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Test your basic knowledge |
Video Editing Basic Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 33 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Raison D'etre means
2. Where editors audition assets
viewer
Unseamless
execution of a plan
Redeem the Coverage and Maximize the Time Alotted
3. What are shadow cuts?
'reason for being'
browser
execution of a plan
All the things that surround the edit
4. What is the number one prime directive?
one for the picture screen and two for the sound tracks.
viewer
Redeem the coverage
'reason for being'
5. Where are the plates in a 6 plate flatbed?
one for the picture screen and two for the sound tracks.
Unseamless
browser
Up-right moviola and a flatbed
6. Juxtaposition is placing or dealing with items close together for...
efficien
Juxtaposition
contrasting effect
condition- experiences - alliance -investment
7. What is the rule of 6? (in order)
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
timeline
All the shots we have to work with in a scene.
Up-right moviola and a flatbed
8. What were the two pictures of the editing machines?
Up-right moviola and a flatbed
Work Ratio
contrasting effect
downstream
9. What are the two prime directives of news video editing?
Redeem the Coverage and Maximize the Time Alotted
audience
Experimentation - Tech support
Work Ratio
10. We want to __________ the quality of the editing work while __________ the amount of time it takes to get there.
audience
viewer
increase/decrease
Redeem the coverage
11. As you write (or EDIT) - you are relating with the human __________ and human __________ forming an __________ with your audience - and owning their emotional __________ in your story.
contrasting effect
All the things that surround the edit
increase/decrease
condition- experiences - alliance -investment
12. In the edit - the film is finding its __________
efficien
Experimentation - Tech support
own voice
canvas
13. Jump Cut = __________
Unseamless
one for the picture screen and two for the sound tracks.
increase/decrease
browser
14. Where editors view their work
'reason for being'
canvas
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
contributes - has a purpose - has a life-span
15. A creative solution to a technological problem
Up-right moviola and a flatbed
Work-around
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
Work Ratio
16. Where editors gather assets
canvas
condition- experiences - alliance -investment
browser
All the things that surround the edit
17. What are some things we have in the digital age that we did not have in the analogue?
increase/decrease
Experimentation - Tech support
efficien
canvas
18. The central pre-occupation of a film editor is to put themselves in place of the __________
Redeem the Coverage and Maximize the Time Alotted
execution of a plan
audience
one for the picture screen and two for the sound tracks.
19. Match Cut = __________
browser
Seamless (cutting on action)
own voice
contributes - has a purpose - has a life-span
20. What are some examples of shadow cuts?
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
Redeem the coverage
increase/decrease
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
21. As we become more proficient - we become more ___________
Unseamless
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
canvas
efficien
22. Editing is __________.
increase/decrease
Juxtaposition
one for the picture screen and two for the sound tracks.
Up-right moviola and a flatbed
23. Production should be the __________.
increase/decrease
execution of a plan
Work-around
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
24. What are the rules of engagement?
downstream
Redeem the Coverage and Maximize the Time Alotted
journey
Clarity - Reliability - Momentum - Anticipation - Discover
25. Every shot:
browser
own voice
audience
contributes - has a purpose - has a life-span
26. How much time it took to edit a minute.
Seamless (cutting on action)
Work Ratio
efficien
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
27. What does coverage mean in editing?
browser
All the shots we have to work with in a scene.
Redeem the coverage
condition- experiences - alliance -investment
28. The chronology of editing work
Unseamless
workflow
audience
Experimentation - Tech support
29. Where editors juxtapose
Work Ratio
Juxtaposition
contrasting effect
timeline
30. What is the process of critiquing our work?
one for the picture screen and two for the sound tracks.
contributes - has a purpose - has a life-span
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
execution of a plan
31. Editing is the discovery of a __________.
browser
path
condition- experiences - alliance -investment
canvas
32. The of the clips in your sequence as essentials for the __________
Redeem the Coverage and Maximize the Time Alotted
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
journey
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
33. Everything made upstream flows __________
increase/decrease
downstream
Redeem the coverage
viewer