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TV Production Basics

Instructions:
  • Answer 50 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.






2. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.






3. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field






4. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.






5. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.






6. The space between the top of a subjects head and the upper edge of the camera frame.






7. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder






8. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.






9. To move the camera and its mount closer to or farther from the subject.






10. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.






11. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.






12. The part of the lens that allows light to pass through.






13. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.






14. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.






15. A person who creates words - drawings and some visual effects that are incorporated with a production.






16. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair






17. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.






18. ...






19. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.






20. The place in a studio complex where people who are about to appear on a TV show can wait.






21. Over the shoulder






22. A person who deals with the look of sets and other artistic aspects of a television program.






23. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.






24. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots






25. combination of studio and field production. Sports - parades






26. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.






27. Indicates that the camera is level






28. punched switcher






29. creates great depth and interest






30. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.






31. helps with routine stuff - anything the director needs - timing of production






32. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.






33. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.






34. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting






35. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.






36. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.






37. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.






38. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.






39. A person who oversees several production.






40. A person who creates words - drawings and some visual effects that are incorporated with a production.






41. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots






42. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)






43. creates great depth and interest






44. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.






45. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.






46. A person who deals with the look of sets and other artistic aspects of a television program.






47. The ratio of the height of a television screen to its width.






48. Makes sure camera match - lighting






49. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair






50. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent