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Test your basic knowledge |
Photography Basics
Start Test
Study First
Subjects
:
visual-arts
,
photography
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The time an hour or less before the sun goes down and around fifteen minutes after the sun has set. Sunlight is usually warmer and more complimentary to skin tones at this time - and the angle of the light can provide depth to portraits and landscape
RGB
Macro Lens
Golden Hour
EXIF
2. Occurs when the photographer incrementally lights an otherwise darkened scene using a handheld flashlight or other small light source while the shutter remains open during a time exposure. The light is added to the scene in the manner of an artist us
CMYK
Painting with Light
Panning
JPEG (also known as JPG)
3. Describes a mostly dark image - with few highlights.
Lossless
Low Key
PDF
Butterfly Lighting
4. A fall-off in brightness at the edges of an image - slide - or print. Can be caused by poor lens design - using a lens hood not matched to the lens - or attaching too many filters to the front of the lens. It can also be applied after the image is ta
Bulb 'B' setting
Vignetting
Butterfly Lighting
Monochrome
5. The primary colors of light (not of the inks used in printing) are red - green and blue - known by the acronym RGB.
Reciprocal Rule
RGB
ISO
High Key
6. A lens in which focal length is variable. Elements inside a zoom lens shift their positions - enabling the lens to change its focal length - in effect - providing one lens that has many focal lengths. (Also called a 'Variable focus lens.')
PSD
Zoom Lens
Raw Image
Reciprocal Rule
7. Sometimes called camera raw - raw format - raw image format and raw. A digital image storage format that contains the most information possible from a camera's sensor. RAW data ( a RAW image file) is unprocessed. Some folks consider it to be the digi
Raw Image
CMYK
Macro Lens
Reciprocal Rule
8. A million bytes - abbreviated as MB - Mb and sometimes Mbyte. Technically and more precisely - it refers to 1 -048 -576 bytes. Digital images are often referred to in terms of their 'size in Mb'.
Model Release
Normal Lens
Hyperfocal Point/Distance
Megabyte
9. A form of image compression when saving the image that discards data from it. Saving a picture as a JPEG uses lossy compression.
Rembrandt Lighting
Low Key
Lossy
Rembrandt Lighting
10. The range of distance in a scene that appears to be in focus and will be reproduced as being acceptably sharp in an image. Depth of field is controlled by the lens aperture - and extends for a distance in front of and behind the point on which the le
Monochrome
Depth of Field
Rule of Thirds
Reflector
11. Existing light surrounding a subject; the light that is illuminating a scene without any additional light supplied by the photographer. This is also called 'available light'.
Normal Lens
Complimentary Color
Graininess
Ambient Light
12. Tagged Image File Format - A standard digital image format for bitmapped graphics in an uncompressed state. The image files are much larger than compressed files - but can be opened in all image-processing programs.
Raw Image
Ambient Light
TIFF
EXIF
13. Exchangeable Image File Format. Data produced by a digital camera that becomes attached to each image made by the camera - including make & model of camera - date & time - image format (e.g. jpeg - tiff - etc.)and dimensions - color & exposure modes
PSD
Depth of Field
EXIF
Lossy
14. Refers to a million pixels - and is used in describing the number of pixels that a digital device's image sensor has.
Gray Card
Model Release
GIF
Megapixel
15. Refers to a million pixels - and is used in describing the number of pixels that a digital device's image sensor has.
JPEG (also known as JPG)
Megapixel
High Key
Monochrome
16. An accessory that attaches as a collar to the front of a lens to prevent stray light from striking the surface of the lens - causing flare
Megapixel
PDF
Lossless
Lens Hood
17. Frames per second (fps) refers to the number of pictures that a camera is able to take in a second. A point-and-shoot camera typically shoots one or two pictures per second. Higher-end single lens reflex (SLR) cameras have much greater performance -
Lossless
ISO
RGB
FPS
18. Occurs when the photographer incrementally lights an otherwise darkened scene using a handheld flashlight or other small light source while the shutter remains open during a time exposure. The light is added to the scene in the manner of an artist us
Painting with Light
JPEG (also known as JPG)
White Balance
Aperture Priority
19. (Graphics Interchange Format) is a small image file format that supports transparency and is constrained to a maximum of 256 colors - generally making it a poor choice for your digital images. When it was created - most computer video cards were able
ISO
Lens Hood
GIF
Interpolation
20. When the lens is focused on infinity - the nearest point to the camera that is considered acceptably sharp is the Hyperfocal point. By focusing on the hyperfocal point - everything beyond it to infinity remains in acceptable focus - and objects halfw
Bulb 'B' setting
Ambient Light
Hyperfocal Point/Distance
PDF
21. The primary colors of light (not of the inks used in printing) are red - green and blue - known by the acronym RGB.
RGB
White Balance
Bokeh
f-stop
22. An image file type created in Adobe PhotoShop that results in pictures that are viewable with Adobe Acrobat - so someone (Mac or PC-user) who doesn't have PhotoShop can still view the image. It is often used in forms creation and for documents that r
Through-the-Lens
GIF
PDF
RGB
23. If you're hand holding your camera - your shutter speed should not be slower than the reciprocal of your effective focal length (but not lower than 1/50th of a second) in order to avoid 'camera shake -' i.e. the blur that results from any slight move
Low Key
Aperture Priority
High Key
Reciprocal Rule
24. A shutter speed dial setting that indicates that the shutter will remain open as long as the release button is depressed - also known as the 'B setting ' or 'Bulb' setting. The 'B' setting is used for time exposures.
