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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The stage during which all the shooting for a program is undertaken.
Production
Angle of Elevation
Control Room
Aspect Ratios
2. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Long shot (head to toe)
Interruptible Feedback
Art Director
Tilt
3. A series of digital television formats developed by the Advanced Television Systems Committee.
dolly
How to focus a camera like a pro
Foreground
ATSC
4. in control room
Headroom
Lighting Director
Engineer
trucking
5. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Tilt
Performer Tips
dolly
Macro focus
6. people who deliver lines
Digital
ATSC
Talent
Tilt
7. To move the camera and its mount laterally to the right or left.
trucking
ATSC
Set Production Designer
Long shot (head to toe)
8. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Audio Operator (A1) (A2)
Field Production
Macro focus
ATSC
9. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Interruptible Feedback
Grunts
HDTV
Coaxial Cable
10. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Aspect Ratios
Medium Shot (head to toe)
Director
11. Over the shoulder
trucking
O/S
Editor
Executive Producer
12. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Audio Operator (A1) (A2)
Production
Performer Tips
Talent
13. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Tally light
Lens
Tilt
Post-Production
14. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
crane
The Studio
Interruptible Feedback
Post-Production
15. A person who creates words - drawings and some visual effects that are incorporated with a production.
CU
Digital
Headroom
Graphics Operator
16. Makes sure camera match - lighting
Video Shader
Post-Production
AGC
CU
17. Interns - Cable Pullers - 2nd Assistant Directors
Iris
Director
Grunts
Standard Definition
18. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Field Production
Video Shader
Medium Shot (head to toe)
19. The person who assembles raw footage into a final program.
Pan
Grunts
Editor
Pre-production
20. The person who determines the environment where the production takes place.
Associate Director
Set Production Designer
Grunts
Green Rooms
21. Indicates that the camera is level
Interruptible Feedback
Engineer
Horizon Line
Tilt
22. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
AGC
Headroom
Associate Director
Tally light
23. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Coaxial Cable
Director
HD
NTSC
24. helps with routine stuff - anything the director needs - timing of production
Analog
Firewire (IEE-1394)
Associate Director
crane
25. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
ATSC
Foreground
HDTV
Tally light
26. Planning the project
CU
Lighting Director
Pre-production
Pan
27. A person who oversees several production.
Long shot (head to toe)
Executive Producer
Servo
VTR
28. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Iris
CU
Talent
HD
29. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Teleprompter Operartor
Stage Manager
Master Control
Lens
30. A method of representing video or audio signals using a 'wave' of continuously.
Coaxial Cable
Analog
HD
HDTV
31. A method of representing video or audio signals using a 'wave' of continuously.
VTR
Engineer
Analog
Rule of thirds
32. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Tally light
Macro focus
Headroom
33. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Engineer
Coaxial Cable
Master Control
Tally light
34. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
How to focus a camera like a pro
Headroom
Producer
NTSC
35. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Art Director
Set Production Designer
Macro focus
Stage Manager
36. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Technical Director
Lead room
NTSC
Analog
37. ...
Executive Producer
Remotes
How to focus a camera like a pro
Graphics Operator
38. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Analog
Set Production Designer
Green Rooms
AGC
39. Over the shoulder
Headroom
O/S
Master Control
Lens
40. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Control Room
Servo
Horizon Line
Executive Producer
41. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Pedestal mount
dolly
Associate Director
Performer Tips
42. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Medium Shot (head to toe)
Technical Director
Coaxial Cable
Lighting Director
43. Interns - Cable Pullers - 2nd Assistant Directors
How to focus a camera like a pro
Engineer
Grunts
White Balance
44. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Lead room
long lens
Medium Shot (head to toe)
White Balance
45. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Standard Definition
Horizon Line
Editor
AGC
46. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Associate Director
Graphics Operator
Tilt
long lens
47. A camera shot that starts with one object in focus - then changes to focus on another object.
ECU
Rack focus
Technical Director
Camera Operators
48. The stage during which all the shooting for a program is undertaken.
Standard Definition
Medium Shot (head to toe)
Production
crane
49. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Executive Producer
Medium Shot (head to toe)
Standard Definition
Engineer
50. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Coaxial Cable
Headroom
Interruptible Feedback