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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Coaxial Cable
Horizon Line
Camera Operators
Headroom
2. ...
Foreground
How to focus a camera like a pro
Stage Manager
Firewire (IEE-1394)
3. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Editor
Director
The Studio
Teleprompter Operartor
4. A view of the subject from a comfortable distance between a wide shot and close-up.
Grunts
Medium Shot (head to toe)
Control Room
Control Room
5. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Editor
Coaxial Cable
crane
Digital
6. Additional framing space in a camera picture on the side toward which a subject is looking or moving
O/S
Pedestal mount
Editor
Lead room
7. The person who assembles raw footage into a final program.
Editor
Graphics Operator
Rule of thirds
Coaxial Cable
8. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Tally light
Aspect Ratios
Video Shader
AGC
9. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Associate Director
Lens
Tilt
10. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
HDTV
Foreground
Tilt
Coaxial Cable
11. The ratio of the height of a television screen to its width.
Studio Production
Tripod
Aspect Ratios
CU
12. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
HDTV
Field Production
Tally light
Analog
13. people who deliver lines
Pre-production
Talent
Tripod
Engineer
14. A person who oversees several production.
Angle of Elevation
Firewire (IEE-1394)
Executive Producer
Grunts
15. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Teleprompter Operartor
Field Production
Rack focus
Post-Production
16. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Tally light
ATSC
O/S
17. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Executive Producer
crane
long lens
NTSC
18. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Foreground
long lens
Audio Operator (A1) (A2)
Interruptible Feedback
19. A person who deals with the look of sets and other artistic aspects of a television program.
Pre-production
VTR
Art Director
Director
20. in control room
long lens
Engineer
Graphics Operator
Horizon Line
21. A series of digital television formats developed by the Advanced Television Systems Committee.
Interruptible Feedback
Stage Manager
ATSC
Set Production Designer
22. Pointing the camera down or up
trucking
The Studio
Producer
Angle of Elevation
23. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Post-Production
Camera Operators
Talent
Control Room
24. The stage during which all the shooting for a program is undertaken.
Medium Shot (head to toe)
ECU
Production
Headroom
25. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Engineer
Pedestal mount
VTR
Engineer
26. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
ATSC
Teleprompter Operartor
Lighting Director
27. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Tripod
HD
Pan
Green Rooms
28. To move the camera and its mount closer to or farther from the subject.
Macro focus
ECU
dolly
Rack focus
29. The space between the top of a subjects head and the upper edge of the camera frame.
Pedestal mount
Headroom
Talent
Field Production
30. ...
ATSC
How to focus a camera like a pro
Set Production Designer
Angle of Elevation
31. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Analog
Horizon Line
Long shot (head to toe)
Remotes
32. The stage during which all the shooting for a program is undertaken.
Interruptible Feedback
Production
Post-Production
ECU
33. The place in a studio complex where people who are about to appear on a TV show can wait.
Tally light
Green Rooms
Video Shader
HD
34. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Lens
dolly
Talent
Horizon Line
35. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
crane
White Balance
The Studio
36. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Standard Definition
Lens
CU
Long shot (head to toe)
37. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Medium Shot (head to toe)
Lens
Field Production
Interruptible Feedback
38. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
ATSC
Executive Producer
Headroom
CU
39. A camera shot that starts with one object in focus - then changes to focus on another object.
Pedestal mount
Rack focus
dolly
Executive Producer
40. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
Lens
Rule of thirds
Director
41. A person who oversees several production.
Engineer
Producer
trucking
Executive Producer
42. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Macro focus
The Studio
Coaxial Cable
43. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Macro focus
Post-Production
Green Rooms
AGC
44. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Production
CU
crane
VTR
45. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Horizon Line
Macro focus
Lighting Director
Digital
46. helps with routine stuff - anything the director needs - timing of production
Aspect Ratios
Video Shader
Remotes
Associate Director
47. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Iris
Field Production
Servo
Standard Definition
48. To move the camera and its mount laterally to the right or left.
Video Shader
The Studio
trucking
Headroom
49. A camera shot that starts with one object in focus - then changes to focus on another object.
O/S
Stage Manager
Analog
Rack focus
50. A person who creates words - drawings and some visual effects that are incorporated with a production.
Tripod
Graphics Operator
Talent
Standard Definition