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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The person who determines the environment where the production takes place.
Remotes
Coaxial Cable
Horizon Line
Set Production Designer
2. helps with routine stuff - anything the director needs - timing of production
Post-Production
Lighting Director
Associate Director
Tally light
3. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
dolly
HD
Executive Producer
ECU
4. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Rule of thirds
Tilt
NTSC
Studio Production
5. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Angle of Elevation
crane
Teleprompter Operartor
Standard Definition
6. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
The Studio
Master Control
long lens
Audio Operator (A1) (A2)
7. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Studio Production
Aspect Ratios
Standard Definition
ATSC
8. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
Teleprompter Operartor
crane
Field Production
9. Planning the project
Pre-production
Director
crane
Engineer
10. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
Producer
trucking
Headroom
11. people who deliver lines
Talent
How to focus a camera like a pro
AGC
Lighting Director
12. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Foreground
Performer Tips
NTSC
Executive Producer
13. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Standard Definition
Teleprompter Operartor
Field Production
HDTV
14. A view of the subject from a comfortable distance between a wide shot and close-up.
Lighting Director
Tripod
Medium Shot (head to toe)
Field Production
15. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Production
How to focus a camera like a pro
VTR
Aspect Ratios
16. The ratio of the height of a television screen to its width.
Servo
Aspect Ratios
Standard Definition
Lens
17. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
trucking
HDTV
Pedestal mount
Post-Production
18. in control room
Master Control
Rack focus
Medium Shot (head to toe)
Engineer
19. A person who sets mics in a studio or location setting and/ or operates the audio console.
Digital
Audio Operator (A1) (A2)
crane
Green Rooms
20. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Standard Definition
Associate Director
Servo
long lens
21. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Interruptible Feedback
The Studio
ECU
O/S
22. To move the camera and its mount laterally to the right or left.
Angle of Elevation
Stage Manager
trucking
The Studio
23. combination of studio and field production. Sports - parades
ATSC
HD
Iris
Remotes
24. The part of the lens that allows light to pass through.
Analog
Control Room
dolly
Iris
25. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
ECU
Engineer
Long shot (head to toe)
VTR
26. punched switcher
Talent
Long shot (head to toe)
Technical Director
O/S
27. Pointing the camera down or up
Master Control
White Balance
Angle of Elevation
Video Shader
28. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Long shot (head to toe)
Standard Definition
Analog
Headroom
29. To move the camera and its mount laterally to the right or left.
Stage Manager
Macro focus
Angle of Elevation
trucking
30. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Post-Production
trucking
Control Room
Master Control
31. combination of studio and field production. Sports - parades
Video Shader
How to focus a camera like a pro
White Balance
Remotes
32. creates great depth and interest
Coaxial Cable
Headroom
HDTV
Foreground
33. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Pre-production
HD
Master Control
Teleprompter Operartor
34. A person who deals with the look of sets and other artistic aspects of a television program.
Lighting Director
Art Director
Executive Producer
Aspect Ratios
35. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Horizon Line
Editor
Camera Operators
NTSC
36. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Coaxial Cable
Lighting Director
Headroom
37. A digital interface that allows the simultaneous transfer of audio and video information.
Graphics Operator
Engineer
Firewire (IEE-1394)
Post-Production
38. Over the shoulder
Studio Production
Engineer
Iris
O/S
39. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Audio Operator (A1) (A2)
Medium Shot (head to toe)
Grunts
40. A view of the subject from a comfortable distance between a wide shot and close-up.
Medium Shot (head to toe)
Lead room
Firewire (IEE-1394)
NTSC
41. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Control Room
Production
Set Production Designer
Pedestal mount
42. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
VTR
AGC
Angle of Elevation
NTSC
43. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Technical Director
Lead room
Post-Production
44. The part of the lens that allows light to pass through.
Set Production Designer
Firewire (IEE-1394)
Iris
Medium Shot (head to toe)
45. The person who assembles raw footage into a final program.
Servo
Associate Director
Editor
Lighting Director
46. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Aspect Ratios
ECU
Lens
CU
47. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
VTR
crane
Long shot (head to toe)
White Balance
48. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Pedestal mount
Tally light
Pan
How to focus a camera like a pro
49. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Remotes
Producer
Teleprompter Operartor
Grunts
50. Indicates that the camera is level
Horizon Line
Firewire (IEE-1394)
Art Director
Pedestal mount