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Test your basic knowledge |
Photography Basics
Start Test
Study First
Subjects
:
visual-arts
,
photography
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. CMYK - An acronym for the ink colors Cyan (process blue) - Magenta (process red) - Yellow and Black used in four-color process printing.
Depth of Field
Megabyte
Panning
CMYK
2. Bokeh describes the rendition of out-of-focus points of light. Bokeh is different from sharpness. Sharpness is what happens at the point of best focus. Bokeh is what happens away from the point of best focus. Bokeh describes the appearance - or 'feel
Bokeh
Model Release
Low Key
Gray Card
3. Sometimes called camera raw - raw format - raw image format and raw. A digital image storage format that contains the most information possible from a camera's sensor. RAW data ( a RAW image file) is unprocessed. Some folks consider it to be the digi
f-stop
Interpolation
Raw Image
Megabyte
4. Also known as the 'Kodak neutral test card -' a gray card is an 8' X 10' (20 cm by 25.5 cm) card - about 1/8' thick - that is uniformly gray on one side. The gray side reflects precisely 18% of the white light that strikes it (corresponding to the ca
Model Release
FPS
Hyperfocal Point/Distance
Gray Card
5. Also known as the 'Kodak neutral test card -' a gray card is an 8' X 10' (20 cm by 25.5 cm) card - about 1/8' thick - that is uniformly gray on one side. The gray side reflects precisely 18% of the white light that strikes it (corresponding to the ca
Gray Card
Interpolation
Noise
Low Key
6. A fall-off in brightness at the edges of an image - slide - or print. Can be caused by poor lens design - using a lens hood not matched to the lens - or attaching too many filters to the front of the lens. It can also be applied after the image is ta
EXIF
Aperture Priority
TIFF
Vignetting
7. A form of image compression when saving the image that discards data from it. Saving a picture as a JPEG uses lossy compression.
Complimentary Color
Lossy
Bokeh
Noise
8. Adding new pixels to a digital image between existing pixels. Interpolation software analyzes the adjacent pixels to create the new ones when enlarging an image file.
Bokeh
Reflector
Interpolation
Bokeh
9. Tagged Image File Format - A standard digital image format for bitmapped graphics in an uncompressed state. The image files are much larger than compressed files - but can be opened in all image-processing programs.
Raw Image
Rembrandt Lighting
Reciprocal Rule
TIFF
10. Graininess occurs when clumps of individual grains are large and irregularly spaced out in the negative. They are visible to the naked eye in the finished print - particularly enlargements - as sand-like particles. When this occurs - the picture appe
Raw Image
Vignetting
Rembrandt Lighting
Graininess
11. If you're hand holding your camera - your shutter speed should not be slower than the reciprocal of your effective focal length (but not lower than 1/50th of a second) in order to avoid 'camera shake -' i.e. the blur that results from any slight move
Reciprocal Rule
Raw Image
Zoom Lens
Vignetting
12. A form of image compression when saving the image that discards data from it. Saving a picture as a JPEG uses lossy compression.
Lossy
Noise
Noise
JPEG (also known as JPG)
13. A clear - neutral filter that absorbs ultraviolet radiation - with no effect on visible colors. The skylight filter is a UV filter with a pale rose tinge to it.
Golden Hour
Lossy
Reciprocal Rule
UV Filter
14. A complementary color is one of a pair of primary or secondary colors that are in opposition to each other on a color wheel.
UV Filter
Lossy
Complimentary Color
Bulb 'B' setting
15. When the lens is focused on infinity - the nearest point to the camera that is considered acceptably sharp is the Hyperfocal point. By focusing on the hyperfocal point - everything beyond it to infinity remains in acceptable focus - and objects halfw
Complimentary Color
Hyperfocal Point/Distance
High Key
White Balance
16. Existing light surrounding a subject; the light that is illuminating a scene without any additional light supplied by the photographer. This is also called 'available light'.
Ambient Light
Model Release
White Balance
f-stop
17. Occurs when saving a digital image file in a format that does not result in a loss of data. A TIFF and PSD documents are examples of lossless image formats
Lossless
FPS
TIFF
Rembrandt Lighting
18. Digital single lens reflex camera
Megabyte
PDF
DSLR
TIFF
19. If you're hand holding your camera - your shutter speed should not be slower than the reciprocal of your effective focal length (but not lower than 1/50th of a second) in order to avoid 'camera shake -' i.e. the blur that results from any slight move
CMYK
Reciprocal Rule
Depth of Field
Golden Hour
20. Occurs when the photographer incrementally lights an otherwise darkened scene using a handheld flashlight or other small light source while the shutter remains open during a time exposure. The light is added to the scene in the manner of an artist us
High Key
Low Key
Kelvin
Painting with Light
21. A lens aperture setting calibrated to an f-number
f-stop
Megabyte
JPEG (also known as JPG)
Depth of Field
22. Refers to a million pixels - and is used in describing the number of pixels that a digital device's image sensor has.
Interpolation
Megapixel
Panning
Ambient Light
23. A complementary color is one of a pair of primary or secondary colors that are in opposition to each other on a color wheel.
PDF
Golden Hour
Complimentary Color
Zoom Lens
24. Tagged Image File Format - A standard digital image format for bitmapped graphics in an uncompressed state. The image files are much larger than compressed files - but can be opened in all image-processing programs.
Lens Hood
JPEG (also known as JPG)
Graininess
TIFF
25. Adding new pixels to a digital image between existing pixels. Interpolation software analyzes the adjacent pixels to create the new ones when enlarging an image file.
Graininess
FPS
Rembrandt Lighting
Interpolation
26. CMYK - An acronym for the ink colors Cyan (process blue) - Magenta (process red) - Yellow and Black used in four-color process printing.
