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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Grunts
Tally light
HDTV
Teleprompter Operartor
2. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
ECU
HDTV
Lead room
3. combination of studio and field production. Sports - parades
Tilt
Remotes
Interruptible Feedback
Post-Production
4. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Lighting Director
Headroom
Director
Art Director
5. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Tally light
Long shot (head to toe)
AGC
The Studio
6. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Tilt
AGC
Pre-production
Control Room
7. A person who sets mics in a studio or location setting and/ or operates the audio console.
Control Room
Camera Operators
Audio Operator (A1) (A2)
Art Director
8. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Foreground
Lens
Teleprompter Operartor
HD
9. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
Headroom
Tally light
Engineer
10. A digital interface that allows the simultaneous transfer of audio and video information.
ATSC
Teleprompter Operartor
Foreground
Firewire (IEE-1394)
11. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Stage Manager
Production
Pedestal mount
Associate Director
12. A series of digital television formats developed by the Advanced Television Systems Committee.
Production
Pedestal mount
ATSC
How to focus a camera like a pro
13. Makes sure camera match - lighting
Video Shader
Teleprompter Operartor
Talent
Lead room
14. in control room
long lens
Macro focus
Engineer
Long shot (head to toe)
15. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
dolly
Foreground
Coaxial Cable
16. A digital interface that allows the simultaneous transfer of audio and video information.
Control Room
Lens
HDTV
Firewire (IEE-1394)
17. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Tilt
Associate Director
AGC
ECU
18. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Medium Shot (head to toe)
Lens
Post-Production
Teleprompter Operartor
19. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Pedestal mount
Master Control
Producer
Horizon Line
20. The space between the top of a subjects head and the upper edge of the camera frame.
NTSC
White Balance
Lighting Director
Headroom
21. combination of studio and field production. Sports - parades
Aspect Ratios
Remotes
AGC
NTSC
22. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
The Studio
Tally light
Camera Operators
Director
23. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Remotes
Coaxial Cable
Producer
24. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Lens
Producer
Teleprompter Operartor
ECU
25. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Angle of Elevation
Talent
Lens
White Balance
26. The person who determines the environment where the production takes place.
Audio Operator (A1) (A2)
Servo
Rule of thirds
Set Production Designer
27. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
Firewire (IEE-1394)
Camera Operators
HDTV
28. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Studio Production
Director
Production
Macro focus
29. A person who creates words - drawings and some visual effects that are incorporated with a production.
Associate Director
Pre-production
Graphics Operator
Analog
30. creates great depth and interest
Digital
Foreground
trucking
AGC
31. Indicates that the camera is level
Coaxial Cable
Horizon Line
Production
Executive Producer
32. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Executive Producer
Talent
Iris
33. The part of the lens that allows light to pass through.
long lens
The Studio
Iris
Analog
34. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
HDTV
Long shot (head to toe)
Iris
Pedestal mount
35. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Pedestal mount
Camera Operators
Tripod
Engineer
36. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Servo
Associate Director
trucking
Field Production
37. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Analog
Pedestal mount
Graphics Operator
Teleprompter Operartor
38. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Rule of thirds
Producer
Performer Tips
39. A view of the subject from a comfortable distance between a wide shot and close-up.
Set Production Designer
Technical Director
Green Rooms
Medium Shot (head to toe)
40. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Production
Studio Production
Stage Manager
Tally light
41. A view of the subject from a comfortable distance between a wide shot and close-up.
Lens
Medium Shot (head to toe)
Angle of Elevation
Rack focus
42. Planning the project
Macro focus
Producer
Pre-production
Art Director
43. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
long lens
Headroom
Tilt
Analog
44. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
How to focus a camera like a pro
Rule of thirds
Control Room
45. Interns - Cable Pullers - 2nd Assistant Directors
Grunts
HDTV
The Studio
Studio Production
46. The person who assembles raw footage into a final program.
Editor
Lighting Director
Aspect Ratios
Grunts
47. A person who creates words - drawings and some visual effects that are incorporated with a production.
Graphics Operator
Angle of Elevation
Long shot (head to toe)
Iris
48. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
trucking
long lens
Production
crane
49. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Control Room
Technical Director
Digital
Coaxial Cable
50. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Aspect Ratios
crane
Post-Production
Lighting Director
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