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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. creates great depth and interest
Pre-production
Field Production
Tripod
Foreground
2. To move the camera and its mount closer to or farther from the subject.
Production
Angle of Elevation
Foreground
dolly
3. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Set Production Designer
crane
VTR
ECU
4. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
White Balance
Director
AGC
5. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Director
ECU
Video Shader
Production
6. The place in a studio complex where people who are about to appear on a TV show can wait.
Pre-production
Long shot (head to toe)
Macro focus
Green Rooms
7. A method of representing video or audio signals using a 'wave' of continuously.
Pedestal mount
Analog
Art Director
Horizon Line
8. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Engineer
Lens
Remotes
Lighting Director
9. helps with routine stuff - anything the director needs - timing of production
Director
How to focus a camera like a pro
Associate Director
Pan
10. Pointing the camera down or up
Coaxial Cable
AGC
Angle of Elevation
Graphics Operator
11. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Editor
Lead room
Talent
Iris
12. Over the shoulder
Field Production
O/S
Master Control
ECU
13. people who deliver lines
Lead room
Interruptible Feedback
Lighting Director
Talent
14. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Medium Shot (head to toe)
Performer Tips
Tripod
Editor
15. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Interruptible Feedback
NTSC
Lighting Director
Director
16. A person who deals with the look of sets and other artistic aspects of a television program.
Analog
Associate Director
Art Director
Director
17. The part of the lens that allows light to pass through.
Producer
Foreground
Iris
Tripod
18. The person who determines the environment where the production takes place.
Art Director
Set Production Designer
Producer
CU
19. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
HD
Horizon Line
Studio Production
Digital
20. The person who assembles raw footage into a final program.
Tally light
Grunts
trucking
Editor
21. helps with routine stuff - anything the director needs - timing of production
Digital
Studio Production
Associate Director
How to focus a camera like a pro
22. To move the camera and its mount laterally to the right or left.
Stage Manager
trucking
Long shot (head to toe)
Aspect Ratios
23. To move the camera and its mount closer to or farther from the subject.
Digital
dolly
Performer Tips
HDTV
24. The person who assembles raw footage into a final program.
Editor
Digital
Medium Shot (head to toe)
Stage Manager
25. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Post-Production
Lead room
Art Director
Field Production
26. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Stage Manager
Tally light
AGC
ATSC
27. Indicates that the camera is level
Foreground
Studio Production
Technical Director
Horizon Line
28. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Pedestal mount
Engineer
Lead room
Aspect Ratios
29. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Digital
Macro focus
Tripod
White Balance
30. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Performer Tips
HD
Graphics Operator
Graphics Operator
31. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Technical Director
Master Control
VTR
Director
32. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
How to focus a camera like a pro
Macro focus
Pre-production
Field Production
33. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
AGC
The Studio
CU
Tally light
34. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Master Control
Pre-production
Standard Definition
Producer
35. in control room
Engineer
Firewire (IEE-1394)
Audio Operator (A1) (A2)
Rule of thirds
36. Interns - Cable Pullers - 2nd Assistant Directors
Performer Tips
Analog
Grunts
Rack focus
37. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Rack focus
Firewire (IEE-1394)
White Balance
Servo
38. A series of digital television formats developed by the Advanced Television Systems Committee.
Rack focus
ATSC
Iris
Interruptible Feedback
39. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
Horizon Line
Rule of thirds
Graphics Operator
40. A person who deals with the look of sets and other artistic aspects of a television program.
Talent
Art Director
HDTV
CU
41. Planning the project
Producer
Art Director
Pre-production
AGC
42. A camera shot that starts with one object in focus - then changes to focus on another object.
Camera Operators
Rack focus
Tilt
Editor
43. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Associate Director
Rule of thirds
Master Control
Digital
44. Indicates that the camera is level
Foreground
Horizon Line
Technical Director
Lighting Director
45. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Digital
Pedestal mount
Long shot (head to toe)
crane
46. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
trucking
Camera Operators
Talent
VTR
47. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Control Room
Talent
Long shot (head to toe)
Coaxial Cable
48. A person who sets mics in a studio or location setting and/ or operates the audio console.
Grunts
Audio Operator (A1) (A2)
ECU
ATSC
49. ...
Performer Tips
How to focus a camera like a pro
Pre-production
Production
50. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
Tilt
Lens
Field Production