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Test your basic knowledge |
Video Editing Basic Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 33 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Match Cut = __________
downstream
Seamless (cutting on action)
Work-around
one for the picture screen and two for the sound tracks.
2. The of the clips in your sequence as essentials for the __________
journey
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
increase/decrease
path
3. As we become more proficient - we become more ___________
workflow
efficien
timeline
Seamless (cutting on action)
4. What is the process of critiquing our work?
canvas
Redeem the coverage
timeline
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
5. The chronology of editing work
workflow
'reason for being'
Work-around
increase/decrease
6. What is the rule of 6? (in order)
Redeem the coverage
Redeem the Coverage and Maximize the Time Alotted
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
Unseamless
7. What are the two prime directives of news video editing?
journey
browser
efficien
Redeem the Coverage and Maximize the Time Alotted
8. What is the number one prime directive?
browser
contributes - has a purpose - has a life-span
Redeem the coverage
audience
9. Juxtaposition is placing or dealing with items close together for...
contrasting effect
Experimentation - Tech support
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
All the things that surround the edit
10. A creative solution to a technological problem
execution of a plan
Work-around
Redeem the coverage
path
11. As you write (or EDIT) - you are relating with the human __________ and human __________ forming an __________ with your audience - and owning their emotional __________ in your story.
timeline
increase/decrease
condition- experiences - alliance -investment
Work Ratio
12. The central pre-occupation of a film editor is to put themselves in place of the __________
browser
Unseamless
journey
audience
13. What are some examples of shadow cuts?
path
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
viewer
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
14. What are the rules of engagement?
Work Ratio
Clarity - Reliability - Momentum - Anticipation - Discover
execution of a plan
own voice
15. Editing is the discovery of a __________.
path
All the things that surround the edit
one for the picture screen and two for the sound tracks.
own voice
16. Where editors juxtapose
audience
timeline
browser
All the shots we have to work with in a scene.
17. Raison D'etre means
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on line
183
18. What does coverage mean in editing?
timeline
canvas
All the shots we have to work with in a scene.
Clarity - Reliability - Momentum - Anticipation - Discover
19. Where editors gather assets
Experimentation - Tech support
path
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
browser
20. Everything made upstream flows __________
downstream
journey
timeline
Juxtaposition
21. Editing is __________.
increase/decrease
Experimentation - Tech support
Juxtaposition
Redeem the Coverage and Maximize the Time Alotted
22. Jump Cut = __________
increase/decrease
own voice
contributes - has a purpose - has a life-span
Unseamless
23. In the edit - the film is finding its __________
Unseamless
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
own voice
Up-right moviola and a flatbed
24. What were the two pictures of the editing machines?
own voice
Redeem the coverage
Up-right moviola and a flatbed
canvas
25. How much time it took to edit a minute.
Work Ratio
Experimentation - Tech support
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
Work-around
26. Every shot:
journey
contributes - has a purpose - has a life-span
audience
Up-right moviola and a flatbed
27. Where editors audition assets
'reason for being'
downstream
viewer
canvas
28. What are some things we have in the digital age that we did not have in the analogue?
viewer
increase/decrease
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
Experimentation - Tech support
29. Where editors view their work
'reason for being'
execution of a plan
canvas
increase/decrease
30. Where are the plates in a 6 plate flatbed?
execution of a plan
Redeem the coverage
one for the picture screen and two for the sound tracks.
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
31. Production should be the __________.
workflow
execution of a plan
Work Ratio
one for the picture screen and two for the sound tracks.
32. We want to __________ the quality of the editing work while __________ the amount of time it takes to get there.
Seamless (cutting on action)
Redeem the coverage
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
increase/decrease
33. What are shadow cuts?
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
All the things that surround the edit
Experimentation - Tech support
Unseamless