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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Interns - Cable Pullers - 2nd Assistant Directors
Grunts
Servo
Rule of thirds
Director
2. Indicates that the camera is level
Executive Producer
Video Shader
Horizon Line
long lens
3. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Pedestal mount
Director
HDTV
Firewire (IEE-1394)
4. The person who determines the environment where the production takes place.
Iris
Set Production Designer
Tally light
long lens
5. people who deliver lines
ATSC
Talent
Field Production
Stage Manager
6. The ratio of the height of a television screen to its width.
long lens
Tripod
Aspect Ratios
White Balance
7. helps with routine stuff - anything the director needs - timing of production
AGC
Associate Director
Producer
Field Production
8. The stage during which all the shooting for a program is undertaken.
Teleprompter Operartor
Production
Pedestal mount
Set Production Designer
9. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Rule of thirds
Lens
Stage Manager
Digital
10. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
Engineer
Tilt
crane
11. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Performer Tips
Horizon Line
Rule of thirds
Firewire (IEE-1394)
12. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Producer
Iris
Engineer
Tripod
13. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Rack focus
Editor
Macro focus
dolly
14. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tripod
Teleprompter Operartor
Tilt
Talent
15. A camera shot that starts with one object in focus - then changes to focus on another object.
Field Production
How to focus a camera like a pro
dolly
Rack focus
16. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Post-Production
HD
Talent
Stage Manager
17. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Standard Definition
Stage Manager
NTSC
Associate Director
18. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
Studio Production
Digital
Lead room
19. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Standard Definition
Art Director
Talent
AGC
20. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Macro focus
Aspect Ratios
Performer Tips
Stage Manager
21. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Tally light
Executive Producer
HDTV
Master Control
22. A person who deals with the look of sets and other artistic aspects of a television program.
Coaxial Cable
Remotes
Art Director
Talent
23. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Engineer
Tripod
Pedestal mount
Firewire (IEE-1394)
24. in control room
Servo
Foreground
Grunts
Engineer
25. The space between the top of a subjects head and the upper edge of the camera frame.
ATSC
Graphics Operator
Coaxial Cable
Headroom
26. combination of studio and field production. Sports - parades
Producer
Remotes
Angle of Elevation
Pedestal mount
27. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Interruptible Feedback
The Studio
Producer
Camera Operators
28. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Control Room
Pan
Audio Operator (A1) (A2)
The Studio
29. To move the camera and its mount closer to or farther from the subject.
Control Room
dolly
Engineer
Remotes
30. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Digital
Rack focus
Editor
Pedestal mount
31. Makes sure camera match - lighting
Standard Definition
VTR
CU
Video Shader
32. in control room
Performer Tips
Engineer
Technical Director
Lens
33. people who deliver lines
Analog
dolly
Talent
Lighting Director
34. punched switcher
long lens
Video Shader
Technical Director
Engineer
35. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Associate Director
Green Rooms
Analog
36. Interns - Cable Pullers - 2nd Assistant Directors
Green Rooms
dolly
Grunts
Rule of thirds
37. Makes sure camera match - lighting
Video Shader
Medium Shot (head to toe)
How to focus a camera like a pro
Foreground
38. A series of digital television formats developed by the Advanced Television Systems Committee.
Tally light
ATSC
Medium Shot (head to toe)
Rack focus
39. A person who creates words - drawings and some visual effects that are incorporated with a production.
long lens
Analog
HDTV
Graphics Operator
40. The stage during which all the shooting for a program is undertaken.
Production
Rack focus
Producer
Aspect Ratios
41. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Field Production
long lens
AGC
Lens
42. A person who creates words - drawings and some visual effects that are incorporated with a production.
Graphics Operator
Technical Director
VTR
Audio Operator (A1) (A2)
43. Over the shoulder
O/S
Rule of thirds
HD
Foreground
44. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Aspect Ratios
Director
long lens
Video Shader
45. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Studio Production
Engineer
Pre-production
Camera Operators
46. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Producer
Pan
trucking
VTR
47. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Angle of Elevation
Engineer
crane
Field Production
48. To move the camera and its mount laterally to the right or left.
Rule of thirds
Coaxial Cable
trucking
Associate Director
49. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Pre-production
VTR
Art Director
Headroom
50. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Headroom
Graphics Operator
The Studio
HD