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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Teleprompter Operartor
Lens
Lead room
Editor
2. Over the shoulder
Pedestal mount
Iris
O/S
Talent
3. To move the camera and its mount laterally to the right or left.
Talent
Audio Operator (A1) (A2)
Talent
trucking
4. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Aspect Ratios
Interruptible Feedback
Technical Director
HDTV
5. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Video Shader
HDTV
Rule of thirds
Analog
6. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
NTSC
Editor
Pedestal mount
Lighting Director
7. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Graphics Operator
Camera Operators
Lens
Graphics Operator
8. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
Pre-production
Lens
Medium Shot (head to toe)
9. punched switcher
Technical Director
Green Rooms
Control Room
Analog
10. A camera shot that starts with one object in focus - then changes to focus on another object.
Medium Shot (head to toe)
AGC
Rack focus
CU
11. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
Tally light
AGC
Interruptible Feedback
12. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Graphics Operator
Art Director
Master Control
13. A series of digital television formats developed by the Advanced Television Systems Committee.
Grunts
Foreground
ATSC
Green Rooms
14. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Rule of thirds
O/S
CU
White Balance
15. The person who assembles raw footage into a final program.
Pedestal mount
Editor
Production
Tripod
16. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
ECU
Graphics Operator
Digital
Standard Definition
17. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Tilt
Lens
HD
Long shot (head to toe)
18. people who deliver lines
Talent
Executive Producer
Post-Production
Audio Operator (A1) (A2)
19. Interns - Cable Pullers - 2nd Assistant Directors
Executive Producer
Coaxial Cable
Teleprompter Operartor
Grunts
20. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Headroom
Foreground
Lead room
Producer
21. To move the camera and its mount closer to or farther from the subject.
crane
dolly
Editor
HD
22. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Digital
Camera Operators
Pan
HDTV
23. helps with routine stuff - anything the director needs - timing of production
Camera Operators
Remotes
Associate Director
Audio Operator (A1) (A2)
24. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Aspect Ratios
Tripod
Teleprompter Operartor
25. The person who determines the environment where the production takes place.
Master Control
Set Production Designer
Macro focus
ATSC
26. The space between the top of a subjects head and the upper edge of the camera frame.
Horizon Line
Tally light
Headroom
Art Director
27. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Video Shader
Pre-production
Graphics Operator
28. To move the camera and its mount closer to or farther from the subject.
trucking
dolly
Iris
Green Rooms
29. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Rack focus
HD
Pre-production
Performer Tips
30. Over the shoulder
Digital
CU
Tilt
O/S
31. Makes sure camera match - lighting
Aspect Ratios
Video Shader
Rack focus
Pre-production
32. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
Horizon Line
Audio Operator (A1) (A2)
Engineer
33. The place in a studio complex where people who are about to appear on a TV show can wait.
Analog
Aspect Ratios
Studio Production
Green Rooms
34. A person who oversees several production.
Technical Director
Executive Producer
Digital
Green Rooms
35. Planning the project
Master Control
Pre-production
Headroom
Pedestal mount
36. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Tilt
NTSC
Analog
Digital
37. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Pedestal mount
Master Control
Video Shader
Associate Director
38. combination of studio and field production. Sports - parades
Lighting Director
Remotes
Medium Shot (head to toe)
long lens
39. A person who deals with the look of sets and other artistic aspects of a television program.
Standard Definition
Horizon Line
Production
Art Director
40. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
O/S
long lens
Producer
ECU
41. The person who determines the environment where the production takes place.
Set Production Designer
Talent
White Balance
Production
42. A person who creates words - drawings and some visual effects that are incorporated with a production.
Foreground
Graphics Operator
CU
Rack focus
43. A person who deals with the look of sets and other artistic aspects of a television program.
Tripod
Art Director
Executive Producer
Graphics Operator
44. ...
Art Director
Control Room
How to focus a camera like a pro
Talent
45. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Video Shader
Control Room
The Studio
Grunts
46. The ratio of the height of a television screen to its width.
Director
Aspect Ratios
Firewire (IEE-1394)
Firewire (IEE-1394)
47. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Associate Director
Aspect Ratios
Tally light
Director
48. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Lens
NTSC
Stage Manager
49. The stage during which all the shooting for a program is undertaken.
HDTV
Production
Technical Director
Long shot (head to toe)
50. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Long shot (head to toe)
ECU
Control Room
How to focus a camera like a pro