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25. Film speed or sensitivity is designated by a single - almost universally-accepted common system developed by the International Organization for Standardization which uses the initials 'ISO' before the film-speed number or digital camera's sensitivity
PDF
Lens Hood
Megabyte
ISO
26. Also known as the 'Kodak neutral test card -' a gray card is an 8' X 10' (20 cm by 25.5 cm) card - about 1/8' thick - that is uniformly gray on one side. The gray side reflects precisely 18% of the white light that strikes it (corresponding to the ca
Gray Card
Vignetting
Rembrandt Lighting
DSLR
27. Tagged Image File Format - A standard digital image format for bitmapped graphics in an uncompressed state. The image files are much larger than compressed files - but can be opened in all image-processing programs.
Megapixel
Lens Hood
Bokeh
TIFF
28. CMYK - An acronym for the ink colors Cyan (process blue) - Magenta (process red) - Yellow and Black used in four-color process printing.
CMYK
Rembrandt Lighting
GIF
Rule of Thirds
29. An image that is mainly made up of light tones - with relatively few mid-tones or shadows.
Normal Lens
Golden Hour
High Key
Reflector
30. Technique that involves taking a picture while moving the camera at a relatively slow shutter speed. It is almost always used when tracking a moving object - such as a race car - as it travels across the film plane. When properly carried out - the ob
Panning
Megabyte
Hyperfocal Point/Distance
Rembrandt Lighting
31. A lens with the ability to focus from infinity to extremely closely - allowing it to capture images of tiny objects in frame-filling - larger-than-life sizes.
Macro Lens
FPS
FPS
CMYK
32. The visible light spectrum is scientifically described in terms of color temperature - and is measured in degrees Kelvin (K). The range for Kelvin on a pro digital camera is approximately 2000-10000.. These K settings are the scientific numbers behin
Vignetting
Interpolation
Kelvin
Rembrandt Lighting
33. A clear - neutral filter that absorbs ultraviolet radiation - with no effect on visible colors. The skylight filter is a UV filter with a pale rose tinge to it.
UV Filter
White Balance
Low Key
GIF
34. In a studio - the main light is placed fairly high - directly in front of the face - aimed at the center of the nose. It casts a shadow shaped like a butterfly beneath the nose.
UV Filter
Butterfly Lighting
Interpolation
Complimentary Color
35. The range of distance in a scene that appears to be in focus and will be reproduced as being acceptably sharp in an image. Depth of field is controlled by the lens aperture - and extends for a distance in front of and behind the point on which the le
Complimentary Color
GIF
Depth of Field
Resampling
36. An image file type created in Adobe PhotoShop that results in pictures that are viewable with Adobe Acrobat - so someone (Mac or PC-user) who doesn't have PhotoShop can still view the image. It is often used in forms creation and for documents that r
RGB
PDF
PSD
Noise
37. An image file type created in Adobe PhotoShop. It is uncompressed and contains data on editing that is done to the image. A PSD file is essentially PhotoShop's version of a TIFF file. It lets you save a picture you are working on with its layers - ch
PSD
Lens Hood
PDF
ISO
38. Digital single lens reflex camera
Interpolation
DSLR
GIF
White Balance
39. Describes a mostly dark image - with few highlights.
Vignetting
Low Key
DSLR
Kelvin
40. Or - electronic noise. This is the grainy look you find in a digital image caused by image artifacts. It is usually noticeable in shadow areas - and generally produced when shooting in low light. Noise is almost always unwanted and unattractive.
Depth of Field
Lens Hood
Noise
Lossless
41. Digital single lens reflex camera
FPS
DSLR
Depth of Field
Resampling
42. A lighting technique that is sometimes used in studio portrait photography. It can be achieved using one light and a reflector - or two lights - and is popular because it is capable of producing images which appear both natural and compelling with a
Aperture Priority
UV Filter
Rembrandt Lighting
Resampling
43. Or - electronic noise. This is the grainy look you find in a digital image caused by image artifacts. It is usually noticeable in shadow areas - and generally produced when shooting in low light. Noise is almost always unwanted and unattractive.
Macro Lens
Aperture Priority
Butterfly Lighting
Noise
44. A contract in which a model consents to the use of his or her images by the photographer or a third party. Sometimes referred to simply as a 'release.'
Model Release
Graininess
Interpolation
Normal Lens
45. Technique that involves taking a picture while moving the camera at a relatively slow shutter speed. It is almost always used when tracking a moving object - such as a race car - as it travels across the film plane. When properly carried out - the ob
Panning
Macro Lens
Vignetting
Rembrandt Lighting
46. A million bytes - abbreviated as MB - Mb and sometimes Mbyte. Technically and more precisely - it refers to 1 -048 -576 bytes. Digital images are often referred to in terms of their 'size in Mb'.
Megabyte
Bulb 'B' setting
TIFF
f-stop
47. An image file type created in Adobe PhotoShop. It is uncompressed and contains data on editing that is done to the image. A PSD file is essentially PhotoShop's version of a TIFF file. It lets you save a picture you are working on with its layers - ch
Interpolation
PDF
PSD
Rembrandt Lighting
48. A lens in which focal length is variable. Elements inside a zoom lens shift their positions - enabling the lens to change its focal length - in effect - providing one lens that has many focal lengths. (Also called a 'Variable focus lens.')
Macro Lens
Zoom Lens
Panning
Low Key
49. A complementary color is one of a pair of primary or secondary colors that are in opposition to each other on a color wheel.
Low Key
White Balance
EXIF
Complimentary Color
50. The time an hour or less before the sun goes down and around fifteen minutes after the sun has set. Sunlight is usually warmer and more complimentary to skin tones at this time - and the angle of the light can provide depth to portraits and landscape
Zoom Lens
Noise
Golden Hour
Lossless