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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Camera Operators
Editor
Tally light
Long shot (head to toe)
2. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Standard Definition
ECU
Grunts
AGC
3. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Studio Production
Headroom
Foreground
4. The stage during which all the shooting for a program is undertaken.
Long shot (head to toe)
Teleprompter Operartor
How to focus a camera like a pro
Production
5. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Audio Operator (A1) (A2)
Medium Shot (head to toe)
Grunts
Tripod
6. A digital interface that allows the simultaneous transfer of audio and video information.
ATSC
Firewire (IEE-1394)
ECU
Lead room
7. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Associate Director
crane
Analog
CU
8. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
crane
Stage Manager
White Balance
9. To move the camera and its mount laterally to the right or left.
AGC
Tripod
trucking
Art Director
10. combination of studio and field production. Sports - parades
Remotes
Iris
long lens
Talent
11. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Teleprompter Operartor
ECU
Remotes
Camera Operators
12. The ratio of the height of a television screen to its width.
crane
Executive Producer
Aspect Ratios
crane
13. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Audio Operator (A1) (A2)
Master Control
Stage Manager
NTSC
14. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
Set Production Designer
Servo
Lead room
15. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Standard Definition
HD
Digital
CU
16. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Set Production Designer
Aspect Ratios
Horizon Line
17. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Remotes
O/S
Talent
Servo
18. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Interruptible Feedback
Servo
Engineer
19. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Set Production Designer
Pedestal mount
Standard Definition
Rule of thirds
20. Additional framing space in a camera picture on the side toward which a subject is looking or moving
NTSC
Digital
Graphics Operator
Lead room
21. A person who creates words - drawings and some visual effects that are incorporated with a production.
Aspect Ratios
O/S
Art Director
Graphics Operator
22. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
dolly
VTR
CU
Lighting Director
23. To move the camera and its mount closer to or farther from the subject.
dolly
ECU
Audio Operator (A1) (A2)
Remotes
24. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Post-Production
Pan
CU
crane
25. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Editor
Horizon Line
Tally light
Teleprompter Operartor
26. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Horizon Line
HD
Rack focus
HDTV
27. people who deliver lines
Talent
Rule of thirds
Foreground
Analog
28. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Macro focus
AGC
Control Room
NTSC
29. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Green Rooms
Aspect Ratios
The Studio
Graphics Operator
30. A person who oversees several production.
Executive Producer
Pre-production
ECU
Studio Production
31. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Art Director
Engineer
Tally light
32. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
Master Control
White Balance
Standard Definition
33. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Rule of thirds
Pedestal mount
Stage Manager
Production
34. ...
VTR
CU
How to focus a camera like a pro
Firewire (IEE-1394)
35. The part of the lens that allows light to pass through.
Digital
Video Shader
Associate Director
Iris
36. A view of the subject from a comfortable distance between a wide shot and close-up.
Medium Shot (head to toe)
Servo
Control Room
Director
37. Indicates that the camera is level
Audio Operator (A1) (A2)
Horizon Line
Tilt
Control Room
38. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Remotes
Foreground
Lens
Teleprompter Operartor
39. The person who determines the environment where the production takes place.
Pan
Rack focus
O/S
Set Production Designer
40. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Pedestal mount
Post-Production
Engineer
Lighting Director
41. A series of digital television formats developed by the Advanced Television Systems Committee.
Post-Production
ATSC
Engineer
Long shot (head to toe)
42. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Digital
Green Rooms
Aspect Ratios
Pedestal mount
43. punched switcher
Technical Director
Producer
Interruptible Feedback
VTR
44. Additional framing space in a camera picture on the side toward which a subject is looking or moving
NTSC
Lead room
Studio Production
Analog
45. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
VTR
The Studio
Horizon Line
46. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Standard Definition
Graphics Operator
Producer
Pan
47. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
crane
Audio Operator (A1) (A2)
Lens
Director
48. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
trucking
Tilt
Stage Manager
AGC
49. A series of digital television formats developed by the Advanced Television Systems Committee.
dolly
ATSC
Video Shader
Camera Operators
50. Indicates that the camera is level
Long shot (head to toe)
trucking
Horizon Line
Audio Operator (A1) (A2)