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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Indicates that the camera is level
Graphics Operator
Director
Horizon Line
Lead room
2. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
Editor
Engineer
Remotes
3. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Horizon Line
Audio Operator (A1) (A2)
Field Production
Technical Director
4. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
Iris
Rule of thirds
CU
5. ...
How to focus a camera like a pro
Pedestal mount
Master Control
Firewire (IEE-1394)
6. helps with routine stuff - anything the director needs - timing of production
Field Production
Associate Director
Lens
Video Shader
7. A person who creates words - drawings and some visual effects that are incorporated with a production.
Editor
Pan
Graphics Operator
Master Control
8. The ratio of the height of a television screen to its width.
The Studio
Aspect Ratios
How to focus a camera like a pro
trucking
9. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
White Balance
Master Control
Standard Definition
Stage Manager
10. Over the shoulder
Master Control
Horizon Line
Teleprompter Operartor
O/S
11. Makes sure camera match - lighting
Executive Producer
Video Shader
Lighting Director
ECU
12. helps with routine stuff - anything the director needs - timing of production
HD
Set Production Designer
Studio Production
Associate Director
13. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Coaxial Cable
Angle of Elevation
VTR
Performer Tips
14. people who deliver lines
Pre-production
Rack focus
Talent
Engineer
15. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
ECU
Grunts
HDTV
Servo
16. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Director
trucking
Control Room
Video Shader
17. The stage during which all the shooting for a program is undertaken.
Macro focus
Lead room
HDTV
Production
18. Planning the project
Art Director
Editor
Pre-production
HD
19. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Angle of Elevation
The Studio
HD
Macro focus
20. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Green Rooms
Master Control
White Balance
Teleprompter Operartor
21. A person who sets mics in a studio or location setting and/ or operates the audio console.
Set Production Designer
Audio Operator (A1) (A2)
Rule of thirds
Coaxial Cable
22. Interns - Cable Pullers - 2nd Assistant Directors
Studio Production
Iris
Technical Director
Grunts
23. creates great depth and interest
Foreground
Rack focus
HDTV
HD
24. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Field Production
Performer Tips
Audio Operator (A1) (A2)
ECU
25. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
AGC
Producer
Standard Definition
26. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Grunts
Aspect Ratios
Interruptible Feedback
Producer
27. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
trucking
Engineer
Technical Director
Post-Production
28. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Digital
crane
Pan
Coaxial Cable
29. Pointing the camera down or up
Analog
ECU
Angle of Elevation
HD
30. A method of representing video or audio signals using a 'wave' of continuously.
dolly
Art Director
Analog
Digital
31. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Pan
Pedestal mount
Iris
Stage Manager
32. A series of digital television formats developed by the Advanced Television Systems Committee.
Pre-production
Camera Operators
ATSC
NTSC
33. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Executive Producer
HD
Pan
White Balance
34. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Field Production
Lead room
Digital
Medium Shot (head to toe)
35. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Rack focus
Control Room
How to focus a camera like a pro
36. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
ECU
How to focus a camera like a pro
Graphics Operator
Teleprompter Operartor
37. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
ATSC
Digital
Editor
Rule of thirds
38. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Angle of Elevation
Standard Definition
Long shot (head to toe)
CU
39. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Headroom
White Balance
Long shot (head to toe)
40. A digital interface that allows the simultaneous transfer of audio and video information.
Macro focus
Horizon Line
Performer Tips
Firewire (IEE-1394)
41. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Graphics Operator
ECU
How to focus a camera like a pro
Graphics Operator
42. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Aspect Ratios
Green Rooms
Rack focus
43. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
trucking
Talent
Servo
Pedestal mount
44. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Editor
Macro focus
Interruptible Feedback
Technical Director
45. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
CU
Green Rooms
Camera Operators
Field Production
46. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Master Control
Editor
Editor
Producer
47. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Firewire (IEE-1394)
Director
Pedestal mount
Pre-production
48. To move the camera and its mount closer to or farther from the subject.
Medium Shot (head to toe)
Performer Tips
White Balance
dolly
49. The stage during which all the shooting for a program is undertaken.
White Balance
Control Room
Production
Rule of thirds
50. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Remotes
Macro focus
Foreground
Standard Definition