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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Pre-production
Camera Operators
Teleprompter Operartor
Performer Tips
2. people who deliver lines
Talent
Grunts
Analog
ECU
3. The part of the lens that allows light to pass through.
Director
Analog
Iris
Lead room
4. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Field Production
Stage Manager
Firewire (IEE-1394)
Director
5. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
Grunts
Aspect Ratios
Teleprompter Operartor
6. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
White Balance
Engineer
Camera Operators
Art Director
7. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Digital
Stage Manager
Green Rooms
8. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Interruptible Feedback
Rule of thirds
crane
White Balance
9. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
O/S
ATSC
Foreground
Performer Tips
10. Pointing the camera down or up
Post-Production
HD
Angle of Elevation
ATSC
11. The person who determines the environment where the production takes place.
How to focus a camera like a pro
Set Production Designer
VTR
Tally light
12. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
CU
Stage Manager
Headroom
Graphics Operator
13. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Art Director
How to focus a camera like a pro
dolly
14. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Tilt
NTSC
Green Rooms
Medium Shot (head to toe)
15. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Tilt
The Studio
Production
Headroom
16. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
The Studio
ECU
White Balance
Pedestal mount
17. combination of studio and field production. Sports - parades
crane
Remotes
AGC
Standard Definition
18. people who deliver lines
Servo
Control Room
Talent
Medium Shot (head to toe)
19. Planning the project
Executive Producer
Horizon Line
Pre-production
ATSC
20. ...
CU
Lens
Foreground
How to focus a camera like a pro
21. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Talent
White Balance
Pedestal mount
Medium Shot (head to toe)
22. The ratio of the height of a television screen to its width.
Medium Shot (head to toe)
Performer Tips
Aspect Ratios
Standard Definition
23. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Servo
The Studio
Green Rooms
Horizon Line
24. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Tally light
HDTV
Technical Director
NTSC
25. creates great depth and interest
Grunts
Foreground
O/S
AGC
26. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Lead room
Aspect Ratios
Interruptible Feedback
27. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Graphics Operator
Interruptible Feedback
Servo
Executive Producer
28. ...
CU
Editor
Remotes
How to focus a camera like a pro
29. Interns - Cable Pullers - 2nd Assistant Directors
Field Production
Grunts
O/S
Graphics Operator
30. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Interruptible Feedback
Graphics Operator
Studio Production
Post-Production
31. A series of digital television formats developed by the Advanced Television Systems Committee.
Technical Director
ATSC
Coaxial Cable
Art Director
32. The person who determines the environment where the production takes place.
Angle of Elevation
Set Production Designer
Graphics Operator
Control Room
33. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Pre-production
Lead room
Camera Operators
Macro focus
34. Indicates that the camera is level
NTSC
Horizon Line
Pan
The Studio
35. A view of the subject from a comfortable distance between a wide shot and close-up.
Servo
Headroom
Medium Shot (head to toe)
crane
36. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Studio Production
White Balance
Aspect Ratios
37. A method of representing video or audio signals using a 'wave' of continuously.
Pre-production
Analog
The Studio
Producer
38. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Audio Operator (A1) (A2)
Long shot (head to toe)
Technical Director
Standard Definition
39. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Analog
Lighting Director
Headroom
ECU
40. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Production
CU
Coaxial Cable
trucking
41. A person who oversees several production.
Analog
Executive Producer
Production
Pre-production
42. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
The Studio
Remotes
long lens
Art Director
43. Over the shoulder
O/S
Medium Shot (head to toe)
trucking
Talent
44. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
dolly
Camera Operators
Lighting Director
45. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
crane
Tilt
VTR
Macro focus
46. A camera shot that starts with one object in focus - then changes to focus on another object.
Firewire (IEE-1394)
Art Director
Rack focus
Aspect Ratios
47. To move the camera and its mount closer to or farther from the subject.
Lighting Director
crane
AGC
dolly
48. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Art Director
Tally light
Rule of thirds
Tripod
49. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Director
Lens
Interruptible Feedback
Standard Definition
50. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
CU
Executive Producer
Interruptible Feedback
Standard Definition