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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Production
HDTV
CU
2. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Control Room
The Studio
Horizon Line
Pre-production
3. The place in a studio complex where people who are about to appear on a TV show can wait.
Art Director
Green Rooms
Interruptible Feedback
Rack focus
4. The space between the top of a subjects head and the upper edge of the camera frame.
How to focus a camera like a pro
Field Production
Director
Headroom
5. A camera shot that starts with one object in focus - then changes to focus on another object.
Camera Operators
Macro focus
Rack focus
VTR
6. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Studio Production
Graphics Operator
HDTV
Tally light
7. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Firewire (IEE-1394)
Stage Manager
Editor
NTSC
8. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Long shot (head to toe)
Post-Production
Pan
Teleprompter Operartor
9. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
trucking
Digital
NTSC
Post-Production
10. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Lighting Director
Aspect Ratios
Interruptible Feedback
11. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Digital
Editor
Producer
12. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Set Production Designer
VTR
Green Rooms
Medium Shot (head to toe)
13. Planning the project
Producer
Angle of Elevation
Technical Director
Pre-production
14. The person who assembles raw footage into a final program.
Camera Operators
Medium Shot (head to toe)
White Balance
Editor
15. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Analog
Coaxial Cable
Engineer
Tilt
16. The stage during which all the shooting for a program is undertaken.
Graphics Operator
Production
Post-Production
Interruptible Feedback
17. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Teleprompter Operartor
Stage Manager
Stage Manager
O/S
18. A person who oversees several production.
Tripod
Director
HD
Executive Producer
19. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
Set Production Designer
Standard Definition
AGC
20. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Engineer
Remotes
Long shot (head to toe)
Interruptible Feedback
21. Over the shoulder
O/S
Tripod
Producer
long lens
22. in control room
O/S
Engineer
NTSC
ATSC
23. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Camera Operators
Rule of thirds
long lens
Lead room
24. creates great depth and interest
Foreground
Post-Production
Editor
Long shot (head to toe)
25. The part of the lens that allows light to pass through.
Analog
Rule of thirds
Associate Director
Iris
26. To move the camera and its mount laterally to the right or left.
Headroom
Set Production Designer
Graphics Operator
trucking
27. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Studio Production
long lens
Video Shader
Teleprompter Operartor
28. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Medium Shot (head to toe)
Control Room
White Balance
Studio Production
29. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Editor
Technical Director
Director
Studio Production
30. A view of the subject from a comfortable distance between a wide shot and close-up.
Audio Operator (A1) (A2)
Medium Shot (head to toe)
Lighting Director
ECU
31. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Remotes
Field Production
Coaxial Cable
32. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Angle of Elevation
Control Room
Interruptible Feedback
33. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Macro focus
Standard Definition
CU
long lens
34. combination of studio and field production. Sports - parades
O/S
Firewire (IEE-1394)
Remotes
Lighting Director
35. A person who sets mics in a studio or location setting and/ or operates the audio console.
Audio Operator (A1) (A2)
Coaxial Cable
Digital
Camera Operators
36. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Rack focus
Long shot (head to toe)
Tilt
Performer Tips
37. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Stage Manager
AGC
O/S
dolly
38. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
The Studio
dolly
O/S
39. A view of the subject from a comfortable distance between a wide shot and close-up.
Graphics Operator
Master Control
Production
Medium Shot (head to toe)
40. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Pan
Set Production Designer
NTSC
Remotes
41. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Executive Producer
Aspect Ratios
Editor
42. combination of studio and field production. Sports - parades
Engineer
Remotes
Digital
Angle of Elevation
43. The ratio of the height of a television screen to its width.
Aspect Ratios
Rule of thirds
Pre-production
Pedestal mount
44. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Producer
Teleprompter Operartor
Field Production
Tilt
45. A person who sets mics in a studio or location setting and/ or operates the audio console.
ECU
Talent
Audio Operator (A1) (A2)
Set Production Designer
46. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Director
Headroom
Talent
47. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Field Production
Engineer
Long shot (head to toe)
Tally light
48. Makes sure camera match - lighting
Macro focus
Video Shader
trucking
Pan
49. The person who determines the environment where the production takes place.
ECU
Angle of Elevation
Set Production Designer
Horizon Line
50. The person who assembles raw footage into a final program.
Angle of Elevation
White Balance
Editor
Standard Definition