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Test your basic knowledge |
Photography Basics
Start Test
Study First
Subjects
:
visual-arts
,
photography
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The range of distance in a scene that appears to be in focus and will be reproduced as being acceptably sharp in an image. Depth of field is controlled by the lens aperture - and extends for a distance in front of and behind the point on which the le
Through-the-Lens
High Key
Bokeh
Depth of Field
2. An image that is mainly made up of light tones - with relatively few mid-tones or shadows.
Bokeh
High Key
Noise
Reflector
3. An image file type created in Adobe PhotoShop. It is uncompressed and contains data on editing that is done to the image. A PSD file is essentially PhotoShop's version of a TIFF file. It lets you save a picture you are working on with its layers - ch
PSD
FPS
Reflector
Through-the-Lens
4. Commonly abbreviated as 'TTL'. Refers to both exposure metering of the light passing through the lens (Through-the-lens metering - and TTL flash metering) and viewing a scene through the same lens that allows light to reach the sensor or the film (Th
Panning
Through-the-Lens
Reflector
Megapixel
5. A lens with the ability to focus from infinity to extremely closely - allowing it to capture images of tiny objects in frame-filling - larger-than-life sizes.
Depth of Field
Macro Lens
Butterfly Lighting
Panning
6. An accessory that attaches as a collar to the front of a lens to prevent stray light from striking the surface of the lens - causing flare
GIF
Rembrandt Lighting
Lens Hood
Ambient Light
7. A lighting technique that is sometimes used in studio portrait photography. It can be achieved using one light and a reflector - or two lights - and is popular because it is capable of producing images which appear both natural and compelling with a
Painting with Light
Lossy
Noise
Rembrandt Lighting
8. Technique that involves taking a picture while moving the camera at a relatively slow shutter speed. It is almost always used when tracking a moving object - such as a race car - as it travels across the film plane. When properly carried out - the ob
Panning
High Key
Rembrandt Lighting
Through-the-Lens
9. A lens with the ability to focus from infinity to extremely closely - allowing it to capture images of tiny objects in frame-filling - larger-than-life sizes.
Graininess
Megapixel
Model Release
Macro Lens
10. Occurs when an image editing program is used to change an image's size. Increasing an image's size requires the addition of new pixels and decreasing size removes pixels.
Interpolation
Resampling
Panning
f-stop
11. A digital camera analyzes a scene using its white balance mode to determine areas that should be recorded as pure white. The camera adjusts the overall scene's color balance so that the areas meant to be reproduced as white in the picture will be whi
Reflector
Aperture Priority
White Balance
Raw Image
12. Graininess occurs when clumps of individual grains are large and irregularly spaced out in the negative. They are visible to the naked eye in the finished print - particularly enlargements - as sand-like particles. When this occurs - the picture appe
Golden Hour
Reciprocal Rule
Butterfly Lighting
Graininess
13. Adding new pixels to a digital image between existing pixels. Interpolation software analyzes the adjacent pixels to create the new ones when enlarging an image file.
Bokeh
Noise
Interpolation
White Balance
14. Film speed or sensitivity is designated by a single - almost universally-accepted common system developed by the International Organization for Standardization which uses the initials 'ISO' before the film-speed number or digital camera's sensitivity
Vignetting
ISO
Complimentary Color
Graininess
15. A shutter speed dial setting that indicates that the shutter will remain open as long as the release button is depressed - also known as the 'B setting ' or 'Bulb' setting. The 'B' setting is used for time exposures.
16. An acronym for Joint Photographic Experts Group that describes an image file format standard in which the size of the file is reduced by compressing it. JPEG - with its 16.7 million colors - is well suited to compressing photographic images. A 'JPEG'
Lossy
JPEG (also known as JPG)
Megabyte
Gray Card
17. An image that is mainly made up of light tones - with relatively few mid-tones or shadows.
ISO
Interpolation
Complimentary Color
High Key
18. Or - electronic noise. This is the grainy look you find in a digital image caused by image artifacts. It is usually noticeable in shadow areas - and generally produced when shooting in low light. Noise is almost always unwanted and unattractive.
f-stop
Vignetting
Panning
Noise
19. A complementary color is one of a pair of primary or secondary colors that are in opposition to each other on a color wheel.
Complimentary Color
Painting with Light
Megapixel
Lossless
20. Occurs when saving a digital image file in a format that does not result in a loss of data. A TIFF and PSD documents are examples of lossless image formats
Lossless
PSD
Reciprocal Rule
Gray Card
21. A fall-off in brightness at the edges of an image - slide - or print. Can be caused by poor lens design - using a lens hood not matched to the lens - or attaching too many filters to the front of the lens. It can also be applied after the image is ta
Interpolation
GIF
Gray Card
Vignetting
22. Lens with a focal length approximately equal to the diagonal of the film format or of a digital camera's image sensor. A scene viewed through a normal lens appears to have the same perspective as if it was being viewed 'normally' without a lens - jus
EXIF
Graininess
FPS
Normal Lens
23. The visible light spectrum is scientifically described in terms of color temperature - and is measured in degrees Kelvin (K). The range for Kelvin on a pro digital camera is approximately 2000-10000.. These K settings are the scientific numbers behin
High Key
Kelvin
Interpolation
White Balance
24. Digital single lens reflex camera
Ambient Light
DSLR
Lossy
Reciprocal Rule
25. A lens in which focal length is variable. Elements inside a zoom lens shift their positions - enabling the lens to change its focal length - in effect - providing one lens that has many focal lengths. (Also called a 'Variable focus lens.')
Complimentary Color
Lossless
Panning
Zoom Lens
26. Describes a mostly dark image - with few highlights.
Low Key
FPS
Kelvin
Model Release
27. A million bytes - abbreviated as MB - Mb and sometimes Mbyte. Technically and more precisely - it refers to 1 -048 -576 bytes. Digital images are often referred to in terms of their 'size in Mb'.
