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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Pre-production
Art Director
AGC
Director
2. Over the shoulder
long lens
O/S
Iris
Digital
3. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Foreground
Studio Production
Tilt
Graphics Operator
4. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
dolly
Associate Director
Tally light
5. Makes sure camera match - lighting
Long shot (head to toe)
Video Shader
Executive Producer
Audio Operator (A1) (A2)
6. Indicates that the camera is level
VTR
The Studio
Pedestal mount
Horizon Line
7. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Graphics Operator
VTR
Camera Operators
AGC
8. Indicates that the camera is level
Lens
Grunts
Horizon Line
Interruptible Feedback
9. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Medium Shot (head to toe)
Master Control
HDTV
Tilt
10. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Teleprompter Operartor
Analog
Pan
Studio Production
11. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Engineer
Rack focus
Coaxial Cable
Tripod
12. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Director
Field Production
How to focus a camera like a pro
Pan
13. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Studio Production
long lens
Headroom
Teleprompter Operartor
14. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Field Production
dolly
Long shot (head to toe)
AGC
15. Planning the project
Digital
Tripod
Engineer
Pre-production
16. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Horizon Line
Director
Grunts
Pan
17. A person who creates words - drawings and some visual effects that are incorporated with a production.
O/S
Graphics Operator
Lighting Director
Grunts
18. Over the shoulder
dolly
O/S
trucking
Stage Manager
19. The space between the top of a subjects head and the upper edge of the camera frame.
ATSC
Headroom
Post-Production
Graphics Operator
20. creates great depth and interest
Foreground
Tally light
Coaxial Cable
Associate Director
21. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Servo
Stage Manager
Lens
Standard Definition
22. A person who oversees several production.
Executive Producer
Talent
ECU
NTSC
23. ...
Teleprompter Operartor
How to focus a camera like a pro
Control Room
Horizon Line
24. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Tripod
Angle of Elevation
long lens
HD
25. The space between the top of a subjects head and the upper edge of the camera frame.
Producer
Headroom
Green Rooms
Engineer
26. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Green Rooms
Editor
Long shot (head to toe)
Graphics Operator
27. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Firewire (IEE-1394)
HD
Executive Producer
Firewire (IEE-1394)
28. A person who deals with the look of sets and other artistic aspects of a television program.
Producer
ATSC
Lead room
Art Director
29. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
Interruptible Feedback
Lens
Teleprompter Operartor
30. Pointing the camera down or up
Angle of Elevation
Performer Tips
HDTV
Field Production
31. To move the camera and its mount laterally to the right or left.
Pan
trucking
Stage Manager
Tally light
32. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Aspect Ratios
Post-Production
Tripod
Lead room
33. A person who oversees several production.
Talent
Foreground
Executive Producer
Associate Director
34. A person who sets mics in a studio or location setting and/ or operates the audio console.
CU
Performer Tips
Audio Operator (A1) (A2)
Digital
35. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Analog
Rule of thirds
Associate Director
Pedestal mount
36. A camera shot that starts with one object in focus - then changes to focus on another object.
Lead room
AGC
dolly
Rack focus
37. people who deliver lines
HD
Teleprompter Operartor
Talent
Director
38. Pointing the camera down or up
Executive Producer
Graphics Operator
Angle of Elevation
Director
39. punched switcher
Technical Director
Analog
How to focus a camera like a pro
Foreground
40. A person who sets mics in a studio or location setting and/ or operates the audio console.
AGC
Lighting Director
Talent
Audio Operator (A1) (A2)
41. The ratio of the height of a television screen to its width.
The Studio
Lighting Director
Angle of Elevation
Aspect Ratios
42. A series of digital television formats developed by the Advanced Television Systems Committee.
Horizon Line
Director
ATSC
O/S
43. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Long shot (head to toe)
Talent
NTSC
Technical Director
44. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Studio Production
long lens
ECU
Pre-production
45. The stage during which all the shooting for a program is undertaken.
White Balance
Production
Associate Director
Engineer
46. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Stage Manager
The Studio
Technical Director
Tilt
47. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
Tilt
Producer
Field Production
48. A digital interface that allows the simultaneous transfer of audio and video information.
How to focus a camera like a pro
Firewire (IEE-1394)
Executive Producer
Performer Tips
49. A digital interface that allows the simultaneous transfer of audio and video information.
Tilt
NTSC
Firewire (IEE-1394)
NTSC
50. A camera shot that starts with one object in focus - then changes to focus on another object.
Pedestal mount
Rack focus
Control Room
Audio Operator (A1) (A2)