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Test your basic knowledge |
Photography Basics
Start Test
Study First
Subjects
:
visual-arts
,
photography
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Occurs when saving a digital image file in a format that does not result in a loss of data. A TIFF and PSD documents are examples of lossless image formats
Bokeh
Lossless
Low Key
Through-the-Lens
2. When the lens is focused on infinity - the nearest point to the camera that is considered acceptably sharp is the Hyperfocal point. By focusing on the hyperfocal point - everything beyond it to infinity remains in acceptable focus - and objects halfw
Hyperfocal Point/Distance
Monochrome
TIFF
FPS
3. A million bytes - abbreviated as MB - Mb and sometimes Mbyte. Technically and more precisely - it refers to 1 -048 -576 bytes. Digital images are often referred to in terms of their 'size in Mb'.
Lossy
FPS
Vignetting
Megabyte
4. Occurs when an image editing program is used to change an image's size. Increasing an image's size requires the addition of new pixels and decreasing size removes pixels.
Zoom Lens
Resampling
Bokeh
Monochrome
5. Describes a mostly dark image - with few highlights.
Hyperfocal Point/Distance
UV Filter
Gray Card
Low Key
6. The visible light spectrum is scientifically described in terms of color temperature - and is measured in degrees Kelvin (K). The range for Kelvin on a pro digital camera is approximately 2000-10000.. These K settings are the scientific numbers behin
Kelvin
Low Key
High Key
Rule of Thirds
7. An accessory that attaches as a collar to the front of a lens to prevent stray light from striking the surface of the lens - causing flare
Monochrome
UV Filter
Lens Hood
Resampling
8. Exchangeable Image File Format. Data produced by a digital camera that becomes attached to each image made by the camera - including make & model of camera - date & time - image format (e.g. jpeg - tiff - etc.)and dimensions - color & exposure modes
Low Key
EXIF
FPS
Resampling
9. Adding new pixels to a digital image between existing pixels. Interpolation software analyzes the adjacent pixels to create the new ones when enlarging an image file.
PSD
ISO
GIF
Interpolation
10. In a studio - the main light is placed fairly high - directly in front of the face - aimed at the center of the nose. It casts a shadow shaped like a butterfly beneath the nose.
Butterfly Lighting
Low Key
Reflector
Reciprocal Rule
11. Occurs when the photographer incrementally lights an otherwise darkened scene using a handheld flashlight or other small light source while the shutter remains open during a time exposure. The light is added to the scene in the manner of an artist us
Normal Lens
DSLR
Model Release
Painting with Light
12. An acronym for Joint Photographic Experts Group that describes an image file format standard in which the size of the file is reduced by compressing it. JPEG - with its 16.7 million colors - is well suited to compressing photographic images. A 'JPEG'
GIF
Vignetting
Through-the-Lens
JPEG (also known as JPG)
13. In a studio - the main light is placed fairly high - directly in front of the face - aimed at the center of the nose. It casts a shadow shaped like a butterfly beneath the nose.
Butterfly Lighting
Aperture Priority
RGB
UV Filter
14. A form of image compression when saving the image that discards data from it. Saving a picture as a JPEG uses lossy compression.
Vignetting
TIFF
Rembrandt Lighting
Lossy
15. A lighting technique that is sometimes used in studio portrait photography. It can be achieved using one light and a reflector - or two lights - and is popular because it is capable of producing images which appear both natural and compelling with a
Painting with Light
Gray Card
Rembrandt Lighting
Butterfly Lighting
16. Refers to a million pixels - and is used in describing the number of pixels that a digital device's image sensor has.
Megapixel
Kelvin
Rembrandt Lighting
Panning
17. Bokeh describes the rendition of out-of-focus points of light. Bokeh is different from sharpness. Sharpness is what happens at the point of best focus. Bokeh is what happens away from the point of best focus. Bokeh describes the appearance - or 'feel
Gray Card
Kelvin
Bokeh
Reciprocal Rule
18. A fall-off in brightness at the edges of an image - slide - or print. Can be caused by poor lens design - using a lens hood not matched to the lens - or attaching too many filters to the front of the lens. It can also be applied after the image is ta
High Key
Low Key
Complimentary Color
Vignetting
19. Graininess occurs when clumps of individual grains are large and irregularly spaced out in the negative. They are visible to the naked eye in the finished print - particularly enlargements - as sand-like particles. When this occurs - the picture appe
Lossless
Low Key
Graininess
Raw Image
20. Commonly abbreviated as 'TTL'. Refers to both exposure metering of the light passing through the lens (Through-the-lens metering - and TTL flash metering) and viewing a scene through the same lens that allows light to reach the sensor or the film (Th
Low Key
Through-the-Lens
Megapixel
Kelvin
21. A complementary color is one of a pair of primary or secondary colors that are in opposition to each other on a color wheel.
Raw Image
Reciprocal Rule
Resampling
Complimentary Color
22. Any device used to reflect light onto a subject.
f-stop
Reflector
Normal Lens
DSLR
23. The primary colors of light (not of the inks used in printing) are red - green and blue - known by the acronym RGB.
Aperture Priority
Resampling
RGB
Hyperfocal Point/Distance
24. Digital single lens reflex camera
Aperture Priority
DSLR
Zoom Lens
PDF
25. Or - electronic noise. This is the grainy look you find in a digital image caused by image artifacts. It is usually noticeable in shadow areas - and generally produced when shooting in low light. Noise is almost always unwanted and unattractive.
