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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
VTR
Digital
Post-Production
2. A person who oversees several production.
Servo
Executive Producer
How to focus a camera like a pro
Iris
3. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Engineer
Iris
Aspect Ratios
Post-Production
4. The person who determines the environment where the production takes place.
CU
O/S
Editor
Set Production Designer
5. ...
How to focus a camera like a pro
Stage Manager
Tally light
Horizon Line
6. Interns - Cable Pullers - 2nd Assistant Directors
Tilt
Tripod
Grunts
Technical Director
7. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
HD
Servo
Aspect Ratios
Control Room
8. To move the camera and its mount laterally to the right or left.
Firewire (IEE-1394)
Tilt
trucking
Pan
9. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Engineer
Lens
Macro focus
VTR
10. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Producer
trucking
Pre-production
Camera Operators
11. To move the camera and its mount laterally to the right or left.
dolly
White Balance
trucking
Teleprompter Operartor
12. The place in a studio complex where people who are about to appear on a TV show can wait.
O/S
Analog
Graphics Operator
Green Rooms
13. Over the shoulder
Remotes
long lens
Video Shader
O/S
14. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Associate Director
Studio Production
Coaxial Cable
Performer Tips
15. The stage during which all the shooting for a program is undertaken.
Green Rooms
AGC
Production
Post-Production
16. creates great depth and interest
ATSC
Remotes
Field Production
Foreground
17. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
ATSC
Foreground
Digital
18. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Horizon Line
trucking
Tilt
Director
19. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Lighting Director
Tally light
Graphics Operator
20. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
O/S
Pre-production
HDTV
White Balance
21. The part of the lens that allows light to pass through.
Iris
Rule of thirds
Long shot (head to toe)
Pre-production
22. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Tilt
Post-Production
Analog
Camera Operators
23. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
Editor
Studio Production
Production
24. people who deliver lines
Lead room
Talent
Standard Definition
Coaxial Cable
25. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
NTSC
Master Control
Macro focus
Digital
26. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Talent
Producer
Pan
Medium Shot (head to toe)
27. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
NTSC
Lens
Audio Operator (A1) (A2)
Director
28. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Stage Manager
Audio Operator (A1) (A2)
Executive Producer
ECU
29. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Associate Director
Performer Tips
Macro focus
Firewire (IEE-1394)
30. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
long lens
Lens
O/S
Iris
31. Indicates that the camera is level
Post-Production
Post-Production
Horizon Line
Remotes
32. The person who determines the environment where the production takes place.
Aspect Ratios
Set Production Designer
Lens
Executive Producer
33. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Lead room
Field Production
Tripod
34. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Grunts
Standard Definition
Field Production
AGC
35. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Interruptible Feedback
Studio Production
crane
Pedestal mount
36. The place in a studio complex where people who are about to appear on a TV show can wait.
Digital
Master Control
ECU
Green Rooms
37. Pointing the camera down or up
Lighting Director
Angle of Elevation
Pre-production
Lighting Director
38. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
NTSC
HD
Pre-production
39. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Performer Tips
Coaxial Cable
Editor
Pan
40. A person who sets mics in a studio or location setting and/ or operates the audio console.
Digital
dolly
Audio Operator (A1) (A2)
Performer Tips
41. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
Production
Director
Engineer
42. Planning the project
Tripod
Production
Pre-production
CU
43. The person who assembles raw footage into a final program.
Editor
Producer
O/S
Green Rooms
44. A person who sets mics in a studio or location setting and/ or operates the audio console.
Medium Shot (head to toe)
Audio Operator (A1) (A2)
Long shot (head to toe)
Engineer
45. The directors key assistant in charge of all production concerns on the floor. Example: communicate with talent
Servo
Foreground
dolly
Stage Manager
46. Makes sure camera match - lighting
Video Shader
long lens
Remotes
Tilt
47. The space between the top of a subjects head and the upper edge of the camera frame.
crane
Technical Director
Headroom
Analog
48. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Engineer
CU
Digital
Set Production Designer
49. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Servo
Post-Production
Editor
50. A digital interface that allows the simultaneous transfer of audio and video information.
Standard Definition
Coaxial Cable
AGC
Firewire (IEE-1394)