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Test your basic knowledge |
Recording Consoles
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Second part of the console audio chain. MTR (source) ? Speakers (output source)
Record Mode (Record Status)
Monitor Path
Summing Amplifiers
Power Amplifier
2. The total amount of opposition to the flow of current.
Monitor Path
Impedance
Buss
Cue Outputs
3. An input to the master fader; The place to patch a stereo compressor - should the need arise to compress the entire mix.
Impedance
External Source Inputs
Mix Insert Returns
Cathode
4. Three- pin plug for three- conductor 'balanced' audio cables employed with high- quality microphones - mixers - and other audio equipment.
XLR
Anode
Channel Strip
Balancing Circuit
5. The stereo inputs to the cue system's amplifier.
Routing Matrix
Inline Console
Mono
Cue Amp Inputs
6. Buttons at the top of each I/O that assign signal to the MTR; ACN ? 'Active Combining Network'; Made up of many summing amplifiers referred to as a buss or group.
Impedance
Phantom Power
Routing Matrix
Headroom Meter
7. Tip-Ring-Sleeve connector; Common
TRS Connector
Multing
Monitor Path
Pan Pot (Panoramic Potentiometer)
8. A set of input and output jack connectors (jacks) that allow direct connectivity between all and any of the audio signals with every piece of equipment in the room.
Oscillator
Inline Console
Patchbay
Tielines
9. An exact duplicate of the Multi-Track Return that feeds the Channel Line Input - now half- normalled to the Monitor Path Inputs.
Mix Insert Sends
Channel Insert Sends
Attenuation
Multi-Track Returns
10. Another term for Tiny Telephone (TT) connectors.
Bantam Connector
Mic Input Range
Channel Path
Patchbay
11. Bus compression refers to compression of the stereo (or multichannel) mix; Can be done with stereo units or linked mono units; The most famous bus compressor is the SSL.
Channel Insert Sends
Bus Compression
Split Console
Multi-Track Returns
12. The connection from the upper row to the lower row is ALWAYS broken when a patch cord is inserted into the lower jack (or input) of the pair.
Split Console
Tape Input Control Range
Peak Program Meter (PPM)
Universal Law of Patching
13. A pair of summing amplifiers that are used to create the main stereo mix.
Stereo Bus
Cathode
Oscillator
Record Mode (Record Status)
14. To patch the signal into a 'Mult' in order to split it and route it to several destinations.
Plasma Meter
Record Mode (Record Status)
Multing
Electronic Crossover (X-Over)
15. Common mode signals (signals appearing in phase in a differential circuit) are canceled at the input of the destination gear when the differential signal is combined; RFI (Radio Frequency Interference) or EMI (Electro- Magnetic Interference) picked u
Common Mode Rejection
Balancing Circuit
Line Input Range
Pre-Amp
16. Usually a PPM meter used to reference relative to 0dB for digital audio signals; Input is calibrated to a certain number of dB below the level where clipping will occur.
Peak Program Meter (PPM)
Headroom Meter
VCA Fader
Tielines
17. Shifts the proportion of sound from any point left to right between two output busses and the two loudspeakers necessary for reproducing a stereo sound.
Patch
Bus
Pan Pot (Panoramic Potentiometer)
Bus Compression
18. An audio connection point intended to be used for a limited time.
Patch
Group Outputs
Monitor Inputs
Impedance
19. +6dB to +60dB
Multi-Track Returns
Monitor Inputs
I/O Module
Mic Input Range
20. The upper return feeds the Channel Path for Mix Status (when mixing a project); The lower return feeds the monitor input during Record Status (when tracking the project).
