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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The stage during which all the shooting for a program is undertaken.
Production
Remotes
HDTV
Set Production Designer
2. A method of representing video or audio signals using a 'wave' of continuously.
Performer Tips
Graphics Operator
Stage Manager
Analog
3. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Tripod
Interruptible Feedback
Performer Tips
Macro focus
4. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
dolly
Teleprompter Operartor
Tilt
How to focus a camera like a pro
5. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Long shot (head to toe)
crane
Rack focus
Technical Director
6. Interns - Cable Pullers - 2nd Assistant Directors
Associate Director
Tilt
Camera Operators
Grunts
7. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Rack focus
How to focus a camera like a pro
White Balance
8. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lighting Director
Producer
Set Production Designer
Camera Operators
9. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Pedestal mount
Firewire (IEE-1394)
Production
White Balance
10. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
How to focus a camera like a pro
Tripod
Producer
Tally light
11. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
Executive Producer
Post-Production
Coaxial Cable
12. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
ATSC
crane
Digital
Pedestal mount
13. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Production
Video Shader
Tripod
14. A view of the subject from a comfortable distance between a wide shot and close-up.
Lighting Director
Medium Shot (head to toe)
Aspect Ratios
Producer
15. A person who oversees several production.
Executive Producer
ATSC
Master Control
Medium Shot (head to toe)
16. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Medium Shot (head to toe)
Performer Tips
AGC
Remotes
17. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Medium Shot (head to toe)
Teleprompter Operartor
Technical Director
18. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
trucking
NTSC
Tally light
19. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
CU
Angle of Elevation
HD
The Studio
20. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Firewire (IEE-1394)
CU
Art Director
21. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
O/S
Talent
Analog
HDTV
22. To move the camera and its mount closer to or farther from the subject.
dolly
Remotes
Analog
Lighting Director
23. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
Servo
AGC
Engineer
24. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Macro focus
Coaxial Cable
White Balance
Interruptible Feedback
25. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Engineer
Lead room
Producer
Post-Production
26. A view of the subject from a comfortable distance between a wide shot and close-up.
long lens
Medium Shot (head to toe)
Field Production
White Balance
27. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Master Control
ECU
Standard Definition
Digital
28. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
ECU
Pan
Performer Tips
Editor
29. helps with routine stuff - anything the director needs - timing of production
Pedestal mount
Associate Director
Angle of Elevation
Engineer
30. Indicates that the camera is level
Coaxial Cable
Lighting Director
Horizon Line
Macro focus
31. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
trucking
Angle of Elevation
Master Control
Angle of Elevation
32. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Pedestal mount
Tally light
Long shot (head to toe)
dolly
33. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
Grunts
Video Shader
Horizon Line
34. To move the camera and its mount laterally to the right or left.
Tripod
Tilt
trucking
Production
35. The person who determines the environment where the production takes place.
Analog
Long shot (head to toe)
Set Production Designer
Engineer
36. A method of representing video or audio signals using a 'wave' of continuously.
Studio Production
Talent
Iris
Analog
37. The person who assembles raw footage into a final program.
Editor
Angle of Elevation
Foreground
Aspect Ratios
38. creates great depth and interest
Grunts
Foreground
Servo
Firewire (IEE-1394)
39. A person who creates words - drawings and some visual effects that are incorporated with a production.
Graphics Operator
Coaxial Cable
Producer
Production
40. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Pre-production
Long shot (head to toe)
CU
41. combination of studio and field production. Sports - parades
Remotes
Servo
Rule of thirds
Rule of thirds
42. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
HD
Grunts
AGC
Performer Tips
43. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Foreground
HDTV
Standard Definition
Production
44. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
Video Shader
White Balance
Pedestal mount
45. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
VTR
Audio Operator (A1) (A2)
Tally light
46. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Rule of thirds
Angle of Elevation
Control Room
Standard Definition
47. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Coaxial Cable
Pre-production
Teleprompter Operartor
NTSC
48. The part of the lens that allows light to pass through.
Iris
Executive Producer
O/S
Macro focus
49. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Aspect Ratios
The Studio
Remotes
Coaxial Cable
50. Over the shoulder
Set Production Designer
O/S
Studio Production
Grunts