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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The stage during which all the shooting for a program is undertaken.
Production
ATSC
Rack focus
Standard Definition
2. A digital interface that allows the simultaneous transfer of audio and video information.
Director
Technical Director
Lead room
Firewire (IEE-1394)
3. A series of digital television formats developed by the Advanced Television Systems Committee.
Audio Operator (A1) (A2)
trucking
How to focus a camera like a pro
ATSC
4. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
HD
Post-Production
Remotes
5. The place in a studio complex where people who are about to appear on a TV show can wait.
The Studio
HD
Green Rooms
Firewire (IEE-1394)
6. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Control Room
HDTV
Lead room
Master Control
7. The person who determines the environment where the production takes place.
Headroom
Interruptible Feedback
Set Production Designer
Stage Manager
8. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Macro focus
Rule of thirds
Iris
Long shot (head to toe)
9. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Iris
White Balance
Coaxial Cable
long lens
10. To move the camera and its mount laterally to the right or left.
Macro focus
Grunts
trucking
AGC
11. To move the camera and its mount closer to or farther from the subject.
Headroom
dolly
White Balance
Tally light
12. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Headroom
Lighting Director
O/S
HDTV
13. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
long lens
AGC
Servo
ATSC
14. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Post-Production
Interruptible Feedback
Lens
Headroom
15. helps with routine stuff - anything the director needs - timing of production
Talent
Pre-production
Associate Director
NTSC
16. Interns - Cable Pullers - 2nd Assistant Directors
Pre-production
long lens
Foreground
Grunts
17. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
crane
Field Production
White Balance
Producer
18. in control room
Engineer
CU
O/S
Field Production
19. creates great depth and interest
Grunts
Foreground
HD
Horizon Line
20. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Grunts
Producer
Coaxial Cable
Pan
21. punched switcher
Long shot (head to toe)
Technical Director
Interruptible Feedback
Talent
22. Pointing the camera down or up
Green Rooms
Camera Operators
Long shot (head to toe)
Angle of Elevation
23. ...
Angle of Elevation
Graphics Operator
HD
How to focus a camera like a pro
24. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
How to focus a camera like a pro
NTSC
dolly
Video Shader
25. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Graphics Operator
Horizon Line
Director
26. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Associate Director
White Balance
Art Director
Pre-production
27. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Set Production Designer
crane
Executive Producer
Tally light
28. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Master Control
Art Director
Set Production Designer
29. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Lighting Director
Tally light
How to focus a camera like a pro
30. A view of the subject from a comfortable distance between a wide shot and close-up.
Iris
Aspect Ratios
Director
Medium Shot (head to toe)
31. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Analog
Director
HDTV
Graphics Operator
32. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Pre-production
Lens
Standard Definition
How to focus a camera like a pro
33. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
Standard Definition
Pre-production
Tripod
34. Over the shoulder
White Balance
O/S
ATSC
Lens
35. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
Engineer
Executive Producer
Medium Shot (head to toe)
36. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
crane
AGC
Tripod
trucking
37. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Associate Director
Performer Tips
ECU
Studio Production
38. Makes sure camera match - lighting
Video Shader
Technical Director
Editor
NTSC
39. people who deliver lines
Talent
Coaxial Cable
NTSC
long lens
40. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
VTR
Producer
Control Room
The Studio
41. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
Interruptible Feedback
Lighting Director
Firewire (IEE-1394)
42. combination of studio and field production. Sports - parades
Producer
Remotes
Green Rooms
Set Production Designer
43. The ratio of the height of a television screen to its width.
Aspect Ratios
Tally light
Camera Operators
Field Production
44. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Lens
Analog
Performer Tips
Servo
45. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
White Balance
Horizon Line
Set Production Designer
46. The place in a studio complex where people who are about to appear on a TV show can wait.
Master Control
Graphics Operator
VTR
Green Rooms
47. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Graphics Operator
Pre-production
Standard Definition
Coaxial Cable
48. A method of representing video or audio signals using a 'wave' of continuously.
Headroom
Coaxial Cable
Lighting Director
Analog
49. in control room
Talent
HDTV
Macro focus
Engineer
50. The person who determines the environment where the production takes place.
White Balance
Video Shader
Foreground
Set Production Designer