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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Rule of thirds
Digital
The Studio
VTR
2. A digital interface that allows the simultaneous transfer of audio and video information.
Pan
Firewire (IEE-1394)
Medium Shot (head to toe)
VTR
3. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Lead room
Green Rooms
Interruptible Feedback
long lens
4. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Control Room
Green Rooms
Production
Studio Production
5. helps with routine stuff - anything the director needs - timing of production
Pan
NTSC
Master Control
Associate Director
6. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Interruptible Feedback
Firewire (IEE-1394)
VTR
Producer
7. The stage during which all the shooting for a program is undertaken.
Standard Definition
Post-Production
Digital
Production
8. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
HDTV
Camera Operators
Stage Manager
Standard Definition
9. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Audio Operator (A1) (A2)
Talent
Lens
10. Makes sure camera match - lighting
Video Shader
ECU
O/S
Iris
11. people who deliver lines
Video Shader
Talent
Rack focus
HDTV
12. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Teleprompter Operartor
Pan
Production
Pedestal mount
13. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
ECU
HD
Studio Production
Stage Manager
14. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
long lens
Audio Operator (A1) (A2)
Rule of thirds
15. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
Interruptible Feedback
Control Room
long lens
16. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
Talent
AGC
The Studio
17. ...
long lens
HDTV
How to focus a camera like a pro
Director
18. The part of the lens that allows light to pass through.
HD
HDTV
Iris
Video Shader
19. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Set Production Designer
Foreground
HD
Editor
20. A method of representing video or audio signals using a 'wave' of continuously.
Talent
Analog
Macro focus
Long shot (head to toe)
21. Over the shoulder
Horizon Line
NTSC
Macro focus
O/S
22. ...
Tilt
How to focus a camera like a pro
Graphics Operator
Performer Tips
23. Pointing the camera down or up
Angle of Elevation
dolly
long lens
HDTV
24. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
Executive Producer
AGC
Art Director
25. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Audio Operator (A1) (A2)
Digital
HDTV
HD
26. To move the camera and its mount closer to or farther from the subject.
Pedestal mount
long lens
Macro focus
dolly
27. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Servo
Interruptible Feedback
Remotes
NTSC
28. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Green Rooms
Teleprompter Operartor
Studio Production
29. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
The Studio
Tilt
Stage Manager
Interruptible Feedback
30. To move the camera and its mount laterally to the right or left.
How to focus a camera like a pro
Foreground
Lighting Director
trucking
31. Planning the project
Teleprompter Operartor
Pre-production
Post-Production
Pedestal mount
32. creates great depth and interest
Green Rooms
Foreground
Grunts
long lens
33. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Horizon Line
Lens
Pedestal mount
34. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
O/S
Stage Manager
Performer Tips
Teleprompter Operartor
35. Pointing the camera down or up
Tripod
Studio Production
Standard Definition
Angle of Elevation
36. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Analog
Tilt
CU
Lead room
37. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Field Production
Foreground
White Balance
Pre-production
38. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Director
The Studio
Long shot (head to toe)
Remotes
39. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Stage Manager
Performer Tips
Executive Producer
AGC
40. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
Grunts
Post-Production
Foreground
41. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Digital
dolly
Control Room
Pedestal mount
42. Additional framing space in a camera picture on the side toward which a subject is looking or moving
White Balance
crane
Lead room
Analog
43. people who deliver lines
Aspect Ratios
Set Production Designer
Digital
Talent
44. combination of studio and field production. Sports - parades
Master Control
Long shot (head to toe)
Remotes
ECU
45. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Green Rooms
Tilt
Interruptible Feedback
Remotes
46. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Producer
Macro focus
The Studio
ECU
47. in control room
Engineer
HD
Executive Producer
ECU
48. Indicates that the camera is level
Pre-production
Audio Operator (A1) (A2)
Horizon Line
Stage Manager
49. punched switcher
Editor
Technical Director
Camera Operators
Performer Tips
50. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Associate Director
Lens
Producer
The Studio