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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Pre-production
Coaxial Cable
Pedestal mount
2. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Angle of Elevation
HDTV
Engineer
HD
3. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
AGC
Associate Director
Lighting Director
4. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Lead room
AGC
Horizon Line
Camera Operators
5. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Post-Production
Set Production Designer
Rule of thirds
long lens
6. The space between the top of a subjects head and the upper edge of the camera frame.
Field Production
Headroom
Horizon Line
Remotes
7. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
long lens
Medium Shot (head to toe)
Angle of Elevation
VTR
8. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Angle of Elevation
Teleprompter Operartor
Editor
9. To move the camera and its mount closer to or farther from the subject.
O/S
CU
Pre-production
dolly
10. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Post-Production
Control Room
Teleprompter Operartor
Long shot (head to toe)
11. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Digital
NTSC
Talent
12. The part of the lens that allows light to pass through.
Post-Production
How to focus a camera like a pro
Iris
Foreground
13. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
ATSC
Teleprompter Operartor
Horizon Line
14. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
HDTV
Tilt
Firewire (IEE-1394)
Engineer
15. A person who creates words - drawings and some visual effects that are incorporated with a production.
Long shot (head to toe)
Graphics Operator
Tilt
Foreground
16. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Tilt
Performer Tips
Remotes
Headroom
17. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
Tilt
Performer Tips
Green Rooms
18. ...
Lead room
Macro focus
How to focus a camera like a pro
Producer
19. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Macro focus
AGC
dolly
Graphics Operator
20. The place in a studio complex where people who are about to appear on a TV show can wait.
Technical Director
Green Rooms
The Studio
Talent
21. Over the shoulder
Post-Production
O/S
Audio Operator (A1) (A2)
Long shot (head to toe)
22. A person who deals with the look of sets and other artistic aspects of a television program.
Long shot (head to toe)
Art Director
Angle of Elevation
How to focus a camera like a pro
23. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Camera Operators
CU
Producer
NTSC
24. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
Teleprompter Operartor
Lighting Director
Pre-production
25. combination of studio and field production. Sports - parades
Tally light
ECU
Servo
Remotes
26. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Teleprompter Operartor
Standard Definition
Remotes
Tripod
27. Indicates that the camera is level
Pedestal mount
Associate Director
Horizon Line
Lens
28. punched switcher
Camera Operators
Graphics Operator
NTSC
Technical Director
29. creates great depth and interest
Foreground
Angle of Elevation
dolly
Art Director
30. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Pre-production
Aspect Ratios
Master Control
long lens
31. helps with routine stuff - anything the director needs - timing of production
Field Production
HD
Associate Director
Performer Tips
32. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Technical Director
Iris
Firewire (IEE-1394)
Servo
33. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
Graphics Operator
Digital
HD
34. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Field Production
Set Production Designer
HDTV
Remotes
35. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Executive Producer
Director
AGC
Digital
36. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Pre-production
Control Room
Analog
Macro focus
37. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Medium Shot (head to toe)
Post-Production
Producer
Set Production Designer
38. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
ECU
Technical Director
Angle of Elevation
White Balance
39. A person who oversees several production.
Pedestal mount
Rule of thirds
Executive Producer
trucking
40. A person who creates words - drawings and some visual effects that are incorporated with a production.
Aspect Ratios
Graphics Operator
How to focus a camera like a pro
Post-Production
41. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
White Balance
dolly
Lens
Digital
42. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Digital
Production
Firewire (IEE-1394)
O/S
43. creates great depth and interest
Video Shader
Foreground
Lighting Director
Associate Director
44. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Angle of Elevation
AGC
Remotes
Coaxial Cable
45. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Tally light
Macro focus
Lighting Director
46. A person who deals with the look of sets and other artistic aspects of a television program.
Producer
White Balance
Servo
Art Director
47. The ratio of the height of a television screen to its width.
crane
Stage Manager
Aspect Ratios
Firewire (IEE-1394)
48. Makes sure camera match - lighting
Video Shader
Coaxial Cable
Macro focus
Pedestal mount
49. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Lens
VTR
Interruptible Feedback
Performer Tips
50. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Pedestal mount
AGC
Headroom