Megabyte
Gray Card
PDF
Depth of Field
28. Sometimes called camera raw - raw format - raw image format and raw. A digital image storage format that contains the most information possible from a camera's sensor. RAW data ( a RAW image file) is unprocessed. Some folks consider it to be the digi
Reflector
Resampling
TIFF
Raw Image
29. Also known as the 'Kodak neutral test card -' a gray card is an 8' X 10' (20 cm by 25.5 cm) card - about 1/8' thick - that is uniformly gray on one side. The gray side reflects precisely 18% of the white light that strikes it (corresponding to the ca
Gray Card
ISO
RGB
Hyperfocal Point/Distance
30. When the lens is focused on infinity - the nearest point to the camera that is considered acceptably sharp is the Hyperfocal point. By focusing on the hyperfocal point - everything beyond it to infinity remains in acceptable focus - and objects halfw
f-stop
Hyperfocal Point/Distance
Reflector
Butterfly Lighting
31. A lens aperture setting calibrated to an f-number
f-stop
Reflector
Painting with Light
Butterfly Lighting
32. The primary colors of light (not of the inks used in printing) are red - green and blue - known by the acronym RGB.
Lossy
Low Key
f-stop
RGB
33. (Graphics Interchange Format) is a small image file format that supports transparency and is constrained to a maximum of 256 colors - generally making it a poor choice for your digital images. When it was created - most computer video cards were able
Raw Image
Reciprocal Rule
Bokeh
GIF
34. The time an hour or less before the sun goes down and around fifteen minutes after the sun has set. Sunlight is usually warmer and more complimentary to skin tones at this time - and the angle of the light can provide depth to portraits and landscape
Golden Hour
Aperture Priority
UV Filter
Low Key
35. (Graphics Interchange Format) is a small image file format that supports transparency and is constrained to a maximum of 256 colors - generally making it a poor choice for your digital images. When it was created - most computer video cards were able
Interpolation
Rembrandt Lighting
GIF
Megapixel
36. A clear - neutral filter that absorbs ultraviolet radiation - with no effect on visible colors. The skylight filter is a UV filter with a pale rose tinge to it.
Normal Lens
Complimentary Color
UV Filter
Bokeh
37. Occurs when saving a digital image file in a format that does not result in a loss of data. A TIFF and PSD documents are examples of lossless image formats
Lossless
High Key
FPS
Aperture Priority
38. Adding new pixels to a digital image between existing pixels. Interpolation software analyzes the adjacent pixels to create the new ones when enlarging an image file.
Low Key
Bulb 'B' setting
Macro Lens
Interpolation
39. A composition rule that divides the screen into thirds horizontally and vertically - like a tic-tac toe grid placed over the picture on a television set. Almost all of the important information included in every shot is located at one of the four int
DSLR
RGB
Rule of Thirds
Kelvin
40. Exchangeable Image File Format. Data produced by a digital camera that becomes attached to each image made by the camera - including make & model of camera - date & time - image format (e.g. jpeg - tiff - etc.)and dimensions - color & exposure modes
EXIF
Lens Hood
ISO
Noise
41. A lens in which focal length is variable. Elements inside a zoom lens shift their positions - enabling the lens to change its focal length - in effect - providing one lens that has many focal lengths. (Also called a 'Variable focus lens.')
f-stop
PDF
Raw Image
Zoom Lens
42. A million bytes - abbreviated as MB - Mb and sometimes Mbyte. Technically and more precisely - it refers to 1 -048 -576 bytes. Digital images are often referred to in terms of their 'size in Mb'.
Kelvin
Megabyte
Reflector
Gray Card
43. The time an hour or less before the sun goes down and around fifteen minutes after the sun has set. Sunlight is usually warmer and more complimentary to skin tones at this time - and the angle of the light can provide depth to portraits and landscape
PDF
Monochrome
Kelvin
Golden Hour
44. Lens with a focal length approximately equal to the diagonal of the film format or of a digital camera's image sensor. A scene viewed through a normal lens appears to have the same perspective as if it was being viewed 'normally' without a lens - jus
Graininess
Rembrandt Lighting
Normal Lens
Complimentary Color
45. In a studio - the main light is placed fairly high - directly in front of the face - aimed at the center of the nose. It casts a shadow shaped like a butterfly beneath the nose.
Panning
PSD
FPS
Butterfly Lighting
46. Commonly abbreviated as 'TTL'. Refers to both exposure metering of the light passing through the lens (Through-the-lens metering - and TTL flash metering) and viewing a scene through the same lens that allows light to reach the sensor or the film (Th
Rule of Thirds
Monochrome
PDF
Through-the-Lens
47. An acronym for Joint Photographic Experts Group that describes an image file format standard in which the size of the file is reduced by compressing it. JPEG - with its 16.7 million colors - is well suited to compressing photographic images. A 'JPEG'
Resampling
Vignetting
JPEG (also known as JPG)
Graininess
48. Frames per second (fps) refers to the number of pictures that a camera is able to take in a second. A point-and-shoot camera typically shoots one or two pictures per second. Higher-end single lens reflex (SLR) cameras have much greater performance -
Golden Hour
Bokeh
Reciprocal Rule
FPS
49. Frames per second (fps) refers to the number of pictures that a camera is able to take in a second. A point-and-shoot camera typically shoots one or two pictures per second. Higher-end single lens reflex (SLR) cameras have much greater performance -
Graininess
Graininess
Rule of Thirds
FPS
50. Refers to a million pixels - and is used in describing the number of pixels that a digital device's image sensor has.
Monochrome
Resampling
TIFF
Megapixel