Inline Console
Reason for 2 Multi-Track Returns
Tape Input Control Range
Normalled
21. Assigns console signal to the headphone amps.
Professional Line Level
Mix Insert Sends
Nominal Level
Fold Back Section (FB)
22. An audio signal that is mixed together and routed through a single audio channel.
Unity Gain
Peak Program Meter (PPM)
Mono
DI Box
23. 14dB to +20dB
Line Input Range
Monitor Inputs
Peak Program Meter (PPM)
Record Mode (Record Status)
24. The output of the stereo bus before the master fader; Normalled to the mix insert returns.
Line Level Signal
Reason for 2 Multi-Track Returns
Patch Points
Mix Insert Sends
25. Console that has two separate sections for the channel paths and the monitor paths.
Multi-Track Returns
Split Console
Cathode
Line Input Range
26. Cables that connect the control room to other rooms in the facility and back.
Cue Amp Inputs
Tielines
Line Level Signal
Channel Insert Returns
27. The path an audio signal takes from source to output.
Patch
Universal Law of Patching
Mic Input Range
Signal Flow
28. Console where all paths are contained on one board.
Group Outputs
Power Amplifier
Tielines
Inline Console
29. A direct transfer of the audible sound to the mixing console; Microphones work as transducers and convert the audio into an electrical current.
XLR
Microphone Line
Buss
Group Outputs
30. The audio signal automatically flows between a vertical pair of patchbay jacks without the need for patch cables.
Normalled
Patching Across
Bantam Connector
Half- Normalled
31. Boosts output gain of the sound recorded by a microphone to line level volume.
Pre-Amp
Cue Outputs
Cue Amp Inputs
Audient ASP8024
32. The fader position where the fader does not boost or attenuate the level of the signal sent to it (found at zero on the fader).
Mix Mode (Mix Status)
Headroom Meter
Split Console
Unity Gain
33. Signal looses strength as it travels down the channel.
Cue Send
Channel Path
Plasma Meter
Attenuation
34. The positive electrode in an electrical circuit.
Bantam Connector
Half- Normalled
Patch
Anode
35. The line level inputs to the Channel Path; Receive signal from the Multi-Track Returns; Accessed through the board's mic/line switch - allowing line level signals to enter the I/O.
Pre-Amp
Balancing Circuit
Channel Line Inputs
Monitor Path
36. +4db
Professional Line Level
Mic Level
Cathode
Group Outputs
37. Patching from one I/O module to another - or from one track on the MTR to another.
Channel Strip
Anode
VU Meter
Cross Patching
38. Wire that carries a signal.
Buss
Fold Back Section (FB)
Mix Insert Returns
Mic Level
39. The in - line console used in RCO labs at Full Sail University; Short fader is the Channel Fader feeding the routing matrix and the long fader is the Monitor Fader feeding the stereo bus.
Impedance
Audient ASP8024
Microphone Line
TRS Connector
40. The main stereo output of the console; Normalled to the inputs of two track recorders.
Cue Amp Inputs
Stereo
Phantom Power
Mix Outputs
41. Measures average voltage level of signal; Relatively slow response; Displayed level depends on amplitude and duration of signal.
Consumer Line Level
Microphone Line
Tielines
Volume Unit Meter (VU)
42. Where the microphone signal enters the control room; Commonly fully normalled to the Channel Mic Inputs; Could also be viewed as tielines between tracking rooms and control room.
Mic Lines
Universal Law of Patching
Patch
Record Mode (Record Status)
43. The output of each auxiliary master - of each auxiliary (aux) bus; Used for feeding such things as artificial effects - reverberation devices and loudspeakers used for audiences.
Plasma Meter
Auxiliary Outputs
Multi-Track Returns
Mix Insert Returns
44. Direct Injection Box; Used to take signals from gear and instruments that are typically unbalanced and making the necessary adjustments to connect them to consoles; Balances the signal - and corrects the impedance.
Multi-Track Returns
Headroom Meter
DI Box
VU Meter
45. Access to the signal flow of a channel or any jack providing access to a signal.
Cross Patching
Channel Path
Patch Points
Unity Gain
46. Receives the two out of phase signals coming from the source (typically a mic) - inverts them before combining them - and 'balances' them.
Common Mode Rejection
Tielines
Universal Law of Patching
Balancing Circuit
47. Little or no active circuitry; Often the 'small' or 'short' fader on large format consoles.
DI Box
Conductive Plastic Fader
Multing
I/O Module
48. Vertical panel of controls on the audio mixer (another word for the I/O Module).
Cue Send
Headroom Meter
Channel Strip
Balancing Circuit
49. 15dB to +15dB
Phantom Power
External Source Inputs
TRS Connector
Tape Input Control Range
50. The negative electrode in an electrical circuit.
Patching Across
Channel Insert Sends
VU Meter
Cathode