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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
Director
Studio Production
Pan
2. To move the camera and its mount laterally to the right or left.
Art Director
Headroom
trucking
White Balance
3. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
AGC
Tilt
Graphics Operator
VTR
4. Interns - Cable Pullers - 2nd Assistant Directors
Digital
Coaxial Cable
Grunts
Technical Director
5. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Executive Producer
trucking
Analog
6. Over the shoulder
Horizon Line
Green Rooms
O/S
Aspect Ratios
7. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Performer Tips
Pedestal mount
Control Room
Coaxial Cable
8. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
dolly
HD
Interruptible Feedback
CU
9. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Rack focus
Technical Director
Macro focus
White Balance
10. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
How to focus a camera like a pro
Tilt
Stage Manager
White Balance
11. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Coaxial Cable
Pan
Performer Tips
Associate Director
12. A person who deals with the look of sets and other artistic aspects of a television program.
HD
Art Director
Long shot (head to toe)
Field Production
13. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Rack focus
Teleprompter Operartor
ECU
HDTV
14. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Firewire (IEE-1394)
Graphics Operator
AGC
Field Production
15. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Tally light
Digital
Stage Manager
Angle of Elevation
16. The person who assembles raw footage into a final program.
crane
How to focus a camera like a pro
Editor
Firewire (IEE-1394)
17. Makes sure camera match - lighting
Set Production Designer
Macro focus
Video Shader
Rack focus
18. A camera shot that starts with one object in focus - then changes to focus on another object.
Green Rooms
Remotes
Engineer
Rack focus
19. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
long lens
Tally light
The Studio
20. ...
Lens
long lens
How to focus a camera like a pro
Firewire (IEE-1394)
21. A digital interface that allows the simultaneous transfer of audio and video information.
Pedestal mount
Firewire (IEE-1394)
Medium Shot (head to toe)
VTR
22. Pointing the camera down or up
Grunts
Angle of Elevation
Lead room
O/S
23. people who deliver lines
Talent
Lens
Pedestal mount
Green Rooms
24. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Pedestal mount
Performer Tips
Technical Director
Horizon Line
25. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Teleprompter Operartor
Editor
Performer Tips
Camera Operators
26. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
Art Director
Video Shader
Editor
27. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
How to focus a camera like a pro
long lens
Tilt
AGC
28. The part of the lens that allows light to pass through.
Iris
Angle of Elevation
Field Production
Analog
29. The person who determines the environment where the production takes place.
Associate Director
The Studio
Set Production Designer
Control Room
30. To move the camera and its mount closer to or farther from the subject.
Long shot (head to toe)
dolly
Producer
Camera Operators
31. A person who oversees several production.
Executive Producer
Tripod
HDTV
Firewire (IEE-1394)
32. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Art Director
Iris
Remotes
33. A person who sets mics in a studio or location setting and/ or operates the audio console.
Camera Operators
Technical Director
Audio Operator (A1) (A2)
HDTV
34. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Set Production Designer
ATSC
Macro focus
Digital
35. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Production
Coaxial Cable
CU
Art Director
36. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Standard Definition
Aspect Ratios
Grunts
ECU
37. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Camera Operators
trucking
ATSC
Lead room
38. The person who determines the environment where the production takes place.
Art Director
Set Production Designer
Digital
Lens
39. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Digital
NTSC
Lens
Aspect Ratios
40. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Standard Definition
HDTV
Tripod
NTSC
41. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Tripod
long lens
Standard Definition
42. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
Editor
How to focus a camera like a pro
Tally light
43. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Remotes
Control Room
Studio Production
ECU
44. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
Green Rooms
Medium Shot (head to toe)
Tally light
45. people who deliver lines
dolly
Rack focus
Talent
Lead room
46. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Digital
Pedestal mount
Remotes
Analog
47. A person who oversees several production.
Executive Producer
Audio Operator (A1) (A2)
Performer Tips
Art Director
48. Planning the project
Executive Producer
Digital
Camera Operators
Pre-production
49. punched switcher
How to focus a camera like a pro
Technical Director
Rack focus
ATSC
50. The stage during which all the shooting for a program is undertaken.
Production
Stage Manager
Coaxial Cable
NTSC
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