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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
The Studio
Master Control
Pan
CU
2. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Tilt
Firewire (IEE-1394)
Digital
3. Interns - Cable Pullers - 2nd Assistant Directors
Performer Tips
Grunts
Lead room
Associate Director
4. creates great depth and interest
Foreground
Macro focus
Teleprompter Operartor
Camera Operators
5. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Digital
Producer
Post-Production
Coaxial Cable
6. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
Studio Production
Technical Director
trucking
7. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Coaxial Cable
Performer Tips
Tilt
Post-Production
8. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Audio Operator (A1) (A2)
Video Shader
Teleprompter Operartor
Field Production
9. A person who sets mics in a studio or location setting and/ or operates the audio console.
CU
Stage Manager
Tally light
Audio Operator (A1) (A2)
10. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Tripod
Art Director
Talent
11. The stage during which all the shooting for a program is undertaken.
Talent
O/S
Production
Audio Operator (A1) (A2)
12. To move the camera and its mount laterally to the right or left.
CU
HDTV
trucking
Long shot (head to toe)
13. ...
Lens
NTSC
Aspect Ratios
How to focus a camera like a pro
14. helps with routine stuff - anything the director needs - timing of production
Lead room
Associate Director
Remotes
ECU
15. The part of the lens that allows light to pass through.
Long shot (head to toe)
Iris
Post-Production
Tilt
16. A camera shot that starts with one object in focus - then changes to focus on another object.
White Balance
crane
Rack focus
Stage Manager
17. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Teleprompter Operartor
long lens
Foreground
Tilt
18. To move the camera and its mount laterally to the right or left.
trucking
Macro focus
Digital
Performer Tips
19. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Studio Production
NTSC
Foreground
Studio Production
20. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
Interruptible Feedback
dolly
Studio Production
21. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Control Room
Post-Production
long lens
Lighting Director
22. in control room
Field Production
Performer Tips
Engineer
Graphics Operator
23. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Pre-production
Technical Director
The Studio
24. Pointing the camera down or up
NTSC
Angle of Elevation
VTR
Foreground
25. Planning the project
Pre-production
CU
Tilt
Headroom
26. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Headroom
CU
White Balance
Firewire (IEE-1394)
27. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Technical Director
Lead room
Digital
Production
28. Indicates that the camera is level
Engineer
Horizon Line
Graphics Operator
Graphics Operator
29. combination of studio and field production. Sports - parades
Servo
Remotes
Associate Director
Editor
30. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Macro focus
ECU
crane
31. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
NTSC
Pedestal mount
Studio Production
Production
32. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Field Production
Tripod
Firewire (IEE-1394)
33. A view of the subject from a comfortable distance between a wide shot and close-up.
Stage Manager
Medium Shot (head to toe)
NTSC
Technical Director
34. punched switcher
Technical Director
Studio Production
AGC
Art Director
35. The ratio of the height of a television screen to its width.
The Studio
Aspect Ratios
long lens
Medium Shot (head to toe)
36. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Coaxial Cable
crane
AGC
Lead room
37. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Standard Definition
Pan
O/S
Master Control
38. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Macro focus
Servo
HDTV
Pedestal mount
39. creates great depth and interest
Tilt
Macro focus
Foreground
Medium Shot (head to toe)
40. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Camera Operators
Post-Production
Interruptible Feedback
HDTV
41. A person who sets mics in a studio or location setting and/ or operates the audio console.
AGC
Engineer
Technical Director
Audio Operator (A1) (A2)
42. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
Graphics Operator
Rack focus
Analog
43. A camera shot that starts with one object in focus - then changes to focus on another object.
Post-Production
Rack focus
Pre-production
Pan
44. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
CU
Performer Tips
Talent
Firewire (IEE-1394)
45. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Tilt
HD
Servo
crane
46. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
ECU
long lens
Post-Production
Graphics Operator
47. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
CU
Associate Director
Pan
HDTV
48. To move the camera and its mount closer to or farther from the subject.
ATSC
dolly
HD
ECU
49. The person who determines the environment where the production takes place.
Audio Operator (A1) (A2)
Set Production Designer
VTR
Technical Director
50. punched switcher
Medium Shot (head to toe)
Technical Director
Camera Operators
HD