ISO
DSLR
Noise
f-stop
26. A digital camera analyzes a scene using its white balance mode to determine areas that should be recorded as pure white. The camera adjusts the overall scene's color balance so that the areas meant to be reproduced as white in the picture will be whi
Reciprocal Rule
White Balance
DSLR
Bokeh
27. An image that is mainly made up of light tones - with relatively few mid-tones or shadows.
Zoom Lens
Painting with Light
DSLR
High Key
28. An image of a single color in differing shades. A black and white or sepia-toned image is a monochrome. Another monochromatic image is the cyanotype - or blue-green image made popular in blueprints.
Monochrome
FPS
TIFF
Normal Lens
29. (Graphics Interchange Format) is a small image file format that supports transparency and is constrained to a maximum of 256 colors - generally making it a poor choice for your digital images. When it was created - most computer video cards were able
Zoom Lens
GIF
JPEG (also known as JPG)
Resampling
30. A lens with the ability to focus from infinity to extremely closely - allowing it to capture images of tiny objects in frame-filling - larger-than-life sizes.
Reflector
Kelvin
Lossy
Macro Lens
31. Occurs when an image editing program is used to change an image's size. Increasing an image's size requires the addition of new pixels and decreasing size removes pixels.
High Key
CMYK
Low Key
Resampling
32. If you're hand holding your camera - your shutter speed should not be slower than the reciprocal of your effective focal length (but not lower than 1/50th of a second) in order to avoid 'camera shake -' i.e. the blur that results from any slight move
Reciprocal Rule
Rembrandt Lighting
Gray Card
Through-the-Lens
33. A lens in which focal length is variable. Elements inside a zoom lens shift their positions - enabling the lens to change its focal length - in effect - providing one lens that has many focal lengths. (Also called a 'Variable focus lens.')
Rembrandt Lighting
Resampling
Aperture Priority
Zoom Lens
34. If you're hand holding your camera - your shutter speed should not be slower than the reciprocal of your effective focal length (but not lower than 1/50th of a second) in order to avoid 'camera shake -' i.e. the blur that results from any slight move
Reciprocal Rule
Lens Hood
Model Release
Butterfly Lighting
35. Sometimes called camera raw - raw format - raw image format and raw. A digital image storage format that contains the most information possible from a camera's sensor. RAW data ( a RAW image file) is unprocessed. Some folks consider it to be the digi
Bokeh
DSLR
Raw Image
f-stop
36. A lens with the ability to focus from infinity to extremely closely - allowing it to capture images of tiny objects in frame-filling - larger-than-life sizes.
Lossless
Macro Lens
Bokeh
Bulb 'B' setting
37. Also known as the 'Kodak neutral test card -' a gray card is an 8' X 10' (20 cm by 25.5 cm) card - about 1/8' thick - that is uniformly gray on one side. The gray side reflects precisely 18% of the white light that strikes it (corresponding to the ca
White Balance
PSD
Gray Card
Graininess
38. A form of image compression when saving the image that discards data from it. Saving a picture as a JPEG uses lossy compression.
Lossy
Interpolation
Low Key
EXIF
39. Refers to a million pixels - and is used in describing the number of pixels that a digital device's image sensor has.
Megapixel
Resampling
Rule of Thirds
Reciprocal Rule
40. Or - electronic noise. This is the grainy look you find in a digital image caused by image artifacts. It is usually noticeable in shadow areas - and generally produced when shooting in low light. Noise is almost always unwanted and unattractive.
Bokeh
Noise
White Balance
TIFF
41. Any device used to reflect light onto a subject.
Low Key
Model Release
White Balance
Reflector
42. The range of distance in a scene that appears to be in focus and will be reproduced as being acceptably sharp in an image. Depth of field is controlled by the lens aperture - and extends for a distance in front of and behind the point on which the le
Through-the-Lens
Normal Lens
Depth of Field
Hyperfocal Point/Distance
43. Describes a mostly dark image - with few highlights.
Lossless
Low Key
Model Release
Bokeh
44. Sometimes called camera raw - raw format - raw image format and raw. A digital image storage format that contains the most information possible from a camera's sensor. RAW data ( a RAW image file) is unprocessed. Some folks consider it to be the digi
White Balance
High Key
Raw Image
FPS
45. A function or shooting mode of a semi-automatic camera that permits the photographer to preset the aperture and leaves the camera to automatically determine the correct shutter speed. What does that mean? You select the aperture setting you want and
ISO
Aperture Priority
Megapixel
Reciprocal Rule
46. Lens with a focal length approximately equal to the diagonal of the film format or of a digital camera's image sensor. A scene viewed through a normal lens appears to have the same perspective as if it was being viewed 'normally' without a lens - jus
Depth of Field
EXIF
Normal Lens
Butterfly Lighting
47. Tagged Image File Format - A standard digital image format for bitmapped graphics in an uncompressed state. The image files are much larger than compressed files - but can be opened in all image-processing programs.
Golden Hour
TIFF
EXIF
Resampling
48. Commonly abbreviated as 'TTL'. Refers to both exposure metering of the light passing through the lens (Through-the-lens metering - and TTL flash metering) and viewing a scene through the same lens that allows light to reach the sensor or the film (Th
Through-the-Lens
Macro Lens
Kelvin
Vignetting
49. Technique that involves taking a picture while moving the camera at a relatively slow shutter speed. It is almost always used when tracking a moving object - such as a race car - as it travels across the film plane. When properly carried out - the ob
Panning
PDF
Macro Lens
High Key
50. Lens with a focal length approximately equal to the diagonal of the film format or of a digital camera's image sensor. A scene viewed through a normal lens appears to have the same perspective as if it was being viewed 'normally' without a lens - jus
Gray Card
Hyperfocal Point/Distance
Normal Lens
Painting with Light