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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Remotes
Lighting Director
ATSC
Firewire (IEE-1394)
2. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
ECU
ECU
Pedestal mount
VTR
3. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Grunts
Lens
Digital
4. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
How to focus a camera like a pro
trucking
Aspect Ratios
5. The person who assembles raw footage into a final program.
Field Production
Master Control
Editor
Headroom
6. A digital interface that allows the simultaneous transfer of audio and video information.
Studio Production
Pre-production
NTSC
Firewire (IEE-1394)
7. punched switcher
Master Control
Medium Shot (head to toe)
Technical Director
dolly
8. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
HDTV
long lens
Engineer
White Balance
9. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
Tripod
Standard Definition
Production
10. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
Producer
Teleprompter Operartor
HD
11. A person who sets mics in a studio or location setting and/ or operates the audio console.
Firewire (IEE-1394)
Producer
Audio Operator (A1) (A2)
Pan
12. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Coaxial Cable
Lighting Director
ECU
VTR
13. The space between the top of a subjects head and the upper edge of the camera frame.
Rack focus
AGC
Headroom
Grunts
14. combination of studio and field production. Sports - parades
Remotes
Long shot (head to toe)
Talent
Control Room
15. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Control Room
Long shot (head to toe)
Pan
trucking
16. helps with routine stuff - anything the director needs - timing of production
Post-Production
Angle of Elevation
Associate Director
Coaxial Cable
17. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Audio Operator (A1) (A2)
Medium Shot (head to toe)
Rack focus
18. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lighting Director
Long shot (head to toe)
Aspect Ratios
ATSC
19. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
HD
long lens
Tally light
Grunts
20. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Grunts
Rule of thirds
White Balance
21. in control room
Green Rooms
Engineer
Grunts
Director
22. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Producer
Macro focus
How to focus a camera like a pro
Servo
23. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Video Shader
The Studio
White Balance
Teleprompter Operartor
24. Planning the project
Pre-production
Rack focus
Associate Director
HD
25. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Headroom
Associate Director
Camera Operators
Servo
26. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
HDTV
Standard Definition
Green Rooms
27. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Foreground
O/S
Stage Manager
Performer Tips
28. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Firewire (IEE-1394)
HD
Grunts
29. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
White Balance
Coaxial Cable
Director
NTSC
30. A view of the subject from a comfortable distance between a wide shot and close-up.
Medium Shot (head to toe)
Green Rooms
AGC
Lead room
31. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Remotes
Producer
Tally light
ECU
32. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Associate Director
crane
Firewire (IEE-1394)
trucking
33. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Post-Production
crane
Green Rooms
Teleprompter Operartor
34. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
NTSC
Control Room
Production
Interruptible Feedback
35. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Stage Manager
Control Room
Field Production
long lens
36. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
VTR
Executive Producer
HD
NTSC
37. To move the camera and its mount closer to or farther from the subject.
Aspect Ratios
dolly
Performer Tips
Analog
38. The ratio of the height of a television screen to its width.
Art Director
Stage Manager
Aspect Ratios
Firewire (IEE-1394)
39. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
ECU
Producer
Lighting Director
CU
40. ...
Long shot (head to toe)
How to focus a camera like a pro
CU
Medium Shot (head to toe)
41. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
dolly
Long shot (head to toe)
Green Rooms
Headroom
42. The stage during which all the shooting for a program is undertaken.
VTR
Production
Standard Definition
Analog
43. Makes sure camera match - lighting
trucking
CU
HD
Video Shader
44. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Technical Director
NTSC
Long shot (head to toe)
Angle of Elevation
45. people who deliver lines
Talent
Coaxial Cable
Angle of Elevation
dolly
46. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Engineer
crane
Rack focus
Interruptible Feedback
47. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Coaxial Cable
Art Director
Producer
Teleprompter Operartor
48. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Production
Pedestal mount
Pan
Tilt
49. The part of the lens that allows light to pass through.
Executive Producer
How to focus a camera like a pro
White Balance
Iris
50. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Rack focus
Foreground
Director
Performer Tips