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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Medium Shot (head to toe)
Macro focus
Lens
Grunts
2. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Servo
Teleprompter Operartor
Producer
Master Control
3. The person who assembles raw footage into a final program.
Editor
Horizon Line
Studio Production
Post-Production
4. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
trucking
Rule of thirds
Studio Production
NTSC
5. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
dolly
Remotes
Headroom
6. A method of representing video or audio signals using a 'wave' of continuously.
Talent
Production
Analog
The Studio
7. The part of the lens that allows light to pass through.
Iris
Audio Operator (A1) (A2)
Editor
CU
8. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
O/S
Master Control
Digital
9. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Control Room
Foreground
Headroom
Analog
10. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Stage Manager
Remotes
Tripod
Lead room
11. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tally light
Tripod
Engineer
Grunts
12. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Medium Shot (head to toe)
Editor
Coaxial Cable
Tally light
13. Makes sure camera match - lighting
Stage Manager
Studio Production
Video Shader
White Balance
14. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Control Room
Field Production
ECU
Foreground
15. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Lighting Director
Long shot (head to toe)
Tilt
Standard Definition
16. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Director
HDTV
HD
Tally light
17. Interns - Cable Pullers - 2nd Assistant Directors
Rule of thirds
Digital
Grunts
ECU
18. The place in a studio complex where people who are about to appear on a TV show can wait.
Long shot (head to toe)
Performer Tips
Green Rooms
Pan
19. The ratio of the height of a television screen to its width.
Aspect Ratios
Lead room
Digital
Analog
20. Pointing the camera down or up
Green Rooms
Associate Director
Angle of Elevation
Rule of thirds
21. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Teleprompter Operartor
How to focus a camera like a pro
ATSC
HDTV
22. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
O/S
Post-Production
Horizon Line
crane
23. helps with routine stuff - anything the director needs - timing of production
dolly
Art Director
Master Control
Associate Director
24. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
AGC
Performer Tips
Foreground
Tilt
25. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
HD
Analog
Post-Production
26. combination of studio and field production. Sports - parades
Remotes
ECU
How to focus a camera like a pro
AGC
27. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Servo
Macro focus
Medium Shot (head to toe)
28. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Rule of thirds
Headroom
Technical Director
crane
29. A digital interface that allows the simultaneous transfer of audio and video information.
Technical Director
Firewire (IEE-1394)
Production
Digital
30. The person who assembles raw footage into a final program.
Rack focus
How to focus a camera like a pro
Technical Director
Editor
31. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
HDTV
O/S
Servo
Macro focus
32. ...
Rule of thirds
How to focus a camera like a pro
Production
Iris
33. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Tally light
Lead room
Art Director
34. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
Pedestal mount
Rule of thirds
crane
35. Planning the project
Teleprompter Operartor
Pedestal mount
Pre-production
Associate Director
36. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
CU
The Studio
Talent
37. A view of the subject from a comfortable distance between a wide shot and close-up.
Analog
Medium Shot (head to toe)
Studio Production
Green Rooms
38. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Audio Operator (A1) (A2)
Analog
Pedestal mount
39. The place in a studio complex where people who are about to appear on a TV show can wait.
Pre-production
Set Production Designer
Long shot (head to toe)
Green Rooms
40. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Lens
Tripod
Executive Producer
Standard Definition
41. Makes sure camera match - lighting
Video Shader
Field Production
Grunts
Talent
42. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Associate Director
long lens
Post-Production
Stage Manager
43. ...
Director
Grunts
How to focus a camera like a pro
Field Production
44. helps with routine stuff - anything the director needs - timing of production
White Balance
Associate Director
Teleprompter Operartor
Tripod
45. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Stage Manager
VTR
Coaxial Cable
Pedestal mount
46. A person who oversees several production.
long lens
Director
Interruptible Feedback
Executive Producer
47. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Stage Manager
Aspect Ratios
Lead room
HD
48. Indicates that the camera is level
White Balance
Analog
Horizon Line
ATSC
49. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Rack focus
Graphics Operator
Audio Operator (A1) (A2)
HD
50. The space between the top of a subjects head and the upper edge of the camera frame.
Master Control
Producer
Aspect Ratios
Headroom