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Test your basic knowledge |
Recording Consoles
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The power for pre- amplification in a condenser microphone - supplied by the audio console rather than a battery.
Fold Back Section (FB)
Channel Strip
Oscillator
Phantom Power
2. The negative electrode in an electrical circuit.
Tape Input Control Range
Cross Patching
Mono
Cathode
3. Buttons at the top of each I/O that assign signal to the MTR; ACN ? 'Active Combining Network'; Made up of many summing amplifiers referred to as a buss or group.
Impedance
Bantam Connector
Buss
Routing Matrix
4. First and most important path of the console audio chain; Mic input (source) ? MTR (destination);
Audient ASP8024
Stereo Bus
Channel Path
I/O Module
5. A direct transfer of the audible sound to the mixing console; Microphones work as transducers and convert the audio into an electrical current.
Mult
Microphone Line
Patch Points
Auxiliary Outputs
6. The stereo inputs to the cue system's amplifier.
Cue Amp Inputs
Professional Line Level
Patchbay
Power Amplifier
7. Measures the peak levels of a signal; Quick response; Often displays a peak hold.
Patching Across
Record Mode (Record Status)
Peak Program Meter (PPM)
Cue Send
8. Little or no active circuitry; Often the 'small' or 'short' fader on large format consoles.
Monitor Inputs
Conductive Plastic Fader
Mic Input Range
Channel Line Inputs
9. Outputs from the I/O module after the filters - equalizer - gate - and compressor; Half- normalled to the Channel insert Returns.
Channel Insert Sends
Master Section
Mic Lines
Normalled
10. 60 ? -40 db (roughly -50 dB)
Tape Input Control Range
Patchbay
Binaural Localization
Mic Level
11. Common mode signals (signals appearing in phase in a differential circuit) are canceled at the input of the destination gear when the differential signal is combined; RFI (Radio Frequency Interference) or EMI (Electro- Magnetic Interference) picked u
Headroom Meter
Mult
Patch Points
Common Mode Rejection
12. An audio connection point intended to be used for a limited time.
'Tiny Telephone' (TT) Connector
Cue Send
Routing Matrix
Patch
13. Wire that carries a signal.
Reason for 2 Multi-Track Returns
Buss
Consumer Line Level
Mult
14. Signals are routed to the multitrack recorder (MTR) using the channel path and signals are monitored from the MTR through the monitor path. (Channel Path ? Routing Matrix ? MTR)
Record Mode (Record Status)
Cue Outputs
Mic Lines
Channel Line Inputs
15. 10dB
Binaural Localization
Consumer Line Level
Patching Across
Cue Send
16. Shifts the proportion of sound from any point left to right between two output busses and the two loudspeakers necessary for reproducing a stereo sound.
Peak Program Meter (PPM)
'Tiny Telephone' (TT) Connector
Pan Pot (Panoramic Potentiometer)
Mix Insert Returns
17. Receives the two out of phase signals coming from the source (typically a mic) - inverts them before combining them - and 'balances' them.
Speakers Section (SLS)
Balancing Circuit
Channel Path
Mono
18. Tip-Ring-Sleeve connector; Common
Common Mode Rejection
TRS Connector
Plasma Meter
Signal Flow
19. Takes the audio spectrum and divides it into a number of separate bands of frequencies called bandpasses. Each separate bandpass is then amplified independently in order to drive separate loudspeaker components - each of which reproduce a band of fre
XLR
Stereo Bus
Electronic Crossover (X-Over)
Cross Patching
20. The inputs to each individual track on the MTR.
Multi-Track Returns
Tielines
Binaural Localization
Multi-Track Sends
21. 14dB to +20dB
Volume Unit Meter (VU)
Mix Outputs
I/O Module
Line Input Range
22. Where the global controls for the console are located; Contains master controls for mixing bus outputs - reverb send and return - master fader - and multiple other functions.
Multi-Track Returns
Cue Outputs
Master Section
Consumer Line Level
23. Console that has two separate sections for the channel paths and the monitor paths.
Split Console
Patch
Conductive Plastic Fader
Attenuation
24. The line level inputs to the Channel Path; Receive signal from the Multi-Track Returns; Accessed through the board's mic/line switch - allowing line level signals to enter the I/O.
Channel Line Inputs
Phantom Power
Plasma Meter
Gain Staging
25. A signal generator that produces pure tones (sine waves) at selected frequencies; Used to calibrate the console with the recorders so their meters indicate the same levels and input reference to levels on recording.
