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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Graphics Operator
HD
Producer
Headroom
2. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Post-Production
long lens
Tilt
Field Production
3. A person who creates words - drawings and some visual effects that are incorporated with a production.
Studio Production
Graphics Operator
AGC
NTSC
4. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
How to focus a camera like a pro
Stage Manager
trucking
Analog
5. A person who sets mics in a studio or location setting and/ or operates the audio console.
Engineer
Audio Operator (A1) (A2)
Tripod
Teleprompter Operartor
6. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Executive Producer
Aspect Ratios
Field Production
Rule of thirds
7. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Lighting Director
long lens
Post-Production
White Balance
8. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Post-Production
Lighting Director
Iris
Art Director
9. A person who oversees several production.
Headroom
CU
Associate Director
Executive Producer
10. Makes sure camera match - lighting
Teleprompter Operartor
Camera Operators
Video Shader
Green Rooms
11. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Tilt
Aspect Ratios
Studio Production
Digital
12. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
CU
long lens
Firewire (IEE-1394)
ATSC
13. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
VTR
Lead room
Interruptible Feedback
How to focus a camera like a pro
14. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Tally light
VTR
Green Rooms
Performer Tips
15. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Aspect Ratios
ECU
CU
Master Control
16. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
Aspect Ratios
Set Production Designer
Tilt
17. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Medium Shot (head to toe)
AGC
Tally light
Macro focus
18. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Director
Editor
Performer Tips
HDTV
19. creates great depth and interest
ATSC
Lens
Foreground
Control Room
20. Planning the project
Pre-production
Grunts
O/S
Firewire (IEE-1394)
21. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
VTR
Rule of thirds
How to focus a camera like a pro
22. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Editor
crane
Digital
Master Control
23. creates great depth and interest
Master Control
Teleprompter Operartor
Foreground
Studio Production
24. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Tilt
ATSC
Control Room
Camera Operators
25. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Audio Operator (A1) (A2)
long lens
HD
Lead room
26. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Performer Tips
Standard Definition
Tilt
Pedestal mount
27. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Video Shader
Pedestal mount
Lens
Audio Operator (A1) (A2)
28. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Stage Manager
Associate Director
Horizon Line
crane
29. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Talent
Control Room
AGC
Art Director
30. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Technical Director
VTR
Graphics Operator
Macro focus
31. To move the camera and its mount laterally to the right or left.
Audio Operator (A1) (A2)
Grunts
trucking
Standard Definition
32. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
Stage Manager
Set Production Designer
Lead room
33. Planning the project
Lens
Pre-production
Rule of thirds
Long shot (head to toe)
34. A digital interface that allows the simultaneous transfer of audio and video information.
Master Control
Firewire (IEE-1394)
Grunts
Pre-production
35. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Rule of thirds
Lens
Editor
Field Production
36. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
trucking
Producer
Producer
Master Control
37. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Tilt
Teleprompter Operartor
long lens
38. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Pedestal mount
Standard Definition
Field Production
Interruptible Feedback
39. The person who determines the environment where the production takes place.
Digital
Master Control
Set Production Designer
White Balance
40. Pointing the camera down or up
Angle of Elevation
Video Shader
Talent
Digital
41. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Interruptible Feedback
Engineer
dolly
Camera Operators
42. The stage during which all the shooting for a program is undertaken.
Set Production Designer
Production
crane
Control Room
43. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
NTSC
Graphics Operator
Art Director
44. Interns - Cable Pullers - 2nd Assistant Directors
Analog
HDTV
Long shot (head to toe)
Grunts
45. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Aspect Ratios
AGC
Long shot (head to toe)
Field Production
46. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
ECU
Video Shader
HD
47. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Digital
Servo
How to focus a camera like a pro
Macro focus
48. A person who oversees several production.
Director
Executive Producer
Green Rooms
Macro focus
49. The ratio of the height of a television screen to its width.
crane
Aspect Ratios
Tilt
Art Director
50. The person who assembles raw footage into a final program.
Editor
The Studio
Engineer
AGC