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Test your basic knowledge |
World Music Cultures: India
Start Test
Study First
Subjects
:
trivia
,
performing-arts
,
culture
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Alap -Jor -Gat -Jhala
Tala
Melodic Hin
Compositional Form for Hindustini Raga
Functional layers of Carnatic Kriti
2. Contains 5 of 7 songs
Arohana
Moganam Raga
Rhythmic Kriti
Predominant religion of India
3. Mahabarata (war stories) - Ramayana (hindu epic) - Puranas (stories)
Gamaka
Compositional Form for Carnatic Kriti
Smirti Texts (understood to be divine in origin)
Verdic Period
4. Upward jump in tempo - increase of intensity
Historical Periods
Shurti Texts (Verdic/ Upanishads)
Jhala
Filmi Git
5. Verdic:Rgveda:hymn - Anciet oral traditions - Yajurveda:ritual -Samaveda:actual noted verse -Athraveda-potions and magic
Shurti Texts (Verdic/ Upanishads)
Standard Language of Northern India
Filmi Git
Moganam Raga
6. Melodic -Drone and Rhythmic
Drone Hin
Verdic Period
Functional layers of Carnatic Kriti
Darshan
7. It gained independence in 1947 from British
Bols
Verdic Period
Gamaka
When did India gain its independence and from whom?
8. Upward jump in tempo - increase of intensity
South Indian Trimurti
Jhala
Avarohana
Functional layers of Carnatic Kriti
9. Contains 5 of 7 songs
Standard Language of Northern India
Predominant religion of India
Moganam Raga
Golden Age
10. Dravidians -indigenous people -
Classical Period
Nottuswaram
Bronze Age
Avarohana
11. Brahmanic control of Hinduism
Tala
Classical Period
Drone Hin
Golden Age
12. Downward melodic progression
Smirti Texts (understood to be divine in origin)
Avarohana
Historical Periods
Nada Brahma
13. Lead singer is joined by an accopanyiny instrumentalists
Arohana
Melodic Kriti
Qawwali
Tala
14. Features solo melodic instrument - rhythmically active
Mantra
Compositional Form for Carnatic Kriti
Jor
Nada Brahma
15. Devotional songsfrom Hindi moies or Hindi songs coposed to be sung using the melody in a popular filmi song
Gat
Bronze Age
Filmi Git
Mantra
16. A way of seeing and being seen by the divine
Swara
Gat
Mantra
Darshan
17. Song (simpliest form of Caranatic music)
Avarohana
Geetham
Functional layers of Carnatic Kriti
Classical Period
18. Tambura-chordophone -4 strings tuned to sa and pa
Drone Kriti
Rhythmic Kriti
Rasa
Drone Hin
19. Syama Sastri (in Telgu and Sanskirt) - Muttusvami Dikshitar (Nottuswaram) - Tyagaraja (kriti)
Raga
Standard Language of South India
South Indian Trimurti
Rhythmic Hin
20. India was united for the first time on a large scale by Chandragupta
Golden Age
Shurti Texts (Verdic/ Upanishads)
South Indian Trimurti
Melodic Hin
21. Melodic Framework (color -passion -attachmet)
Standard Language of Northern India
Drone Kriti
Rhythmic Kriti
Raga
22. Bronze age - Verdic Period - Golden Age - Classical Period - British Raj
Rasa
Shurti Texts (Verdic/ Upanishads)
Historical Periods
Melodic Kriti
23. Vina ( sometimes voice or violin) 4 strings - 3 tala strings
Melodic Kriti
Functional layers of Carnatic Kriti
Shurti Texts (Verdic/ Upanishads)
Alap
24. No set meter or drumming ; rasa begins to emerge
Shurti Texts (Verdic/ Upanishads)
Historical Periods
Alap
Smirti Texts (understood to be divine in origin)
25. Melodic Framework (color -passion -attachmet)
Avarohana
Mantra
Moganam Raga
Raga
26. Alapana - Pavali - Anupavali - Pavali Reprise - Caranam - Pavali Reprise
Melodic Kriti
Compositional Form for Carnatic Kriti
Nada Brahma
Melodic Kriti
27. Sitar-long necked lute with 18 strings and playing is done on baj jar
Bols
Functional layers of Carnatic Kriti
Rasa
Melodic Hin
28. Devotional songsfrom Hindi moies or Hindi songs coposed to be sung using the melody in a popular filmi song
Smirti Texts (understood to be divine in origin)
Geetham
Filmi Git
Qawwali
29. Verdic Texts
Qawwali
Standard Language of Northern India
Alap
Verdic Period
30. Bronze age - Verdic Period - Golden Age - Classical Period - British Raj
Predominant religion of India
Rasa
Golden Age
Historical Periods
31. Upward melodic progression
Arohana
Shurti Texts (Verdic/ Upanishads)
Svara KAlpana
Compositional Form for Hindustini Raga
32. Western songs with Sanskirt Lyrics
Nottuswaram
Geetham
Svara KAlpana
Standard Language of South India
33. Melodic -Drone and Rhythmic
Smirti Texts (understood to be divine in origin)
Functional laters of Hindustini Raga
Shurti Texts (Verdic/ Upanishads)
Rasa
34. Ornamentation
Classical Period
Jhala
Gamaka
Bronze Age
35. Drumming accompainiment enters - tala is established - ragas composed melody is introduced
Gat
Raga
Raga
Shurti Texts (Verdic/ Upanishads)
36. No set meter or drumming ; rasa begins to emerge
Alap
Raga
Rhythmic Kriti
South Indian Trimurti
37. Taste -essence and flavor
Swara
Rasa
Jor
Arohana
38. Sound of god
Rhythmic Hin
Avarohana
Nada Brahma
Svara KAlpana
39. Sound of god
Mantra
Nada Brahma
Smirti Texts (understood to be divine in origin)
Raga
40. Tambura-chordophone -4 strings tuned to sa and pa
Drone Hin
Drone Kriti
Alap
Compositional Form for Hindustini Raga
41. Brahmanic control of Hinduism
Classical Period
Raga
Historical Periods
Jhala
42. Alapana - Pavali - Anupavali - Pavali Reprise - Caranam - Pavali Reprise
Tala
Predominant religion of India
Gat
Compositional Form for Carnatic Kriti
43. Song (simpliest form of Caranatic music)
Arohana
When did India gain its independence and from whom?
Geetham
Mantra
44. Occupation began in 1858
British Raj
Nottuswaram
Moganam Raga
Smirti Texts (understood to be divine in origin)
45. Hindu
Functional layers of Carnatic Kriti
Predominant religion of India
Standard Language of Northern India
Jor
46. Hinduism and Indo-aryan
Predominant religion of India
Gat
Svara KAlpana
Standard Language of Northern India
47. Taste -essence and flavor
Rasa
Functional laters of Hindustini Raga
Nada Brahma
Rhythmic Kriti
48. Tambura-chorodophone -4 strins -tunes to sa and pa
Predominant religion of India
Drone Hin
Alap
Compositional Form for Hindustini Raga
49. Tambura-chorodophone -4 strins -tunes to sa and pa
Smirti Texts (understood to be divine in origin)
Gamaka
Drone Hin
Gamaka
50. Lead singer is joined by an accopanyiny instrumentalists
Verdic Period
Qawwali
Nada Brahma
Mantra