voltage signal changes HARMONIC CONTENT (TIMBRE)
VCF
Location
96 - 119
Trigger- to- MIDI
33. Stops the sequence or pattern
Low Resolution
System Realtime Messages
Stop
Channel Mode Message 124
34. Most Significant Byte; Controller #0
Low Resolution
Handshake
MSB
64
35. Storage Media or Sequence Track
Hexadecimal
Where to Save SysEx Data
LTC
Tempo Sync Types
36. F7h
Binary
Examples of Location Sync
Timing Clock
End of Exclusive (EOX)
37. Beats Per Minute
SMPTE
Song Select
MIDI Show Control
BPM
38. Status Byte = Controller + Channel Data Byte 1 = Controller Number Data Byte 2 = 0 - 127 (Value/Range)
Mirroring
Low Resolution
Syncing MIDI Beat Clock
Control Change (Controllers)
39. Locks devices to the same location (in increments of 16th notes)
MIDI Region
Song Position Pointer
System Common Messages
Timing Clock
40. Converting an analog signal or sound into a MIDI message
Pitch- to- MIDI
Tune Request
System Message Format
Channel Mode Message 124
41. Resets to default power up state
Absolute Location Synchronization
Channel Mode Message 123
Timing Clock
System Reset
42. Bank Select
0 - 32
MIDI Region
SPP
Synchronization
43. Controls some aspect of sound on a channel; 128 Different controllers available (1 -127); Give us the ability to automate changes when recorded
Control Change (Controllers)
Relative Location Synchronization
BPM
Where to Save SysEx Data
44. POLY
Trigger- to- MIDI
Full Frame
SPP
Channel Mode Message 127
45. Guitar - Bass - Strings - & Monophonic Audio- to-Video Conversion; More Expressive
7
Pitch- to MIDI Devices (Examples)
Types of Location Sync
Low Resolution
46. Actual bulk of data; Easily up to 100 parameters (Patch Name - Filters - LFO - Oscillator Settings - and all other data)
MTC Full Frame Message
System Message Format
Channel Mode Message 122
Program Data
47. 16 -384
Handshake
VCO
High Resolution Bank Total
MIDI Show Control
48. A pulse is sent out every 300 ms; If a slave device receives them it will function normally
1
Active Sensing
00 - 31
Absolute Location Synchronization
49. ( S -> 01:01:01:01 -> Transport Method ); 1 for 'System Message' -> 8 for SMPTE -> 1 for Transport Method; Data = 0; 3 numbers = Which column of SMPTE; 4 numbers = Value for the column
Full Frame Message
Hexadecimal
Handshake
Manufacturer's ID
50. A way to save or change complete settings
System Message Format
Registered Parameter Numbers
System Exclusive
VITC
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