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Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 16 -384 available Banks; Most common mirrored controller; Each bank contains 128 Programs (0 - 127); 2 -097 -152 possible Program Changes for MIDI
System Message Format
Channel Mode Message 125
MIDI Time Code
Bank Select
2. (Vertical Interval Time Code); Popular method for recording time code onto videotape; Video version of SMPTE; Absolute
Pitch- to MIDI Devices (Examples)
VITC
Synchronization Types
MIDI Show Control
3. Least Significant Byte; Controller #32
LSB
ReWire
Handshake
Channel Mode Message 122
4. MIDI Time Code message sent during playback
Full Frame
Quarter Frame
MIDI Beat Clock
MIDI Sync
5. Voltage signal changes HARMONIC CONTENT (TIMBRE)
VCA
System Messages
VCF
Full Frame Message
6. Based on System Exclusive; Allows more control over MIDI devices unlike standard Common or RealTime messages; Fast-Forward - Fast-Rewind - Shuttle Control - Track Arming - Variable Playback - etc.
Control Change Data Train
High Resolution Bank Total
Program Data
MIDI Implementation Chart
7. Base 2
Binary
Channel Mode Message 125
MIDI Event
Program Data
8. Actual bulk of data; Easily up to 100 parameters (Patch Name - Filters - LFO - Oscillator Settings - and all other data)
Program Data
Product ID
Control Change Data Train
MIDI Region
9. Divide the number by 16 and convert remainder to hexadecimal value
Best Way to Calculate Hexadecimal
Direct
Types of Location Sync
Start
10. Resets to default power up state
System Reset
Trigger- to- MIDI
Mirroring
Most Common Controllers
11. 00 - 31 = Low Resolution (MSB) 32 - 63 = High Resolution (LSB) 64 - 95 = Switches 96 - 119 = Various / FX 120 - 127 = Channel Mode Messages
Controller #0
Channel Mode Message 125
Timing Clock
Controller Categories
12. Keyboards - Wind Controllers - Brass Controllers - Electronic Drums - and Control Surfaces; Significantly less latency
Channel Mode Message 122
Trigger- to- MIDI Devices (Examples)
MIDI Region
64 - 95
13. Message sent for the device to send SysEx data - then sends it to the device; Most commonly used by an editor or library program
32 - 63
Request
Channel Mode Message 123
Where to Save SysEx Data
14. Sometimes called a USER ID; Can be changed on two pieces of the same equipment
Channel Mode Message 121
Decimal
Device ID
MTC
15. Status Byte = Controller + Channel Data Byte 1 = Controller Number Data Byte 2 = 0 - 127 (Value/Range)
MTC Full Frame Message
120 - 127
Low Resolution
Channel Mode Message 124
16. Tune Request; Song Select; Song Position Pointer; MIDI Time Code
MIDI Event
System Message Format
Channel Mode Message 121
System Common Messages
17. SPP with added tempo information; Relative
Control Change (Controllers)
Full Frame
LTC
MIDI Sync
18. Increments of 16th notes measured from the beginning of the song; Provides bars - beats - and ticks; Relative
System Realtime Messages
Binary
Start
SPP
19. (MIDI Beat Clock) - Keeps devices locked to the same tempo (24 PPQN)
MTC Full Frame Message
LSB
Timing Clock
Hexadecimal
20. MIDI Time Code message only sent on start - stop or continue
System Message Format
Full Frame
Trigger- to- MIDI
Decimal
21. Setting the SMPTE time to match the desired Bars/Beats/Ticks location; Set by the slave device after frame rate is set; Start of sequence should typically be at the same time as the start of media's MTC address
Offset
Trigger- to- MIDI Devices (Examples)
Running Status
32 - 63
22. High Resolution (LSB)
BPM
32 - 63
Song Select
Controller Categories
23. Propellerhead Software's standard for timing - audio channels - and transport control available on most DAW's & Sequencers; Designed to control multiple applications within the same computer
