SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Editor
Teleprompter Operartor
Tripod
Lighting Director
2. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Graphics Operator
Servo
long lens
VTR
3. Planning the project
Art Director
dolly
Pre-production
Rule of thirds
4. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Pre-production
Producer
Talent
Technical Director
5. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Audio Operator (A1) (A2)
Lens
HD
Analog
6. The space between the top of a subjects head and the upper edge of the camera frame.
Camera Operators
Headroom
Horizon Line
ECU
7. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lighting Director
Associate Director
Analog
Pedestal mount
8. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Headroom
VTR
Tripod
Firewire (IEE-1394)
9. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Firewire (IEE-1394)
Performer Tips
HD
CU
10. Makes sure camera match - lighting
Tripod
Pre-production
Video Shader
NTSC
11. A digital interface that allows the simultaneous transfer of audio and video information.
Tally light
Firewire (IEE-1394)
AGC
Digital
12. The place in a studio complex where people who are about to appear on a TV show can wait.
Tally light
Green Rooms
Associate Director
Field Production
13. Interns - Cable Pullers - 2nd Assistant Directors
O/S
Headroom
Grunts
Post-Production
14. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Pan
Art Director
Art Director
15. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Video Shader
long lens
Interruptible Feedback
trucking
16. ...
Tilt
Camera Operators
How to focus a camera like a pro
Rack focus
17. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Digital
Headroom
Associate Director
Talent
18. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Master Control
Engineer
Stage Manager
ATSC
19. A camera shot that starts with one object in focus - then changes to focus on another object.
Rack focus
O/S
Angle of Elevation
HD
20. A method of representing video or audio signals using a 'wave' of continuously.
Executive Producer
NTSC
Analog
Pan
21. A series of digital television formats developed by the Advanced Television Systems Committee.
Tally light
ATSC
Audio Operator (A1) (A2)
Green Rooms
22. The person who assembles raw footage into a final program.
Associate Director
Editor
NTSC
Control Room
23. To move the camera and its mount laterally to the right or left.
Camera Operators
trucking
Analog
The Studio
24. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
Grunts
Standard Definition
Long shot (head to toe)
25. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Coaxial Cable
VTR
How to focus a camera like a pro
Digital
26. helps with routine stuff - anything the director needs - timing of production
Associate Director
Tilt
Control Room
Video Shader
27. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Standard Definition
Medium Shot (head to toe)
dolly
28. punched switcher
Technical Director
Post-Production
Talent
dolly
29. Over the shoulder
Video Shader
O/S
HD
Servo
30. To move the camera and its mount closer to or farther from the subject.
dolly
Tilt
Tripod
long lens
31. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Executive Producer
Stage Manager
Aspect Ratios
Macro focus
32. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Executive Producer
Field Production
HDTV
ATSC
33. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
HDTV
Tripod
Pre-production
34. A view of the subject from a comfortable distance between a wide shot and close-up.
Camera Operators
Control Room
Medium Shot (head to toe)
Coaxial Cable
35. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Tally light
ATSC
Pan
Audio Operator (A1) (A2)
36. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Director
Talent
CU
NTSC
37. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Engineer
Long shot (head to toe)
Remotes
Director
38. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
Editor
Producer
Audio Operator (A1) (A2)
39. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Field Production
Director
Talent
Interruptible Feedback
40. in control room
Remotes
Tripod
Engineer
CU
41. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Art Director
Long shot (head to toe)
Foreground
HD
42. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Green Rooms
Camera Operators
Horizon Line
Long shot (head to toe)
43. To move the camera and its mount laterally to the right or left.
Production
AGC
Green Rooms
trucking
44. A person who creates words - drawings and some visual effects that are incorporated with a production.
Graphics Operator
Editor
Iris
Grunts
45. in control room
Iris
Long shot (head to toe)
Grunts
Engineer
46. people who deliver lines
Rule of thirds
Control Room
Talent
Green Rooms
47. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Long shot (head to toe)
White Balance
Tally light
Studio Production
48. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Coaxial Cable
Lens
Stage Manager
49. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Executive Producer
Set Production Designer
Associate Director
50. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Angle of Elevation
Camera Operators
Lens
Headroom