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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. combination of studio and field production. Sports - parades
Remotes
Master Control
Tripod
Lens
2. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Technical Director
crane
Talent
Pedestal mount
3. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Coaxial Cable
Performer Tips
Iris
Talent
4. Indicates that the camera is level
Firewire (IEE-1394)
Camera Operators
Horizon Line
Executive Producer
5. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Remotes
Lighting Director
Tilt
6. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
VTR
Teleprompter Operartor
Rack focus
Associate Director
7. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
NTSC
ATSC
Pedestal mount
Coaxial Cable
8. ...
Master Control
How to focus a camera like a pro
Talent
Rule of thirds
9. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
Long shot (head to toe)
Standard Definition
Macro focus
10. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Editor
Macro focus
Editor
ECU
11. The stage during which all the shooting for a program is undertaken.
Interruptible Feedback
Associate Director
Production
dolly
12. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Lens
HDTV
Camera Operators
13. Pointing the camera down or up
Angle of Elevation
Control Room
long lens
dolly
14. A method of representing video or audio signals using a 'wave' of continuously.
CU
Analog
Firewire (IEE-1394)
Servo
15. helps with routine stuff - anything the director needs - timing of production
Field Production
Associate Director
Master Control
Performer Tips
16. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Post-Production
Video Shader
HDTV
Field Production
17. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
VTR
Lead room
Executive Producer
18. The ratio of the height of a television screen to its width.
dolly
ECU
HDTV
Aspect Ratios
19. people who deliver lines
Lighting Director
Talent
CU
Teleprompter Operartor
20. The space between the top of a subjects head and the upper edge of the camera frame.
Tally light
Pan
Headroom
Tripod
21. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Control Room
Technical Director
Standard Definition
22. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
Rack focus
dolly
Analog
23. The place in a studio complex where people who are about to appear on a TV show can wait.
Field Production
AGC
Green Rooms
VTR
24. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Pan
Grunts
crane
Art Director
25. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Tripod
Servo
How to focus a camera like a pro
HDTV
26. ...
O/S
Lead room
How to focus a camera like a pro
crane
27. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Tally light
ECU
Stage Manager
Studio Production
28. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Field Production
Lighting Director
Aspect Ratios
AGC
29. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Production
Digital
Technical Director
Performer Tips
30. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
Associate Director
Talent
Audio Operator (A1) (A2)
31. To move the camera and its mount closer to or farther from the subject.
Control Room
dolly
Long shot (head to toe)
Lead room
32. The person who assembles raw footage into a final program.
AGC
White Balance
Editor
Video Shader
33. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Coaxial Cable
Firewire (IEE-1394)
Digital
Master Control
34. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Technical Director
trucking
Pan
35. Planning the project
Engineer
Iris
Pre-production
Executive Producer
36. The person who determines the environment where the production takes place.
Medium Shot (head to toe)
Set Production Designer
Macro focus
Teleprompter Operartor
37. A view of the subject from a comfortable distance between a wide shot and close-up.
Master Control
Firewire (IEE-1394)
Editor
Medium Shot (head to toe)
38. A series of digital television formats developed by the Advanced Television Systems Committee.
Field Production
O/S
ATSC
Video Shader
39. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Standard Definition
Lead room
Coaxial Cable
40. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
NTSC
trucking
The Studio
long lens
41. punched switcher
Stage Manager
Teleprompter Operartor
Technical Director
Director
42. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Analog
Remotes
dolly
Control Room
43. A view of the subject from a comfortable distance between a wide shot and close-up.
HD
Digital
Medium Shot (head to toe)
Long shot (head to toe)
44. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Editor
Stage Manager
Production
Angle of Elevation
45. A person who creates words - drawings and some visual effects that are incorporated with a production.
ATSC
Graphics Operator
AGC
Remotes
46. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Pan
Tilt
Camera Operators
Stage Manager
47. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
HD
AGC
dolly
Angle of Elevation
48. Makes sure camera match - lighting
Set Production Designer
Grunts
Video Shader
Stage Manager
49. The place in a studio complex where people who are about to appear on a TV show can wait.
The Studio
Green Rooms
AGC
Macro focus
50. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Iris
Tripod
Lighting Director
Pedestal mount