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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Interns - Cable Pullers - 2nd Assistant Directors
Lens
Green Rooms
Grunts
Firewire (IEE-1394)
2. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Headroom
Servo
Remotes
Tally light
3. To move the camera and its mount laterally to the right or left.
Executive Producer
Performer Tips
Tripod
trucking
4. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
White Balance
Control Room
Camera Operators
Producer
5. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Producer
Lead room
Interruptible Feedback
Pedestal mount
6. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Associate Director
Rule of thirds
The Studio
Stage Manager
7. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Rule of thirds
Long shot (head to toe)
Set Production Designer
Rule of thirds
8. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
O/S
Production
Camera Operators
Rule of thirds
9. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Control Room
Coaxial Cable
Horizon Line
10. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
How to focus a camera like a pro
Post-Production
crane
Editor
11. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Producer
Audio Operator (A1) (A2)
Tripod
ATSC
12. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
HDTV
ATSC
AGC
How to focus a camera like a pro
13. helps with routine stuff - anything the director needs - timing of production
Associate Director
Tripod
HD
Studio Production
14. The stage during which all the shooting for a program is undertaken.
Technical Director
Production
Tally light
Foreground
15. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
Technical Director
Executive Producer
CU
16. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
NTSC
Iris
Teleprompter Operartor
17. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
HD
Iris
Rack focus
Stage Manager
18. creates great depth and interest
Lighting Director
long lens
Aspect Ratios
Foreground
19. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Tally light
Remotes
Director
Graphics Operator
20. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Editor
Tripod
Firewire (IEE-1394)
21. The stage during which all the shooting for a program is undertaken.
Technical Director
long lens
Stage Manager
Production
22. The part of the lens that allows light to pass through.
Iris
Pedestal mount
Rack focus
How to focus a camera like a pro
23. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
crane
Tilt
AGC
24. A view of the subject from a comfortable distance between a wide shot and close-up.
Associate Director
Executive Producer
Engineer
Medium Shot (head to toe)
25. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Remotes
O/S
Master Control
Teleprompter Operartor
26. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
O/S
Field Production
Digital
Field Production
27. punched switcher
Medium Shot (head to toe)
Technical Director
Rack focus
Post-Production
28. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
The Studio
Horizon Line
Rule of thirds
Lighting Director
29. The person who assembles raw footage into a final program.
White Balance
Editor
Engineer
Coaxial Cable
30. Makes sure camera match - lighting
Video Shader
Teleprompter Operartor
Remotes
NTSC
31. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
HD
Talent
Firewire (IEE-1394)
32. The place in a studio complex where people who are about to appear on a TV show can wait.
AGC
Green Rooms
O/S
Pre-production
33. A person who sets mics in a studio or location setting and/ or operates the audio console.
Production
Audio Operator (A1) (A2)
trucking
ECU
34. people who deliver lines
Talent
Tilt
Performer Tips
Graphics Operator
35. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Audio Operator (A1) (A2)
Performer Tips
Executive Producer
Stage Manager
36. Interns - Cable Pullers - 2nd Assistant Directors
NTSC
Pedestal mount
Studio Production
Grunts
37. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
Director
Lens
Graphics Operator
38. The place in a studio complex where people who are about to appear on a TV show can wait.
Pre-production
Green Rooms
Aspect Ratios
dolly
39. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
NTSC
Tilt
Firewire (IEE-1394)
Tally light
40. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
VTR
Medium Shot (head to toe)
Engineer
Servo
41. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Performer Tips
Field Production
Long shot (head to toe)
Audio Operator (A1) (A2)
42. in control room
Associate Director
Engineer
Digital
Audio Operator (A1) (A2)
43. Over the shoulder
Executive Producer
O/S
NTSC
Foreground
44. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
CU
AGC
Tally light
HDTV
45. ...
Associate Director
Remotes
Teleprompter Operartor
How to focus a camera like a pro
46. people who deliver lines
Talent
Lighting Director
How to focus a camera like a pro
ECU
47. To move the camera and its mount closer to or farther from the subject.
Editor
Video Shader
Grunts
dolly
48. A digital interface that allows the simultaneous transfer of audio and video information.
HD
Lighting Director
Firewire (IEE-1394)
Tally light
49. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Remotes
AGC
Associate Director
Interruptible Feedback
50. Pointing the camera down or up
Control Room
Analog
Angle of Elevation
Digital