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Test your basic knowledge |
Photography Basics
Start Test
Study First
Subjects
:
visual-arts
,
photography
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Digital single lens reflex camera
Graininess
Monochrome
DSLR
Reciprocal Rule
2. Any device used to reflect light onto a subject.
Reflector
Zoom Lens
Kelvin
Golden Hour
3. A million bytes - abbreviated as MB - Mb and sometimes Mbyte. Technically and more precisely - it refers to 1 -048 -576 bytes. Digital images are often referred to in terms of their 'size in Mb'.
Painting with Light
Butterfly Lighting
Aperture Priority
Megabyte
4. Bokeh describes the rendition of out-of-focus points of light. Bokeh is different from sharpness. Sharpness is what happens at the point of best focus. Bokeh is what happens away from the point of best focus. Bokeh describes the appearance - or 'feel
Bokeh
Depth of Field
UV Filter
Megapixel
5. Commonly abbreviated as 'TTL'. Refers to both exposure metering of the light passing through the lens (Through-the-lens metering - and TTL flash metering) and viewing a scene through the same lens that allows light to reach the sensor or the film (Th
Model Release
Through-the-Lens
EXIF
Golden Hour
6. The primary colors of light (not of the inks used in printing) are red - green and blue - known by the acronym RGB.
EXIF
RGB
Rembrandt Lighting
UV Filter
7. A complementary color is one of a pair of primary or secondary colors that are in opposition to each other on a color wheel.
RGB
Normal Lens
Butterfly Lighting
Complimentary Color
8. If you're hand holding your camera - your shutter speed should not be slower than the reciprocal of your effective focal length (but not lower than 1/50th of a second) in order to avoid 'camera shake -' i.e. the blur that results from any slight move
Reciprocal Rule
Kelvin
CMYK
Depth of Field
9. Lens with a focal length approximately equal to the diagonal of the film format or of a digital camera's image sensor. A scene viewed through a normal lens appears to have the same perspective as if it was being viewed 'normally' without a lens - jus
Macro Lens
Normal Lens
Complimentary Color
Monochrome
10. A lighting technique that is sometimes used in studio portrait photography. It can be achieved using one light and a reflector - or two lights - and is popular because it is capable of producing images which appear both natural and compelling with a
Rembrandt Lighting
EXIF
RGB
Graininess
11. A lens aperture setting calibrated to an f-number
Depth of Field
High Key
f-stop
Monochrome
12. A lens with the ability to focus from infinity to extremely closely - allowing it to capture images of tiny objects in frame-filling - larger-than-life sizes.
Gray Card
Macro Lens
Rembrandt Lighting
Kelvin
13. Or - electronic noise. This is the grainy look you find in a digital image caused by image artifacts. It is usually noticeable in shadow areas - and generally produced when shooting in low light. Noise is almost always unwanted and unattractive.
UV Filter
Noise
Megabyte
Interpolation
14. A lens in which focal length is variable. Elements inside a zoom lens shift their positions - enabling the lens to change its focal length - in effect - providing one lens that has many focal lengths. (Also called a 'Variable focus lens.')
Noise
Macro Lens
Zoom Lens
Graininess
15. Bokeh describes the rendition of out-of-focus points of light. Bokeh is different from sharpness. Sharpness is what happens at the point of best focus. Bokeh is what happens away from the point of best focus. Bokeh describes the appearance - or 'feel
Model Release
Aperture Priority
Bokeh
Interpolation
16. A digital camera analyzes a scene using its white balance mode to determine areas that should be recorded as pure white. The camera adjusts the overall scene's color balance so that the areas meant to be reproduced as white in the picture will be whi
Megapixel
Golden Hour
ISO
White Balance
17. A lens aperture setting calibrated to an f-number
f-stop
Through-the-Lens
Raw Image
Bulb 'B' setting
18. Occurs when the photographer incrementally lights an otherwise darkened scene using a handheld flashlight or other small light source while the shutter remains open during a time exposure. The light is added to the scene in the manner of an artist us
Interpolation
PDF
Butterfly Lighting
Painting with Light
19. Any device used to reflect light onto a subject.
EXIF
DSLR
Reflector
Painting with Light
20. The range of distance in a scene that appears to be in focus and will be reproduced as being acceptably sharp in an image. Depth of field is controlled by the lens aperture - and extends for a distance in front of and behind the point on which the le
Depth of Field
GIF
f-stop
Painting with Light
21. Refers to a million pixels - and is used in describing the number of pixels that a digital device's image sensor has.
EXIF
Megapixel
Kelvin
TIFF
22. A form of image compression when saving the image that discards data from it. Saving a picture as a JPEG uses lossy compression.
Lossless
Lossy
Bulb 'B' setting
Megabyte
23. In a studio - the main light is placed fairly high - directly in front of the face - aimed at the center of the nose. It casts a shadow shaped like a butterfly beneath the nose.
Macro Lens
Reflector
Butterfly Lighting
PSD
24. A lens with the ability to focus from infinity to extremely closely - allowing it to capture images of tiny objects in frame-filling - larger-than-life sizes.
f-stop
Noise
Megapixel
Macro Lens
25. The time an hour or less before the sun goes down and around fifteen minutes after the sun has set. Sunlight is usually warmer and more complimentary to skin tones at this time - and the angle of the light can provide depth to portraits and landscape
Model Release
Butterfly Lighting
Lossy
Golden Hour
26. An accessory that attaches as a collar to the front of a lens to prevent stray light from striking the surface of the lens - causing flare
EXIF
Butterfly Lighting
Low Key
Lens Hood
27. A contract in which a model consents to the use of his or her images by the photographer or a third party. Sometimes referred to simply as a 'release.'
