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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
trucking
crane
Interruptible Feedback
Angle of Elevation
2. A view of the subject from a comfortable distance between a wide shot and close-up.
Graphics Operator
Interruptible Feedback
Art Director
Medium Shot (head to toe)
3. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Digital
Rule of thirds
Long shot (head to toe)
long lens
4. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Remotes
Studio Production
dolly
Master Control
5. Indicates that the camera is level
How to focus a camera like a pro
Tally light
VTR
Horizon Line
6. Indicates that the camera is level
crane
Horizon Line
White Balance
Remotes
7. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Pre-production
Pre-production
Studio Production
Green Rooms
8. A series of digital television formats developed by the Advanced Television Systems Committee.
Associate Director
Green Rooms
Long shot (head to toe)
ATSC
9. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Associate Director
Control Room
How to focus a camera like a pro
Teleprompter Operartor
10. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lead room
Lens
Studio Production
Firewire (IEE-1394)
11. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Tally light
How to focus a camera like a pro
Field Production
Interruptible Feedback
12. A person who deals with the look of sets and other artistic aspects of a television program.
Executive Producer
Tally light
HD
Art Director
13. A person who sets mics in a studio or location setting and/ or operates the audio console.
dolly
Set Production Designer
White Balance
Audio Operator (A1) (A2)
14. The ratio of the height of a television screen to its width.
Aspect Ratios
Art Director
Stage Manager
Engineer
15. Planning the project
Long shot (head to toe)
Pre-production
Art Director
Tripod
16. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
HDTV
Control Room
Stage Manager
VTR
17. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Producer
Rack focus
HD
Master Control
18. The part of the lens that allows light to pass through.
Digital
long lens
long lens
Iris
19. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Analog
Long shot (head to toe)
Firewire (IEE-1394)
long lens
20. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Lead room
Long shot (head to toe)
HDTV
AGC
21. A person who sets mics in a studio or location setting and/ or operates the audio console.
Audio Operator (A1) (A2)
Angle of Elevation
Servo
Master Control
22. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Horizon Line
Producer
AGC
23. A person who deals with the look of sets and other artistic aspects of a television program.
Set Production Designer
ATSC
VTR
Art Director
24. Planning the project
Pre-production
Remotes
Long shot (head to toe)
Tally light
25. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Field Production
Coaxial Cable
Associate Director
Audio Operator (A1) (A2)
26. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Macro focus
Long shot (head to toe)
VTR
crane
27. Over the shoulder
White Balance
The Studio
HD
O/S
28. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Remotes
VTR
AGC
Associate Director
29. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
AGC
Long shot (head to toe)
Master Control
Performer Tips
30. The stage during which all the shooting for a program is undertaken.
Production
Camera Operators
Lens
Foreground
31. The place in a studio complex where people who are about to appear on a TV show can wait.
VTR
Editor
Video Shader
Green Rooms
32. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
Lead room
Digital
O/S
33. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Lighting Director
Grunts
Studio Production
Teleprompter Operartor
34. To move the camera and its mount laterally to the right or left.
Technical Director
trucking
Servo
Tally light
35. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Art Director
Pre-production
Performer Tips
36. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
NTSC
Lighting Director
Macro focus
HDTV
37. creates great depth and interest
long lens
Foreground
HDTV
Associate Director
38. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Camera Operators
Pan
Lens
Green Rooms
39. The space between the top of a subjects head and the upper edge of the camera frame.
Grunts
Headroom
Macro focus
White Balance
40. Interns - Cable Pullers - 2nd Assistant Directors
Stage Manager
Master Control
Grunts
Coaxial Cable
41. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
How to focus a camera like a pro
Servo
Control Room
Lens
42. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Rack focus
Post-Production
Standard Definition
Macro focus
43. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
How to focus a camera like a pro
Grunts
VTR
Coaxial Cable
44. people who deliver lines
CU
Director
Studio Production
Talent
45. The ratio of the height of a television screen to its width.
Studio Production
Aspect Ratios
Headroom
dolly
46. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
VTR
Tilt
Producer
Pedestal mount
47. A person who oversees several production.
Executive Producer
long lens
Lighting Director
dolly
48. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
ECU
Coaxial Cable
Technical Director
NTSC
49. punched switcher
Angle of Elevation
Stage Manager
ECU
Technical Director
50. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Tripod
Technical Director
CU
Iris