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Test your basic knowledge |
Video Editing Basic Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 33 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What were the two pictures of the editing machines?
audience
execution of a plan
Up-right moviola and a flatbed
Seamless (cutting on action)
2. What are the rules of engagement?
own voice
Clarity - Reliability - Momentum - Anticipation - Discover
execution of a plan
All the things that surround the edit
3. How much time it took to edit a minute.
path
Work Ratio
workflow
canvas
4. What are the two prime directives of news video editing?
Redeem the Coverage and Maximize the Time Alotted
All the shots we have to work with in a scene.
viewer
Work-around
5. What are some examples of shadow cuts?
Unseamless
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
condition- experiences - alliance -investment
execution of a plan
6. What is the number one prime directive?
Juxtaposition
Redeem the coverage
efficien
Up-right moviola and a flatbed
7. As we become more proficient - we become more ___________
Unseamless
own voice
workflow
efficien
8. Where are the plates in a 6 plate flatbed?
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
one for the picture screen and two for the sound tracks.
Work Ratio
execution of a plan
9. What does coverage mean in editing?
Clarity - Reliability - Momentum - Anticipation - Discover
downstream
All the shots we have to work with in a scene.
audience
10. Editing is the discovery of a __________.
path
Up-right moviola and a flatbed
audience
journey
11. The central pre-occupation of a film editor is to put themselves in place of the __________
audience
Work-around
Unseamless
viewer
12. Match Cut = __________
Seamless (cutting on action)
'reason for being'
Work Ratio
condition- experiences - alliance -investment
13. Every shot:
contributes - has a purpose - has a life-span
browser
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
Unseamless
14. Where editors gather assets
condition- experiences - alliance -investment
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
browser
All the things that surround the edit
15. What is the process of critiquing our work?
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
efficien
canvas
Up-right moviola and a flatbed
16. What is the rule of 6? (in order)
browser
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
execution of a plan
workflow
17. As you write (or EDIT) - you are relating with the human __________ and human __________ forming an __________ with your audience - and owning their emotional __________ in your story.
journey
condition- experiences - alliance -investment
own voice
Juxtaposition
18. A creative solution to a technological problem
increase/decrease
Unseamless
Work-around
contributes - has a purpose - has a life-span
19. In the edit - the film is finding its __________
own voice
workflow
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
path
20. Production should be the __________.
viewer
Redeem the coverage
execution of a plan
journey
21. What are shadow cuts?
timeline
All the things that surround the edit
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
Experimentation - Tech support
22. Editing is __________.
'reason for being'
Juxtaposition
contributes - has a purpose - has a life-span
Redeem the coverage
23. Everything made upstream flows __________
Juxtaposition
workflow
downstream
audience
24. We want to __________ the quality of the editing work while __________ the amount of time it takes to get there.
increase/decrease
workflow
'reason for being'
Up-right moviola and a flatbed
25. The of the clips in your sequence as essentials for the __________
Clarity - Reliability - Momentum - Anticipation - Discover
journey
own voice
audience
26. Where editors juxtapose
own voice
'reason for being'
Clarity - Reliability - Momentum - Anticipation - Discover
timeline
27. Where editors view their work
efficien
increase/decrease
canvas
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
28. What are some things we have in the digital age that we did not have in the analogue?
own voice
Work Ratio
Work-around
Experimentation - Tech support
29. Juxtaposition is placing or dealing with items close together for...
All the things that surround the edit
contrasting effect
timeline
one for the picture screen and two for the sound tracks.
30. Raison D'etre means
31. The chronology of editing work
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
workflow
canvas
execution of a plan
32. Jump Cut = __________
Unseamless
Seamless (cutting on action)
increase/decrease
efficien
33. Where editors audition assets
Work-around
Clarity - Reliability - Momentum - Anticipation - Discover
browser
viewer