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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. punched switcher
Control Room
Studio Production
White Balance
Technical Director
2. A view of the subject from a comfortable distance between a wide shot and close-up.
Medium Shot (head to toe)
Servo
Angle of Elevation
Camera Operators
3. A digital interface that allows the simultaneous transfer of audio and video information.
Post-Production
Director
Firewire (IEE-1394)
VTR
4. Indicates that the camera is level
Horizon Line
Analog
Stage Manager
Audio Operator (A1) (A2)
5. To move the camera and its mount laterally to the right or left.
Coaxial Cable
Grunts
long lens
trucking
6. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Editor
CU
Technical Director
Rule of thirds
7. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Field Production
Firewire (IEE-1394)
Lens
8. The part of the lens that allows light to pass through.
Pan
Angle of Elevation
Iris
Analog
9. ...
How to focus a camera like a pro
Performer Tips
Tilt
Set Production Designer
10. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
O/S
ATSC
AGC
Pedestal mount
11. A person who sets mics in a studio or location setting and/ or operates the audio console.
Servo
Audio Operator (A1) (A2)
Pre-production
Camera Operators
12. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Set Production Designer
Producer
Grunts
Post-Production
13. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Rule of thirds
Rack focus
Headroom
14. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
ECU
Servo
CU
Producer
15. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Set Production Designer
Analog
The Studio
Performer Tips
16. A series of digital television formats developed by the Advanced Television Systems Committee.
Analog
ATSC
Director
The Studio
17. The person who determines the environment where the production takes place.
HDTV
Art Director
Set Production Designer
AGC
18. The ratio of the height of a television screen to its width.
Technical Director
Iris
Field Production
Aspect Ratios
19. helps with routine stuff - anything the director needs - timing of production
White Balance
Associate Director
Video Shader
Digital
20. in control room
ECU
Rack focus
Associate Director
Engineer
21. creates great depth and interest
Stage Manager
Video Shader
Foreground
Analog
22. Makes sure camera match - lighting
Remotes
Servo
Video Shader
HD
23. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
HDTV
Rack focus
Pre-production
Camera Operators
24. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
trucking
Green Rooms
Director
25. A series of digital television formats developed by the Advanced Television Systems Committee.
Master Control
long lens
ATSC
Pre-production
26. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Standard Definition
Grunts
Firewire (IEE-1394)
Pedestal mount
27. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Standard Definition
HD
How to focus a camera like a pro
Servo
28. To move the camera and its mount closer to or farther from the subject.
Audio Operator (A1) (A2)
Performer Tips
Lighting Director
dolly
29. Makes sure camera match - lighting
Digital
NTSC
Video Shader
Field Production
30. A camera shot that starts with one object in focus - then changes to focus on another object.
Video Shader
ATSC
ECU
Rack focus
31. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
VTR
Remotes
Technical Director
32. The person who assembles raw footage into a final program.
HDTV
Headroom
Editor
Performer Tips
33. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Graphics Operator
Interruptible Feedback
Rule of thirds
NTSC
34. helps with routine stuff - anything the director needs - timing of production
trucking
Lens
Associate Director
Foreground
35. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Tally light
Performer Tips
Servo
AGC
36. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
O/S
Control Room
Lead room
NTSC
37. Pointing the camera down or up
Set Production Designer
Angle of Elevation
Lens
Servo
38. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Horizon Line
Standard Definition
Lighting Director
Graphics Operator
39. The stage during which all the shooting for a program is undertaken.
Production
Lead room
Lens
Director
40. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Remotes
HDTV
ECU
41. A digital interface that allows the simultaneous transfer of audio and video information.
Tally light
Firewire (IEE-1394)
Servo
AGC
42. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Camera Operators
Foreground
Master Control
Long shot (head to toe)
43. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
HD
Tripod
Tally light
Servo
44. creates great depth and interest
Foreground
Technical Director
Remotes
HD
45. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Rule of thirds
NTSC
Coaxial Cable
Horizon Line
46. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
Rack focus
Technical Director
Pre-production
47. A person who sets mics in a studio or location setting and/ or operates the audio console.
Audio Operator (A1) (A2)
O/S
Master Control
Control Room
48. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Rule of thirds
Standard Definition
Editor
Remotes
49. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Associate Director
Performer Tips
Control Room
Video Shader
50. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Pre-production
Producer
Rack focus
HD