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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. To move the camera and its mount laterally to the right or left.
Editor
trucking
Audio Operator (A1) (A2)
Engineer
2. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Producer
dolly
AGC
Standard Definition
3. Indicates that the camera is level
Audio Operator (A1) (A2)
Horizon Line
Remotes
Headroom
4. The person who assembles raw footage into a final program.
VTR
Editor
ECU
NTSC
5. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Studio Production
Field Production
HD
Interruptible Feedback
6. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Rule of thirds
Horizon Line
crane
Lead room
7. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Pedestal mount
Rack focus
Servo
Lens
8. Additional framing space in a camera picture on the side toward which a subject is looking or moving
White Balance
Lead room
Studio Production
Audio Operator (A1) (A2)
9. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Pedestal mount
Editor
Studio Production
Performer Tips
10. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
White Balance
Remotes
Lead room
11. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
NTSC
O/S
Stage Manager
Post-Production
12. Interns - Cable Pullers - 2nd Assistant Directors
Grunts
HD
Headroom
Angle of Elevation
13. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
dolly
Foreground
Post-Production
Tilt
14. The ratio of the height of a television screen to its width.
Director
Producer
Aspect Ratios
Editor
15. The person who assembles raw footage into a final program.
Editor
Stage Manager
Producer
Rack focus
16. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
CU
Iris
Grunts
17. A person who creates words - drawings and some visual effects that are incorporated with a production.
Producer
trucking
Graphics Operator
Studio Production
18. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Engineer
Tilt
NTSC
19. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Field Production
Technical Director
CU
Director
20. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Master Control
Headroom
Digital
Servo
21. Interns - Cable Pullers - 2nd Assistant Directors
Master Control
Interruptible Feedback
VTR
Grunts
22. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Camera Operators
Pre-production
Lens
Post-Production
23. in control room
Engineer
Tally light
Analog
Art Director
24. The ratio of the height of a television screen to its width.
Lead room
HDTV
Lens
Aspect Ratios
25. A person who oversees several production.
Executive Producer
Headroom
Editor
White Balance
26. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Green Rooms
Studio Production
crane
Aspect Ratios
27. The place in a studio complex where people who are about to appear on a TV show can wait.
Camera Operators
Engineer
Iris
Green Rooms
28. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Teleprompter Operartor
Rule of thirds
Rack focus
29. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
VTR
Producer
Audio Operator (A1) (A2)
30. A method of representing video or audio signals using a 'wave' of continuously.
Long shot (head to toe)
Analog
Associate Director
Long shot (head to toe)
31. punched switcher
How to focus a camera like a pro
Standard Definition
Stage Manager
Technical Director
32. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
dolly
Macro focus
AGC
33. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Camera Operators
HDTV
Angle of Elevation
Post-Production
34. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Green Rooms
Remotes
Macro focus
35. A digital interface that allows the simultaneous transfer of audio and video information.
Set Production Designer
Firewire (IEE-1394)
HD
dolly
36. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Pedestal mount
Art Director
VTR
White Balance
37. The space between the top of a subjects head and the upper edge of the camera frame.
Control Room
Rule of thirds
Angle of Elevation
Headroom
38. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Video Shader
Stage Manager
Headroom
Digital
39. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
crane
Talent
Green Rooms
AGC
40. punched switcher
Stage Manager
Technical Director
Horizon Line
Foreground
41. The person who determines the environment where the production takes place.
AGC
Tally light
Set Production Designer
AGC
42. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Grunts
Tally light
Pedestal mount
Iris
43. Indicates that the camera is level
Camera Operators
Horizon Line
Technical Director
AGC
44. ...
How to focus a camera like a pro
White Balance
Lead room
HDTV
45. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
crane
Post-Production
HDTV
Macro focus
46. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
Tilt
Studio Production
Production
47. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Angle of Elevation
Producer
Rack focus
Rack focus
48. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Tally light
Grunts
Performer Tips
Pan
49. combination of studio and field production. Sports - parades
Analog
Remotes
Performer Tips
Video Shader
50. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Coaxial Cable
Green Rooms
Post-Production
Studio Production