SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Remotes
Coaxial Cable
Pedestal mount
Associate Director
2. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
trucking
Digital
AGC
Master Control
3. The part of the lens that allows light to pass through.
Iris
Rule of thirds
Camera Operators
Post-Production
4. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Horizon Line
VTR
trucking
Tripod
5. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Stage Manager
VTR
HDTV
How to focus a camera like a pro
6. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Engineer
Camera Operators
Analog
Director
7. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
Pan
The Studio
Interruptible Feedback
8. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Servo
Lead room
Teleprompter Operartor
9. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Tripod
Editor
Foreground
10. The person who assembles raw footage into a final program.
Editor
Grunts
Associate Director
Digital
11. Indicates that the camera is level
Aspect Ratios
Producer
Executive Producer
Horizon Line
12. Indicates that the camera is level
Medium Shot (head to toe)
Horizon Line
Editor
Macro focus
13. Pointing the camera down or up
Angle of Elevation
White Balance
Standard Definition
Digital
14. The person who determines the environment where the production takes place.
Lens
Aspect Ratios
Set Production Designer
Firewire (IEE-1394)
15. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Field Production
The Studio
Editor
Interruptible Feedback
16. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Headroom
Studio Production
Servo
Stage Manager
17. helps with routine stuff - anything the director needs - timing of production
Editor
Horizon Line
Rack focus
Associate Director
18. To move the camera and its mount laterally to the right or left.
Studio Production
trucking
Audio Operator (A1) (A2)
Executive Producer
19. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
trucking
HDTV
Foreground
Executive Producer
20. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
AGC
Master Control
Graphics Operator
21. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Graphics Operator
Tally light
Lighting Director
Art Director
22. To move the camera and its mount laterally to the right or left.
trucking
ATSC
Rule of thirds
Tripod
23. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Video Shader
Servo
Horizon Line
Director
24. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
VTR
Technical Director
Production
25. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Tripod
Performer Tips
Servo
Stage Manager
26. The person who assembles raw footage into a final program.
Editor
NTSC
Iris
HDTV
27. creates great depth and interest
Tripod
Digital
Camera Operators
Foreground
28. punched switcher
Editor
Technical Director
Pre-production
Camera Operators
29. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Field Production
Producer
Lens
Angle of Elevation
30. The space between the top of a subjects head and the upper edge of the camera frame.
long lens
Headroom
Firewire (IEE-1394)
Audio Operator (A1) (A2)
31. people who deliver lines
Talent
Firewire (IEE-1394)
Art Director
Tripod
32. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Editor
Set Production Designer
Lighting Director
Audio Operator (A1) (A2)
33. Over the shoulder
O/S
Director
Graphics Operator
Interruptible Feedback
34. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Set Production Designer
Aspect Ratios
Rack focus
35. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Field Production
Rule of thirds
Medium Shot (head to toe)
Tilt
36. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Green Rooms
White Balance
Performer Tips
Horizon Line
37. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Lens
Studio Production
Pedestal mount
Technical Director
38. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Aspect Ratios
Master Control
Pre-production
Pedestal mount
39. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
HD
Interruptible Feedback
Lens
Iris
40. A series of digital television formats developed by the Advanced Television Systems Committee.
Coaxial Cable
AGC
Art Director
ATSC
41. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Grunts
Field Production
Remotes
ECU
42. A digital interface that allows the simultaneous transfer of audio and video information.
AGC
Firewire (IEE-1394)
HDTV
How to focus a camera like a pro
43. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Analog
Camera Operators
Medium Shot (head to toe)
dolly
44. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
NTSC
trucking
Art Director
45. combination of studio and field production. Sports - parades
Green Rooms
Remotes
Post-Production
Interruptible Feedback
46. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Audio Operator (A1) (A2)
Master Control
Firewire (IEE-1394)
HD
47. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
NTSC
The Studio
Lighting Director
Set Production Designer
48. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Pan
Green Rooms
Aspect Ratios
49. Interns - Cable Pullers - 2nd Assistant Directors
Grunts
long lens
Pre-production
Long shot (head to toe)
50. To move the camera and its mount closer to or farther from the subject.
dolly
Pre-production
Set Production Designer
Medium Shot (head to toe)