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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Editor
dolly
VTR
White Balance
2. Planning the project
Long shot (head to toe)
Tally light
Pre-production
Associate Director
3. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Graphics Operator
Rule of thirds
Producer
The Studio
4. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
crane
Stage Manager
Camera Operators
Long shot (head to toe)
5. people who deliver lines
Talent
Digital
Horizon Line
Standard Definition
6. Interns - Cable Pullers - 2nd Assistant Directors
Set Production Designer
long lens
Teleprompter Operartor
Grunts
7. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
Pedestal mount
Associate Director
Camera Operators
8. The ratio of the height of a television screen to its width.
O/S
HDTV
Aspect Ratios
Standard Definition
9. To move the camera and its mount laterally to the right or left.
HDTV
crane
trucking
Set Production Designer
10. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Firewire (IEE-1394)
Post-Production
Angle of Elevation
Set Production Designer
11. Pointing the camera down or up
How to focus a camera like a pro
Executive Producer
Pedestal mount
Angle of Elevation
12. A digital interface that allows the simultaneous transfer of audio and video information.
White Balance
Firewire (IEE-1394)
Teleprompter Operartor
AGC
13. The person who assembles raw footage into a final program.
Angle of Elevation
Engineer
Editor
HDTV
14. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Talent
Executive Producer
Firewire (IEE-1394)
crane
15. A person who sets mics in a studio or location setting and/ or operates the audio console.
Horizon Line
CU
Stage Manager
Audio Operator (A1) (A2)
16. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
Pan
long lens
HD
17. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Digital
Talent
Lead room
18. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Associate Director
Remotes
Post-Production
Pedestal mount
19. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Production
CU
Lighting Director
Headroom
20. The ratio of the height of a television screen to its width.
Grunts
Talent
HD
Aspect Ratios
21. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Long shot (head to toe)
HDTV
CU
Pan
22. ...
Headroom
Foreground
Director
How to focus a camera like a pro
23. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Stage Manager
long lens
Director
Lighting Director
24. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Horizon Line
NTSC
Pan
Tally light
25. The person who determines the environment where the production takes place.
AGC
Pre-production
Digital
Set Production Designer
26. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Lead room
ECU
Graphics Operator
Aspect Ratios
27. A person who creates words - drawings and some visual effects that are incorporated with a production.
Performer Tips
O/S
How to focus a camera like a pro
Graphics Operator
28. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Stage Manager
Long shot (head to toe)
Teleprompter Operartor
Engineer
29. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Lead room
Tripod
Pan
Control Room
30. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
ATSC
Remotes
Green Rooms
31. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Pedestal mount
Executive Producer
Tally light
Stage Manager
32. combination of studio and field production. Sports - parades
Remotes
Horizon Line
Field Production
Editor
33. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
Rule of thirds
Field Production
Digital
34. in control room
Post-Production
Lead room
Firewire (IEE-1394)
Engineer
35. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
Audio Operator (A1) (A2)
Green Rooms
Lead room
36. helps with routine stuff - anything the director needs - timing of production
Servo
Associate Director
The Studio
Video Shader
37. The person who assembles raw footage into a final program.
Editor
Set Production Designer
White Balance
Remotes
38. The part of the lens that allows light to pass through.
Iris
Performer Tips
Production
CU
39. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
Teleprompter Operartor
Lighting Director
AGC
40. combination of studio and field production. Sports - parades
Green Rooms
Remotes
Green Rooms
Rack focus
41. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
Graphics Operator
Digital
Director
42. Indicates that the camera is level
Horizon Line
Green Rooms
Pre-production
Rule of thirds
43. punched switcher
ATSC
crane
Post-Production
Technical Director
44. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Medium Shot (head to toe)
Analog
AGC
Green Rooms
45. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Editor
Performer Tips
HD
Headroom
46. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Talent
Tripod
Pedestal mount
Art Director
47. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Performer Tips
Associate Director
Tilt
48. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
Producer
AGC
Iris
49. people who deliver lines
Talent
How to focus a camera like a pro
Lens
Production
50. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Coaxial Cable
Headroom
Pan