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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A view of the subject from a comfortable distance between a wide shot and close-up.
Pan
Camera Operators
Control Room
Medium Shot (head to toe)
2. punched switcher
Firewire (IEE-1394)
Standard Definition
Technical Director
Remotes
3. A method of representing video or audio signals using a 'wave' of continuously.
Rack focus
Analog
Lens
Director
4. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Foreground
Pan
Control Room
5. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
CU
Tally light
Pan
6. A camera shot that starts with one object in focus - then changes to focus on another object.
Field Production
Rack focus
Performer Tips
How to focus a camera like a pro
7. To move the camera and its mount closer to or farther from the subject.
Stage Manager
Firewire (IEE-1394)
dolly
Iris
8. A view of the subject from a comfortable distance between a wide shot and close-up.
Standard Definition
crane
Medium Shot (head to toe)
Studio Production
9. The person who determines the environment where the production takes place.
Video Shader
Set Production Designer
Associate Director
Tilt
10. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
Green Rooms
Servo
Control Room
11. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
Angle of Elevation
Angle of Elevation
Lead room
12. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Grunts
HD
Performer Tips
Medium Shot (head to toe)
13. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
long lens
Producer
Coaxial Cable
Graphics Operator
14. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Control Room
HDTV
Horizon Line
Engineer
15. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
Stage Manager
Producer
Director
16. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Production
Executive Producer
Pre-production
17. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
ECU
Pan
Field Production
Lead room
18. Over the shoulder
Standard Definition
O/S
ATSC
Camera Operators
19. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lens
Aspect Ratios
Studio Production
Lighting Director
20. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Macro focus
NTSC
HDTV
Lighting Director
21. The ratio of the height of a television screen to its width.
AGC
Producer
Art Director
Aspect Ratios
22. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Foreground
Pedestal mount
The Studio
Remotes
23. To move the camera and its mount laterally to the right or left.
dolly
Producer
trucking
Master Control
24. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Coaxial Cable
Producer
Camera Operators
Control Room
25. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Camera Operators
Teleprompter Operartor
Medium Shot (head to toe)
26. A person who creates words - drawings and some visual effects that are incorporated with a production.
White Balance
Graphics Operator
Studio Production
Producer
27. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Field Production
HD
Rack focus
Grunts
28. The stage during which all the shooting for a program is undertaken.
Standard Definition
Angle of Elevation
Control Room
Production
29. creates great depth and interest
Studio Production
Pedestal mount
Foreground
Rack focus
30. Pointing the camera down or up
Medium Shot (head to toe)
Horizon Line
Medium Shot (head to toe)
Angle of Elevation
31. helps with routine stuff - anything the director needs - timing of production
Associate Director
Technical Director
Technical Director
Teleprompter Operartor
32. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
ATSC
Iris
Lens
Control Room
33. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Producer
Grunts
Interruptible Feedback
O/S
34. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Foreground
Lens
Aspect Ratios
Post-Production
35. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Executive Producer
Director
trucking
36. The place in a studio complex where people who are about to appear on a TV show can wait.
Lens
Audio Operator (A1) (A2)
Interruptible Feedback
Green Rooms
37. people who deliver lines
Video Shader
Medium Shot (head to toe)
CU
Talent
38. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
Tilt
Video Shader
Green Rooms
39. A person who oversees several production.
Executive Producer
O/S
The Studio
Tilt
40. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Servo
Post-Production
Tripod
Control Room
41. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Performer Tips
Tripod
Engineer
Technical Director
42. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Macro focus
Executive Producer
NTSC
Aspect Ratios
43. Indicates that the camera is level
Audio Operator (A1) (A2)
Pre-production
AGC
Horizon Line
44. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Remotes
Lens
Tally light
45. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Editor
Audio Operator (A1) (A2)
Tally light
46. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
How to focus a camera like a pro
Standard Definition
Technical Director
VTR
47. Additional framing space in a camera picture on the side toward which a subject is looking or moving
NTSC
Lead room
Foreground
Video Shader
48. people who deliver lines
Audio Operator (A1) (A2)
Technical Director
Talent
Tripod
49. A method of representing video or audio signals using a 'wave' of continuously.
Analog
White Balance
Long shot (head to toe)
CU
50. Makes sure camera match - lighting
Field Production
Video Shader
ATSC
Control Room