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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
long lens
Studio Production
Tally light
Digital
2. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Green Rooms
Rule of thirds
Post-Production
Lead room
3. The space between the top of a subjects head and the upper edge of the camera frame.
Angle of Elevation
Headroom
Set Production Designer
AGC
4. in control room
Associate Director
Stage Manager
Engineer
NTSC
5. helps with routine stuff - anything the director needs - timing of production
dolly
Firewire (IEE-1394)
Master Control
Associate Director
6. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
CU
Interruptible Feedback
Tripod
crane
7. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Pre-production
Lens
Iris
Servo
8. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Foreground
Studio Production
Iris
Headroom
9. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Associate Director
Grunts
long lens
Field Production
10. A series of digital television formats developed by the Advanced Television Systems Committee.
trucking
Master Control
ATSC
Medium Shot (head to toe)
11. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Medium Shot (head to toe)
long lens
Master Control
Foreground
12. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
ATSC
Pedestal mount
Digital
CU
13. punched switcher
Medium Shot (head to toe)
Technical Director
crane
Video Shader
14. A view of the subject from a comfortable distance between a wide shot and close-up.
How to focus a camera like a pro
Pedestal mount
Medium Shot (head to toe)
Tripod
15. ...
How to focus a camera like a pro
Editor
ECU
NTSC
16. The stage during which all the shooting for a program is undertaken.
Digital
Analog
Audio Operator (A1) (A2)
Production
17. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Performer Tips
ECU
Master Control
Angle of Elevation
18. ...
Tripod
Long shot (head to toe)
Stage Manager
How to focus a camera like a pro
19. A camera shot that starts with one object in focus - then changes to focus on another object.
Tally light
Lens
Firewire (IEE-1394)
Rack focus
20. Pointing the camera down or up
Medium Shot (head to toe)
Director
Angle of Elevation
Art Director
21. A person who deals with the look of sets and other artistic aspects of a television program.
Coaxial Cable
Field Production
Art Director
Executive Producer
22. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Medium Shot (head to toe)
Producer
Rack focus
crane
23. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Technical Director
dolly
Performer Tips
Angle of Elevation
24. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Macro focus
Remotes
Horizon Line
25. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Art Director
O/S
Teleprompter Operartor
Standard Definition
26. in control room
Engineer
Iris
O/S
Iris
27. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Tally light
Production
long lens
Coaxial Cable
28. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Art Director
Tilt
Pan
HD
29. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Studio Production
Aspect Ratios
Interruptible Feedback
White Balance
30. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
AGC
How to focus a camera like a pro
Associate Director
Control Room
31. The ratio of the height of a television screen to its width.
Rack focus
Aspect Ratios
Pan
Post-Production
32. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Firewire (IEE-1394)
Angle of Elevation
Engineer
33. The person who assembles raw footage into a final program.
Tripod
Horizon Line
Editor
Horizon Line
34. A method of representing video or audio signals using a 'wave' of continuously.
Grunts
Foreground
NTSC
Analog
35. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Rack focus
Lens
Headroom
ECU
36. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Digital
Pre-production
Coaxial Cable
Pedestal mount
37. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Medium Shot (head to toe)
Post-Production
White Balance
Interruptible Feedback
38. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Horizon Line
The Studio
long lens
Rack focus
39. A person who sets mics in a studio or location setting and/ or operates the audio console.
The Studio
Audio Operator (A1) (A2)
Performer Tips
Pan
40. Indicates that the camera is level
Horizon Line
Tilt
Technical Director
Pre-production
41. creates great depth and interest
Coaxial Cable
Foreground
Set Production Designer
Field Production
42. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
Video Shader
Firewire (IEE-1394)
CU
43. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Long shot (head to toe)
Executive Producer
Associate Director
Lighting Director
44. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Technical Director
Performer Tips
Tilt
45. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Long shot (head to toe)
ATSC
Set Production Designer
46. The part of the lens that allows light to pass through.
dolly
Iris
Lens
Control Room
47. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Rule of thirds
Pedestal mount
Horizon Line
HDTV
48. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
AGC
Servo
Coaxial Cable
Associate Director
49. The person who determines the environment where the production takes place.
Macro focus
HDTV
Set Production Designer
trucking
50. The ratio of the height of a television screen to its width.
VTR
Tilt
Director
Aspect Ratios