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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A camera shot that starts with one object in focus - then changes to focus on another object.
Rack focus
Foreground
Iris
trucking
2. A digital interface that allows the simultaneous transfer of audio and video information.
HDTV
Firewire (IEE-1394)
dolly
Lighting Director
3. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Lighting Director
Firewire (IEE-1394)
Lead room
4. The stage during which all the shooting for a program is undertaken.
Servo
Production
O/S
Foreground
5. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
long lens
Remotes
ATSC
6. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Green Rooms
The Studio
Studio Production
Foreground
7. creates great depth and interest
Interruptible Feedback
Macro focus
Foreground
Tilt
8. creates great depth and interest
ATSC
Foreground
O/S
Camera Operators
9. A view of the subject from a comfortable distance between a wide shot and close-up.
Medium Shot (head to toe)
Audio Operator (A1) (A2)
Studio Production
Tally light
10. A person who oversees several production.
Coaxial Cable
Producer
Tally light
Executive Producer
11. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Digital
Lead room
O/S
Pan
12. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
VTR
Pan
Field Production
13. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
White Balance
Engineer
Producer
14. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
Pedestal mount
Analog
Rule of thirds
15. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
ECU
Performer Tips
VTR
Video Shader
16. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
HD
Tally light
Headroom
Analog
17. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Video Shader
Studio Production
Green Rooms
18. To move the camera and its mount laterally to the right or left.
Aspect Ratios
trucking
Tripod
Foreground
19. Over the shoulder
Set Production Designer
O/S
Lens
ECU
20. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Teleprompter Operartor
Field Production
long lens
21. To move the camera and its mount laterally to the right or left.
trucking
Editor
Graphics Operator
Analog
22. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lighting Director
long lens
Medium Shot (head to toe)
Grunts
23. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Master Control
HD
Associate Director
ATSC
24. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Long shot (head to toe)
Pan
Video Shader
AGC
25. A person who creates words - drawings and some visual effects that are incorporated with a production.
Graphics Operator
Art Director
Pan
Green Rooms
26. A person who creates words - drawings and some visual effects that are incorporated with a production.
Editor
Graphics Operator
Producer
Rule of thirds
27. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Producer
HD
How to focus a camera like a pro
28. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Servo
Lens
O/S
29. A view of the subject from a comfortable distance between a wide shot and close-up.
ECU
Medium Shot (head to toe)
Horizon Line
Iris
30. A person who oversees several production.
Tripod
Executive Producer
Set Production Designer
Digital
31. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
Editor
Performer Tips
Analog
32. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Servo
Standard Definition
Producer
Engineer
33. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Macro focus
Tilt
Coaxial Cable
Analog
34. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Teleprompter Operartor
Horizon Line
Rule of thirds
Production
35. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Servo
White Balance
Aspect Ratios
Engineer
36. ...
How to focus a camera like a pro
Medium Shot (head to toe)
Digital
AGC
37. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
VTR
HD
Rack focus
Art Director
38. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Studio Production
ECU
Digital
VTR
39. Interns - Cable Pullers - 2nd Assistant Directors
The Studio
Director
Talent
Grunts
40. A method of representing video or audio signals using a 'wave' of continuously.
Firewire (IEE-1394)
long lens
Analog
Iris
41. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Angle of Elevation
Coaxial Cable
Remotes
Rack focus
42. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Macro focus
Lens
dolly
Performer Tips
43. The person who assembles raw footage into a final program.
NTSC
Editor
White Balance
Performer Tips
44. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Grunts
long lens
Green Rooms
Green Rooms
45. combination of studio and field production. Sports - parades
Standard Definition
Producer
Studio Production
Remotes
46. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Field Production
White Balance
Editor
Headroom
47. people who deliver lines
ATSC
Talent
Pre-production
Digital
48. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Executive Producer
Iris
Remotes
49. people who deliver lines
Talent
ATSC
Digital
Firewire (IEE-1394)
50. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Associate Director
Interruptible Feedback
Stage Manager
Audio Operator (A1) (A2)