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Test your basic knowledge |
Video Editing Basic Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 33 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The of the clips in your sequence as essentials for the __________
timeline
Up-right moviola and a flatbed
own voice
journey
2. What is the number one prime directive?
'reason for being'
Experimentation - Tech support
Redeem the coverage
own voice
3. What is the process of critiquing our work?
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
viewer
Juxtaposition
4. What were the two pictures of the editing machines?
Juxtaposition
Experimentation - Tech support
Up-right moviola and a flatbed
Work Ratio
5. What are the two prime directives of news video editing?
All the shots we have to work with in a scene.
Redeem the Coverage and Maximize the Time Alotted
workflow
Work Ratio
6. What are shadow cuts?
workflow
'reason for being'
Redeem the coverage
All the things that surround the edit
7. A creative solution to a technological problem
one for the picture screen and two for the sound tracks.
Work-around
condition- experiences - alliance -investment
Unseamless
8. In the edit - the film is finding its __________
Unseamless
audience
one for the picture screen and two for the sound tracks.
own voice
9. As you write (or EDIT) - you are relating with the human __________ and human __________ forming an __________ with your audience - and owning their emotional __________ in your story.
condition- experiences - alliance -investment
Redeem the coverage
one for the picture screen and two for the sound tracks.
path
10. The chronology of editing work
execution of a plan
increase/decrease
workflow
Work-around
11. As we become more proficient - we become more ___________
Up-right moviola and a flatbed
efficien
Redeem the Coverage and Maximize the Time Alotted
viewer
12. Where editors juxtapose
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
All the shots we have to work with in a scene.
journey
timeline
13. Jump Cut = __________
Redeem the coverage
Unseamless
Work Ratio
contributes - has a purpose - has a life-span
14. Where editors gather assets
browser
execution of a plan
Work Ratio
workflow
15. Where editors view their work
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
increase/decrease
audience
canvas
16. Match Cut = __________
All the things that surround the edit
Redeem the coverage
Seamless (cutting on action)
journey
17. Editing is the discovery of a __________.
Unseamless
path
Seamless (cutting on action)
Work-around
18. Editing is __________.
All the things that surround the edit
contributes - has a purpose - has a life-span
Juxtaposition
one for the picture screen and two for the sound tracks.
19. What are the rules of engagement?
Experimentation - Tech support
Work-around
Clarity - Reliability - Momentum - Anticipation - Discover
'reason for being'
20. Every shot:
downstream
Redeem the Coverage and Maximize the Time Alotted
journey
contributes - has a purpose - has a life-span
21. Juxtaposition is placing or dealing with items close together for...
Redeem the coverage
Redeem the Coverage and Maximize the Time Alotted
contrasting effect
condition- experiences - alliance -investment
22. Where are the plates in a 6 plate flatbed?
Seamless (cutting on action)
contrasting effect
one for the picture screen and two for the sound tracks.
Work Ratio
23. The central pre-occupation of a film editor is to put themselves in place of the __________
Work-around
execution of a plan
audience
Juxtaposition
24. We want to __________ the quality of the editing work while __________ the amount of time it takes to get there.
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
Redeem the Coverage and Maximize the Time Alotted
viewer
increase/decrease
25. What does coverage mean in editing?
All the shots we have to work with in a scene.
Seamless (cutting on action)
Redeem the Coverage and Maximize the Time Alotted
increase/decrease
26. Everything made upstream flows __________
Clarity - Reliability - Momentum - Anticipation - Discover
All the shots we have to work with in a scene.
workflow
downstream
27. What are some things we have in the digital age that we did not have in the analogue?
Work-around
Experimentation - Tech support
contrasting effect
timeline
28. What are some examples of shadow cuts?
All the things that surround the edit
timeline
Unseamless
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
29. How much time it took to edit a minute.
viewer
execution of a plan
Seamless (cutting on action)
Work Ratio
30. Where editors audition assets
Seamless (cutting on action)
Work Ratio
workflow
viewer
31. What is the rule of 6? (in order)
All the things that surround the edit
timeline
own voice
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
32. Raison D'etre means
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33. Production should be the __________.
execution of a plan
Unseamless
path
Juxtaposition