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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Tally light
The Studio
Teleprompter Operartor
Set Production Designer
2. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Long shot (head to toe)
Analog
dolly
Field Production
3. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Rack focus
HD
Interruptible Feedback
4. To move the camera and its mount closer to or farther from the subject.
Green Rooms
dolly
Rule of thirds
The Studio
5. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Grunts
Tripod
Lighting Director
6. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
The Studio
crane
Lighting Director
Aspect Ratios
7. people who deliver lines
Talent
Tripod
Executive Producer
Lens
8. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Foreground
Field Production
Studio Production
HDTV
9. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Production
Iris
Lens
Art Director
10. The person who determines the environment where the production takes place.
Art Director
Tally light
Set Production Designer
Firewire (IEE-1394)
11. The space between the top of a subjects head and the upper edge of the camera frame.
Analog
Headroom
Camera Operators
Post-Production
12. A person who sets mics in a studio or location setting and/ or operates the audio console.
Servo
Horizon Line
Field Production
Audio Operator (A1) (A2)
13. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Coaxial Cable
Pre-production
CU
Control Room
14. A person who sets mics in a studio or location setting and/ or operates the audio console.
Audio Operator (A1) (A2)
Technical Director
Art Director
CU
15. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Associate Director
Stage Manager
dolly
ECU
16. The stage during which all the shooting for a program is undertaken.
Production
Pan
Aspect Ratios
Interruptible Feedback
17. A view of the subject from a comfortable distance between a wide shot and close-up.
trucking
Medium Shot (head to toe)
Macro focus
Camera Operators
18. Pointing the camera down or up
Firewire (IEE-1394)
Servo
Rack focus
Angle of Elevation
19. The part of the lens that allows light to pass through.
Art Director
Lens
How to focus a camera like a pro
Iris
20. helps with routine stuff - anything the director needs - timing of production
Associate Director
Coaxial Cable
ECU
Audio Operator (A1) (A2)
21. combination of studio and field production. Sports - parades
Lens
Remotes
How to focus a camera like a pro
Aspect Ratios
22. The ratio of the height of a television screen to its width.
Tilt
Aspect Ratios
CU
Art Director
23. in control room
Engineer
Coaxial Cable
ECU
Interruptible Feedback
24. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Executive Producer
Talent
Firewire (IEE-1394)
25. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
Analog
Lighting Director
Field Production
26. helps with routine stuff - anything the director needs - timing of production
How to focus a camera like a pro
HD
Medium Shot (head to toe)
Associate Director
27. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Video Shader
ATSC
Macro focus
Field Production
28. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Master Control
crane
Horizon Line
29. The person who assembles raw footage into a final program.
Firewire (IEE-1394)
Editor
Medium Shot (head to toe)
Engineer
30. creates great depth and interest
Foreground
Remotes
crane
Field Production
31. Planning the project
Stage Manager
Pre-production
Studio Production
Director
32. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Headroom
Long shot (head to toe)
Rule of thirds
Video Shader
33. Indicates that the camera is level
Lead room
Lead room
Talent
Horizon Line
34. A camera shot that starts with one object in focus - then changes to focus on another object.
Control Room
Foreground
Control Room
Rack focus
35. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
long lens
The Studio
Performer Tips
Tripod
36. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Tally light
AGC
Teleprompter Operartor
ATSC
37. A camera shot that starts with one object in focus - then changes to focus on another object.
Video Shader
Talent
AGC
Rack focus
38. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Coaxial Cable
Firewire (IEE-1394)
Tilt
Lens
39. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Teleprompter Operartor
Associate Director
long lens
Long shot (head to toe)
40. The stage during which all the shooting for a program is undertaken.
Analog
ATSC
Tilt
Production
41. The place in a studio complex where people who are about to appear on a TV show can wait.
Stage Manager
The Studio
Green Rooms
Standard Definition
42. The space between the top of a subjects head and the upper edge of the camera frame.
Aspect Ratios
Headroom
Pre-production
Stage Manager
43. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
dolly
Servo
Rack focus
Camera Operators
44. A view of the subject from a comfortable distance between a wide shot and close-up.
crane
Medium Shot (head to toe)
Foreground
CU
45. combination of studio and field production. Sports - parades
Iris
Graphics Operator
Remotes
Lighting Director
46. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Angle of Elevation
Stage Manager
Lens
Producer
47. To move the camera and its mount laterally to the right or left.
Tally light
Executive Producer
trucking
dolly
48. A digital interface that allows the simultaneous transfer of audio and video information.
NTSC
Horizon Line
Firewire (IEE-1394)
Rule of thirds
49. Over the shoulder
Angle of Elevation
Field Production
Headroom
O/S
50. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Angle of Elevation
Master Control
Iris
Lead room