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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Planning the project
Tilt
Talent
Lead room
Pre-production
2. The part of the lens that allows light to pass through.
O/S
Macro focus
Iris
Medium Shot (head to toe)
3. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Control Room
Angle of Elevation
White Balance
Executive Producer
4. The space between the top of a subjects head and the upper edge of the camera frame.
Rack focus
Headroom
Tripod
Servo
5. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Stage Manager
long lens
Executive Producer
Headroom
6. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
ATSC
Studio Production
Horizon Line
HDTV
7. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Field Production
HD
Pre-production
8. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Aspect Ratios
Studio Production
Pan
Editor
9. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Field Production
dolly
Stage Manager
AGC
10. The place in a studio complex where people who are about to appear on a TV show can wait.
O/S
Green Rooms
NTSC
Rack focus
11. To move the camera and its mount closer to or farther from the subject.
Angle of Elevation
Angle of Elevation
Art Director
dolly
12. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Interruptible Feedback
Angle of Elevation
Standard Definition
Audio Operator (A1) (A2)
13. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Horizon Line
Lens
Iris
Video Shader
14. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Lens
Technical Director
The Studio
Tally light
15. A person who oversees several production.
Executive Producer
Stage Manager
Teleprompter Operartor
Talent
16. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Pan
Digital
The Studio
Camera Operators
17. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Video Shader
Firewire (IEE-1394)
Tripod
Tilt
18. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Digital
Standard Definition
Interruptible Feedback
Standard Definition
19. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Pan
Lead room
Director
Rack focus
20. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
White Balance
Interruptible Feedback
Art Director
Studio Production
21. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Servo
Long shot (head to toe)
crane
O/S
22. The person who determines the environment where the production takes place.
Angle of Elevation
Headroom
Production
Set Production Designer
23. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
AGC
Set Production Designer
Graphics Operator
dolly
24. The part of the lens that allows light to pass through.
Pedestal mount
Editor
Iris
Green Rooms
25. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Talent
Producer
Aspect Ratios
26. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
Pre-production
Grunts
crane
27. combination of studio and field production. Sports - parades
Remotes
Tripod
crane
AGC
28. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Aspect Ratios
Set Production Designer
Standard Definition
29. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
Servo
ATSC
ECU
30. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
Pre-production
Rule of thirds
Director
31. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Horizon Line
Digital
Analog
Producer
32. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Engineer
Camera Operators
White Balance
Camera Operators
33. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
crane
Director
Post-Production
HD
34. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
HDTV
HDTV
Iris
35. To move the camera and its mount laterally to the right or left.
trucking
Grunts
Digital
Lighting Director
36. The space between the top of a subjects head and the upper edge of the camera frame.
Camera Operators
Stage Manager
Headroom
VTR
37. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Teleprompter Operartor
Macro focus
Lead room
Tally light
38. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Digital
Producer
Stage Manager
Pan
39. A camera shot that starts with one object in focus - then changes to focus on another object.
Executive Producer
Rack focus
Tilt
Angle of Elevation
40. helps with routine stuff - anything the director needs - timing of production
Associate Director
Set Production Designer
long lens
Director
41. The person who assembles raw footage into a final program.
Video Shader
Performer Tips
Remotes
Editor
42. The place in a studio complex where people who are about to appear on a TV show can wait.
How to focus a camera like a pro
Tilt
Green Rooms
Audio Operator (A1) (A2)
43. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
Medium Shot (head to toe)
Lighting Director
HD
44. The person who determines the environment where the production takes place.
Teleprompter Operartor
Set Production Designer
Graphics Operator
Aspect Ratios
45. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
CU
Iris
White Balance
46. Indicates that the camera is level
Horizon Line
HD
Remotes
AGC
47. The person who assembles raw footage into a final program.
Master Control
Performer Tips
Camera Operators
Editor
48. The ratio of the height of a television screen to its width.
Aspect Ratios
Remotes
Stage Manager
White Balance
49. combination of studio and field production. Sports - parades
Grunts
Control Room
Remotes
White Balance
50. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
HDTV
Medium Shot (head to toe)
Coaxial Cable
ECU
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