SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
long lens
Pre-production
Green Rooms
Standard Definition
2. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Talent
Digital
The Studio
Director
3. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
The Studio
Post-Production
VTR
Iris
4. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Performer Tips
Studio Production
Firewire (IEE-1394)
CU
5. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
White Balance
Master Control
HD
Angle of Elevation
6. A method of representing video or audio signals using a 'wave' of continuously.
Analog
long lens
O/S
Production
7. creates great depth and interest
Executive Producer
Green Rooms
Foreground
Grunts
8. A person who oversees several production.
Executive Producer
The Studio
Digital
Stage Manager
9. The person who assembles raw footage into a final program.
ECU
Graphics Operator
Editor
Iris
10. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Field Production
Engineer
Post-Production
Control Room
11. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Rule of thirds
Field Production
Horizon Line
Master Control
12. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Rack focus
Interruptible Feedback
Angle of Elevation
White Balance
13. A series of digital television formats developed by the Advanced Television Systems Committee.
Analog
Analog
Director
ATSC
14. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Executive Producer
Tally light
Post-Production
AGC
15. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Master Control
Interruptible Feedback
HDTV
16. The person who assembles raw footage into a final program.
ECU
Foreground
Editor
Standard Definition
17. Pointing the camera down or up
trucking
Angle of Elevation
Camera Operators
Control Room
18. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Rule of thirds
Camera Operators
Interruptible Feedback
Remotes
19. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
Director
Macro focus
Medium Shot (head to toe)
20. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Horizon Line
Aspect Ratios
Tripod
Coaxial Cable
21. in control room
Grunts
dolly
Engineer
VTR
22. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
White Balance
Graphics Operator
Pan
CU
23. punched switcher
Macro focus
Technical Director
Aspect Ratios
HDTV
24. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Angle of Elevation
The Studio
Remotes
Long shot (head to toe)
25. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Lighting Director
long lens
HDTV
Macro focus
26. Indicates that the camera is level
Iris
Servo
Associate Director
Horizon Line
27. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Coaxial Cable
HD
HDTV
Remotes
28. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
ECU
CU
HD
ATSC
29. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
crane
Digital
Control Room
AGC
30. ...
The Studio
Foreground
Set Production Designer
How to focus a camera like a pro
31. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
Angle of Elevation
Firewire (IEE-1394)
Talent
32. Interns - Cable Pullers - 2nd Assistant Directors
VTR
Grunts
O/S
Pedestal mount
33. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Director
VTR
AGC
HD
34. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Horizon Line
Digital
Production
Foreground
35. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lighting Director
Producer
Iris
Technical Director
36. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Aspect Ratios
Pedestal mount
How to focus a camera like a pro
Camera Operators
37. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Macro focus
White Balance
ATSC
38. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
White Balance
HDTV
The Studio
39. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Lead room
HD
Control Room
Green Rooms
40. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
VTR
ATSC
Lighting Director
Director
41. A person who sets mics in a studio or location setting and/ or operates the audio console.
Executive Producer
dolly
Audio Operator (A1) (A2)
Control Room
42. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Iris
ECU
CU
Firewire (IEE-1394)
43. Planning the project
ATSC
Tilt
Pre-production
ECU
44. Makes sure camera match - lighting
Control Room
Video Shader
Aspect Ratios
CU
45. A camera shot that starts with one object in focus - then changes to focus on another object.
Lead room
Tilt
Director
Rack focus
46. A method of representing video or audio signals using a 'wave' of continuously.
CU
trucking
Analog
Executive Producer
47. Makes sure camera match - lighting
Pedestal mount
Video Shader
Coaxial Cable
Audio Operator (A1) (A2)
48. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Iris
HD
O/S
49. The space between the top of a subjects head and the upper edge of the camera frame.
Foreground
Headroom
Tally light
Talent
50. A person who oversees several production.
Executive Producer
Control Room
Tally light
Rack focus