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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
Field Production
CU
CU
2. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Green Rooms
Interruptible Feedback
Performer Tips
NTSC
3. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Coaxial Cable
Video Shader
Engineer
Standard Definition
4. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Angle of Elevation
Master Control
Master Control
The Studio
5. A person who deals with the look of sets and other artistic aspects of a television program.
Audio Operator (A1) (A2)
Art Director
Post-Production
Technical Director
6. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Production
Aspect Ratios
Grunts
Macro focus
7. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
How to focus a camera like a pro
White Balance
Digital
Associate Director
8. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Engineer
Technical Director
Producer
Camera Operators
9. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Foreground
Control Room
Firewire (IEE-1394)
Interruptible Feedback
10. helps with routine stuff - anything the director needs - timing of production
Firewire (IEE-1394)
Angle of Elevation
Talent
Associate Director
11. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Pre-production
Remotes
Foreground
12. punched switcher
Rule of thirds
Technical Director
Stage Manager
Teleprompter Operartor
13. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
ATSC
Video Shader
VTR
HD
14. A person who creates words - drawings and some visual effects that are incorporated with a production.
trucking
trucking
Graphics Operator
Green Rooms
15. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Production
AGC
Lighting Director
16. A camera shot that starts with one object in focus - then changes to focus on another object.
Lens
Rack focus
HD
The Studio
17. in control room
Macro focus
Engineer
Aspect Ratios
Control Room
18. Planning the project
Digital
Pre-production
Tilt
Foreground
19. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
AGC
Macro focus
CU
Grunts
20. A camera shot that starts with one object in focus - then changes to focus on another object.
Rack focus
Production
long lens
Engineer
21. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
NTSC
CU
Grunts
Foreground
22. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Green Rooms
Medium Shot (head to toe)
NTSC
Field Production
23. To move the camera and its mount closer to or farther from the subject.
Pedestal mount
dolly
Standard Definition
VTR
24. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Tilt
Tripod
Long shot (head to toe)
Associate Director
25. A digital interface that allows the simultaneous transfer of audio and video information.
Green Rooms
Studio Production
Interruptible Feedback
Firewire (IEE-1394)
26. The ratio of the height of a television screen to its width.
Graphics Operator
VTR
White Balance
Aspect Ratios
27. Indicates that the camera is level
trucking
crane
Camera Operators
Horizon Line
28. A view of the subject from a comfortable distance between a wide shot and close-up.
White Balance
Firewire (IEE-1394)
Green Rooms
Medium Shot (head to toe)
29. people who deliver lines
Long shot (head to toe)
crane
Associate Director
Talent
30. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
Producer
Headroom
Grunts
31. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Graphics Operator
Pan
Iris
32. creates great depth and interest
dolly
Director
Post-Production
Foreground
33. The space between the top of a subjects head and the upper edge of the camera frame.
Digital
Long shot (head to toe)
Headroom
Control Room
34. creates great depth and interest
CU
Foreground
Digital
Remotes
35. A method of representing video or audio signals using a 'wave' of continuously.
Associate Director
long lens
Tally light
Analog
36. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
Camera Operators
Teleprompter Operartor
Green Rooms
37. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Medium Shot (head to toe)
Lighting Director
Rack focus
VTR
38. A person who sets mics in a studio or location setting and/ or operates the audio console.
Audio Operator (A1) (A2)
ECU
Long shot (head to toe)
Director
39. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Post-Production
Field Production
Camera Operators
Aspect Ratios
40. To move the camera and its mount laterally to the right or left.
crane
The Studio
trucking
Talent
41. Over the shoulder
O/S
Studio Production
Medium Shot (head to toe)
Iris
42. Makes sure camera match - lighting
Video Shader
Remotes
Director
Performer Tips
43. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Performer Tips
Foreground
Digital
Production
44. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Long shot (head to toe)
Horizon Line
Stage Manager
Pedestal mount
45. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
Executive Producer
Field Production
Aspect Ratios
46. A person who oversees several production.
Executive Producer
Stage Manager
HDTV
Video Shader
47. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Executive Producer
Graphics Operator
Lead room
How to focus a camera like a pro
48. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Master Control
Remotes
Grunts
Tilt
49. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Camera Operators
NTSC
Pre-production
Servo
50. combination of studio and field production. Sports - parades
ECU
Technical Director
Lighting Director
Remotes