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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
O/S
Iris
HDTV
Macro focus
2. The part of the lens that allows light to pass through.
The Studio
trucking
HD
Iris
3. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
ECU
Production
Iris
4. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Performer Tips
Headroom
Set Production Designer
Control Room
5. Planning the project
Pre-production
Studio Production
VTR
Horizon Line
6. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Rule of thirds
Master Control
Remotes
Video Shader
7. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Set Production Designer
Iris
ATSC
8. in control room
Engineer
Aspect Ratios
Firewire (IEE-1394)
HD
9. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Medium Shot (head to toe)
Engineer
trucking
Teleprompter Operartor
10. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Teleprompter Operartor
Control Room
White Balance
VTR
11. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
CU
Tilt
Interruptible Feedback
Rule of thirds
12. The place in a studio complex where people who are about to appear on a TV show can wait.
How to focus a camera like a pro
Green Rooms
ECU
Lighting Director
13. A camera shot that starts with one object in focus - then changes to focus on another object.
Iris
Rack focus
Standard Definition
White Balance
14. To move the camera and its mount laterally to the right or left.
The Studio
HDTV
trucking
Tripod
15. The space between the top of a subjects head and the upper edge of the camera frame.
Camera Operators
Headroom
Firewire (IEE-1394)
Remotes
16. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Performer Tips
Master Control
Set Production Designer
17. people who deliver lines
Executive Producer
Talent
Firewire (IEE-1394)
Iris
18. punched switcher
Angle of Elevation
Servo
Technical Director
Aspect Ratios
19. Planning the project
CU
Post-Production
Pre-production
Firewire (IEE-1394)
20. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
AGC
Video Shader
Stage Manager
Editor
21. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Lead room
Medium Shot (head to toe)
CU
22. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
long lens
Associate Director
Pedestal mount
HDTV
23. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Analog
The Studio
Headroom
Horizon Line
24. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Headroom
Stage Manager
Field Production
The Studio
25. A view of the subject from a comfortable distance between a wide shot and close-up.
Angle of Elevation
Medium Shot (head to toe)
Horizon Line
Art Director
26. Pointing the camera down or up
trucking
Pedestal mount
Angle of Elevation
Teleprompter Operartor
27. The person who determines the environment where the production takes place.
VTR
Set Production Designer
Remotes
NTSC
28. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Coaxial Cable
NTSC
Graphics Operator
ECU
29. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Medium Shot (head to toe)
Servo
Tilt
Graphics Operator
30. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Horizon Line
Digital
Green Rooms
Macro focus
31. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Field Production
Remotes
Rule of thirds
NTSC
32. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Lighting Director
Rack focus
NTSC
VTR
33. A person who oversees several production.
Executive Producer
Graphics Operator
Macro focus
Tally light
34. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
ATSC
O/S
Tilt
Tripod
35. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lighting Director
Lead room
Technical Director
Foreground
36. Indicates that the camera is level
Lighting Director
Interruptible Feedback
Lead room
Horizon Line
37. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
long lens
Producer
Coaxial Cable
Lens
38. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
ATSC
Headroom
long lens
Control Room
39. A person who sets mics in a studio or location setting and/ or operates the audio console.
Pan
Audio Operator (A1) (A2)
Associate Director
Engineer
40. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Rack focus
Tripod
The Studio
Studio Production
41. The part of the lens that allows light to pass through.
Producer
Rule of thirds
Iris
ECU
42. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
The Studio
Field Production
Horizon Line
Editor
43. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Firewire (IEE-1394)
ECU
CU
44. A digital interface that allows the simultaneous transfer of audio and video information.
How to focus a camera like a pro
VTR
Firewire (IEE-1394)
Rack focus
45. combination of studio and field production. Sports - parades
Standard Definition
O/S
Remotes
Coaxial Cable
46. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Associate Director
Tripod
Video Shader
47. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
dolly
Rule of thirds
Technical Director
Lead room
48. creates great depth and interest
Analog
Rack focus
Foreground
Lead room
49. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
ECU
Coaxial Cable
crane
ATSC
50. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Art Director
Tripod
HDTV
Interruptible Feedback