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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Additional framing space in a camera picture on the side toward which a subject is looking or moving
White Balance
Lead room
Analog
Foreground
2. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
VTR
Tally light
Grunts
HD
3. Over the shoulder
Engineer
Executive Producer
O/S
Tilt
4. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Long shot (head to toe)
AGC
Analog
NTSC
5. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Pedestal mount
Pan
O/S
Master Control
6. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Pan
Macro focus
Grunts
Teleprompter Operartor
7. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
AGC
dolly
trucking
Lens
8. The person who determines the environment where the production takes place.
long lens
Set Production Designer
Engineer
Foreground
9. To move the camera and its mount closer to or farther from the subject.
Audio Operator (A1) (A2)
dolly
Associate Director
Long shot (head to toe)
10. The person who determines the environment where the production takes place.
Set Production Designer
Coaxial Cable
Editor
Performer Tips
11. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Lead room
Technical Director
HD
12. The ratio of the height of a television screen to its width.
Standard Definition
Servo
Aspect Ratios
Engineer
13. A person who oversees several production.
Audio Operator (A1) (A2)
Servo
Associate Director
Executive Producer
14. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Master Control
Studio Production
O/S
White Balance
15. Makes sure camera match - lighting
Green Rooms
O/S
Video Shader
Field Production
16. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
long lens
The Studio
Rack focus
Remotes
17. A method of representing video or audio signals using a 'wave' of continuously.
Aspect Ratios
CU
Analog
ECU
18. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Angle of Elevation
Lighting Director
Green Rooms
ATSC
19. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Teleprompter Operartor
ECU
VTR
Engineer
20. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
crane
Tally light
Lead room
21. combination of studio and field production. Sports - parades
Remotes
Analog
Firewire (IEE-1394)
O/S
22. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Lead room
Lens
Macro focus
Foreground
23. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
dolly
Tally light
Macro focus
Production
24. Interns - Cable Pullers - 2nd Assistant Directors
Coaxial Cable
long lens
long lens
Grunts
25. The part of the lens that allows light to pass through.
Talent
ECU
Long shot (head to toe)
Iris
26. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Editor
ECU
CU
VTR
27. A series of digital television formats developed by the Advanced Television Systems Committee.
HD
ATSC
AGC
Stage Manager
28. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Camera Operators
ATSC
HD
Angle of Elevation
29. Indicates that the camera is level
Rule of thirds
Remotes
Horizon Line
Grunts
30. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Engineer
Master Control
Art Director
31. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Tripod
AGC
Post-Production
The Studio
32. To move the camera and its mount laterally to the right or left.
Video Shader
trucking
Lead room
Engineer
33. A person who deals with the look of sets and other artistic aspects of a television program.
Macro focus
Technical Director
Art Director
Graphics Operator
34. ...
Grunts
How to focus a camera like a pro
CU
Teleprompter Operartor
35. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
Digital
Art Director
Foreground
36. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Standard Definition
Long shot (head to toe)
VTR
Production
37. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
Art Director
trucking
Audio Operator (A1) (A2)
38. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Analog
Technical Director
Analog
39. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Lighting Director
Medium Shot (head to toe)
Digital
Technical Director
40. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Long shot (head to toe)
dolly
Tilt
O/S
41. creates great depth and interest
O/S
Foreground
Tripod
VTR
42. ...
dolly
How to focus a camera like a pro
Post-Production
Tilt
43. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
AGC
Green Rooms
dolly
Coaxial Cable
44. The stage during which all the shooting for a program is undertaken.
Coaxial Cable
Standard Definition
Camera Operators
Production
45. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
dolly
O/S
CU
Medium Shot (head to toe)
46. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Production
Master Control
Control Room
Analog
47. punched switcher
Director
HDTV
Technical Director
Tally light
48. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Master Control
Graphics Operator
crane
ECU
49. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
How to focus a camera like a pro
White Balance
Green Rooms
Control Room
50. A digital interface that allows the simultaneous transfer of audio and video information.
Green Rooms
Producer
Pedestal mount
Firewire (IEE-1394)