CMYK
Lens Hood
Butterfly Lighting
Model Release
27. An image file type created in Adobe PhotoShop. It is uncompressed and contains data on editing that is done to the image. A PSD file is essentially PhotoShop's version of a TIFF file. It lets you save a picture you are working on with its layers - ch
PSD
Through-the-Lens
Monochrome
Bulb 'B' setting
28. Occurs when an image editing program is used to change an image's size. Increasing an image's size requires the addition of new pixels and decreasing size removes pixels.
Noise
Through-the-Lens
Vignetting
Resampling
29. In a studio - the main light is placed fairly high - directly in front of the face - aimed at the center of the nose. It casts a shadow shaped like a butterfly beneath the nose.
Lens Hood
Rembrandt Lighting
Butterfly Lighting
Zoom Lens
30. Occurs when an image editing program is used to change an image's size. Increasing an image's size requires the addition of new pixels and decreasing size removes pixels.
Lossless
Resampling
Reciprocal Rule
Lens Hood
31. A fall-off in brightness at the edges of an image - slide - or print. Can be caused by poor lens design - using a lens hood not matched to the lens - or attaching too many filters to the front of the lens. It can also be applied after the image is ta
Kelvin
Vignetting
Normal Lens
Reciprocal Rule
32. Frames per second (fps) refers to the number of pictures that a camera is able to take in a second. A point-and-shoot camera typically shoots one or two pictures per second. Higher-end single lens reflex (SLR) cameras have much greater performance -
Macro Lens
FPS
Monochrome
Bulb 'B' setting
33. The range of distance in a scene that appears to be in focus and will be reproduced as being acceptably sharp in an image. Depth of field is controlled by the lens aperture - and extends for a distance in front of and behind the point on which the le
Hyperfocal Point/Distance
Normal Lens
Normal Lens
Depth of Field
34. A million bytes - abbreviated as MB - Mb and sometimes Mbyte. Technically and more precisely - it refers to 1 -048 -576 bytes. Digital images are often referred to in terms of their 'size in Mb'.
Megabyte
Interpolation
Megapixel
Model Release
35. A composition rule that divides the screen into thirds horizontally and vertically - like a tic-tac toe grid placed over the picture on a television set. Almost all of the important information included in every shot is located at one of the four int
PDF
GIF
Rule of Thirds
Butterfly Lighting
36. Digital single lens reflex camera
Zoom Lens
Low Key
DSLR
Hyperfocal Point/Distance
37. Existing light surrounding a subject; the light that is illuminating a scene without any additional light supplied by the photographer. This is also called 'available light'.
Rule of Thirds
Ambient Light
Kelvin
Aperture Priority
38. A shutter speed dial setting that indicates that the shutter will remain open as long as the release button is depressed - also known as the 'B setting ' or 'Bulb' setting. The 'B' setting is used for time exposures.
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39. A digital camera analyzes a scene using its white balance mode to determine areas that should be recorded as pure white. The camera adjusts the overall scene's color balance so that the areas meant to be reproduced as white in the picture will be whi
White Balance
Lossy
RGB
Normal Lens
40. Commonly abbreviated as 'TTL'. Refers to both exposure metering of the light passing through the lens (Through-the-lens metering - and TTL flash metering) and viewing a scene through the same lens that allows light to reach the sensor or the film (Th
Interpolation
Butterfly Lighting
DSLR
Through-the-Lens
41. A lens with the ability to focus from infinity to extremely closely - allowing it to capture images of tiny objects in frame-filling - larger-than-life sizes.
Macro Lens
Painting with Light
Reflector
JPEG (also known as JPG)
42. (Graphics Interchange Format) is a small image file format that supports transparency and is constrained to a maximum of 256 colors - generally making it a poor choice for your digital images. When it was created - most computer video cards were able
Golden Hour
Macro Lens
GIF
DSLR
43. The primary colors of light (not of the inks used in printing) are red - green and blue - known by the acronym RGB.
Megabyte
Golden Hour
RGB
EXIF
44. Lens with a focal length approximately equal to the diagonal of the film format or of a digital camera's image sensor. A scene viewed through a normal lens appears to have the same perspective as if it was being viewed 'normally' without a lens - jus
Normal Lens
Monochrome
Through-the-Lens
Lossless
45. The primary colors of light (not of the inks used in printing) are red - green and blue - known by the acronym RGB.
Reflector
Resampling
RGB
Monochrome
46. The visible light spectrum is scientifically described in terms of color temperature - and is measured in degrees Kelvin (K). The range for Kelvin on a pro digital camera is approximately 2000-10000.. These K settings are the scientific numbers behin
FPS
Interpolation
Kelvin
Megabyte
47. Or - electronic noise. This is the grainy look you find in a digital image caused by image artifacts. It is usually noticeable in shadow areas - and generally produced when shooting in low light. Noise is almost always unwanted and unattractive.
Noise
Graininess
Raw Image
Macro Lens
48. The time an hour or less before the sun goes down and around fifteen minutes after the sun has set. Sunlight is usually warmer and more complimentary to skin tones at this time - and the angle of the light can provide depth to portraits and landscape
Megapixel
Golden Hour
Butterfly Lighting
Depth of Field
49. Technique that involves taking a picture while moving the camera at a relatively slow shutter speed. It is almost always used when tracking a moving object - such as a race car - as it travels across the film plane. When properly carried out - the ob
Panning
CMYK
Hyperfocal Point/Distance
White Balance
50. A function or shooting mode of a semi-automatic camera that permits the photographer to preset the aperture and leaves the camera to automatically determine the correct shutter speed. What does that mean? You select the aperture setting you want and
Complimentary Color
Model Release
Aperture Priority
Rembrandt Lighting