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TV Production Basics

Instructions:
  • Answer 50 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)






2. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.






3. The space between the top of a subjects head and the upper edge of the camera frame.






4. in control room






5. helps with routine stuff - anything the director needs - timing of production






6. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.






7. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots






8. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field






9. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.






10. A series of digital television formats developed by the Advanced Television Systems Committee.






11. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.






12. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.






13. punched switcher






14. A view of the subject from a comfortable distance between a wide shot and close-up.






15. ...






16. The stage during which all the shooting for a program is undertaken.






17. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.






18. ...






19. A camera shot that starts with one object in focus - then changes to focus on another object.






20. Pointing the camera down or up






21. A person who deals with the look of sets and other artistic aspects of a television program.






22. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.






23. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair






24. Additional framing space in a camera picture on the side toward which a subject is looking or moving






25. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.






26. in control room






27. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.






28. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.






29. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.






30. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.






31. The ratio of the height of a television screen to its width.






32. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight






33. The person who assembles raw footage into a final program.






34. A method of representing video or audio signals using a 'wave' of continuously.






35. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.






36. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.






37. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.






38. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.






39. A person who sets mics in a studio or location setting and/ or operates the audio console.






40. Indicates that the camera is level






41. creates great depth and interest






42. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.






43. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.






44. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.






45. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.






46. The part of the lens that allows light to pass through.






47. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.






48. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.






49. The person who determines the environment where the production takes place.






50. The ratio of the height of a television screen to its width.