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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A method of representing video or audio signals using a 'wave' of continuously.
Remotes
Analog
Associate Director
dolly
2. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Audio Operator (A1) (A2)
The Studio
Tally light
O/S
3. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Technical Director
Producer
long lens
ECU
4. A person who creates words - drawings and some visual effects that are incorporated with a production.
Graphics Operator
Digital
Art Director
Standard Definition
5. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Graphics Operator
Servo
VTR
6. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Studio Production
Video Shader
The Studio
7. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Teleprompter Operartor
How to focus a camera like a pro
Studio Production
Tally light
8. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Medium Shot (head to toe)
Digital
HDTV
Green Rooms
9. The ratio of the height of a television screen to its width.
Servo
Long shot (head to toe)
How to focus a camera like a pro
Aspect Ratios
10. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Post-Production
Horizon Line
Production
11. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Engineer
Medium Shot (head to toe)
Pedestal mount
HD
12. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
dolly
The Studio
Servo
Medium Shot (head to toe)
13. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Editor
Rule of thirds
AGC
Master Control
14. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
VTR
Macro focus
Talent
Engineer
15. A series of digital television formats developed by the Advanced Television Systems Committee.
White Balance
ATSC
Firewire (IEE-1394)
Angle of Elevation
16. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Tripod
Coaxial Cable
Foreground
Master Control
17. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Field Production
Master Control
Lens
VTR
18. A view of the subject from a comfortable distance between a wide shot and close-up.
White Balance
Medium Shot (head to toe)
crane
Post-Production
19. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Green Rooms
Performer Tips
AGC
Standard Definition
20. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Horizon Line
Servo
Lighting Director
Field Production
21. To move the camera and its mount laterally to the right or left.
Talent
Camera Operators
Executive Producer
trucking
22. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
Standard Definition
Art Director
Grunts
23. Interns - Cable Pullers - 2nd Assistant Directors
Field Production
Coaxial Cable
Grunts
HD
24. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Audio Operator (A1) (A2)
Lead room
Medium Shot (head to toe)
The Studio
25. Interns - Cable Pullers - 2nd Assistant Directors
Pan
Executive Producer
Servo
Grunts
26. in control room
Pre-production
Engineer
Remotes
Master Control
27. Indicates that the camera is level
Headroom
Horizon Line
Art Director
Audio Operator (A1) (A2)
28. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Interruptible Feedback
Rule of thirds
trucking
Control Room
29. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Pan
Audio Operator (A1) (A2)
Lighting Director
Long shot (head to toe)
30. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Horizon Line
Tally light
Set Production Designer
Pedestal mount
31. Makes sure camera match - lighting
Tally light
CU
Production
Video Shader
32. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Engineer
Aspect Ratios
crane
Director
33. A person who oversees several production.
VTR
Master Control
Executive Producer
Teleprompter Operartor
34. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Tally light
Macro focus
Control Room
Interruptible Feedback
35. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Coaxial Cable
Stage Manager
The Studio
Field Production
36. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Macro focus
Horizon Line
Pan
37. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Engineer
Post-Production
Digital
38. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Long shot (head to toe)
Talent
Servo
Firewire (IEE-1394)
39. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Associate Director
NTSC
crane
Rule of thirds
40. combination of studio and field production. Sports - parades
Lighting Director
Coaxial Cable
White Balance
Remotes
41. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
dolly
Tally light
Iris
Digital
42. Planning the project
Pre-production
Medium Shot (head to toe)
Lighting Director
ECU
43. The person who determines the environment where the production takes place.
long lens
Interruptible Feedback
Set Production Designer
Video Shader
44. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Interruptible Feedback
Pan
Post-Production
Field Production
45. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Remotes
Art Director
Control Room
ECU
46. A person who creates words - drawings and some visual effects that are incorporated with a production.
Set Production Designer
Grunts
Graphics Operator
dolly
47. The stage during which all the shooting for a program is undertaken.
Teleprompter Operartor
Production
Director
Tilt
48. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Technical Director
Long shot (head to toe)
Tally light
White Balance
49. Makes sure camera match - lighting
Tripod
HDTV
Firewire (IEE-1394)
Video Shader
50. The place in a studio complex where people who are about to appear on a TV show can wait.
Performer Tips
Green Rooms
Servo
Long shot (head to toe)