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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A method of representing video or audio signals using a 'wave' of continuously.
Macro focus
Engineer
Executive Producer
Analog
2. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lighting Director
Horizon Line
Grunts
Tally light
3. A view of the subject from a comfortable distance between a wide shot and close-up.
Medium Shot (head to toe)
Editor
O/S
Tilt
4. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Pedestal mount
CU
Video Shader
The Studio
5. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Grunts
Tripod
Long shot (head to toe)
Pan
6. A method of representing video or audio signals using a 'wave' of continuously.
NTSC
Analog
Tally light
Pan
7. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
dolly
crane
VTR
8. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Production
ECU
Video Shader
Tally light
9. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Video Shader
Aspect Ratios
White Balance
10. A digital interface that allows the simultaneous transfer of audio and video information.
Executive Producer
Set Production Designer
Firewire (IEE-1394)
Set Production Designer
11. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Control Room
Lens
Set Production Designer
NTSC
12. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
How to focus a camera like a pro
Editor
Tally light
HDTV
13. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Associate Director
Post-Production
CU
Stage Manager
14. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
VTR
Pedestal mount
White Balance
Tilt
15. combination of studio and field production. Sports - parades
Master Control
Stage Manager
Remotes
O/S
16. The stage during which all the shooting for a program is undertaken.
Production
NTSC
Director
Lead room
17. A view of the subject from a comfortable distance between a wide shot and close-up.
Audio Operator (A1) (A2)
Producer
Medium Shot (head to toe)
Art Director
18. Indicates that the camera is level
Lighting Director
ATSC
Horizon Line
Firewire (IEE-1394)
19. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Art Director
Headroom
Analog
20. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
Pan
Production
Camera Operators
21. To move the camera and its mount laterally to the right or left.
crane
Iris
Technical Director
trucking
22. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Audio Operator (A1) (A2)
Pan
Headroom
Lighting Director
23. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Digital
ATSC
The Studio
24. The place in a studio complex where people who are about to appear on a TV show can wait.
Servo
Green Rooms
trucking
Editor
25. Over the shoulder
Iris
How to focus a camera like a pro
HDTV
O/S
26. A person who deals with the look of sets and other artistic aspects of a television program.
Pan
Tilt
Graphics Operator
Art Director
27. punched switcher
Control Room
Angle of Elevation
Technical Director
Graphics Operator
28. Makes sure camera match - lighting
Tilt
Video Shader
Control Room
Control Room
29. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
crane
Tripod
Pan
Director
30. Indicates that the camera is level
Coaxial Cable
NTSC
Horizon Line
Remotes
31. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Green Rooms
trucking
Control Room
Firewire (IEE-1394)
32. To move the camera and its mount laterally to the right or left.
trucking
Tally light
Production
Interruptible Feedback
33. The space between the top of a subjects head and the upper edge of the camera frame.
Rule of thirds
Stage Manager
Headroom
Angle of Elevation
34. The person who assembles raw footage into a final program.
Editor
Coaxial Cable
Rack focus
Digital
35. Pointing the camera down or up
Angle of Elevation
Tally light
O/S
Associate Director
36. A person who sets mics in a studio or location setting and/ or operates the audio console.
ATSC
Audio Operator (A1) (A2)
Standard Definition
O/S
37. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Tally light
Field Production
Digital
O/S
38. in control room
The Studio
Engineer
Angle of Elevation
CU
39. The person who determines the environment where the production takes place.
Set Production Designer
Tally light
dolly
Post-Production
40. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Long shot (head to toe)
White Balance
VTR
Teleprompter Operartor
41. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Rule of thirds
Editor
Performer Tips
Stage Manager
42. The ratio of the height of a television screen to its width.
White Balance
Control Room
Aspect Ratios
Pre-production
43. people who deliver lines
How to focus a camera like a pro
Technical Director
Talent
Tripod
44. To move the camera and its mount closer to or farther from the subject.
Headroom
dolly
Production
Control Room
45. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Performer Tips
Headroom
Executive Producer
Long shot (head to toe)
46. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Editor
Studio Production
Pre-production
47. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Post-Production
Green Rooms
NTSC
Rack focus
48. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Field Production
Headroom
Control Room
49. helps with routine stuff - anything the director needs - timing of production
Foreground
Associate Director
HD
Director
50. Planning the project
The Studio
How to focus a camera like a pro
Engineer
Pre-production