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Test your basic knowledge |
Video Editing Basic Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 33 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What is the process of critiquing our work?
journey
Redeem the coverage
browser
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
2. What are some things we have in the digital age that we did not have in the analogue?
Work-around
Experimentation - Tech support
Unseamless
one for the picture screen and two for the sound tracks.
3. What does coverage mean in editing?
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
downstream
All the shots we have to work with in a scene.
own voice
4. How much time it took to edit a minute.
Work-around
Work Ratio
timeline
own voice
5. Match Cut = __________
Unseamless
Seamless (cutting on action)
path
Clarity - Reliability - Momentum - Anticipation - Discover
6. Every shot:
contributes - has a purpose - has a life-span
All the shots we have to work with in a scene.
viewer
Unseamless
7. As you write (or EDIT) - you are relating with the human __________ and human __________ forming an __________ with your audience - and owning their emotional __________ in your story.
condition- experiences - alliance -investment
downstream
viewer
Seamless (cutting on action)
8. What are the two prime directives of news video editing?
Redeem the Coverage and Maximize the Time Alotted
Seamless (cutting on action)
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
9. The of the clips in your sequence as essentials for the __________
Up-right moviola and a flatbed
viewer
contrasting effect
journey
10. Where editors gather assets
one for the picture screen and two for the sound tracks.
browser
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
Seamless (cutting on action)
11. In the edit - the film is finding its __________
contrasting effect
own voice
Unseamless
viewer
12. A creative solution to a technological problem
downstream
All the shots we have to work with in a scene.
All the things that surround the edit
Work-around
13. Juxtaposition is placing or dealing with items close together for...
Experimentation - Tech support
Juxtaposition
execution of a plan
contrasting effect
14. The chronology of editing work
'reason for being'
workflow
Unseamless
contrasting effect
15. What are shadow cuts?
one for the picture screen and two for the sound tracks.
increase/decrease
All the things that surround the edit
canvas
16. Raison D'etre means
17. Editing is __________.
Clarity - Reliability - Momentum - Anticipation - Discover
Work Ratio
Juxtaposition
efficien
18. Where editors juxtapose
one for the picture screen and two for the sound tracks.
execution of a plan
timeline
canvas
19. What were the two pictures of the editing machines?
browser
path
Work-around
Up-right moviola and a flatbed
20. Editing is the discovery of a __________.
path
execution of a plan
one for the picture screen and two for the sound tracks.
contributes - has a purpose - has a life-span
21. The central pre-occupation of a film editor is to put themselves in place of the __________
audience
browser
Clarity - Reliability - Momentum - Anticipation - Discover
All the things that surround the edit
22. Production should be the __________.
Unseamless
downstream
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
execution of a plan
23. What are some examples of shadow cuts?
viewer
handling footage - screenings - note taking - logging - discussions - winding/rewinding - contemplation
All the shots we have to work with in a scene.
audience
24. What are the rules of engagement?
Up-right moviola and a flatbed
Clarity - Reliability - Momentum - Anticipation - Discover
path
Work Ratio
25. Where editors audition assets
viewer
Work-around
increase/decrease
efficien
26. Jump Cut = __________
canvas
All the shots we have to work with in a scene.
Clarity - Reliability - Momentum - Anticipation - Discover
Unseamless
27. We want to __________ the quality of the editing work while __________ the amount of time it takes to get there.
Redeem the coverage
increase/decrease
timeline
Experimentation - Tech support
28. Everything made upstream flows __________
execution of a plan
contributes - has a purpose - has a life-span
downstream
viewer
29. What is the number one prime directive?
own voice
Redeem the coverage
downstream
timeline
30. Where are the plates in a 6 plate flatbed?
Redeem the Coverage and Maximize the Time Alotted
one for the picture screen and two for the sound tracks.
efficien
workflow
31. What is the rule of 6? (in order)
1. Detect a flaw. 2. Determine how it will be fixed. 3. Execute the fix.
Up-right moviola and a flatbed
Redeem the Coverage and Maximize the Time Alotted
emotion - story - rhythm - eye-trace - two-dimensional plane of screen - three-dimensional space of action
32. As we become more proficient - we become more ___________
downstream
efficien
viewer
one for the picture screen and two for the sound tracks.
33. Where editors view their work
All the shots we have to work with in a scene.
downstream
Clarity - Reliability - Momentum - Anticipation - Discover
canvas