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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Grunts
The Studio
HD
Iris
2. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
AGC
Green Rooms
Long shot (head to toe)
Green Rooms
3. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Grunts
NTSC
trucking
4. Planning the project
Editor
Production
CU
Pre-production
5. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
Digital
Rule of thirds
Pedestal mount
6. To move the camera and its mount closer to or farther from the subject.
Talent
HDTV
AGC
dolly
7. creates great depth and interest
Set Production Designer
Rack focus
Foreground
dolly
8. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Tripod
Stage Manager
Lead room
CU
9. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Video Shader
Interruptible Feedback
Lead room
Aspect Ratios
10. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Remotes
ECU
Director
Lead room
11. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Macro focus
Performer Tips
Talent
The Studio
12. A person who sets mics in a studio or location setting and/ or operates the audio console.
Interruptible Feedback
Grunts
Audio Operator (A1) (A2)
Teleprompter Operartor
13. people who deliver lines
Servo
Post-Production
Talent
Teleprompter Operartor
14. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Rule of thirds
Lens
Stage Manager
Lighting Director
15. A person who creates words - drawings and some visual effects that are incorporated with a production.
Talent
The Studio
Tally light
Graphics Operator
16. The part of the lens that allows light to pass through.
Analog
Iris
Tilt
Medium Shot (head to toe)
17. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
White Balance
long lens
Servo
Digital
18. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Editor
Long shot (head to toe)
Pan
Macro focus
19. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Camera Operators
Engineer
Headroom
Lighting Director
20. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Control Room
Analog
Firewire (IEE-1394)
Macro focus
21. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Foreground
Field Production
VTR
Aspect Ratios
22. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
Lighting Director
Stage Manager
Director
23. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
ECU
Producer
Video Shader
Horizon Line
24. Over the shoulder
dolly
White Balance
Stage Manager
O/S
25. A person who deals with the look of sets and other artistic aspects of a television program.
Pan
ECU
Art Director
Engineer
26. in control room
Post-Production
Engineer
How to focus a camera like a pro
Director
27. A series of digital television formats developed by the Advanced Television Systems Committee.
Set Production Designer
Lead room
ATSC
Pre-production
28. The space between the top of a subjects head and the upper edge of the camera frame.
Director
Headroom
Long shot (head to toe)
Camera Operators
29. ...
How to focus a camera like a pro
CU
Performer Tips
Aspect Ratios
30. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
NTSC
Teleprompter Operartor
Coaxial Cable
Pedestal mount
31. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Talent
Rule of thirds
Servo
32. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Stage Manager
Macro focus
Post-Production
Audio Operator (A1) (A2)
33. A series of digital television formats developed by the Advanced Television Systems Committee.
Grunts
Tilt
Digital
ATSC
34. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lighting Director
Art Director
Video Shader
Set Production Designer
35. Interns - Cable Pullers - 2nd Assistant Directors
Rack focus
Lead room
Grunts
Audio Operator (A1) (A2)
36. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Interruptible Feedback
Pre-production
NTSC
Digital
37. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
O/S
AGC
Audio Operator (A1) (A2)
Teleprompter Operartor
38. helps with routine stuff - anything the director needs - timing of production
Performer Tips
Associate Director
Stage Manager
Pedestal mount
39. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Associate Director
Tally light
Post-Production
VTR
40. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Digital
VTR
Firewire (IEE-1394)
Horizon Line
41. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Macro focus
Stage Manager
HDTV
Lighting Director
42. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Art Director
Graphics Operator
Rack focus
Tripod
43. Interns - Cable Pullers - 2nd Assistant Directors
Performer Tips
Art Director
Camera Operators
Grunts
44. A camera shot that starts with one object in focus - then changes to focus on another object.
VTR
Rack focus
Director
Editor
45. The ratio of the height of a television screen to its width.
Aspect Ratios
Technical Director
ECU
How to focus a camera like a pro
46. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Lighting Director
Post-Production
VTR
Pre-production
47. To move the camera and its mount laterally to the right or left.
Post-Production
Technical Director
trucking
NTSC
48. The place in a studio complex where people who are about to appear on a TV show can wait.
Iris
Green Rooms
Lead room
Talent
49. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Lens
ECU
Audio Operator (A1) (A2)
Tripod
50. The person who determines the environment where the production takes place.
Headroom
crane
Set Production Designer
Graphics Operator