SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Macro focus
Headroom
HD
Engineer
2. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Pan
Standard Definition
Graphics Operator
How to focus a camera like a pro
3. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Control Room
Studio Production
dolly
ATSC
4. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Remotes
NTSC
ECU
Engineer
5. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Digital
Tilt
Performer Tips
Studio Production
6. The ratio of the height of a television screen to its width.
ATSC
Aspect Ratios
Long shot (head to toe)
Pedestal mount
7. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Lead room
ECU
Long shot (head to toe)
Editor
8. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Editor
long lens
HDTV
9. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Performer Tips
ECU
Engineer
Stage Manager
10. combination of studio and field production. Sports - parades
Digital
White Balance
Performer Tips
Remotes
11. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Medium Shot (head to toe)
Headroom
Long shot (head to toe)
NTSC
12. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Angle of Elevation
Stage Manager
Rule of thirds
Technical Director
13. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
Analog
Lead room
Associate Director
14. creates great depth and interest
Foreground
CU
HDTV
Camera Operators
15. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
HDTV
Aspect Ratios
Aspect Ratios
White Balance
16. A person who oversees several production.
Horizon Line
Associate Director
Headroom
Executive Producer
17. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Director
Interruptible Feedback
Lens
18. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Field Production
Remotes
HDTV
Iris
19. A person who oversees several production.
Pedestal mount
Green Rooms
Master Control
Executive Producer
20. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Tilt
Pedestal mount
Engineer
Set Production Designer
21. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Standard Definition
Studio Production
Iris
AGC
22. The person who determines the environment where the production takes place.
Macro focus
Set Production Designer
How to focus a camera like a pro
Stage Manager
23. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
White Balance
Studio Production
Aspect Ratios
crane
24. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Talent
Lighting Director
Macro focus
Coaxial Cable
25. A person who deals with the look of sets and other artistic aspects of a television program.
Control Room
Aspect Ratios
HDTV
Art Director
26. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Macro focus
Interruptible Feedback
Associate Director
Production
27. A digital interface that allows the simultaneous transfer of audio and video information.
How to focus a camera like a pro
Firewire (IEE-1394)
Post-Production
Field Production
28. A digital interface that allows the simultaneous transfer of audio and video information.
Graphics Operator
Director
Firewire (IEE-1394)
Foreground
29. Indicates that the camera is level
Horizon Line
The Studio
Foreground
Headroom
30. people who deliver lines
Associate Director
Foreground
Talent
Performer Tips
31. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Production
Digital
Art Director
Associate Director
32. Planning the project
Associate Director
Remotes
The Studio
Pre-production
33. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Technical Director
ATSC
long lens
Analog
34. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Video Shader
Tally light
crane
ECU
35. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Aspect Ratios
Field Production
HD
Associate Director
36. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
How to focus a camera like a pro
VTR
White Balance
Field Production
37. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
Audio Operator (A1) (A2)
How to focus a camera like a pro
Camera Operators
38. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Stage Manager
dolly
Associate Director
39. Pointing the camera down or up
Post-Production
crane
Angle of Elevation
Headroom
40. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Analog
Aspect Ratios
Producer
Lead room
41. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
Technical Director
crane
Digital
42. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Control Room
Medium Shot (head to toe)
Pre-production
43. Interns - Cable Pullers - 2nd Assistant Directors
Foreground
Rule of thirds
Editor
Grunts
44. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Analog
Interruptible Feedback
Green Rooms
45. A method of representing video or audio signals using a 'wave' of continuously.
Camera Operators
Analog
Field Production
ATSC
46. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Audio Operator (A1) (A2)
White Balance
Standard Definition
47. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Firewire (IEE-1394)
Control Room
Long shot (head to toe)
48. punched switcher
Coaxial Cable
Executive Producer
VTR
Technical Director
49. Indicates that the camera is level
Coaxial Cable
Horizon Line
Engineer
Tally light
50. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Producer
Lighting Director
Art Director
The Studio