Pre-Amp
Oscillator
Mix Insert Returns
Dead Patching
26. An op- amp configuration that mathematically adds (or sums) the voltage levels found at two or more inputs.
Mix Mode (Mix Status)
Tape Input Control Range
Summing Amplifiers
Patchbay
27. Voltage Controlled Amplifier; Amplifier determines output level; Can be remotely controlled for automated mixing; Often the 'large' or 'long' fader on large format consoles.
Line Input Range
Cathode
VCA Fader
Fold Back Section (FB)
28. Console where all paths are contained on one board.
Headroom Meter
Inline Console
Conductive Plastic Fader
Reason for 2 Multi-Track Returns
29. Assigns console signal to the headphone amps.
Impedance
Balancing Circuit
Monitor Path
Fold Back Section (FB)
30. Stereo inputs of external stereo devices to the control room section via the control room monitor source switches in the master section.
Universal Law of Patching
Record Mode (Record Status)
Mic Level
External Source Inputs
31. The fader position where the fader does not boost or attenuate the level of the signal sent to it (found at zero on the fader).
Common Mode Rejection
Unity Gain
Impedance
Pan Pot (Panoramic Potentiometer)
32. The positive electrode in an electrical circuit.
DI Box
Mic Lines
Anode
Cross Patching
33. A string of jacks wired in parallel so that all the jacks will see the same signal.
Mix Insert Sends
Buss
Electronic Crossover (X-Over)
Mult
34. To patch the signal into a 'Mult' in order to split it and route it to several destinations.
Multing
Impedance
Split Console
Oscillator
35. +4db
Professional Line Level
Patch
Microphone Line
Split Console
36. The connection from the upper row to the lower row is ALWAYS broken when a patch cord is inserted into the lower jack (or input) of the pair.
Power Amplifier
Summing Amplifiers
Patch
Universal Law of Patching
37. Boosts console's line level signal to a higher level to drive the speakers.
VCA Fader
Oscillator
Patch
Power Amplifier
38. A set of input and output jack connectors (jacks) that allow direct connectivity between all and any of the audio signals with every piece of equipment in the room.
Patchbay
Channel Insert Returns
Mic Input Range
Mic Level
39. Direct Injection Box; Used to take signals from gear and instruments that are typically unbalanced and making the necessary adjustments to connect them to consoles; Balances the signal - and corrects the impedance.
Nominal Level
Channel Path
Routing Matrix
DI Box
40. Signals come back from the MTR using the channel path with the option of using the monitor path to bring more signals into the mix. (Channel Path ? Stereo Bus ? 2-Track (L/R) Recorder)
Mix Mode (Mix Status)
Stereo
Split Console
Binaural Localization
41. An audio signal that is mixed together and routed through a single audio channel.
Tielines
Plasma Meter
Common Mode Rejection
Mono
42. Access to the signal flow of a channel or any jack providing access to a signal.
Dead Patching
Buss
Patch Points
Fold Back Section (FB)
43. Usually a PPM meter used to reference relative to 0dB for digital audio signals; Input is calibrated to a certain number of dB below the level where clipping will occur.
Line Input Range
Mono
Cue Amp Inputs
Headroom Meter
44. The total amount of opposition to the flow of current.
Channel Insert Returns
Inline Console
Multi-Track Returns
Impedance
45. Three- pin plug for three- conductor 'balanced' audio cables employed with high- quality microphones - mixers - and other audio equipment.
Mic Level
Plasma Meter
XLR
Patch Points
46. Measures average voltage level of signal; Relatively slow response; Displayed level depends on amplitude and duration of signal.
Volume Unit Meter (VU)
Patch
Universal Law of Patching
Phantom Power
47. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path.
Reason for 2 Multi-Track Returns
TRS Connector
Gain Staging
Mic Input Range
48. Am electronic meter where signal level is displayed as a bar graph in a series of anodes and cathodes in a fluorescent gas discharge tube.
Plasma Meter
Mic Level
VCA Fader
Multing
49. Another term for Tiny Telephone (TT) connectors.
Conductive Plastic Fader
Balancing Circuit
Bantam Connector
Tielines
50. Inputs to the monitor fader/monitor path; Enables the monitoring of signals being recorded as well as those already recorded.
Channel Mic Inputs
Mic Lines
Monitor Inputs
Channel Line Inputs
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