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Test your basic knowledge |
Recording Consoles
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The outputs of each individual bus located in the routing matrix of the console; Half- normalled to the Multi-Track Sends.
Patchbay
Group Outputs
Unity Gain
Channel Strip
2. 'Standard' level at which the inputs and outputs of domestic and professional sound equipment operate.
Balancing Circuit
Consumer Line Level
Mono
Line Level Signal
3. A signal path specifically dedicated to sending audio signal to headphones.
Cue Send
Line Input Range
Electronic Crossover (X-Over)
Professional Line Level
4. Patching from one I/O module to another - or from one track on the MTR to another.
Cross Patching
Speakers Section (SLS)
Multing
Channel Path
5. Stereo inputs of external stereo devices to the control room section via the control room monitor source switches in the master section.
Bus Compression
Bus
External Source Inputs
TRS Connector
6. 10dB
Nominal Level
Half- Normalled
Consumer Line Level
DI Box
7. Shifts the proportion of sound from any point left to right between two output busses and the two loudspeakers necessary for reproducing a stereo sound.
Bus Compression
Electronic Crossover (X-Over)
Tielines
Pan Pot (Panoramic Potentiometer)
8. Console where all paths are contained on one board.
Stereo Bus
Line Input Range
Pre-Amp
Inline Console
9. Where the global controls for the console are located; Contains master controls for mixing bus outputs - reverb send and return - master fader - and multiple other functions.
Mult
Master Section
XLR
Tape Input Control Range
10. An input to the master fader; The place to patch a stereo compressor - should the need arise to compress the entire mix.
Mono
Cue Outputs
Channel Insert Returns
Mix Insert Returns
11. Input to the microphone preamp; Fully normalled to prevent a microphone from being connected to two I/O's simultaneously when a cross patch is made.
Channel Mic Inputs
Conductive Plastic Fader
Pan Pot (Panoramic Potentiometer)
Group Outputs
12. The positive electrode in an electrical circuit.
Multing
Patch Points
Anode
Patchbay
13. Tip-Ring-Sleeve connector; Common
TRS Connector
Cue Send
DI Box
'Tiny Telephone' (TT) Connector
14. Voltage Controlled Amplifier; Amplifier determines output level; Can be remotely controlled for automated mixing; Often the 'large' or 'long' fader on large format consoles.
Patchbay
Routing Matrix
VCA Fader
Channel Line Inputs
15. The in - line console used in RCO labs at Full Sail University; Short fader is the Channel Fader feeding the routing matrix and the long fader is the Monitor Fader feeding the stereo bus.
Binaural Localization
Professional Line Level
Audient ASP8024
Balancing Circuit
16. Buttons at the top of each I/O that assign signal to the MTR; ACN ? 'Active Combining Network'; Made up of many summing amplifiers referred to as a buss or group.
Summing Amplifiers
Mic Lines
Routing Matrix
Multi-Track Returns
17. Compressing a group of signals together with a single processor.
VCA Fader
Audient ASP8024
Cathode
Audio Grouping
18. Direct Injection Box; Used to take signals from gear and instruments that are typically unbalanced and making the necessary adjustments to connect them to consoles; Balances the signal - and corrects the impedance.
Audio Grouping
Fold Back Section (FB)
DI Box
Binaural Localization
19. Assigns console speakers to the studio loudspeakers.
Mix Mode (Mix Status)
Speakers Section (SLS)
Volume Unit Meter (VU)
Channel Path
20. The path an audio signal takes from source to output.
Signal Flow
Volume Unit Meter (VU)
Unity Gain
Conductive Plastic Fader
21. Designating sound transmission from two sources through two channels.
Audio Grouping
Dead Patching
Patchbay
Stereo
22. 14dB to +20dB
Line Input Range
Mix Insert Sends
Audio Grouping
Mono
23. Little or no active circuitry; Often the 'small' or 'short' fader on large format consoles.
Conductive Plastic Fader
Mic Input Range
Split Console
Normalled
24. The line level inputs to the Channel Path; Receive signal from the Multi-Track Returns; Accessed through the board's mic/line switch - allowing line level signals to enter the I/O.
Channel Line Inputs
Record Mode (Record Status)
Mix Insert Sends
Nominal Level
25. Three- pin plug for three- conductor 'balanced' audio cables employed with high- quality microphones - mixers - and other audio equipment.
