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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A person who sets mics in a studio or location setting and/ or operates the audio console.
Pedestal mount
Rack focus
Digital
Audio Operator (A1) (A2)
2. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Stage Manager
Grunts
Aspect Ratios
HDTV
3. The space between the top of a subjects head and the upper edge of the camera frame.
Pre-production
Grunts
long lens
Headroom
4. The ratio of the height of a television screen to its width.
Aspect Ratios
Rack focus
Tilt
Video Shader
5. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
Tally light
Stage Manager
Field Production
6. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
VTR
Post-Production
Macro focus
Interruptible Feedback
7. A person who sets mics in a studio or location setting and/ or operates the audio console.
ECU
Audio Operator (A1) (A2)
Control Room
Angle of Elevation
8. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Grunts
Rule of thirds
Post-Production
Lens
9. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Studio Production
Master Control
Analog
CU
10. The ratio of the height of a television screen to its width.
Macro focus
Servo
Aspect Ratios
Pan
11. The stage during which all the shooting for a program is undertaken.
Aspect Ratios
Production
The Studio
Rule of thirds
12. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Foreground
Pre-production
Lighting Director
Tally light
13. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Art Director
AGC
long lens
How to focus a camera like a pro
14. The person who determines the environment where the production takes place.
Lead room
Master Control
Set Production Designer
Grunts
15. The place in a studio complex where people who are about to appear on a TV show can wait.
NTSC
Master Control
Green Rooms
Servo
16. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Pan
Lighting Director
Executive Producer
Rule of thirds
17. Planning the project
Horizon Line
Lead room
Pre-production
Performer Tips
18. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Green Rooms
Digital
Interruptible Feedback
Lead room
19. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
dolly
Teleprompter Operartor
Medium Shot (head to toe)
Camera Operators
20. Over the shoulder
O/S
Headroom
Rack focus
Master Control
21. A person who oversees several production.
Foreground
Lead room
Tally light
Executive Producer
22. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
NTSC
Digital
Tally light
Field Production
23. To move the camera and its mount laterally to the right or left.
Remotes
trucking
Green Rooms
Pan
24. To move the camera and its mount closer to or farther from the subject.
Talent
Editor
Art Director
dolly
25. punched switcher
Associate Director
Digital
Technical Director
Pan
26. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Medium Shot (head to toe)
Performer Tips
Associate Director
Tilt
27. A digital interface that allows the simultaneous transfer of audio and video information.
Pedestal mount
ECU
The Studio
Firewire (IEE-1394)
28. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Associate Director
Servo
Post-Production
29. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Audio Operator (A1) (A2)
trucking
Tripod
Standard Definition
30. Indicates that the camera is level
Horizon Line
crane
Director
Associate Director
31. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Digital
long lens
Set Production Designer
32. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Associate Director
Interruptible Feedback
Executive Producer
HDTV
33. in control room
Servo
Technical Director
Firewire (IEE-1394)
Engineer
34. A camera shot that starts with one object in focus - then changes to focus on another object.
Camera Operators
Rack focus
Coaxial Cable
HD
35. Interns - Cable Pullers - 2nd Assistant Directors
Director
Grunts
trucking
VTR
36. combination of studio and field production. Sports - parades
Analog
Audio Operator (A1) (A2)
Remotes
Tally light
37. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Standard Definition
Studio Production
crane
HDTV
38. A camera shot that starts with one object in focus - then changes to focus on another object.
Rack focus
Analog
Control Room
Associate Director
39. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Analog
Executive Producer
Medium Shot (head to toe)
crane
40. The part of the lens that allows light to pass through.
Rule of thirds
Green Rooms
Lens
Iris
41. A method of representing video or audio signals using a 'wave' of continuously.
Tally light
Analog
Interruptible Feedback
Rack focus
42. people who deliver lines
Iris
Pan
Lens
Talent
43. people who deliver lines
Servo
Talent
Teleprompter Operartor
Lighting Director
44. ...
long lens
Angle of Elevation
How to focus a camera like a pro
White Balance
45. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Post-Production
ECU
HD
trucking
46. combination of studio and field production. Sports - parades
Set Production Designer
Long shot (head to toe)
Remotes
HDTV
47. The part of the lens that allows light to pass through.
Standard Definition
Standard Definition
Camera Operators
Iris
48. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
NTSC
Production
Tilt
VTR
49. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Lighting Director
Servo
crane
Digital
50. A person who oversees several production.
Executive Producer
Production
O/S
Video Shader
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