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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
Lead room
long lens
Rack focus
2. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Long shot (head to toe)
AGC
dolly
3. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
VTR
Control Room
Pan
ATSC
4. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Director
Tilt
Lighting Director
NTSC
5. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Field Production
Rack focus
Post-Production
Coaxial Cable
6. Indicates that the camera is level
Digital
Producer
Horizon Line
CU
7. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Lead room
Medium Shot (head to toe)
NTSC
Firewire (IEE-1394)
8. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
trucking
Studio Production
Field Production
Tripod
9. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
VTR
Field Production
Lighting Director
NTSC
10. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
AGC
Analog
Tilt
Art Director
11. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Stage Manager
Field Production
Producer
Camera Operators
12. The person who assembles raw footage into a final program.
ECU
Art Director
Editor
Analog
13. A method of representing video or audio signals using a 'wave' of continuously.
Lighting Director
Tally light
Graphics Operator
Analog
14. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
AGC
Medium Shot (head to toe)
Master Control
O/S
15. people who deliver lines
Coaxial Cable
Lead room
Talent
ATSC
16. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Standard Definition
The Studio
Servo
Technical Director
17. The place in a studio complex where people who are about to appear on a TV show can wait.
NTSC
Green Rooms
Grunts
Stage Manager
18. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Associate Director
Tilt
The Studio
Set Production Designer
19. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Tripod
Macro focus
ECU
Camera Operators
20. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
O/S
Teleprompter Operartor
Headroom
Firewire (IEE-1394)
21. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Horizon Line
Tally light
Associate Director
22. Interns - Cable Pullers - 2nd Assistant Directors
Post-Production
dolly
Grunts
Lead room
23. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Graphics Operator
Firewire (IEE-1394)
Coaxial Cable
HDTV
24. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Servo
crane
Rack focus
ATSC
25. The stage during which all the shooting for a program is undertaken.
Production
Studio Production
HDTV
Set Production Designer
26. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Studio Production
Digital
Talent
27. The part of the lens that allows light to pass through.
dolly
Camera Operators
Iris
Pedestal mount
28. creates great depth and interest
Foreground
The Studio
Studio Production
Rule of thirds
29. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Associate Director
Performer Tips
O/S
Tripod
30. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Lighting Director
Teleprompter Operartor
White Balance
Grunts
31. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Performer Tips
The Studio
ECU
Video Shader
32. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
Director
Editor
Technical Director
33. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
ATSC
Lighting Director
VTR
Iris
34. A person who oversees several production.
Iris
ECU
AGC
Executive Producer
35. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
crane
Coaxial Cable
Tally light
ATSC
36. A person who sets mics in a studio or location setting and/ or operates the audio console.
Lens
Producer
Audio Operator (A1) (A2)
Tally light
37. To move the camera and its mount closer to or farther from the subject.
Camera Operators
NTSC
dolly
long lens
38. A digital interface that allows the simultaneous transfer of audio and video information.
Long shot (head to toe)
Firewire (IEE-1394)
Medium Shot (head to toe)
Lens
39. combination of studio and field production. Sports - parades
Servo
trucking
dolly
Remotes
40. Planning the project
VTR
Pre-production
Tripod
Green Rooms
41. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
HD
Long shot (head to toe)
Foreground
42. people who deliver lines
Talent
ATSC
White Balance
Lead room
43. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
HDTV
ATSC
Pan
44. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
ATSC
Coaxial Cable
Firewire (IEE-1394)
Associate Director
45. The space between the top of a subjects head and the upper edge of the camera frame.
Grunts
Studio Production
Headroom
Editor
46. ...
How to focus a camera like a pro
Camera Operators
Rack focus
long lens
47. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Pedestal mount
Tally light
ATSC
Tilt
48. A camera shot that starts with one object in focus - then changes to focus on another object.
Rack focus
Aspect Ratios
HDTV
CU
49. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Camera Operators
Lens
Iris
Post-Production
50. Additional framing space in a camera picture on the side toward which a subject is looking or moving
White Balance
Lead room
Graphics Operator
Post-Production