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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Performer Tips
Tally light
ECU
Remotes
2. Makes sure camera match - lighting
Video Shader
Coaxial Cable
Angle of Elevation
ATSC
3. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Tally light
Firewire (IEE-1394)
Performer Tips
Angle of Elevation
4. The place in a studio complex where people who are about to appear on a TV show can wait.
long lens
Remotes
Analog
Green Rooms
5. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Pre-production
How to focus a camera like a pro
CU
Post-Production
6. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Rack focus
Tripod
Associate Director
Horizon Line
7. The stage during which all the shooting for a program is undertaken.
Aspect Ratios
VTR
trucking
Production
8. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
Lighting Director
Standard Definition
Tripod
9. A person who sets mics in a studio or location setting and/ or operates the audio console.
Pre-production
ATSC
Director
Audio Operator (A1) (A2)
10. Indicates that the camera is level
White Balance
Horizon Line
Audio Operator (A1) (A2)
Engineer
11. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Grunts
Lighting Director
AGC
Pan
12. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Rule of thirds
HD
NTSC
HDTV
13. The place in a studio complex where people who are about to appear on a TV show can wait.
Production
Headroom
Remotes
Green Rooms
14. To move the camera and its mount closer to or farther from the subject.
dolly
Lens
How to focus a camera like a pro
White Balance
15. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Angle of Elevation
ATSC
Technical Director
16. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Control Room
Editor
Production
Teleprompter Operartor
17. A person who creates words - drawings and some visual effects that are incorporated with a production.
Headroom
White Balance
The Studio
Graphics Operator
18. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Interruptible Feedback
Servo
Engineer
19. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Stage Manager
Coaxial Cable
Tripod
VTR
20. Over the shoulder
Pre-production
Aspect Ratios
CU
O/S
21. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Angle of Elevation
HD
crane
VTR
22. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Graphics Operator
The Studio
Rack focus
HDTV
23. Pointing the camera down or up
Tilt
HD
Angle of Elevation
Macro focus
24. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Lighting Director
Tilt
Firewire (IEE-1394)
Executive Producer
25. A person who oversees several production.
Video Shader
Long shot (head to toe)
Engineer
Executive Producer
26. punched switcher
dolly
The Studio
Tilt
Technical Director
27. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Macro focus
HD
trucking
White Balance
28. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Digital
Pedestal mount
Tally light
Studio Production
29. Pointing the camera down or up
Tripod
Graphics Operator
Lighting Director
Angle of Elevation
30. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
NTSC
trucking
Long shot (head to toe)
31. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
long lens
Remotes
Foreground
HD
32. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Pedestal mount
Master Control
Audio Operator (A1) (A2)
VTR
33. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
How to focus a camera like a pro
Rule of thirds
Associate Director
34. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Tilt
Stage Manager
ECU
35. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Post-Production
Post-Production
Green Rooms
Pan
36. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Green Rooms
Rack focus
Long shot (head to toe)
Coaxial Cable
37. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Rack focus
Lens
Analog
Coaxial Cable
38. A series of digital television formats developed by the Advanced Television Systems Committee.
ECU
Production
Interruptible Feedback
ATSC
39. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Analog
Angle of Elevation
Lighting Director
Servo
40. helps with routine stuff - anything the director needs - timing of production
Talent
Grunts
Associate Director
Studio Production
41. The ratio of the height of a television screen to its width.
Associate Director
Audio Operator (A1) (A2)
Aspect Ratios
dolly
42. people who deliver lines
AGC
Field Production
Talent
Camera Operators
43. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
HD
Pedestal mount
Engineer
Stage Manager
44. Interns - Cable Pullers - 2nd Assistant Directors
Interruptible Feedback
Angle of Elevation
Grunts
Interruptible Feedback
45. The person who assembles raw footage into a final program.
Set Production Designer
Pan
Associate Director
Editor
46. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
NTSC
Macro focus
Master Control
Post-Production
47. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Graphics Operator
HDTV
Set Production Designer
Studio Production
48. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Director
CU
Master Control
ATSC
49. Planning the project
Headroom
ATSC
crane
Pre-production
50. The person who determines the environment where the production takes place.
Set Production Designer
Video Shader
Rule of thirds
VTR