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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Teleprompter Operartor
Green Rooms
ATSC
HDTV
2. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Digital
Long shot (head to toe)
Set Production Designer
Tilt
3. To move the camera and its mount closer to or farther from the subject.
Associate Director
Firewire (IEE-1394)
Producer
dolly
4. A person who deals with the look of sets and other artistic aspects of a television program.
Angle of Elevation
Art Director
Firewire (IEE-1394)
Pan
5. A camera shot that starts with one object in focus - then changes to focus on another object.
Executive Producer
Rack focus
Coaxial Cable
Lens
6. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Lead room
Headroom
Rule of thirds
7. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Coaxial Cable
Aspect Ratios
Iris
Associate Director
8. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Rack focus
VTR
Audio Operator (A1) (A2)
9. ...
How to focus a camera like a pro
Lighting Director
Remotes
Lens
10. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
The Studio
Lighting Director
Field Production
11. The part of the lens that allows light to pass through.
The Studio
Coaxial Cable
Video Shader
Iris
12. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
dolly
Medium Shot (head to toe)
CU
13. combination of studio and field production. Sports - parades
Analog
Producer
Remotes
Video Shader
14. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Macro focus
Servo
Lens
Associate Director
15. A person who oversees several production.
Executive Producer
Macro focus
Analog
Performer Tips
16. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Tilt
Producer
Interruptible Feedback
ECU
17. The space between the top of a subjects head and the upper edge of the camera frame.
Technical Director
Director
Headroom
ECU
18. A method of representing video or audio signals using a 'wave' of continuously.
O/S
Analog
Graphics Operator
Studio Production
19. To move the camera and its mount laterally to the right or left.
Green Rooms
How to focus a camera like a pro
Analog
trucking
20. The person who assembles raw footage into a final program.
Performer Tips
Editor
Pedestal mount
Rack focus
21. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Graphics Operator
Tripod
Lens
Executive Producer
22. Over the shoulder
VTR
O/S
Lead room
ATSC
23. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Analog
Analog
Lens
24. helps with routine stuff - anything the director needs - timing of production
Tripod
Digital
Pre-production
Associate Director
25. people who deliver lines
Talent
Associate Director
crane
White Balance
26. The place in a studio complex where people who are about to appear on a TV show can wait.
Performer Tips
Angle of Elevation
Control Room
Green Rooms
27. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Technical Director
dolly
Horizon Line
28. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
Graphics Operator
Angle of Elevation
long lens
29. Over the shoulder
Green Rooms
Field Production
O/S
Technical Director
30. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Horizon Line
Analog
Graphics Operator
Director
31. A person who creates words - drawings and some visual effects that are incorporated with a production.
How to focus a camera like a pro
Rule of thirds
long lens
Graphics Operator
32. The stage during which all the shooting for a program is undertaken.
Production
Performer Tips
Servo
Rule of thirds
33. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Pedestal mount
Iris
Standard Definition
34. ...
Editor
Medium Shot (head to toe)
Grunts
How to focus a camera like a pro
35. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Pre-production
Set Production Designer
Production
36. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Lead room
Executive Producer
Long shot (head to toe)
Macro focus
37. The ratio of the height of a television screen to its width.
Editor
HDTV
Aspect Ratios
Horizon Line
38. To move the camera and its mount closer to or farther from the subject.
Lead room
Tilt
Editor
dolly
39. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Standard Definition
Video Shader
Tilt
Associate Director
40. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
NTSC
Standard Definition
Aspect Ratios
Firewire (IEE-1394)
41. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
AGC
Set Production Designer
Director
42. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
How to focus a camera like a pro
Firewire (IEE-1394)
Servo
Field Production
43. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Foreground
Standard Definition
NTSC
Grunts
44. A series of digital television formats developed by the Advanced Television Systems Committee.
Post-Production
Lead room
ATSC
White Balance
45. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Post-Production
Tally light
Studio Production
CU
46. A camera shot that starts with one object in focus - then changes to focus on another object.
ATSC
Remotes
Rack focus
Tally light
47. A digital interface that allows the simultaneous transfer of audio and video information.
Tilt
CU
Associate Director
Firewire (IEE-1394)
48. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Technical Director
NTSC
Teleprompter Operartor
49. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Headroom
Production
Headroom
Rule of thirds
50. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Executive Producer
Pedestal mount
Video Shader
crane