Cathode
DI Box
XLR
Bus Compression
26. Another term for Tiny Telephone (TT) connectors.
Group Outputs
Consumer Line Level
Reason for 2 Multi-Track Returns
Bantam Connector
27. An audio connection point intended to be used for a limited time.
Patch
Bus Compression
Cue Outputs
Volume Unit Meter (VU)
28. +6dB to +60dB
Half- Normalled
Audio Grouping
Mic Input Range
Speakers Section (SLS)
29. Signals are routed to the multitrack recorder (MTR) using the channel path and signals are monitored from the MTR through the monitor path. (Channel Path ? Routing Matrix ? MTR)
Normalled
Reason for 2 Multi-Track Returns
Binaural Localization
Record Mode (Record Status)
30. The operating level at which an electronic signal processing device is designed to operate.
Speakers Section (SLS)
Bus Compression
Nominal Level
Record Mode (Record Status)
31. A direct transfer of the audible sound to the mixing console; Microphones work as transducers and convert the audio into an electrical current.
Cue Send
Microphone Line
Routing Matrix
Mix Mode (Mix Status)
32. 15dB to +15dB
Tape Input Control Range
Buss
Mix Insert Sends
Fold Back Section (FB)
33. An audio signal that is mixed together and routed through a single audio channel.
Mono
Auxiliary Outputs
Signal Flow
Dead Patching
34. Console that has two separate sections for the channel paths and the monitor paths.
Consumer Line Level
Line Level Signal
Split Console
Patchbay
35. The upper return feeds the Channel Path for Mix Status (when mixing a project); The lower return feeds the monitor input during Record Status (when tracking the project).
Reason for 2 Multi-Track Returns
Monitor Inputs
Stereo
Speakers Section (SLS)
36. Those parts of the console that address individual signals; Adjusts the routing and level of the signals passing through it (usually a single instrument or sound source).
Split Console
Mic Level
I/O Module
Mult
37. The ability of two ears to localize a sound source.
Mix Insert Returns
Conductive Plastic Fader
Record Mode (Record Status)
Binaural Localization
38. The power for pre- amplification in a condenser microphone - supplied by the audio console rather than a battery.
Line Input Range
Cross Patching
Phantom Power
Multi-Track Returns
39. The output of each auxiliary master - of each auxiliary (aux) bus; Used for feeding such things as artificial effects - reverberation devices and loudspeakers used for audiences.
Volume Unit Meter (VU)
Auxiliary Outputs
Mic Input Range
Monitor Path
40. Receives the two out of phase signals coming from the source (typically a mic) - inverts them before combining them - and 'balances' them.
XLR
Balancing Circuit
Auxiliary Outputs
Headroom Meter
41. A set of input and output jack connectors (jacks) that allow direct connectivity between all and any of the audio signals with every piece of equipment in the room.
Monitor Inputs
Channel Strip
Patchbay
Routing Matrix
42. Common mode signals (signals appearing in phase in a differential circuit) are canceled at the input of the destination gear when the differential signal is combined; RFI (Radio Frequency Interference) or EMI (Electro- Magnetic Interference) picked u
Patchbay
Common Mode Rejection
Mix Outputs
Channel Strip
43. +4db
Phantom Power
Professional Line Level
Master Section
Line Level Signal
44. The total amount of opposition to the flow of current.
VU Meter
Universal Law of Patching
Monitor Inputs
Impedance
45. The audio signal automatically flows between a vertical pair of patchbay jacks without the need for patch cables.
Volume Unit Meter (VU)
Normalled
Cathode
Multi-Track Returns
46. Access to the signal flow of a channel or any jack providing access to a signal.
Patch Points
Phantom Power
Attenuation
Channel Insert Sends
47. Measures the peak levels of a signal; Quick response; Often displays a peak hold.
Peak Program Meter (PPM)
Master Section
Attenuation
Buss
48. Outputs from the I/O module after the filters - equalizer - gate - and compressor; Half- normalled to the Channel insert Returns.
Line Level Signal
Channel Insert Sends
Half- Normalled
Universal Law of Patching
49. Measures average voltage level of signal; Relatively slow response; Displayed level depends on amplitude and duration of signal.
Volume Unit Meter (VU)
Audio Grouping
Phantom Power
Bantam Connector
50. Am electronic meter where signal level is displayed as a bar graph in a series of anodes and cathodes in a fluorescent gas discharge tube.
Bantam Connector
Impedance
Plasma Meter
Patch