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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The stage during which all the shooting for a program is undertaken.
Field Production
Pedestal mount
Production
HD
2. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
How to focus a camera like a pro
Servo
crane
3. Interns - Cable Pullers - 2nd Assistant Directors
Grunts
Teleprompter Operartor
Associate Director
Medium Shot (head to toe)
4. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Editor
NTSC
Set Production Designer
5. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Rule of thirds
The Studio
Studio Production
Director
6. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Field Production
AGC
long lens
Lens
7. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
crane
Medium Shot (head to toe)
trucking
8. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
Audio Operator (A1) (A2)
AGC
NTSC
9. A person who creates words - drawings and some visual effects that are incorporated with a production.
Engineer
Pre-production
Rack focus
Graphics Operator
10. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Medium Shot (head to toe)
Lead room
Technical Director
Video Shader
11. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
CU
Technical Director
Headroom
Pedestal mount
12. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Technical Director
Long shot (head to toe)
Engineer
dolly
13. Over the shoulder
Firewire (IEE-1394)
O/S
Rack focus
Long shot (head to toe)
14. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
Stage Manager
Angle of Elevation
Pan
15. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Audio Operator (A1) (A2)
Rack focus
CU
Lighting Director
16. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Iris
Foreground
ECU
Macro focus
17. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Medium Shot (head to toe)
Camera Operators
AGC
Standard Definition
18. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
trucking
Set Production Designer
Producer
Digital
19. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Pre-production
Rack focus
Lead room
Servo
20. To move the camera and its mount laterally to the right or left.
Foreground
Associate Director
Green Rooms
trucking
21. A person who sets mics in a studio or location setting and/ or operates the audio console.
Remotes
Angle of Elevation
Audio Operator (A1) (A2)
Lead room
22. A camera shot that starts with one object in focus - then changes to focus on another object.
dolly
Rack focus
AGC
Long shot (head to toe)
23. Pointing the camera down or up
Lens
VTR
Angle of Elevation
Field Production
24. creates great depth and interest
long lens
Foreground
Engineer
Field Production
25. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Editor
Servo
Field Production
26. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
Control Room
Grunts
Production
27. Indicates that the camera is level
Servo
Art Director
Control Room
Horizon Line
28. A person who oversees several production.
CU
VTR
Control Room
Executive Producer
29. A view of the subject from a comfortable distance between a wide shot and close-up.
Servo
Field Production
Medium Shot (head to toe)
The Studio
30. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
ECU
Tally light
Editor
Macro focus
31. in control room
Engineer
Master Control
Audio Operator (A1) (A2)
Performer Tips
32. The person who determines the environment where the production takes place.
Lighting Director
Set Production Designer
Foreground
The Studio
33. Makes sure camera match - lighting
Aspect Ratios
Pan
Lens
Video Shader
34. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Coaxial Cable
CU
Producer
Green Rooms
35. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Producer
Lighting Director
Lens
O/S
36. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Firewire (IEE-1394)
dolly
Director
37. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Post-Production
Firewire (IEE-1394)
Director
38. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Coaxial Cable
crane
Tripod
Digital
39. A person who oversees several production.
Tilt
Executive Producer
Talent
long lens
40. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
Engineer
O/S
Medium Shot (head to toe)
41. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Field Production
CU
Tally light
Associate Director
42. people who deliver lines
Angle of Elevation
Video Shader
crane
Talent
43. creates great depth and interest
ATSC
Foreground
Aspect Ratios
Angle of Elevation
44. in control room
Engineer
Camera Operators
NTSC
Teleprompter Operartor
45. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Art Director
The Studio
Firewire (IEE-1394)
Master Control
46. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Remotes
O/S
HD
Audio Operator (A1) (A2)
47. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
ATSC
Pedestal mount
Audio Operator (A1) (A2)
48. The space between the top of a subjects head and the upper edge of the camera frame.
Horizon Line
Production
Producer
Headroom
49. The person who assembles raw footage into a final program.
Foreground
Editor
Remotes
Grunts
50. A digital interface that allows the simultaneous transfer of audio and video information.
Tilt
Green Rooms
Lens
Firewire (IEE-1394)
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