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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Interruptible Feedback
Tilt
Executive Producer
HD
2. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Engineer
Pre-production
Producer
3. in control room
Green Rooms
Engineer
White Balance
Teleprompter Operartor
4. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Master Control
long lens
Tally light
Studio Production
5. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
Medium Shot (head to toe)
Executive Producer
ATSC
6. To move the camera and its mount laterally to the right or left.
trucking
Rack focus
Green Rooms
Executive Producer
7. punched switcher
Coaxial Cable
Interruptible Feedback
Grunts
Technical Director
8. A view of the subject from a comfortable distance between a wide shot and close-up.
Grunts
Long shot (head to toe)
Set Production Designer
Medium Shot (head to toe)
9. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Tally light
ECU
Lens
AGC
10. The stage during which all the shooting for a program is undertaken.
Headroom
crane
Production
Talent
11. A person who creates words - drawings and some visual effects that are incorporated with a production.
Graphics Operator
Pre-production
Analog
Coaxial Cable
12. The place in a studio complex where people who are about to appear on a TV show can wait.
Long shot (head to toe)
Grunts
Lens
Green Rooms
13. in control room
Headroom
Medium Shot (head to toe)
Engineer
VTR
14. The place in a studio complex where people who are about to appear on a TV show can wait.
Video Shader
Audio Operator (A1) (A2)
Aspect Ratios
Green Rooms
15. creates great depth and interest
Foreground
Studio Production
Headroom
Master Control
16. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Rule of thirds
Aspect Ratios
Grunts
Lighting Director
17. combination of studio and field production. Sports - parades
Remotes
ECU
Tilt
Lens
18. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Tally light
Pre-production
Art Director
Macro focus
19. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
AGC
HDTV
trucking
20. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
trucking
AGC
Art Director
Stage Manager
21. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Digital
Pan
Standard Definition
NTSC
22. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
ECU
Aspect Ratios
Remotes
Producer
23. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Talent
Standard Definition
White Balance
Teleprompter Operartor
24. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Tally light
Lens
The Studio
crane
25. The ratio of the height of a television screen to its width.
HDTV
Standard Definition
Talent
Aspect Ratios
26. A method of representing video or audio signals using a 'wave' of continuously.
Engineer
Analog
Digital
Horizon Line
27. The ratio of the height of a television screen to its width.
Talent
Analog
Aspect Ratios
HDTV
28. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Director
Video Shader
Field Production
Digital
29. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Digital
Macro focus
Editor
Interruptible Feedback
30. Planning the project
Headroom
Pre-production
AGC
NTSC
31. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Digital
Horizon Line
How to focus a camera like a pro
Grunts
32. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Remotes
Editor
Lens
Iris
33. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Pedestal mount
Coaxial Cable
Technical Director
34. Additional framing space in a camera picture on the side toward which a subject is looking or moving
trucking
Aspect Ratios
Rule of thirds
Lead room
35. Over the shoulder
Field Production
Set Production Designer
O/S
Digital
36. punched switcher
Associate Director
long lens
Technical Director
Medium Shot (head to toe)
37. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Rule of thirds
ATSC
Control Room
VTR
38. A person who deals with the look of sets and other artistic aspects of a television program.
Set Production Designer
Pan
Art Director
dolly
39. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
Firewire (IEE-1394)
Graphics Operator
Coaxial Cable
40. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Producer
Control Room
Digital
Rule of thirds
41. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
Iris
Digital
NTSC
42. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Director
Post-Production
Interruptible Feedback
NTSC
43. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Master Control
White Balance
Coaxial Cable
Rack focus
44. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Horizon Line
Control Room
Control Room
Performer Tips
45. Over the shoulder
Associate Director
O/S
The Studio
trucking
46. A person who sets mics in a studio or location setting and/ or operates the audio console.
Rack focus
Audio Operator (A1) (A2)
AGC
Headroom
47. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
AGC
Servo
Rule of thirds
Aspect Ratios
48. A camera shot that starts with one object in focus - then changes to focus on another object.
Producer
Rack focus
Grunts
Firewire (IEE-1394)
49. Makes sure camera match - lighting
Video Shader
Long shot (head to toe)
dolly
crane
50. ...
The Studio
Control Room
Rack focus
How to focus a camera like a pro