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Test your basic knowledge |
Photography Basics
Start Test
Study First
Subjects
:
visual-arts
,
photography
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A million bytes - abbreviated as MB - Mb and sometimes Mbyte. Technically and more precisely - it refers to 1 -048 -576 bytes. Digital images are often referred to in terms of their 'size in Mb'.
Panning
Megabyte
Resampling
Gray Card
2. Film speed or sensitivity is designated by a single - almost universally-accepted common system developed by the International Organization for Standardization which uses the initials 'ISO' before the film-speed number or digital camera's sensitivity
CMYK
ISO
Golden Hour
Lossy
3. Tagged Image File Format - A standard digital image format for bitmapped graphics in an uncompressed state. The image files are much larger than compressed files - but can be opened in all image-processing programs.
TIFF
Golden Hour
FPS
Lossless
4. CMYK - An acronym for the ink colors Cyan (process blue) - Magenta (process red) - Yellow and Black used in four-color process printing.
ISO
DSLR
Lens Hood
CMYK
5. A clear - neutral filter that absorbs ultraviolet radiation - with no effect on visible colors. The skylight filter is a UV filter with a pale rose tinge to it.
Painting with Light
Bokeh
UV Filter
FPS
6. A lens aperture setting calibrated to an f-number
f-stop
UV Filter
Reciprocal Rule
Normal Lens
7. An image file type created in Adobe PhotoShop that results in pictures that are viewable with Adobe Acrobat - so someone (Mac or PC-user) who doesn't have PhotoShop can still view the image. It is often used in forms creation and for documents that r
High Key
Model Release
PDF
ISO
8. Lens with a focal length approximately equal to the diagonal of the film format or of a digital camera's image sensor. A scene viewed through a normal lens appears to have the same perspective as if it was being viewed 'normally' without a lens - jus
White Balance
Normal Lens
Aperture Priority
Vignetting
9. Adding new pixels to a digital image between existing pixels. Interpolation software analyzes the adjacent pixels to create the new ones when enlarging an image file.
Gray Card
Interpolation
Ambient Light
Aperture Priority
10. In a studio - the main light is placed fairly high - directly in front of the face - aimed at the center of the nose. It casts a shadow shaped like a butterfly beneath the nose.
Lens Hood
Butterfly Lighting
Reflector
Painting with Light
11. Describes a mostly dark image - with few highlights.
Low Key
Through-the-Lens
Vignetting
Lossless
12. Lens with a focal length approximately equal to the diagonal of the film format or of a digital camera's image sensor. A scene viewed through a normal lens appears to have the same perspective as if it was being viewed 'normally' without a lens - jus
Normal Lens
Through-the-Lens
Megabyte
Lossy
13. The primary colors of light (not of the inks used in printing) are red - green and blue - known by the acronym RGB.
ISO
RGB
GIF
Gray Card
14. The time an hour or less before the sun goes down and around fifteen minutes after the sun has set. Sunlight is usually warmer and more complimentary to skin tones at this time - and the angle of the light can provide depth to portraits and landscape
UV Filter
Aperture Priority
Painting with Light
Golden Hour
15. The time an hour or less before the sun goes down and around fifteen minutes after the sun has set. Sunlight is usually warmer and more complimentary to skin tones at this time - and the angle of the light can provide depth to portraits and landscape
Reflector
Golden Hour
Reflector
TIFF
16. An image of a single color in differing shades. A black and white or sepia-toned image is a monochrome. Another monochromatic image is the cyanotype - or blue-green image made popular in blueprints.
Depth of Field
Monochrome
Golden Hour
FPS
17. Exchangeable Image File Format. Data produced by a digital camera that becomes attached to each image made by the camera - including make & model of camera - date & time - image format (e.g. jpeg - tiff - etc.)and dimensions - color & exposure modes
EXIF
White Balance
PDF
Reflector
18. An image that is mainly made up of light tones - with relatively few mid-tones or shadows.
PSD
Complimentary Color
Low Key
High Key
19. An accessory that attaches as a collar to the front of a lens to prevent stray light from striking the surface of the lens - causing flare
Normal Lens
Golden Hour
Bokeh
Lens Hood
20. Commonly abbreviated as 'TTL'. Refers to both exposure metering of the light passing through the lens (Through-the-lens metering - and TTL flash metering) and viewing a scene through the same lens that allows light to reach the sensor or the film (Th
Panning
ISO
PSD
Through-the-Lens
21. Also known as the 'Kodak neutral test card -' a gray card is an 8' X 10' (20 cm by 25.5 cm) card - about 1/8' thick - that is uniformly gray on one side. The gray side reflects precisely 18% of the white light that strikes it (corresponding to the ca
Graininess
CMYK
Gray Card
Interpolation
22. Digital single lens reflex camera
Model Release
Reciprocal Rule
DSLR
TIFF
23. A fall-off in brightness at the edges of an image - slide - or print. Can be caused by poor lens design - using a lens hood not matched to the lens - or attaching too many filters to the front of the lens. It can also be applied after the image is ta
Vignetting
Kelvin
Low Key
Bulb 'B' setting
24. A function or shooting mode of a semi-automatic camera that permits the photographer to preset the aperture and leaves the camera to automatically determine the correct shutter speed. What does that mean? You select the aperture setting you want and
Kelvin
Aperture Priority
Zoom Lens
RGB
25. Or - electronic noise. This is the grainy look you find in a digital image caused by image artifacts. It is usually noticeable in shadow areas - and generally produced when shooting in low light. Noise is almost always unwanted and unattractive.
