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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. punched switcher
Grunts
Technical Director
Rack focus
long lens
2. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Control Room
Teleprompter Operartor
ECU
Long shot (head to toe)
3. The part of the lens that allows light to pass through.
Iris
Talent
Interruptible Feedback
Master Control
4. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Executive Producer
Macro focus
Headroom
5. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Audio Operator (A1) (A2)
Director
Firewire (IEE-1394)
NTSC
6. Makes sure camera match - lighting
Headroom
Video Shader
Servo
HDTV
7. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
long lens
Associate Director
Tilt
NTSC
8. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
HD
Green Rooms
AGC
Macro focus
9. A view of the subject from a comfortable distance between a wide shot and close-up.
Audio Operator (A1) (A2)
Tilt
Medium Shot (head to toe)
How to focus a camera like a pro
10. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Engineer
long lens
Camera Operators
ECU
11. Indicates that the camera is level
Horizon Line
long lens
Stage Manager
Stage Manager
12. people who deliver lines
Digital
Lead room
crane
Talent
13. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Lens
Production
long lens
Field Production
14. A camera shot that starts with one object in focus - then changes to focus on another object.
dolly
Interruptible Feedback
Rack focus
Audio Operator (A1) (A2)
15. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Camera Operators
Green Rooms
Stage Manager
Audio Operator (A1) (A2)
16. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Executive Producer
White Balance
HDTV
17. creates great depth and interest
O/S
Lighting Director
Foreground
Producer
18. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Long shot (head to toe)
Pre-production
Tally light
19. The stage during which all the shooting for a program is undertaken.
Studio Production
Tripod
Production
ATSC
20. punched switcher
Lens
Aspect Ratios
Pan
Technical Director
21. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Post-Production
dolly
Tripod
22. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Engineer
Pre-production
Angle of Elevation
23. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Lead room
Director
AGC
White Balance
24. people who deliver lines
CU
Talent
Engineer
Art Director
25. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Talent
Pan
Rule of thirds
Aspect Ratios
26. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Iris
How to focus a camera like a pro
HDTV
Pre-production
27. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lighting Director
Graphics Operator
Editor
Post-Production
28. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Lead room
Long shot (head to toe)
HD
Graphics Operator
29. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Talent
The Studio
Teleprompter Operartor
White Balance
30. combination of studio and field production. Sports - parades
Remotes
crane
How to focus a camera like a pro
Lens
31. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Remotes
Graphics Operator
AGC
Tilt
32. A person who sets mics in a studio or location setting and/ or operates the audio console.
Control Room
White Balance
Audio Operator (A1) (A2)
AGC
33. creates great depth and interest
Aspect Ratios
Foreground
Lead room
Macro focus
34. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Control Room
Graphics Operator
Pan
35. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Servo
Foreground
O/S
Studio Production
36. The person who determines the environment where the production takes place.
Firewire (IEE-1394)
Post-Production
Control Room
Set Production Designer
37. Makes sure camera match - lighting
Rule of thirds
Studio Production
trucking
Video Shader
38. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Tally light
O/S
Master Control
White Balance
39. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
Lead room
Analog
CU
40. A person who oversees several production.
Pedestal mount
Rule of thirds
Executive Producer
dolly
41. ...
Rack focus
Tripod
Director
How to focus a camera like a pro
42. A series of digital television formats developed by the Advanced Television Systems Committee.
Foreground
ATSC
Master Control
Pre-production
43. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Grunts
Pan
crane
trucking
44. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
Lighting Director
Producer
Green Rooms
45. A method of representing video or audio signals using a 'wave' of continuously.
Aspect Ratios
NTSC
Analog
Tilt
46. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
Video Shader
Art Director
Rule of thirds
47. The ratio of the height of a television screen to its width.
Technical Director
Teleprompter Operartor
ECU
Aspect Ratios
48. A view of the subject from a comfortable distance between a wide shot and close-up.
Medium Shot (head to toe)
CU
Analog
ATSC
49. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Talent
Talent
Servo
White Balance
50. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Lens
White Balance
Performer Tips
Pan
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