System Realtime Messages
Tune Request
ReWire
SPP
24. Used to represent sound or performance parameters (must be used by all manufacturers)
Registered Parameter Numbers
Channel Mode Message 125
Synchronization Types
Tune Request
25. Locks devices to the same location (in increments of 16th notes)
MIDI Time Code
SPP
Bank Select
Song Position Pointer
26. Container that carries all MIDI events in a sequence; Method of grouping MIDI events to make editing and arranging easier
Start of Exclusive
Tune Request
Tempo
MIDI Region
27. Using handshake wiring - requests for data are continuously sent between devices
MIDI Time Code
Low Resolution
Handshake
00 - 31
28. Single MIDI message; Status Byte + associated Data Bytes; Can be edited individually allowing complete control over every minute detail of the MIDI sequence
MTC Full Frame Message
MIDI Event
Quarter Frame
VCF
29. Looks previous to the play line for any prior MIDI information and updates the sequence accordingly; Most commonly used with Program Change and Controller Messages
Manufacturer's ID
Trigger- to- MIDI Devices (Examples)
Channel Mode Message 120
Event Chasing
30. Voltage signal changes PITCH
VCF
LSB
Running Status
VCO
31. The parameters that make up an operating system; Think of it like the 'stuff a band would need to do before actually making music during practice'
System Messages
Most Common Controllers
Song Position Pointer
SPP
32. Local ON/OFF
10
Channel Mode Message 122
Active Sensing
00 - 31
33. Reset All Controllers
0 - 32
System Reset
MIDI Region
Channel Mode Message 121
34. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; 24 PPQN; Also known as the Timing Clock; Setup is generally the same as MTC
Tempo Sync Types
MIDI Beat Clock
0 - 32
Song Select
35. 1 (msb) ---> 110 (System Message) ---> 0100 (Which Message)
Registered Parameter Numbers
Event Chasing
System Message Format
MIDI Region
36. Designed for the Theatrical and Staging Industries; Allows MIDI to control over audio and video playback systems - lighting & effects - pyrotechnics - machinery - and robotics
Channel Mode Message 123
System Reset
MIDI Show Control
Continue
37. How high resolution is achieved in MIDI Controllers
Pitch- to- MIDI
Mirroring
0 - 32
MIDI Implementation Chart
38. Continues the sequence or pattern from where it was last stopped
Hexadecimal
SMPTE
Full Frame Message
Continue
39. Starts a sequence or pattern
Start
BPM
High Resolution Bank Total
Registered Parameter Numbers
40. Channel Mode Messages
120 - 127
10
System Realtime Messages
Location
41. Sustain Pedal
64
Low Resolution
Channel Mode Message 124
VCO
42. OMNI OFF
Timing Clock
Channel Mode Message 124
Song Position Pointer
Manufacturer's ID
43. 2 Bytes Long; 4 sent per frame of SMPTE; 8 frames needed to make a complete SMPTED address; 2 full frames of SMPTE are needed to visually update the address
Quarter Frame Message
Control Change (Controllers)
Examples of Location Sync
Channel Mode Message 122
44. Low Resolution (MSB)
Continue
Absolute Location Synchronization
Program Data
00 - 31
45. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
MTC
Syncing MIDI Beat Clock
MSB
MIDI Time Code
46. A way to save or change complete settings
System Exclusive
End of Exclusive (EOX)
32 - 63
Types of Location Sync
47. Modulation
64
Handshake
1
MIDI Implementation Chart
48. Start of Exclusive; Manufacturer's ID; Product ID; Device ID; Program Data; End of Exclusive (EOX)
LSB
Syncing MIDI Beat Clock
System Exclusive Protocol
Stop
49. MONO
Channel Mode Message 126
Request
SMPTE
Channel Mode Message 120
50. Assigned by MMA and JMSC; These need to be used with all future SysEx messages or they will be ignored (think saved patches)
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