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Test your basic knowledge |
Photography Basics
Start Test
Study First
Subjects
:
visual-arts
,
photography
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Also known as the 'Kodak neutral test card -' a gray card is an 8' X 10' (20 cm by 25.5 cm) card - about 1/8' thick - that is uniformly gray on one side. The gray side reflects precisely 18% of the white light that strikes it (corresponding to the ca
Gray Card
Macro Lens
Hyperfocal Point/Distance
UV Filter
2. A million bytes - abbreviated as MB - Mb and sometimes Mbyte. Technically and more precisely - it refers to 1 -048 -576 bytes. Digital images are often referred to in terms of their 'size in Mb'.
Interpolation
Megabyte
Golden Hour
f-stop
3. An accessory that attaches as a collar to the front of a lens to prevent stray light from striking the surface of the lens - causing flare
Noise
f-stop
Rembrandt Lighting
Lens Hood
4. Any device used to reflect light onto a subject.
Reflector
High Key
RGB
Monochrome
5. Lens with a focal length approximately equal to the diagonal of the film format or of a digital camera's image sensor. A scene viewed through a normal lens appears to have the same perspective as if it was being viewed 'normally' without a lens - jus
Model Release
Noise
Interpolation
Normal Lens
6. An image of a single color in differing shades. A black and white or sepia-toned image is a monochrome. Another monochromatic image is the cyanotype - or blue-green image made popular in blueprints.
DSLR
Monochrome
Interpolation
Complimentary Color
7. Refers to a million pixels - and is used in describing the number of pixels that a digital device's image sensor has.
FPS
Megapixel
Normal Lens
CMYK
8. Technique that involves taking a picture while moving the camera at a relatively slow shutter speed. It is almost always used when tracking a moving object - such as a race car - as it travels across the film plane. When properly carried out - the ob
Lossless
Panning
UV Filter
PSD
9. Digital single lens reflex camera
Lossless
FPS
Bokeh
DSLR
10. Sometimes called camera raw - raw format - raw image format and raw. A digital image storage format that contains the most information possible from a camera's sensor. RAW data ( a RAW image file) is unprocessed. Some folks consider it to be the digi
Raw Image
Zoom Lens
White Balance
Ambient Light
11. Refers to a million pixels - and is used in describing the number of pixels that a digital device's image sensor has.
Rembrandt Lighting
DSLR
Zoom Lens
Megapixel
12. Lens with a focal length approximately equal to the diagonal of the film format or of a digital camera's image sensor. A scene viewed through a normal lens appears to have the same perspective as if it was being viewed 'normally' without a lens - jus
Vignetting
Complimentary Color
Normal Lens
Bokeh
13. A clear - neutral filter that absorbs ultraviolet radiation - with no effect on visible colors. The skylight filter is a UV filter with a pale rose tinge to it.
JPEG (also known as JPG)
UV Filter
DSLR
Low Key
14. Occurs when saving a digital image file in a format that does not result in a loss of data. A TIFF and PSD documents are examples of lossless image formats
f-stop
Complimentary Color
Lossless
Rembrandt Lighting
15. The time an hour or less before the sun goes down and around fifteen minutes after the sun has set. Sunlight is usually warmer and more complimentary to skin tones at this time - and the angle of the light can provide depth to portraits and landscape
Golden Hour
High Key
DSLR
Macro Lens
16. A lens with the ability to focus from infinity to extremely closely - allowing it to capture images of tiny objects in frame-filling - larger-than-life sizes.
Painting with Light
Reflector
Macro Lens
Megapixel
17. Any device used to reflect light onto a subject.
Painting with Light
FPS
Reflector
Megabyte
18. Occurs when an image editing program is used to change an image's size. Increasing an image's size requires the addition of new pixels and decreasing size removes pixels.
Megapixel
White Balance
Resampling
Vignetting
19. The time an hour or less before the sun goes down and around fifteen minutes after the sun has set. Sunlight is usually warmer and more complimentary to skin tones at this time - and the angle of the light can provide depth to portraits and landscape
Kelvin
Golden Hour
Megabyte
Bulb 'B' setting
20. Graininess occurs when clumps of individual grains are large and irregularly spaced out in the negative. They are visible to the naked eye in the finished print - particularly enlargements - as sand-like particles. When this occurs - the picture appe
Rule of Thirds
Graininess
Ambient Light
White Balance
21. A lighting technique that is sometimes used in studio portrait photography. It can be achieved using one light and a reflector - or two lights - and is popular because it is capable of producing images which appear both natural and compelling with a
f-stop
Gray Card
Kelvin
Rembrandt Lighting
22. Occurs when an image editing program is used to change an image's size. Increasing an image's size requires the addition of new pixels and decreasing size removes pixels.
Lens Hood
Resampling
Golden Hour
Panning
23. A digital camera analyzes a scene using its white balance mode to determine areas that should be recorded as pure white. The camera adjusts the overall scene's color balance so that the areas meant to be reproduced as white in the picture will be whi
DSLR
Low Key
White Balance
PDF
24. Commonly abbreviated as 'TTL'. Refers to both exposure metering of the light passing through the lens (Through-the-lens metering - and TTL flash metering) and viewing a scene through the same lens that allows light to reach the sensor or the film (Th
Lossy
Complimentary Color
Through-the-Lens
Macro Lens
25. A form of image compression when saving the image that discards data from it. Saving a picture as a JPEG uses lossy compression.
Aperture Priority
Lossy
PDF
Lossless
26. Describes a mostly dark image - with few highlights.
Rule of Thirds
High Key
Gray Card
Low Key
27. A complementary color is one of a pair of primary or secondary colors that are in opposition to each other on a color wheel.
