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Test your basic knowledge |
Video Editing Basic Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 33 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. As we become more proficient - we become more ___________
'reason for being'
one for the picture screen and two for the sound tracks.
downstream
efficien
2. Jump Cut = __________
canvas
All the things that surround the edit
efficien
Unseamless
3. What is the rule of 6? (in order)
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
Work Ratio
4. In the edit - the film is finding its __________
Work-around
efficien
own voice
one for the picture screen and two for the sound tracks.
5. The central pre-occupation of a film editor is to put themselves in place of the __________
audience
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
Redeem the coverage
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
6. What are the rules of engagement?
Clarity - Reliability - Momentum - Anticipation - Discover
canvas
All the things that surround the edit
Experimentation - Tech support
7. Where are the plates in a 6 plate flatbed?
Juxtaposition
contributes - has a purpose - has a life-span
Unseamless
one for the picture screen and two for the sound tracks.
8. Where editors view their work
canvas
Redeem the coverage
Work Ratio
workflow
9. Editing is the discovery of a __________.
Work-around
All the things that surround the edit
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
path
10. What is the process of critiquing our work?
journey
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
Work Ratio
Work-around
11. Where editors juxtapose
timeline
All the shots we have to work with in a scene.
Unseamless
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
12. Juxtaposition is placing or dealing with items close together for...
contrasting effect
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
increase/decrease
Unseamless
13. What is the number one prime directive?
own voice
Work-around
viewer
Redeem the coverage
14. The chronology of editing work
Seamless (cutting on action)
workflow
journey
increase/decrease
15. The of the clips in your sequence as essentials for the __________
All the shots we have to work with in a scene.
journey
workflow
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
16. What are some things we have in the digital age that we did not have in the analogue?
one for the picture screen and two for the sound tracks.
Experimentation - Tech support
Clarity - Reliability - Momentum - Anticipation - Discover
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
17. Raison D'etre means
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183
18. What are some examples of shadow cuts?
path
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
Clarity - Reliability - Momentum - Anticipation - Discover
Experimentation - Tech support
19. A creative solution to a technological problem
Work-around
increase/decrease
Up-right moviola and a flatbed
timeline
20. What are shadow cuts?
Work Ratio
All the things that surround the edit
All the shots we have to work with in a scene.
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
21. Where editors audition assets
viewer
condition- experiences - alliance -investment
Redeem the coverage
Redeem the Coverage and Maximize the Time Alotted
22. Match Cut = __________
condition- experiences - alliance -investment
browser
Seamless (cutting on action)
Juxtaposition
23. Where editors gather assets
Seamless (cutting on action)
All the things that surround the edit
browser
own voice
24. Every shot:
path
'reason for being'
Redeem the coverage
contributes - has a purpose - has a life-span
25. Editing is __________.
Juxtaposition
contrasting effect
efficien
All the shots we have to work with in a scene.
26. What are the two prime directives of news video editing?
All the things that surround the edit
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
canvas
Redeem the Coverage and Maximize the Time Alotted
27. What were the two pictures of the editing machines?
'reason for being'
timeline
path
Up-right moviola and a flatbed
28. As you write (or EDIT) - you are relating with the human __________ and human __________ forming an __________ with your audience - and owning their emotional __________ in your story.
Seamless (cutting on action)
condition- experiences - alliance -investment
workflow
contributes - has a purpose - has a life-span
29. Production should be the __________.
All the things that surround the edit
one for the picture screen and two for the sound tracks.
All the shots we have to work with in a scene.
execution of a plan
30. How much time it took to edit a minute.
efficien
Work Ratio
downstream
audience
31. Everything made upstream flows __________
downstream
one for the picture screen and two for the sound tracks.
Redeem the coverage
All the things that surround the edit
32. What does coverage mean in editing?
workflow
All the shots we have to work with in a scene.
increase/decrease
'reason for being'
33. We want to __________ the quality of the editing work while __________ the amount of time it takes to get there.
condition- experiences - alliance -investment
journey
increase/decrease
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation