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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
Director
Pan
Engineer
2. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Lead room
Interruptible Feedback
Coaxial Cable
Grunts
3. A view of the subject from a comfortable distance between a wide shot and close-up.
Production
The Studio
Medium Shot (head to toe)
Lens
4. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Producer
Camera Operators
Rule of thirds
Production
5. Indicates that the camera is level
Camera Operators
Medium Shot (head to toe)
Angle of Elevation
Horizon Line
6. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Control Room
Teleprompter Operartor
Associate Director
White Balance
7. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Analog
White Balance
Video Shader
Studio Production
8. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Lens
Grunts
Tripod
Rule of thirds
9. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
ECU
Aspect Ratios
HD
10. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Graphics Operator
Standard Definition
Stage Manager
Headroom
11. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Green Rooms
Remotes
Tripod
12. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Interruptible Feedback
Talent
Studio Production
Tally light
13. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Green Rooms
Lead room
crane
Lighting Director
14. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Standard Definition
crane
Lighting Director
Pedestal mount
15. A person who sets mics in a studio or location setting and/ or operates the audio console.
Studio Production
ATSC
Tripod
Audio Operator (A1) (A2)
16. A digital interface that allows the simultaneous transfer of audio and video information.
Camera Operators
Firewire (IEE-1394)
HD
Set Production Designer
17. Over the shoulder
Angle of Elevation
O/S
CU
Lighting Director
18. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Macro focus
Pedestal mount
Teleprompter Operartor
AGC
19. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Performer Tips
NTSC
Iris
Stage Manager
20. A person who oversees several production.
Studio Production
Director
Executive Producer
ATSC
21. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
AGC
Pre-production
The Studio
Pedestal mount
22. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Video Shader
Video Shader
Horizon Line
Performer Tips
23. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Pedestal mount
O/S
Aspect Ratios
Rack focus
24. people who deliver lines
Talent
Rack focus
Video Shader
Remotes
25. ...
Post-Production
Rule of thirds
How to focus a camera like a pro
Technical Director
26. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Tally light
HD
Lead room
Master Control
27. The person who assembles raw footage into a final program.
Editor
Control Room
Art Director
Long shot (head to toe)
28. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Horizon Line
The Studio
CU
White Balance
29. A series of digital television formats developed by the Advanced Television Systems Committee.
Angle of Elevation
HDTV
ATSC
Servo
30. A digital interface that allows the simultaneous transfer of audio and video information.
The Studio
Teleprompter Operartor
Firewire (IEE-1394)
ECU
31. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Producer
Field Production
Iris
Editor
32. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
NTSC
Performer Tips
Coaxial Cable
trucking
33. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
Graphics Operator
Editor
Camera Operators
34. A person who creates words - drawings and some visual effects that are incorporated with a production.
Audio Operator (A1) (A2)
Graphics Operator
Long shot (head to toe)
Foreground
35. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Digital
Engineer
Rack focus
Talent
36. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
ECU
Talent
ECU
37. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Post-Production
Pre-production
ECU
38. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
ECU
Rule of thirds
Angle of Elevation
39. To move the camera and its mount laterally to the right or left.
trucking
AGC
ECU
Analog
40. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Pedestal mount
Field Production
trucking
Lens
41. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
VTR
Field Production
NTSC
Foreground
42. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Medium Shot (head to toe)
Angle of Elevation
Performer Tips
Audio Operator (A1) (A2)
43. A person who deals with the look of sets and other artistic aspects of a television program.
Rack focus
Art Director
trucking
Graphics Operator
44. The space between the top of a subjects head and the upper edge of the camera frame.
Macro focus
Medium Shot (head to toe)
Engineer
Headroom
45. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Angle of Elevation
Long shot (head to toe)
crane
Rule of thirds
46. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
Talent
Medium Shot (head to toe)
Field Production
47. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Art Director
Long shot (head to toe)
Headroom
Angle of Elevation
48. punched switcher
Associate Director
Rule of thirds
Technical Director
long lens
49. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Talent
Remotes
Tally light
50. A person who creates words - drawings and some visual effects that are incorporated with a production.
Standard Definition
HD
Performer Tips
Graphics Operator
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