Megabyte
Butterfly Lighting
Through-the-Lens
Noise
26. A complementary color is one of a pair of primary or secondary colors that are in opposition to each other on a color wheel.
PDF
Resampling
Reciprocal Rule
Complimentary Color
27. Sometimes called camera raw - raw format - raw image format and raw. A digital image storage format that contains the most information possible from a camera's sensor. RAW data ( a RAW image file) is unprocessed. Some folks consider it to be the digi
Aperture Priority
Ambient Light
Raw Image
Gray Card
28. Occurs when an image editing program is used to change an image's size. Increasing an image's size requires the addition of new pixels and decreasing size removes pixels.
Hyperfocal Point/Distance
Gray Card
Rembrandt Lighting
Resampling
29. In a studio - the main light is placed fairly high - directly in front of the face - aimed at the center of the nose. It casts a shadow shaped like a butterfly beneath the nose.
Butterfly Lighting
Megabyte
RGB
Bulb 'B' setting
30. A complementary color is one of a pair of primary or secondary colors that are in opposition to each other on a color wheel.
Complimentary Color
Bulb 'B' setting
Monochrome
Resampling
31. A lighting technique that is sometimes used in studio portrait photography. It can be achieved using one light and a reflector - or two lights - and is popular because it is capable of producing images which appear both natural and compelling with a
Rembrandt Lighting
Depth of Field
Through-the-Lens
Kelvin
32. Occurs when an image editing program is used to change an image's size. Increasing an image's size requires the addition of new pixels and decreasing size removes pixels.
Noise
Kelvin
Rembrandt Lighting
Resampling
33. If you're hand holding your camera - your shutter speed should not be slower than the reciprocal of your effective focal length (but not lower than 1/50th of a second) in order to avoid 'camera shake -' i.e. the blur that results from any slight move
Reciprocal Rule
Resampling
PDF
Lossy
34. Graininess occurs when clumps of individual grains are large and irregularly spaced out in the negative. They are visible to the naked eye in the finished print - particularly enlargements - as sand-like particles. When this occurs - the picture appe
TIFF
Graininess
Gray Card
Reciprocal Rule
35. A shutter speed dial setting that indicates that the shutter will remain open as long as the release button is depressed - also known as the 'B setting ' or 'Bulb' setting. The 'B' setting is used for time exposures.
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36. Occurs when saving a digital image file in a format that does not result in a loss of data. A TIFF and PSD documents are examples of lossless image formats
Macro Lens
GIF
Lossless
Complimentary Color
37. A lens aperture setting calibrated to an f-number
Butterfly Lighting
f-stop
Resampling
Noise
38. Film speed or sensitivity is designated by a single - almost universally-accepted common system developed by the International Organization for Standardization which uses the initials 'ISO' before the film-speed number or digital camera's sensitivity
Vignetting
ISO
Lens Hood
EXIF
39. CMYK - An acronym for the ink colors Cyan (process blue) - Magenta (process red) - Yellow and Black used in four-color process printing.
CMYK
Bulb 'B' setting
Low Key
Model Release
40. A contract in which a model consents to the use of his or her images by the photographer or a third party. Sometimes referred to simply as a 'release.'
Model Release
FPS
Complimentary Color
Zoom Lens
41. A form of image compression when saving the image that discards data from it. Saving a picture as a JPEG uses lossy compression.
Lens Hood
Zoom Lens
Lossy
Reciprocal Rule
42. A form of image compression when saving the image that discards data from it. Saving a picture as a JPEG uses lossy compression.
Panning
Depth of Field
Lossy
High Key
43. Tagged Image File Format - A standard digital image format for bitmapped graphics in an uncompressed state. The image files are much larger than compressed files - but can be opened in all image-processing programs.
Low Key
CMYK
Monochrome
TIFF
44. A shutter speed dial setting that indicates that the shutter will remain open as long as the release button is depressed - also known as the 'B setting ' or 'Bulb' setting. The 'B' setting is used for time exposures.
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45. Existing light surrounding a subject; the light that is illuminating a scene without any additional light supplied by the photographer. This is also called 'available light'.
Resampling
Interpolation
Hyperfocal Point/Distance
Ambient Light
46. Also known as the 'Kodak neutral test card -' a gray card is an 8' X 10' (20 cm by 25.5 cm) card - about 1/8' thick - that is uniformly gray on one side. The gray side reflects precisely 18% of the white light that strikes it (corresponding to the ca
GIF
Bulb 'B' setting
Gray Card
Raw Image
47. Refers to a million pixels - and is used in describing the number of pixels that a digital device's image sensor has.
Hyperfocal Point/Distance
TIFF
Megapixel
ISO
48. When the lens is focused on infinity - the nearest point to the camera that is considered acceptably sharp is the Hyperfocal point. By focusing on the hyperfocal point - everything beyond it to infinity remains in acceptable focus - and objects halfw
Raw Image
Depth of Field
Hyperfocal Point/Distance
EXIF
49. Bokeh describes the rendition of out-of-focus points of light. Bokeh is different from sharpness. Sharpness is what happens at the point of best focus. Bokeh is what happens away from the point of best focus. Bokeh describes the appearance - or 'feel
Resampling
Low Key
Monochrome
Bokeh
50. An image file type created in Adobe PhotoShop that results in pictures that are viewable with Adobe Acrobat - so someone (Mac or PC-user) who doesn't have PhotoShop can still view the image. It is often used in forms creation and for documents that r
PDF
Noise
Hyperfocal Point/Distance
Bokeh
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