Model Release
FPS
Lens Hood
Rule of Thirds
28. Existing light surrounding a subject; the light that is illuminating a scene without any additional light supplied by the photographer. This is also called 'available light'.
PSD
EXIF
RGB
Ambient Light
29. A form of image compression when saving the image that discards data from it. Saving a picture as a JPEG uses lossy compression.
Kelvin
Lossy
Resampling
Panning
30. Existing light surrounding a subject; the light that is illuminating a scene without any additional light supplied by the photographer. This is also called 'available light'.
UV Filter
EXIF
Macro Lens
Ambient Light
31. Occurs when an image editing program is used to change an image's size. Increasing an image's size requires the addition of new pixels and decreasing size removes pixels.
Lossless
PSD
Resampling
Rembrandt Lighting
32. Occurs when saving a digital image file in a format that does not result in a loss of data. A TIFF and PSD documents are examples of lossless image formats
GIF
Raw Image
Lossless
Through-the-Lens
33. When the lens is focused on infinity - the nearest point to the camera that is considered acceptably sharp is the Hyperfocal point. By focusing on the hyperfocal point - everything beyond it to infinity remains in acceptable focus - and objects halfw
RGB
Macro Lens
Hyperfocal Point/Distance
RGB
34. The visible light spectrum is scientifically described in terms of color temperature - and is measured in degrees Kelvin (K). The range for Kelvin on a pro digital camera is approximately 2000-10000.. These K settings are the scientific numbers behin
EXIF
Golden Hour
Kelvin
Vignetting
35. An image file type created in Adobe PhotoShop. It is uncompressed and contains data on editing that is done to the image. A PSD file is essentially PhotoShop's version of a TIFF file. It lets you save a picture you are working on with its layers - ch
Low Key
Through-the-Lens
PSD
ISO
36. Occurs when an image editing program is used to change an image's size. Increasing an image's size requires the addition of new pixels and decreasing size removes pixels.
Reflector
Lens Hood
Resampling
GIF
37. Sometimes called camera raw - raw format - raw image format and raw. A digital image storage format that contains the most information possible from a camera's sensor. RAW data ( a RAW image file) is unprocessed. Some folks consider it to be the digi
Bulb 'B' setting
FPS
Golden Hour
Raw Image
38. Exchangeable Image File Format. Data produced by a digital camera that becomes attached to each image made by the camera - including make & model of camera - date & time - image format (e.g. jpeg - tiff - etc.)and dimensions - color & exposure modes
Reciprocal Rule
JPEG (also known as JPG)
Resampling
EXIF
39. A shutter speed dial setting that indicates that the shutter will remain open as long as the release button is depressed - also known as the 'B setting ' or 'Bulb' setting. The 'B' setting is used for time exposures.
40. When the lens is focused on infinity - the nearest point to the camera that is considered acceptably sharp is the Hyperfocal point. By focusing on the hyperfocal point - everything beyond it to infinity remains in acceptable focus - and objects halfw
Rembrandt Lighting
Hyperfocal Point/Distance
Model Release
Golden Hour
41. Tagged Image File Format - A standard digital image format for bitmapped graphics in an uncompressed state. The image files are much larger than compressed files - but can be opened in all image-processing programs.
Lens Hood
TIFF
Vignetting
Interpolation
42. A fall-off in brightness at the edges of an image - slide - or print. Can be caused by poor lens design - using a lens hood not matched to the lens - or attaching too many filters to the front of the lens. It can also be applied after the image is ta
Vignetting
Golden Hour
EXIF
TIFF
43. A function or shooting mode of a semi-automatic camera that permits the photographer to preset the aperture and leaves the camera to automatically determine the correct shutter speed. What does that mean? You select the aperture setting you want and
Aperture Priority
Model Release
FPS
Interpolation
44. Adding new pixels to a digital image between existing pixels. Interpolation software analyzes the adjacent pixels to create the new ones when enlarging an image file.
Interpolation
RGB
Complimentary Color
Lossy
45. Frames per second (fps) refers to the number of pictures that a camera is able to take in a second. A point-and-shoot camera typically shoots one or two pictures per second. Higher-end single lens reflex (SLR) cameras have much greater performance -
Kelvin
FPS
Lens Hood
Lossy
46. An acronym for Joint Photographic Experts Group that describes an image file format standard in which the size of the file is reduced by compressing it. JPEG - with its 16.7 million colors - is well suited to compressing photographic images. A 'JPEG'
Graininess
White Balance
JPEG (also known as JPG)
PSD
47. Describes a mostly dark image - with few highlights.
Golden Hour
Low Key
Butterfly Lighting
ISO
48. Sometimes called camera raw - raw format - raw image format and raw. A digital image storage format that contains the most information possible from a camera's sensor. RAW data ( a RAW image file) is unprocessed. Some folks consider it to be the digi
Low Key
Butterfly Lighting
Raw Image
Interpolation
49. A lens in which focal length is variable. Elements inside a zoom lens shift their positions - enabling the lens to change its focal length - in effect - providing one lens that has many focal lengths. (Also called a 'Variable focus lens.')
EXIF
Complimentary Color
Zoom Lens
Complimentary Color
50. Frames per second (fps) refers to the number of pictures that a camera is able to take in a second. A point-and-shoot camera typically shoots one or two pictures per second. Higher-end single lens reflex (SLR) cameras have much greater performance -
Normal Lens
White Balance
Panning
FPS