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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. combination of studio and field production. Sports - parades
Coaxial Cable
Remotes
Field Production
Pedestal mount
2. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Camera Operators
NTSC
Servo
3. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Digital
Firewire (IEE-1394)
CU
Talent
4. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Stage Manager
Foreground
Tally light
Control Room
5. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Digital
Aspect Ratios
Coaxial Cable
Control Room
6. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Video Shader
Coaxial Cable
Lens
Pan
7. The space between the top of a subjects head and the upper edge of the camera frame.
Pre-production
Headroom
Grunts
Teleprompter Operartor
8. To move the camera and its mount closer to or farther from the subject.
Foreground
Engineer
dolly
Camera Operators
9. ...
Headroom
How to focus a camera like a pro
Lens
Medium Shot (head to toe)
10. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lighting Director
Servo
Horizon Line
Executive Producer
11. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Set Production Designer
Master Control
Tally light
Lens
12. Planning the project
O/S
Lighting Director
Pre-production
long lens
13. A view of the subject from a comfortable distance between a wide shot and close-up.
Graphics Operator
VTR
Medium Shot (head to toe)
Associate Director
14. A person who creates words - drawings and some visual effects that are incorporated with a production.
Stage Manager
Graphics Operator
How to focus a camera like a pro
crane
15. A person who creates words - drawings and some visual effects that are incorporated with a production.
Graphics Operator
Director
Field Production
Macro focus
16. Planning the project
Set Production Designer
Pre-production
Interruptible Feedback
Horizon Line
17. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Coaxial Cable
HDTV
Performer Tips
CU
18. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Engineer
Standard Definition
Executive Producer
Production
19. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Teleprompter Operartor
Studio Production
Interruptible Feedback
The Studio
20. in control room
Analog
Headroom
long lens
Engineer
21. Makes sure camera match - lighting
Digital
Pan
Video Shader
Aspect Ratios
22. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Pre-production
Tripod
CU
Post-Production
23. Over the shoulder
O/S
Iris
ATSC
HD
24. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Grunts
Grunts
CU
25. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Technical Director
Pan
Teleprompter Operartor
Production
26. A series of digital television formats developed by the Advanced Television Systems Committee.
Engineer
Technical Director
Iris
ATSC
27. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
Graphics Operator
Aspect Ratios
Tilt
28. The place in a studio complex where people who are about to appear on a TV show can wait.
Editor
Talent
Art Director
Green Rooms
29. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Producer
Medium Shot (head to toe)
Pre-production
Field Production
30. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Field Production
White Balance
Standard Definition
The Studio
31. A digital interface that allows the simultaneous transfer of audio and video information.
Engineer
Firewire (IEE-1394)
CU
Rack focus
32. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Aspect Ratios
HDTV
Iris
Stage Manager
33. Indicates that the camera is level
Graphics Operator
Horizon Line
Grunts
Video Shader
34. ...
ATSC
How to focus a camera like a pro
Pan
Art Director
35. The person who determines the environment where the production takes place.
O/S
Coaxial Cable
Set Production Designer
Technical Director
36. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
HD
Pre-production
long lens
Post-Production
37. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Rule of thirds
long lens
Interruptible Feedback
Producer
38. helps with routine stuff - anything the director needs - timing of production
Stage Manager
Talent
Associate Director
Digital
39. To move the camera and its mount laterally to the right or left.
Green Rooms
Engineer
trucking
O/S
40. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
Graphics Operator
Production
Angle of Elevation
41. A camera shot that starts with one object in focus - then changes to focus on another object.
Field Production
trucking
Rack focus
Headroom
42. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lighting Director
Pan
Rule of thirds
Teleprompter Operartor
43. The ratio of the height of a television screen to its width.
Digital
Aspect Ratios
Grunts
Grunts
44. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Technical Director
Lens
Servo
45. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Performer Tips
Graphics Operator
Graphics Operator
Tripod
46. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
Post-Production
Medium Shot (head to toe)
ATSC
47. The stage during which all the shooting for a program is undertaken.
Digital
trucking
Production
dolly
48. To move the camera and its mount closer to or farther from the subject.
dolly
Standard Definition
Art Director
Long shot (head to toe)
49. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Engineer
Foreground
Tilt
CU
50. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
ECU
Editor
Technical Director
Camera Operators