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Test your basic knowledge |
World Music Cultures: India
Start Test
Study First
Subjects
:
trivia
,
performing-arts
,
culture
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Melodic Framework (color -passion -attachmet)
Gat
Swara
Gamaka
Raga
2. Dravidians -indigenous people -
Compositional Form for Carnatic Kriti
Raga
Bronze Age
Swara
3. Verdic:Rgveda:hymn - Anciet oral traditions - Yajurveda:ritual -Samaveda:actual noted verse -Athraveda-potions and magic
Bols
Arohana
Rasa
Shurti Texts (Verdic/ Upanishads)
4. Western songs with Sanskirt Lyrics
Bols
Alap
Nottuswaram
Avarohana
5. Melodic -Drone and Rhythmic
Arohana
Historical Periods
Functional laters of Hindustini Raga
Jhala
6. A way of seeing and being seen by the divine
Predominant religion of India
Jor
Verdic Period
Darshan
7. Improvisation based on solfege syallables
South Indian Trimurti
Alap
Raga
Svara KAlpana
8. Drumming accompainiment enters - tala is established - ragas composed melody is introduced
Gat
South Indian Trimurti
Verdic Period
Functional layers of Carnatic Kriti
9. No set meter or drumming ; rasa begins to emerge
Nada Brahma
Mantra
Gat
Alap
10. Verdic Texts
Verdic Period
Filmi Git
Predominant religion of India
Compositional Form for Carnatic Kriti
11. Contains 5 of 7 songs
British Raj
Moganam Raga
Bronze Age
Historical Periods
12. Sound of god
Smirti Texts (understood to be divine in origin)
Nada Brahma
Standard Language of Northern India
Nottuswaram
13. Melodic -Drone and Rhythmic
Historical Periods
Avarohana
Functional laters of Hindustini Raga
Melodic Hin
14. Way of speaking and being spoken to by the divine
Jhala
Alap
Smirti Texts (understood to be divine in origin)
Mantra
15. Mahabarata (war stories) - Ramayana (hindu epic) - Puranas (stories)
Rhythmic Kriti
Smirti Texts (understood to be divine in origin)
Jor
Qawwali
16. Rhythmic framework
Gat
Tala
Rhythmic Kriti
Shurti Texts (Verdic/ Upanishads)
17. It gained independence in 1947 from British
When did India gain its independence and from whom?
Rhythmic Kriti
Melodic Kriti
Compositional Form for Hindustini Raga
18. Dravidian
Standard Language of South India
Filmi Git
Golden Age
Standard Language of Northern India
19. Alap -Jor -Gat -Jhala
Compositional Form for Hindustini Raga
Svara KAlpana
Swara
Alap
20. Note
Mantra
Bols
classical language of India during verdic times
Swara
21. Vocalizations of the tabla
Qawwali
Bols
Mantra
Jhala
22. A way of seeing and being seen by the divine
Avarohana
Darshan
Compositional Form for Hindustini Raga
South Indian Trimurti
23. Song (simpliest form of Caranatic music)
Avarohana
Historical Periods
Geetham
South Indian Trimurti
24. Improvisation based on solfege syallables
Verdic Period
When did India gain its independence and from whom?
Svara KAlpana
Jhala
25. Taste -essence and flavor
Moganam Raga
Darshan
Rasa
Swara
26. Lead singer is joined by an accopanyiny instrumentalists
Qawwali
Verdic Period
Shurti Texts (Verdic/ Upanishads)
Standard Language of South India
27. Drumming accompainiment enters - tala is established - ragas composed melody is introduced
Gat
Golden Age
Compositional Form for Hindustini Raga
Qawwali
28. Mahabarata (war stories) - Ramayana (hindu epic) - Puranas (stories)
British Raj
classical language of India during verdic times
Shurti Texts (Verdic/ Upanishads)
Smirti Texts (understood to be divine in origin)
29. Melodic -Drone and Rhythmic
Functional layers of Carnatic Kriti
Drone Hin
Compositional Form for Carnatic Kriti
Geetham
30. Vocalizations of the tabla
Functional laters of Hindustini Raga
Bols
Historical Periods
Raga
31. Ornamentation
classical language of India during verdic times
South Indian Trimurti
Svara KAlpana
Gamaka
32. India was united for the first time on a large scale by Chandragupta
British Raj
Golden Age
Arohana
Moganam Raga
33. Sitar-long necked lute with 18 strings and playing is done on baj jar
Predominant religion of India
South Indian Trimurti
Melodic Hin
British Raj
34. Note
Svara KAlpana
Swara
Bronze Age
Rasa
35. Mridangram- instrument - double membranophone ; karanai-black paste
Rhythmic Kriti
Bols
Qawwali
Gat
36. Dravidian
Standard Language of South India
Verdic Period
Gat
Drone Hin
37. Hindu
Standard Language of Northern India
Melodic Kriti
Qawwali
Rasa
38. Upward melodic progression
Rhythmic Kriti
Functional laters of Hindustini Raga
Avarohana
Arohana
39. Sanskirt
Smirti Texts (understood to be divine in origin)
When did India gain its independence and from whom?
Compositional Form for Carnatic Kriti
classical language of India during verdic times
40. Lead singer is joined by an accopanyiny instrumentalists
Predominant religion of India
Qawwali
South Indian Trimurti
Nada Brahma
41. Tambura-chordophone -4 strings tuned to sa and pa
Geetham
When did India gain its independence and from whom?
Drone Kriti
Rhythmic Hin
42. Melodic Framework (color -passion -attachmet)
Golden Age
When did India gain its independence and from whom?
Raga
Moganam Raga
43. Vina ( sometimes voice or violin) 4 strings - 3 tala strings
Melodic Kriti
Gamaka
Classical Period
Predominant religion of India
44. Syama Sastri (in Telgu and Sanskirt) - Muttusvami Dikshitar (Nottuswaram) - Tyagaraja (kriti)
South Indian Trimurti
Drone Kriti
Classical Period
Jor
45. Upward jump in tempo - increase of intensity
Geetham
Jhala
Jor
Darshan
46. Taste -essence and flavor
Rasa
Functional laters of Hindustini Raga
Geetham
Darshan
47. Melodic -Drone and Rhythmic
Gamaka
Functional layers of Carnatic Kriti
Functional laters of Hindustini Raga
Bronze Age
48. Verdic:Rgveda:hymn - Anciet oral traditions - Yajurveda:ritual -Samaveda:actual noted verse -Athraveda-potions and magic
Nada Brahma
Melodic Kriti
Moganam Raga
Shurti Texts (Verdic/ Upanishads)
49. Upward melodic progression
Jor
Arohana
Melodic Hin
Filmi Git
50. Downward melodic progression
Smirti Texts (understood to be divine in origin)
Avarohana
Bols
Functional laters of Hindustini Raga