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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The stage during which all the shooting for a program is undertaken.
Rack focus
Tilt
crane
Production
2. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Grunts
Remotes
Coaxial Cable
Pedestal mount
3. A person who creates words - drawings and some visual effects that are incorporated with a production.
Technical Director
Graphics Operator
Talent
Stage Manager
4. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Technical Director
Director
Pre-production
The Studio
5. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Editor
Lens
Master Control
Aspect Ratios
6. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
dolly
Standard Definition
Set Production Designer
Firewire (IEE-1394)
7. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
AGC
White Balance
HDTV
Studio Production
8. Indicates that the camera is level
Horizon Line
Associate Director
Production
Set Production Designer
9. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Performer Tips
VTR
long lens
Interruptible Feedback
10. Makes sure camera match - lighting
Grunts
Video Shader
Audio Operator (A1) (A2)
Tilt
11. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Grunts
ATSC
Servo
Coaxial Cable
12. Over the shoulder
Art Director
Servo
O/S
Coaxial Cable
13. The person who determines the environment where the production takes place.
Set Production Designer
ECU
Pedestal mount
HDTV
14. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Interruptible Feedback
Long shot (head to toe)
Art Director
Control Room
15. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Technical Director
Producer
Horizon Line
Lens
16. The place in a studio complex where people who are about to appear on a TV show can wait.
Pre-production
Interruptible Feedback
How to focus a camera like a pro
Green Rooms
17. The space between the top of a subjects head and the upper edge of the camera frame.
Remotes
Rule of thirds
Lead room
Headroom
18. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Analog
Pan
AGC
Talent
19. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Art Director
Master Control
crane
HDTV
20. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Lead room
Long shot (head to toe)
Technical Director
21. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Graphics Operator
Macro focus
Foreground
Coaxial Cable
22. The stage during which all the shooting for a program is undertaken.
Production
ECU
Firewire (IEE-1394)
Firewire (IEE-1394)
23. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Pedestal mount
ATSC
NTSC
Headroom
24. in control room
Headroom
Engineer
VTR
Tripod
25. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Editor
Performer Tips
Production
26. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Tripod
Tilt
Rack focus
27. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Analog
Rule of thirds
Engineer
Servo
28. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Firewire (IEE-1394)
Production
Standard Definition
Rule of thirds
29. Pointing the camera down or up
Angle of Elevation
Studio Production
Horizon Line
How to focus a camera like a pro
30. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Technical Director
NTSC
Studio Production
Lighting Director
31. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
HD
White Balance
HDTV
NTSC
32. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Lighting Director
Rule of thirds
HD
33. combination of studio and field production. Sports - parades
Master Control
HDTV
Aspect Ratios
Remotes
34. A person who oversees several production.
Horizon Line
Executive Producer
Aspect Ratios
Editor
35. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Teleprompter Operartor
trucking
Remotes
CU
36. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
ECU
CU
Control Room
Video Shader
37. The part of the lens that allows light to pass through.
Video Shader
Servo
Iris
Stage Manager
38. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Macro focus
Lighting Director
Coaxial Cable
Remotes
39. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Executive Producer
Pre-production
VTR
Long shot (head to toe)
40. To move the camera and its mount closer to or farther from the subject.
Medium Shot (head to toe)
dolly
Horizon Line
HDTV
41. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
The Studio
dolly
Headroom
42. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Production
Engineer
Tally light
Post-Production
43. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
HDTV
Set Production Designer
Editor
Camera Operators
44. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Interruptible Feedback
Coaxial Cable
long lens
Stage Manager
45. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
crane
HD
Editor
Firewire (IEE-1394)
46. A camera shot that starts with one object in focus - then changes to focus on another object.
Long shot (head to toe)
Angle of Elevation
Rack focus
Macro focus
47. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
ATSC
Technical Director
Master Control
Pre-production
48. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Rule of thirds
Executive Producer
Digital
Pedestal mount
49. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
AGC
Teleprompter Operartor
Medium Shot (head to toe)
The Studio
50. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Coaxial Cable
Servo
Director
White Balance