Hyperfocal Point/Distance
UV Filter
Bulb 'B' setting
Complimentary Color
28. Or - electronic noise. This is the grainy look you find in a digital image caused by image artifacts. It is usually noticeable in shadow areas - and generally produced when shooting in low light. Noise is almost always unwanted and unattractive.
Model Release
High Key
Megabyte
Noise
29. If you're hand holding your camera - your shutter speed should not be slower than the reciprocal of your effective focal length (but not lower than 1/50th of a second) in order to avoid 'camera shake -' i.e. the blur that results from any slight move
Interpolation
Reciprocal Rule
Low Key
Kelvin
30. (Graphics Interchange Format) is a small image file format that supports transparency and is constrained to a maximum of 256 colors - generally making it a poor choice for your digital images. When it was created - most computer video cards were able
ISO
UV Filter
GIF
Macro Lens
31. Commonly abbreviated as 'TTL'. Refers to both exposure metering of the light passing through the lens (Through-the-lens metering - and TTL flash metering) and viewing a scene through the same lens that allows light to reach the sensor or the film (Th
Through-the-Lens
Hyperfocal Point/Distance
Graininess
Monochrome
32. Occurs when the photographer incrementally lights an otherwise darkened scene using a handheld flashlight or other small light source while the shutter remains open during a time exposure. The light is added to the scene in the manner of an artist us
Butterfly Lighting
Painting with Light
Vignetting
Aperture Priority
33. Sometimes called camera raw - raw format - raw image format and raw. A digital image storage format that contains the most information possible from a camera's sensor. RAW data ( a RAW image file) is unprocessed. Some folks consider it to be the digi
Raw Image
Lens Hood
Through-the-Lens
UV Filter
34. An accessory that attaches as a collar to the front of a lens to prevent stray light from striking the surface of the lens - causing flare
FPS
Reciprocal Rule
f-stop
Lens Hood
35. The range of distance in a scene that appears to be in focus and will be reproduced as being acceptably sharp in an image. Depth of field is controlled by the lens aperture - and extends for a distance in front of and behind the point on which the le
Depth of Field
Resampling
Zoom Lens
Lossless
36. The range of distance in a scene that appears to be in focus and will be reproduced as being acceptably sharp in an image. Depth of field is controlled by the lens aperture - and extends for a distance in front of and behind the point on which the le
Ambient Light
Depth of Field
Through-the-Lens
FPS
37. An acronym for Joint Photographic Experts Group that describes an image file format standard in which the size of the file is reduced by compressing it. JPEG - with its 16.7 million colors - is well suited to compressing photographic images. A 'JPEG'
Resampling
Through-the-Lens
DSLR
JPEG (also known as JPG)
38. Existing light surrounding a subject; the light that is illuminating a scene without any additional light supplied by the photographer. This is also called 'available light'.
Gray Card
Ambient Light
Megapixel
Bulb 'B' setting
39. A lens in which focal length is variable. Elements inside a zoom lens shift their positions - enabling the lens to change its focal length - in effect - providing one lens that has many focal lengths. (Also called a 'Variable focus lens.')
Lens Hood
RGB
Zoom Lens
Gray Card
40. A contract in which a model consents to the use of his or her images by the photographer or a third party. Sometimes referred to simply as a 'release.'
Painting with Light
FPS
Model Release
Gray Card
41. Also known as the 'Kodak neutral test card -' a gray card is an 8' X 10' (20 cm by 25.5 cm) card - about 1/8' thick - that is uniformly gray on one side. The gray side reflects precisely 18% of the white light that strikes it (corresponding to the ca
GIF
Interpolation
Gray Card
FPS
42. An image that is mainly made up of light tones - with relatively few mid-tones or shadows.
High Key
PSD
Resampling
EXIF
43. An image that is mainly made up of light tones - with relatively few mid-tones or shadows.
Butterfly Lighting
Graininess
Monochrome
High Key
44. Or - electronic noise. This is the grainy look you find in a digital image caused by image artifacts. It is usually noticeable in shadow areas - and generally produced when shooting in low light. Noise is almost always unwanted and unattractive.
EXIF
Macro Lens
Noise
Raw Image
45. Exchangeable Image File Format. Data produced by a digital camera that becomes attached to each image made by the camera - including make & model of camera - date & time - image format (e.g. jpeg - tiff - etc.)and dimensions - color & exposure modes
EXIF
Golden Hour
White Balance
Megabyte
46. The primary colors of light (not of the inks used in printing) are red - green and blue - known by the acronym RGB.
Zoom Lens
Vignetting
RGB
Hyperfocal Point/Distance
47. A lens with the ability to focus from infinity to extremely closely - allowing it to capture images of tiny objects in frame-filling - larger-than-life sizes.
Zoom Lens
Megapixel
Macro Lens
Butterfly Lighting
48. A fall-off in brightness at the edges of an image - slide - or print. Can be caused by poor lens design - using a lens hood not matched to the lens - or attaching too many filters to the front of the lens. It can also be applied after the image is ta
Aperture Priority
Lens Hood
Complimentary Color
Vignetting
49. Adding new pixels to a digital image between existing pixels. Interpolation software analyzes the adjacent pixels to create the new ones when enlarging an image file.
Bokeh
Ambient Light
Megabyte
Interpolation
50. An image file type created in Adobe PhotoShop that results in pictures that are viewable with Adobe Acrobat - so someone (Mac or PC-user) who doesn't have PhotoShop can still view the image. It is often used in forms creation and for documents that r
Normal Lens
Macro Lens
Reciprocal Rule
PDF