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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Teleprompter Operartor
Tilt
CU
Pan
2. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Video Shader
Green Rooms
Production
Pan
3. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Performer Tips
Production
AGC
Remotes
4. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Iris
Editor
Performer Tips
Audio Operator (A1) (A2)
5. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Remotes
Digital
Post-Production
Master Control
6. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Tally light
Aspect Ratios
Production
7. A method of representing video or audio signals using a 'wave' of continuously.
Performer Tips
White Balance
Analog
Director
8. A digital interface that allows the simultaneous transfer of audio and video information.
Art Director
Firewire (IEE-1394)
Talent
Pan
9. To move the camera and its mount closer to or farther from the subject.
Graphics Operator
Angle of Elevation
dolly
Associate Director
10. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Angle of Elevation
HDTV
Foreground
11. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Field Production
Macro focus
Engineer
Coaxial Cable
12. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Iris
Engineer
Medium Shot (head to toe)
Camera Operators
13. The place in a studio complex where people who are about to appear on a TV show can wait.
dolly
dolly
Green Rooms
ATSC
14. A camera shot that starts with one object in focus - then changes to focus on another object.
Foreground
Rack focus
Aspect Ratios
CU
15. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
O/S
ATSC
Green Rooms
White Balance
16. The part of the lens that allows light to pass through.
Graphics Operator
Technical Director
White Balance
Iris
17. Indicates that the camera is level
Director
Horizon Line
Long shot (head to toe)
O/S
18. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Audio Operator (A1) (A2)
Grunts
Coaxial Cable
19. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Teleprompter Operartor
Lens
Pedestal mount
Horizon Line
20. ...
Editor
The Studio
How to focus a camera like a pro
Lighting Director
21. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Associate Director
Talent
The Studio
Green Rooms
22. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Standard Definition
Macro focus
long lens
Tripod
23. To move the camera and its mount laterally to the right or left.
Set Production Designer
trucking
O/S
Teleprompter Operartor
24. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
HDTV
Field Production
ECU
25. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Lens
White Balance
Rack focus
ECU
26. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
How to focus a camera like a pro
Control Room
Editor
Servo
27. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Grunts
Digital
Macro focus
Long shot (head to toe)
28. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Firewire (IEE-1394)
Producer
Angle of Elevation
Standard Definition
29. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Angle of Elevation
Lens
long lens
Camera Operators
30. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Post-Production
NTSC
Rule of thirds
Rule of thirds
31. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Director
Standard Definition
HDTV
Technical Director
32. combination of studio and field production. Sports - parades
Analog
Executive Producer
Technical Director
Remotes
33. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Field Production
Horizon Line
Studio Production
Tripod
34. Interns - Cable Pullers - 2nd Assistant Directors
Producer
Coaxial Cable
Grunts
dolly
35. The person who determines the environment where the production takes place.
Grunts
Editor
Digital
Set Production Designer
36. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Art Director
Remotes
Tripod
Technical Director
37. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Green Rooms
Tally light
Field Production
38. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Long shot (head to toe)
ECU
Video Shader
Associate Director
39. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
NTSC
dolly
HDTV
HD
40. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Post-Production
Digital
Angle of Elevation
Interruptible Feedback
41. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Firewire (IEE-1394)
Tilt
NTSC
Angle of Elevation
42. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Executive Producer
Set Production Designer
Field Production
Macro focus
43. A view of the subject from a comfortable distance between a wide shot and close-up.
Field Production
Medium Shot (head to toe)
Interruptible Feedback
Horizon Line
44. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
O/S
Coaxial Cable
Medium Shot (head to toe)
45. A person who sets mics in a studio or location setting and/ or operates the audio console.
Audio Operator (A1) (A2)
Camera Operators
Lead room
Grunts
46. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Tilt
Audio Operator (A1) (A2)
Producer
Green Rooms
47. A person who creates words - drawings and some visual effects that are incorporated with a production.
trucking
Tilt
Graphics Operator
Pan
48. A person who deals with the look of sets and other artistic aspects of a television program.
Rack focus
Art Director
HD
Interruptible Feedback
49. Planning the project
Pre-production
Producer
Stage Manager
Control Room
50. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Standard Definition
Technical Director
Pedestal mount
Control Room