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Test your basic knowledge |
Video Editing Basic Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 33 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. In the edit - the film is finding its __________
Up-right moviola and a flatbed
own voice
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
timeline
2. Where are the plates in a 6 plate flatbed?
Juxtaposition
one for the picture screen and two for the sound tracks.
browser
path
3. The central pre-occupation of a film editor is to put themselves in place of the __________
All the things that surround the edit
execution of a plan
audience
increase/decrease
4. What were the two pictures of the editing machines?
Up-right moviola and a flatbed
viewer
contrasting effect
efficien
5. As you write (or EDIT) - you are relating with the human __________ and human __________ forming an __________ with your audience - and owning their emotional __________ in your story.
Unseamless
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
Work Ratio
condition- experiences - alliance -investment
6. Everything made upstream flows __________
workflow
contrasting effect
one for the picture screen and two for the sound tracks.
downstream
7. Every shot:
contributes - has a purpose - has a life-span
Seamless (cutting on action)
own voice
Unseamless
8. Match Cut = __________
one for the picture screen and two for the sound tracks.
downstream
Seamless (cutting on action)
Work Ratio
9. Editing is the discovery of a __________.
contrasting effect
Redeem the Coverage and Maximize the Time Alotted
path
viewer
10. A creative solution to a technological problem
contrasting effect
Work-around
Work Ratio
own voice
11. What are some examples of shadow cuts?
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
Redeem the coverage
All the things that surround the edit
one for the picture screen and two for the sound tracks.
12. What are the rules of engagement?
All the shots we have to work with in a scene.
All the things that surround the edit
canvas
Clarity - Reliability - Momentum - Anticipation - Discover
13. Where editors juxtapose
one for the picture screen and two for the sound tracks.
contributes - has a purpose - has a life-span
Work-around
timeline
14. What is the number one prime directive?
own voice
Redeem the coverage
Unseamless
Clarity - Reliability - Momentum - Anticipation - Discover
15. Where editors view their work
Seamless (cutting on action)
canvas
contrasting effect
contributes - has a purpose - has a life-span
16. Where editors audition assets
viewer
Juxtaposition
Clarity - Reliability - Momentum - Anticipation - Discover
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
17. Juxtaposition is placing or dealing with items close together for...
canvas
Juxtaposition
condition- experiences - alliance -investment
contrasting effect
18. As we become more proficient - we become more ___________
condition- experiences - alliance -investment
browser
efficien
one for the picture screen and two for the sound tracks.
19. What is the process of critiquing our work?
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
All the shots we have to work with in a scene.
Juxtaposition
efficien
20. What are shadow cuts?
All the things that surround the edit
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
Up-right moviola and a flatbed
21. Production should be the __________.
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
execution of a plan
own voice
22. Jump Cut = __________
All the shots we have to work with in a scene.
Seamless (cutting on action)
Unseamless
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
23. The chronology of editing work
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
workflow
audience
path
24. We want to __________ the quality of the editing work while __________ the amount of time it takes to get there.
Redeem the Coverage and Maximize the Time Alotted
canvas
increase/decrease
Work Ratio
25. The of the clips in your sequence as essentials for the __________
own voice
browser
Up-right moviola and a flatbed
journey
26. What are the two prime directives of news video editing?
workflow
contrasting effect
Redeem the Coverage and Maximize the Time Alotted
viewer
27. Where editors gather assets
browser
All the shots we have to work with in a scene.
workflow
Seamless (cutting on action)
28. What does coverage mean in editing?
one for the picture screen and two for the sound tracks.
All the shots we have to work with in a scene.
viewer
Work-around
29. Raison D'etre means
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30. Editing is __________.
canvas
Work Ratio
workflow
Juxtaposition
31. What are some things we have in the digital age that we did not have in the analogue?
own voice
canvas
Experimentation - Tech support
downstream
32. What is the rule of 6? (in order)
Up-right moviola and a flatbed
canvas
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
Work-around
33. How much time it took to edit a minute.
Work Ratio
timeline
path
Seamless (cutting on action)