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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. ...
Rack focus
How to focus a camera like a pro
Associate Director
O/S
2. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Coaxial Cable
O/S
Director
Foreground
3. The place in a studio complex where people who are about to appear on a TV show can wait.
Associate Director
Green Rooms
Camera Operators
Engineer
4. The stage during which all the shooting for a program is undertaken.
Studio Production
Production
ATSC
NTSC
5. Pointing the camera down or up
Interruptible Feedback
Grunts
Angle of Elevation
Servo
6. Planning the project
Rack focus
Foreground
Angle of Elevation
Pre-production
7. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Camera Operators
Editor
Executive Producer
Remotes
8. A series of digital television formats developed by the Advanced Television Systems Committee.
Headroom
Tripod
Remotes
ATSC
9. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Set Production Designer
Pan
dolly
CU
10. A person who sets mics in a studio or location setting and/ or operates the audio console.
long lens
Audio Operator (A1) (A2)
Angle of Elevation
Aspect Ratios
11. The space between the top of a subjects head and the upper edge of the camera frame.
Firewire (IEE-1394)
Headroom
Long shot (head to toe)
Foreground
12. Pointing the camera down or up
Servo
Technical Director
Angle of Elevation
Rack focus
13. The stage during which all the shooting for a program is undertaken.
Foreground
Studio Production
Production
Tilt
14. The ratio of the height of a television screen to its width.
Performer Tips
Aspect Ratios
Tripod
Interruptible Feedback
15. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Associate Director
VTR
HD
Studio Production
16. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Control Room
Teleprompter Operartor
Medium Shot (head to toe)
Coaxial Cable
17. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Teleprompter Operartor
Lens
VTR
Remotes
18. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Tilt
Editor
Post-Production
Aspect Ratios
19. A person who creates words - drawings and some visual effects that are incorporated with a production.
O/S
White Balance
Master Control
Graphics Operator
20. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Firewire (IEE-1394)
crane
Video Shader
ATSC
21. combination of studio and field production. Sports - parades
Tally light
White Balance
crane
Remotes
22. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
dolly
Foreground
Tilt
Lead room
23. helps with routine stuff - anything the director needs - timing of production
AGC
Associate Director
Analog
Rule of thirds
24. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
Horizon Line
Studio Production
HDTV
25. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Headroom
HDTV
Stage Manager
Control Room
26. The part of the lens that allows light to pass through.
Pedestal mount
Iris
crane
Set Production Designer
27. creates great depth and interest
Production
CU
Foreground
Tilt
28. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
The Studio
Editor
Green Rooms
29. helps with routine stuff - anything the director needs - timing of production
Technical Director
Associate Director
Video Shader
Performer Tips
30. The person who determines the environment where the production takes place.
Long shot (head to toe)
Control Room
Editor
Set Production Designer
31. A person who creates words - drawings and some visual effects that are incorporated with a production.
ECU
Interruptible Feedback
Graphics Operator
Art Director
32. A method of representing video or audio signals using a 'wave' of continuously.
Tally light
HDTV
Performer Tips
Analog
33. Interns - Cable Pullers - 2nd Assistant Directors
Production
Green Rooms
Audio Operator (A1) (A2)
Grunts
34. The person who determines the environment where the production takes place.
Pre-production
Executive Producer
Set Production Designer
Tripod
35. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
trucking
Rack focus
Servo
Macro focus
36. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Post-Production
Lead room
HD
NTSC
37. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Producer
Servo
Foreground
NTSC
38. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
White Balance
Associate Director
Tripod
Teleprompter Operartor
39. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Firewire (IEE-1394)
CU
Long shot (head to toe)
Camera Operators
40. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Headroom
Technical Director
Pan
41. To move the camera and its mount closer to or farther from the subject.
Analog
dolly
Macro focus
Medium Shot (head to toe)
42. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Remotes
Green Rooms
Art Director
Interruptible Feedback
43. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Lens
Tripod
Horizon Line
Teleprompter Operartor
44. Over the shoulder
Executive Producer
O/S
Performer Tips
Teleprompter Operartor
45. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
NTSC
Medium Shot (head to toe)
Analog
AGC
46. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Interruptible Feedback
Talent
Rule of thirds
Video Shader
47. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Coaxial Cable
Tally light
dolly
How to focus a camera like a pro
48. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Talent
Long shot (head to toe)
The Studio
Coaxial Cable
49. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Director
NTSC
Analog
Tilt
50. Over the shoulder
White Balance
O/S
Pre-production
The Studio