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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Headroom
Pan
Master Control
HDTV
2. To move the camera and its mount laterally to the right or left.
Rule of thirds
O/S
Long shot (head to toe)
trucking
3. Over the shoulder
O/S
Long shot (head to toe)
Green Rooms
Pre-production
4. The place in a studio complex where people who are about to appear on a TV show can wait.
Tripod
trucking
Green Rooms
Long shot (head to toe)
5. ...
Production
Analog
HDTV
How to focus a camera like a pro
6. A person who creates words - drawings and some visual effects that are incorporated with a production.
Headroom
Audio Operator (A1) (A2)
Graphics Operator
Studio Production
7. Interns - Cable Pullers - 2nd Assistant Directors
Horizon Line
Grunts
ECU
Set Production Designer
8. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
dolly
White Balance
Pedestal mount
O/S
9. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Field Production
dolly
VTR
Coaxial Cable
10. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Headroom
Tilt
NTSC
11. A person who oversees several production.
O/S
Rack focus
Interruptible Feedback
Executive Producer
12. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Standard Definition
Tally light
Audio Operator (A1) (A2)
Teleprompter Operartor
13. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Executive Producer
Rule of thirds
CU
Lighting Director
14. in control room
Remotes
Engineer
Tally light
Tilt
15. combination of studio and field production. Sports - parades
Art Director
How to focus a camera like a pro
ATSC
Remotes
16. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Servo
Angle of Elevation
Pan
Pedestal mount
17. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
trucking
HD
Engineer
O/S
18. helps with routine stuff - anything the director needs - timing of production
Horizon Line
long lens
VTR
Associate Director
19. The space between the top of a subjects head and the upper edge of the camera frame.
Tripod
Engineer
Standard Definition
Headroom
20. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Grunts
Rule of thirds
Macro focus
Coaxial Cable
21. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
HDTV
How to focus a camera like a pro
crane
22. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Grunts
Field Production
Production
23. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Talent
Engineer
HDTV
White Balance
24. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Control Room
Audio Operator (A1) (A2)
Field Production
Tripod
25. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Post-Production
long lens
Servo
26. Over the shoulder
Performer Tips
Foreground
O/S
HD
27. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Lead room
AGC
Producer
Tally light
28. Makes sure camera match - lighting
Production
Video Shader
Lead room
HDTV
29. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Pedestal mount
HDTV
HD
30. A method of representing video or audio signals using a 'wave' of continuously.
Performer Tips
Analog
The Studio
HD
31. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Angle of Elevation
Coaxial Cable
Associate Director
Executive Producer
32. The person who determines the environment where the production takes place.
Medium Shot (head to toe)
Medium Shot (head to toe)
Set Production Designer
Tripod
33. The ratio of the height of a television screen to its width.
dolly
Pan
Headroom
Aspect Ratios
34. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Foreground
NTSC
Analog
Field Production
35. A person who creates words - drawings and some visual effects that are incorporated with a production.
Macro focus
White Balance
Talent
Graphics Operator
36. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Digital
Post-Production
Studio Production
Firewire (IEE-1394)
37. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Tally light
White Balance
CU
Firewire (IEE-1394)
38. The person who assembles raw footage into a final program.
Editor
Art Director
O/S
Production
39. A series of digital television formats developed by the Advanced Television Systems Committee.
Associate Director
Camera Operators
ATSC
Control Room
40. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Teleprompter Operartor
Medium Shot (head to toe)
Servo
Lens
41. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
Set Production Designer
Grunts
O/S
42. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
HD
Control Room
Long shot (head to toe)
Horizon Line
43. A view of the subject from a comfortable distance between a wide shot and close-up.
Standard Definition
Producer
Pedestal mount
Medium Shot (head to toe)
44. The person who assembles raw footage into a final program.
O/S
Audio Operator (A1) (A2)
Art Director
Editor
45. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Macro focus
HDTV
Director
Coaxial Cable
46. Indicates that the camera is level
Executive Producer
Performer Tips
Horizon Line
Long shot (head to toe)
47. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lens
Director
Field Production
Lighting Director
48. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Art Director
Firewire (IEE-1394)
Coaxial Cable
49. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Firewire (IEE-1394)
Master Control
Analog
Performer Tips
50. Planning the project
Coaxial Cable
Interruptible Feedback
Pre-production
Camera Operators