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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
Servo
Camera Operators
Lighting Director
2. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Performer Tips
HDTV
AGC
3. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Producer
crane
Pre-production
Lens
4. Pointing the camera down or up
Pedestal mount
ECU
Angle of Elevation
Macro focus
5. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Rule of thirds
Green Rooms
Long shot (head to toe)
Producer
6. A person who sets mics in a studio or location setting and/ or operates the audio console.
Audio Operator (A1) (A2)
Rack focus
Lens
Digital
7. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Coaxial Cable
ECU
NTSC
Editor
8. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Macro focus
Executive Producer
Technical Director
Stage Manager
9. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Firewire (IEE-1394)
Studio Production
Master Control
Servo
10. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Remotes
Studio Production
dolly
Iris
11. The space between the top of a subjects head and the upper edge of the camera frame.
How to focus a camera like a pro
trucking
Audio Operator (A1) (A2)
Headroom
12. Over the shoulder
Coaxial Cable
Tilt
Analog
O/S
13. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
AGC
Tilt
Producer
Horizon Line
14. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Camera Operators
Tally light
Graphics Operator
VTR
15. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
White Balance
Executive Producer
Interruptible Feedback
Director
16. The person who determines the environment where the production takes place.
Remotes
Tripod
Set Production Designer
Associate Director
17. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
Control Room
crane
Angle of Elevation
18. A digital interface that allows the simultaneous transfer of audio and video information.
Producer
Macro focus
Firewire (IEE-1394)
Tripod
19. A camera shot that starts with one object in focus - then changes to focus on another object.
Rack focus
ATSC
Macro focus
Lighting Director
20. Over the shoulder
Editor
Control Room
Control Room
O/S
21. A series of digital television formats developed by the Advanced Television Systems Committee.
Stage Manager
Editor
Analog
ATSC
22. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
Director
Green Rooms
trucking
23. combination of studio and field production. Sports - parades
Pan
Lens
Remotes
Firewire (IEE-1394)
24. combination of studio and field production. Sports - parades
O/S
Rule of thirds
White Balance
Remotes
25. people who deliver lines
Production
Talent
Tripod
ATSC
26. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Master Control
ATSC
Video Shader
27. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Master Control
Video Shader
HD
Executive Producer
28. To move the camera and its mount laterally to the right or left.
trucking
Production
ECU
Headroom
29. A person who sets mics in a studio or location setting and/ or operates the audio console.
ATSC
Audio Operator (A1) (A2)
Pan
Producer
30. ...
Servo
The Studio
How to focus a camera like a pro
ATSC
31. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
crane
Set Production Designer
ECU
VTR
32. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Pan
Stage Manager
Iris
Production
33. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
The Studio
Producer
Camera Operators
Set Production Designer
34. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Pre-production
Analog
Pedestal mount
Tilt
35. To move the camera and its mount closer to or farther from the subject.
White Balance
dolly
Executive Producer
Post-Production
36. Interns - Cable Pullers - 2nd Assistant Directors
Lens
Lens
Grunts
Horizon Line
37. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Control Room
White Balance
HDTV
Executive Producer
38. The place in a studio complex where people who are about to appear on a TV show can wait.
Editor
Green Rooms
ECU
Performer Tips
39. The ratio of the height of a television screen to its width.
CU
Art Director
Performer Tips
Aspect Ratios
40. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Master Control
Director
ECU
Standard Definition
41. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Lighting Director
Long shot (head to toe)
Pedestal mount
Interruptible Feedback
42. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Control Room
Lighting Director
Angle of Elevation
43. A person who deals with the look of sets and other artistic aspects of a television program.
Production
Engineer
HD
Art Director
44. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Talent
Grunts
Rule of thirds
trucking
45. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Master Control
Associate Director
crane
Control Room
46. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Tripod
VTR
Rule of thirds
trucking
47. helps with routine stuff - anything the director needs - timing of production
Associate Director
Interruptible Feedback
crane
Post-Production
48. A person who deals with the look of sets and other artistic aspects of a television program.
ECU
Coaxial Cable
Lead room
Art Director
49. The place in a studio complex where people who are about to appear on a TV show can wait.
Analog
crane
Studio Production
Green Rooms
50. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Rule of thirds
Coaxial Cable
Digital
Talent