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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Executive Producer
Producer
CU
Tally light
2. creates great depth and interest
Audio Operator (A1) (A2)
ECU
Foreground
Analog
3. A digital interface that allows the simultaneous transfer of audio and video information.
HD
Associate Director
Firewire (IEE-1394)
ATSC
4. A view of the subject from a comfortable distance between a wide shot and close-up.
Tripod
Medium Shot (head to toe)
Iris
Lighting Director
5. Makes sure camera match - lighting
Medium Shot (head to toe)
Video Shader
The Studio
Tilt
6. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Tally light
Lighting Director
Director
Studio Production
7. punched switcher
Tally light
How to focus a camera like a pro
Video Shader
Technical Director
8. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Analog
Video Shader
Standard Definition
Rack focus
9. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Engineer
Horizon Line
Coaxial Cable
Producer
10. punched switcher
Interruptible Feedback
Technical Director
Stage Manager
Tally light
11. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Digital
Set Production Designer
Production
12. Interns - Cable Pullers - 2nd Assistant Directors
Grunts
Lead room
O/S
Remotes
13. ...
Remotes
How to focus a camera like a pro
Studio Production
Tilt
14. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Green Rooms
O/S
VTR
crane
15. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Digital
NTSC
Green Rooms
crane
16. A person who creates words - drawings and some visual effects that are incorporated with a production.
Lens
Angle of Elevation
Analog
Graphics Operator
17. A camera shot that starts with one object in focus - then changes to focus on another object.
Set Production Designer
Angle of Elevation
Standard Definition
Rack focus
18. in control room
Engineer
Field Production
Standard Definition
Interruptible Feedback
19. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Engineer
Tally light
The Studio
Remotes
20. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
How to focus a camera like a pro
Studio Production
Angle of Elevation
Aspect Ratios
21. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Studio Production
Standard Definition
Aspect Ratios
Control Room
22. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Art Director
Studio Production
Master Control
Engineer
23. The ratio of the height of a television screen to its width.
Executive Producer
Aspect Ratios
Associate Director
Rule of thirds
24. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Firewire (IEE-1394)
Long shot (head to toe)
Camera Operators
Studio Production
25. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Teleprompter Operartor
Camera Operators
Rule of thirds
Performer Tips
26. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
ATSC
dolly
Performer Tips
Studio Production
27. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Lighting Director
Pre-production
White Balance
Performer Tips
28. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
crane
Editor
Editor
Tripod
29. A person who sets mics in a studio or location setting and/ or operates the audio console.
How to focus a camera like a pro
Pre-production
Audio Operator (A1) (A2)
Associate Director
30. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Pedestal mount
Interruptible Feedback
Set Production Designer
Foreground
31. To move the camera and its mount closer to or farther from the subject.
dolly
HDTV
Digital
Tilt
32. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Firewire (IEE-1394)
Producer
Master Control
Coaxial Cable
33. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Video Shader
Grunts
Servo
Director
34. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Grunts
Angle of Elevation
crane
35. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Standard Definition
Long shot (head to toe)
HDTV
The Studio
36. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Audio Operator (A1) (A2)
Stage Manager
Grunts
37. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Stage Manager
Headroom
Camera Operators
Aspect Ratios
38. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
dolly
AGC
Tilt
Associate Director
39. A method of representing video or audio signals using a 'wave' of continuously.
Talent
CU
Analog
Pedestal mount
40. The person who assembles raw footage into a final program.
Editor
Lens
Audio Operator (A1) (A2)
Production
41. combination of studio and field production. Sports - parades
Audio Operator (A1) (A2)
Rack focus
Tilt
Remotes
42. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Tally light
Studio Production
Remotes
Angle of Elevation
43. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Pedestal mount
Art Director
Set Production Designer
44. people who deliver lines
Aspect Ratios
long lens
trucking
Talent
45. ...
Control Room
How to focus a camera like a pro
Macro focus
ECU
46. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
Control Room
Production
Tally light
47. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Executive Producer
Art Director
Macro focus
Rule of thirds
48. The person who assembles raw footage into a final program.
ATSC
Editor
Engineer
Lead room
49. The person who determines the environment where the production takes place.
Grunts
Producer
Servo
Set Production Designer
50. The stage during which all the shooting for a program is undertaken.
Production
Pedestal mount
Editor
Firewire (IEE-1394)