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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
HD
Firewire (IEE-1394)
Rack focus
Field Production
2. combination of studio and field production. Sports - parades
Remotes
VTR
Stage Manager
Lens
3. A person who deals with the look of sets and other artistic aspects of a television program.
Pre-production
Art Director
Macro focus
Angle of Elevation
4. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Production
Grunts
crane
O/S
5. A series of digital television formats developed by the Advanced Television Systems Committee.
Director
Angle of Elevation
Interruptible Feedback
ATSC
6. Indicates that the camera is level
ATSC
Horizon Line
Talent
Tilt
7. A person who deals with the look of sets and other artistic aspects of a television program.
Graphics Operator
Art Director
Standard Definition
Lighting Director
8. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Teleprompter Operartor
Interruptible Feedback
AGC
dolly
9. ...
How to focus a camera like a pro
The Studio
Rule of thirds
White Balance
10. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Grunts
Headroom
Servo
How to focus a camera like a pro
11. Pointing the camera down or up
Interruptible Feedback
Rule of thirds
Angle of Elevation
Lead room
12. Makes sure camera match - lighting
VTR
Firewire (IEE-1394)
Video Shader
Tally light
13. A person who creates words - drawings and some visual effects that are incorporated with a production.
Art Director
Horizon Line
Graphics Operator
Remotes
14. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
How to focus a camera like a pro
dolly
Tripod
Long shot (head to toe)
15. A series of digital television formats developed by the Advanced Television Systems Committee.
How to focus a camera like a pro
Executive Producer
ATSC
Aspect Ratios
16. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Macro focus
trucking
Director
NTSC
17. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Tripod
Rule of thirds
Field Production
HD
18. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Standard Definition
Associate Director
Art Director
19. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Standard Definition
Firewire (IEE-1394)
long lens
20. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Aspect Ratios
Lens
AGC
Pedestal mount
21. creates great depth and interest
ATSC
Foreground
Rule of thirds
Pedestal mount
22. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
dolly
Pre-production
Performer Tips
Green Rooms
23. A person who creates words - drawings and some visual effects that are incorporated with a production.
Master Control
Graphics Operator
Studio Production
AGC
24. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Lens
Pan
Editor
Producer
25. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Studio Production
Camera Operators
Graphics Operator
26. Interns - Cable Pullers - 2nd Assistant Directors
Analog
Stage Manager
Performer Tips
Grunts
27. Over the shoulder
Lighting Director
Angle of Elevation
O/S
Tilt
28. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Angle of Elevation
Camera Operators
The Studio
crane
29. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Pedestal mount
Camera Operators
ATSC
Digital
30. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Analog
Macro focus
AGC
Camera Operators
31. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Technical Director
Pedestal mount
Foreground
Tripod
32. Planning the project
O/S
Servo
Pre-production
White Balance
33. A camera shot that starts with one object in focus - then changes to focus on another object.
Art Director
Control Room
Rack focus
Lens
34. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
Executive Producer
Digital
Firewire (IEE-1394)
35. A person who oversees several production.
Editor
Executive Producer
Green Rooms
Post-Production
36. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Coaxial Cable
CU
Standard Definition
Green Rooms
37. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Green Rooms
Studio Production
Tally light
Talent
38. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Long shot (head to toe)
Analog
Performer Tips
39. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Angle of Elevation
The Studio
Control Room
Studio Production
40. To move the camera and its mount laterally to the right or left.
trucking
Studio Production
Lighting Director
How to focus a camera like a pro
41. The person who determines the environment where the production takes place.
Editor
How to focus a camera like a pro
Set Production Designer
Audio Operator (A1) (A2)
42. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Talent
Tilt
Macro focus
dolly
43. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Tripod
Long shot (head to toe)
NTSC
Editor
44. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
crane
dolly
Rule of thirds
45. The person who assembles raw footage into a final program.
Editor
Studio Production
dolly
Art Director
46. The person who assembles raw footage into a final program.
Macro focus
Executive Producer
Rack focus
Editor
47. in control room
Teleprompter Operartor
Tripod
Engineer
Producer
48. people who deliver lines
Pan
Talent
Post-Production
ECU
49. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
Talent
HDTV
Camera Operators
50. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
ATSC
Rule of thirds
Master Control
Headroom