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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A series of digital television formats developed by the Advanced Television Systems Committee.
O/S
ATSC
Editor
Talent
2. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Control Room
Lens
Performer Tips
3. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
VTR
Angle of Elevation
Interruptible Feedback
4. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Remotes
Engineer
Pre-production
crane
5. The person who determines the environment where the production takes place.
Teleprompter Operartor
Set Production Designer
O/S
Interruptible Feedback
6. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Control Room
Set Production Designer
Talent
CU
7. The ratio of the height of a television screen to its width.
Aspect Ratios
Video Shader
Talent
Executive Producer
8. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Servo
Iris
Remotes
9. Indicates that the camera is level
Teleprompter Operartor
AGC
Horizon Line
Master Control
10. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Pan
long lens
Digital
Teleprompter Operartor
11. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Iris
Coaxial Cable
VTR
Pedestal mount
12. creates great depth and interest
Lighting Director
Studio Production
Foreground
White Balance
13. A view of the subject from a comfortable distance between a wide shot and close-up.
Interruptible Feedback
Medium Shot (head to toe)
Field Production
long lens
14. combination of studio and field production. Sports - parades
Remotes
Camera Operators
Audio Operator (A1) (A2)
Graphics Operator
15. Over the shoulder
ATSC
O/S
Pre-production
How to focus a camera like a pro
16. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Video Shader
Lens
Servo
17. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Medium Shot (head to toe)
VTR
ATSC
Coaxial Cable
18. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Editor
Director
ECU
Teleprompter Operartor
19. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Rack focus
HDTV
White Balance
Interruptible Feedback
20. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
How to focus a camera like a pro
Performer Tips
Director
21. Makes sure camera match - lighting
Production
CU
Tripod
Video Shader
22. The person who determines the environment where the production takes place.
Foreground
Medium Shot (head to toe)
Set Production Designer
Associate Director
23. A view of the subject from a comfortable distance between a wide shot and close-up.
HDTV
Pedestal mount
Lens
Medium Shot (head to toe)
24. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Pan
Lead room
Macro focus
25. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
trucking
Firewire (IEE-1394)
Analog
HD
26. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Master Control
ATSC
NTSC
27. creates great depth and interest
Long shot (head to toe)
Foreground
Control Room
O/S
28. The space between the top of a subjects head and the upper edge of the camera frame.
Set Production Designer
Pre-production
Headroom
Green Rooms
29. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Horizon Line
The Studio
Stage Manager
Digital
30. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Control Room
long lens
Green Rooms
Pre-production
31. punched switcher
Technical Director
ATSC
Pre-production
HD
32. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Rule of thirds
Tilt
Field Production
Lighting Director
33. To move the camera and its mount closer to or farther from the subject.
dolly
Firewire (IEE-1394)
Camera Operators
VTR
34. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Coaxial Cable
Control Room
crane
Medium Shot (head to toe)
35. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
NTSC
Headroom
Set Production Designer
36. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
AGC
HDTV
ECU
Servo
37. A method of representing video or audio signals using a 'wave' of continuously.
Remotes
Production
Performer Tips
Analog
38. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Green Rooms
Pre-production
Graphics Operator
39. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
O/S
VTR
ECU
40. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Talent
Long shot (head to toe)
Lens
crane
41. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Aspect Ratios
CU
Long shot (head to toe)
Set Production Designer
42. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
O/S
Post-Production
O/S
Pre-production
43. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
ECU
Long shot (head to toe)
Performer Tips
long lens
44. ...
How to focus a camera like a pro
dolly
The Studio
ECU
45. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Performer Tips
Art Director
Talent
AGC
46. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Pan
Lighting Director
trucking
Grunts
47. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Standard Definition
The Studio
Digital
crane
48. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
Executive Producer
Tilt
O/S
49. A camera shot that starts with one object in focus - then changes to focus on another object.
Rack focus
Green Rooms
Talent
Headroom
50. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
NTSC
Iris
long lens