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Test your basic knowledge |
Principles Of Animation
Start Test
Study First
Subject
:
art
Instructions:
Answer 24 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. This is a good way to emphasis to certain movements and thereby draw attention where you want it.
straight ahead action and pose to pose
exaggeration
Secondary Action
Ease In and Ease out
2. Lets continue using the example of a man throwing a ball
Secondary Action
Follow through and overlapping action
Arcs
Solid Drawing
3. Good drawing doesn't apply in stop motion - but we can try to keep to the spirit of the concept by changing
exaggeration
Ease In and Ease out
Solid Drawing
Ease In and Ease out
4. It is the most crucial elements physical and theatrical. actual motions required to perform an action - refers to the pauses and the emphases added to make it dramatic
appeal
Timing
Arcs
Solid Drawing
5. Are little movements that aren't essential but that help to add meaning to an action.
straight ahead action and pose to pose
Follow through and overlapping action
appeal
Secondary Action
6. This is a directors tool used in all kids of film making and stage craft.
Timing
Squash and Stretch
Staging
Ease In and Ease out
7. It occurs after an action - and is the direct physical result of it
Anticipation
Squash and Stretch
Arcs
exaggeration
8. Flattens out and elongate slightly
Squash and Stretch
Staging
Timing
exaggeration
9. Acceleration and deceleration refers to the tendency things have to start and stop moving gradually.
straight ahead action and pose to pose
Ease In and Ease out
Staging
Secondary Action
10. It occurs after an action - and is the direct physical result of it
exaggeration
straight ahead action and pose to pose
Anticipation
Solid Drawing
11. Acceleration and deceleration refers to the tendency things have to start and stop moving gradually.
Solid Drawing
Ease In and Ease out
Follow through and overlapping action
appeal
12. Should appeal to people so they would want to watch the movie
Follow through and overlapping action
exaggeration
Secondary Action
appeal
13. This is a good way to emphasis to certain movements and thereby draw attention where you want it.
exaggeration
appeal
Squash and Stretch
Secondary Action
14. Good drawing doesn't apply in stop motion - but we can try to keep to the spirit of the concept by changing
Secondary Action
Solid Drawing
Staging
Squash and Stretch
15. Lets continue using the example of a man throwing a ball
straight ahead action and pose to pose
Arcs
Follow through and overlapping action
Squash and Stretch
16. The main reason being the jointed nature of the skeleton and gravity
Secondary Action
Timing
Arcs
Secondary Action
17. The main reason being the jointed nature of the skeleton and gravity
straight ahead action and pose to pose
Solid Drawing
Arcs
Timing
18. Are little movements that aren't essential but that help to add meaning to an action.
straight ahead action and pose to pose
Secondary Action
Timing
Squash and Stretch
19. Flattens out and elongate slightly
Squash and Stretch
Staging
Anticipation
Timing
20. Should appeal to people so they would want to watch the movie
straight ahead action and pose to pose
Anticipation
Arcs
appeal
21. It is the most crucial elements physical and theatrical. actual motions required to perform an action - refers to the pauses and the emphases added to make it dramatic
Follow through and overlapping action
Follow through and overlapping action
straight ahead action and pose to pose
Timing
22. Means that you must start at the beginning of a shot and progress through it straight ahead - one frame to the next - with no going back and no jumping ahead.
Secondary Action
Secondary Action
Squash and Stretch
straight ahead action and pose to pose
23. Means that you must start at the beginning of a shot and progress through it straight ahead - one frame to the next - with no going back and no jumping ahead.
Staging
Follow through and overlapping action
straight ahead action and pose to pose
Secondary Action
24. This is a directors tool used in all kids of film making and stage craft.
Arcs
exaggeration
Staging
Ease In and Ease out