SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
MIDI - 2
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 00 - 31 = Low Resolution (MSB) 32 - 63 = High Resolution (LSB) 64 - 95 = Switches 96 - 119 = Various / FX 120 - 127 = Channel Mode Messages
Controller Categories
Continue
Quarter Frame
MIDI Sync
2. Actual bulk of data; Easily up to 100 parameters (Patch Name - Filters - LFO - Oscillator Settings - and all other data)
Trigger- to- MIDI Devices (Examples)
System Exclusive
Program Data
Synchronization
3. Controller that will commonly change banks on most MIDI devices (sometimes 0 & 32 are necessary)
Controller #0
System Common Messages
Timing Clock
System Messages
4. (Controller + Channel) + Controller # + Amount
1
Best Way to Calculate Hexadecimal
Trigger- to- MIDI
Control Change Data Train
5. High Resolution (LSB)
VITC
32 - 63
Continue
Control Change (Controllers)
6. 1 (msb) ---> 110 (System Message) ---> 0100 (Which Message)
System Message Format
Device ID
Channel Mode Message 124
Examples of Location Sync
7. Controls some aspect of sound on a channel; 128 Different controllers available (1 -127); Give us the ability to automate changes when recorded
Control Change (Controllers)
7
0 - 32
Full Frame Message
8. Synchronization to a point in time or a direct address
Offset
Product ID
Control Change Data Train
Location
9. Base 16 (0 - F); The numbers 0 - 9 are still the same but the numbers 10 - 15 are represented by the letters A - F
Synchronization
Hexadecimal
Channel Mode Message 121
96 - 119
10. Longitudinal Time Code; When SMPTE time code is encoded as an audio signal on audio track; Audio version of SMPTE; Absolute
LTC
10
Hexadecimal
0 - 32
11. Resets to default power up state
Tempo Sync Types
System Reset
System Messages
32 - 63
12. Synchronization to the timing or speed of a pattern or song
Stop
Quarter Frame Message
Tempo
64
13. MIDI Time Code; Sub- format of SMPTE; Absolute
Tune Request
Song Select
Event Chasing
MTC
14. Volume
Controller #0
System Realtime Messages
7
Channel Mode Message 122
15. Looks previous to the play line for any prior MIDI information and updates the sequence accordingly; Most commonly used with Program Change and Controller Messages
Decimal
BPM
Best Way to Calculate Hexadecimal
Event Chasing
16. Tempo & Location
VITC
MIDI Beat Clock
Control Change (Controllers)
Synchronization Types
17. Beats Per Minute
Tempo Sync Types
BPM
System Exclusive Protocol
Channel Mode Message 122
18. Tune Request; Song Select; Song Position Pointer; MIDI Time Code
Song Select
System Common Messages
Channel Mode Message 122
Binary
19. The process of locking two or more devices together in time and/or tempo
Control Change (Controllers)
Timing Clock
Tempo Sync Types
Synchronization
20. MIDI Time Code message sent during playback
Most Common Controllers
Best Way to Calculate Hexadecimal
LTC
Quarter Frame
21. MIDI Clock; MIDI Sync
Request
Trigger- to- MIDI Devices (Examples)
Tempo Sync Types
LTC
22. Stops the sequence or pattern
Full Frame
MTC Full Frame Message
Stop
96 - 119
23. Sustain Pedal
3 Ways to Transfer SysEx Data
LSB
64
MTC
24. (Vertical Interval Time Code); Popular method for recording time code onto videotape; Video version of SMPTE; Absolute
Types of Location Sync
Mirroring Requirements
Tempo
VITC
25. The parameters that make up an operating system; Think of it like the 'stuff a band would need to do before actually making music during practice'
64 - 95
System Messages
VCO
VCF
26. Modulation
1
Handshake
System Messages
MIDI Beat Clock
27. Converting an analog signal or sound into a MIDI message
Stop
1
10
Pitch- to- MIDI
28. F0h (One of the highest priority system message)
SMPTE
Start of Exclusive
10
0 - 32
29. Designed for the Theatrical and Staging Industries; Allows MIDI to control over audio and video playback systems - lighting & effects - pyrotechnics - machinery - and robotics
Direct
Channel Mode Message 127
MIDI Show Control
Binary
30. ( S -> 01:01:01:01 -> Transport Method ); 1 for 'System Message' -> 8 for SMPTE -> 1 for Transport Method; Data = 0; 3 numbers = Which column of SMPTE; 4 numbers = Value for the column
Relative Location Synchronization
Full Frame Message
64
7
31. 16 -384 available Banks; Most common mirrored controller; Each bank contains 128 Programs (0 - 127); 2 -097 -152 possible Program Changes for MIDI
Bank Select
120 - 127
Channel Mode Message 125
MIDI Event
32. F7h
Bank Select
VCA
Product ID
End of Exclusive (EOX)
33. Most Significant Byte; Controller #0
End of Exclusive (EOX)
MSB
Channel Mode Message 121
Song Select
34. POLY
Channel Mode Message 127
Best Way to Calculate Hexadecimal
7
Timing Clock
35. Preferred; Not referenced from the beginning of the song; Slave always identifies with location of bar
Stop
Absolute Location Synchronization
Channel Mode Message 126
End of Exclusive (EOX)
36. Used to represent sound or performance parameters (must be used by all manufacturers)
Registered Parameter Numbers
Active Sensing
SPP
Types of Location Sync
37. A pulse is sent out every 300 ms; If a slave device receives them it will function normally
Active Sensing
Tune Request
0 - 32
00 - 31
38. Guitar - Bass - Strings - & Monophonic Audio- to-Video Conversion; More Expressive
Examples of Location Sync
LTC
System Realtime Messages
Pitch- to MIDI Devices (Examples)
39. Single MIDI message; Status Byte + associated Data Bytes; Can be edited individually allowing complete control over every minute detail of the MIDI sequence
Running Status
MIDI Time Code
MIDI Event
Examples of Location Sync
40. MIDI's version of SMPTE; Contains two types of messages (full frame & quarter frame)
Syncing MIDI Beat Clock
VCA
Mirroring Requirements
MIDI Time Code
41. Local ON/OFF
Registered Parameter Numbers
MSB
Channel Mode Message 122
Low Resolution
42. How high resolution is achieved in MIDI Controllers
MTC Full Frame Message
Mirroring
System Realtime Messages
Product ID
43. Bank Select
Stop
0 - 32
Registered Parameter Numbers
System Message Format
44. Based on System Exclusive; Allows more control over MIDI devices unlike standard Common or RealTime messages; Fast-Forward - Fast-Rewind - Shuttle Control - Track Arming - Variable Playback - etc.
Continue
Tempo
Full Frame
MIDI Implementation Chart
45. Status Byte = Controller + Channel Data Byte 1 = Controller Number Data Byte 2 = 0 - 127 (Value/Range)
Low Resolution
Control Change Data Train
System Exclusive Protocol
VITC
46. All Sounds OFF ~ Cuts all outputs of sound ==> SILENCE
Song Position Pointer
Request
Channel Mode Message 120
MTC
47. Voltage signal changes AMPLITUDE
1
Active Sensing
VCA
System Messages
48. Least Significant Byte; Controller #32
System Reset
MIDI Event
LSB
Active Sensing
49. 16 -384
High Resolution Bank Total
Syncing MIDI Beat Clock
Program Data
Request
50. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; 24 PPQN; Also known as the Timing Clock; Setup is generally the same as MTC
Device ID
MIDI Beat Clock
Channel Mode Message 121
Event Chasing