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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The person who determines the environment where the production takes place.
Headroom
Set Production Designer
Digital
Stage Manager
2. The space between the top of a subjects head and the upper edge of the camera frame.
Art Director
Production
Headroom
Analog
3. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
VTR
Tally light
Analog
Interruptible Feedback
4. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Teleprompter Operartor
Tilt
Studio Production
ECU
5. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Firewire (IEE-1394)
Pan
Angle of Elevation
Camera Operators
6. To move the camera and its mount closer to or farther from the subject.
Digital
Art Director
Iris
dolly
7. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Tally light
Digital
Grunts
Control Room
8. A digital interface that allows the simultaneous transfer of audio and video information.
long lens
HD
Medium Shot (head to toe)
Firewire (IEE-1394)
9. ...
Editor
Interruptible Feedback
How to focus a camera like a pro
dolly
10. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
White Balance
Interruptible Feedback
Digital
11. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Lighting Director
Interruptible Feedback
CU
Aspect Ratios
12. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Engineer
Lens
Grunts
AGC
13. Interns - Cable Pullers - 2nd Assistant Directors
Analog
Grunts
Control Room
Green Rooms
14. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Horizon Line
Rule of thirds
O/S
Studio Production
15. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
Studio Production
Editor
O/S
16. A person who sets mics in a studio or location setting and/ or operates the audio console.
Long shot (head to toe)
Audio Operator (A1) (A2)
Camera Operators
Set Production Designer
17. Planning the project
Pre-production
Director
Stage Manager
Rack focus
18. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
HD
Master Control
Master Control
Digital
19. To move the camera and its mount closer to or farther from the subject.
Studio Production
Servo
Associate Director
dolly
20. Interns - Cable Pullers - 2nd Assistant Directors
Pre-production
Director
dolly
Grunts
21. The part of the lens that allows light to pass through.
VTR
Iris
Digital
Tilt
22. Pointing the camera down or up
HD
Servo
Angle of Elevation
Servo
23. combination of studio and field production. Sports - parades
Remotes
Tripod
Audio Operator (A1) (A2)
Editor
24. Makes sure camera match - lighting
Camera Operators
Video Shader
Tripod
Engineer
25. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Studio Production
Lens
Servo
26. helps with routine stuff - anything the director needs - timing of production
Associate Director
ATSC
Field Production
Stage Manager
27. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Firewire (IEE-1394)
Studio Production
Tally light
Firewire (IEE-1394)
28. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Lens
HD
Producer
Graphics Operator
29. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Coaxial Cable
Rule of thirds
How to focus a camera like a pro
30. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Performer Tips
Lead room
long lens
White Balance
31. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
HDTV
Video Shader
Firewire (IEE-1394)
Post-Production
32. combination of studio and field production. Sports - parades
Rule of thirds
Performer Tips
Studio Production
Remotes
33. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Editor
dolly
ECU
34. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
Tilt
Headroom
Executive Producer
35. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Teleprompter Operartor
Pan
Servo
CU
36. Over the shoulder
Aspect Ratios
Medium Shot (head to toe)
NTSC
O/S
37. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Horizon Line
Coaxial Cable
Angle of Elevation
Pre-production
38. in control room
Camera Operators
Engineer
crane
ECU
39. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Pan
ECU
Tripod
Foreground
40. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Director
ATSC
Camera Operators
HDTV
41. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Macro focus
crane
Executive Producer
Associate Director
42. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
HD
White Balance
Foreground
AGC
43. A person who deals with the look of sets and other artistic aspects of a television program.
NTSC
Art Director
VTR
Performer Tips
44. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
The Studio
Interruptible Feedback
Tripod
Executive Producer
45. people who deliver lines
Talent
Set Production Designer
AGC
Lighting Director
46. creates great depth and interest
Servo
Foreground
Iris
White Balance
47. The space between the top of a subjects head and the upper edge of the camera frame.
HD
VTR
crane
Headroom
48. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Tally light
Camera Operators
Lighting Director
Teleprompter Operartor
49. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Rack focus
HD
Director
50. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Tilt
VTR
Interruptible Feedback
Field Production