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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Field Production
HDTV
Horizon Line
HD
2. Planning the project
Analog
Pre-production
CU
Tripod
3. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
AGC
Rack focus
Digital
Performer Tips
4. creates great depth and interest
Video Shader
Technical Director
Digital
Foreground
5. The place in a studio complex where people who are about to appear on a TV show can wait.
Lighting Director
Remotes
Production
Green Rooms
6. A person who creates words - drawings and some visual effects that are incorporated with a production.
HDTV
Graphics Operator
Talent
Associate Director
7. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Medium Shot (head to toe)
Firewire (IEE-1394)
NTSC
Pan
8. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Associate Director
Pedestal mount
Servo
Digital
9. A series of digital television formats developed by the Advanced Television Systems Committee.
Coaxial Cable
ATSC
HDTV
Director
10. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Grunts
Graphics Operator
Digital
HD
11. To move the camera and its mount laterally to the right or left.
Pan
Control Room
Camera Operators
trucking
12. A person who creates words - drawings and some visual effects that are incorporated with a production.
Performer Tips
Graphics Operator
Pedestal mount
Iris
13. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Green Rooms
O/S
Teleprompter Operartor
14. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
AGC
O/S
Stage Manager
15. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Engineer
White Balance
Remotes
Lead room
16. A method of representing video or audio signals using a 'wave' of continuously.
Digital
Analog
Studio Production
HD
17. people who deliver lines
Pan
Performer Tips
Macro focus
Talent
18. helps with routine stuff - anything the director needs - timing of production
Angle of Elevation
Analog
ATSC
Associate Director
19. A person who sets mics in a studio or location setting and/ or operates the audio console.
Remotes
Tripod
Director
Audio Operator (A1) (A2)
20. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Foreground
Iris
Pan
21. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Art Director
Executive Producer
Pan
22. helps with routine stuff - anything the director needs - timing of production
Control Room
Post-Production
Medium Shot (head to toe)
Associate Director
23. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Tally light
Video Shader
Director
Stage Manager
24. A method of representing video or audio signals using a 'wave' of continuously.
VTR
Foreground
Studio Production
Analog
25. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Control Room
Digital
Green Rooms
Coaxial Cable
26. people who deliver lines
Talent
Iris
Graphics Operator
Pan
27. Pointing the camera down or up
Audio Operator (A1) (A2)
Digital
Master Control
Angle of Elevation
28. combination of studio and field production. Sports - parades
O/S
Interruptible Feedback
Executive Producer
Remotes
29. A person who oversees several production.
HDTV
Executive Producer
Master Control
Grunts
30. in control room
Horizon Line
Field Production
crane
Engineer
31. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
The Studio
dolly
Tripod
32. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Director
Tripod
How to focus a camera like a pro
33. A digital interface that allows the simultaneous transfer of audio and video information.
Digital
Grunts
Graphics Operator
Firewire (IEE-1394)
34. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
ECU
Video Shader
How to focus a camera like a pro
Technical Director
35. Over the shoulder
Studio Production
Foreground
O/S
long lens
36. Over the shoulder
Firewire (IEE-1394)
Tilt
O/S
Standard Definition
37. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Pan
Macro focus
The Studio
CU
38. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Analog
Pre-production
NTSC
Digital
39. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
AGC
Field Production
Aspect Ratios
Control Room
40. To move the camera and its mount closer to or farther from the subject.
dolly
Camera Operators
Tilt
Performer Tips
41. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
Green Rooms
Teleprompter Operartor
Control Room
42. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Tripod
Field Production
Studio Production
Lighting Director
43. The place in a studio complex where people who are about to appear on a TV show can wait.
Servo
Green Rooms
CU
Teleprompter Operartor
44. creates great depth and interest
Standard Definition
Graphics Operator
Foreground
Horizon Line
45. The ratio of the height of a television screen to its width.
CU
Audio Operator (A1) (A2)
Aspect Ratios
Producer
46. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Editor
Stage Manager
Talent
Pan
47. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Coaxial Cable
Firewire (IEE-1394)
Macro focus
Technical Director
48. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
How to focus a camera like a pro
Tripod
AGC
Long shot (head to toe)
49. To move the camera and its mount laterally to the right or left.
Rule of thirds
Set Production Designer
Executive Producer
trucking
50. ...
Field Production
Lens
Pre-production
How to focus a camera like a pro