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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
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performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Rule of thirds
Tripod
Set Production Designer
Post-Production
2. creates great depth and interest
VTR
Digital
Foreground
AGC
3. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
AGC
Associate Director
VTR
Foreground
4. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Tripod
ATSC
ECU
Grunts
5. punched switcher
dolly
Angle of Elevation
Technical Director
Teleprompter Operartor
6. To move the camera and its mount closer to or farther from the subject.
Lens
CU
dolly
Green Rooms
7. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Art Director
CU
Medium Shot (head to toe)
ECU
8. combination of studio and field production. Sports - parades
How to focus a camera like a pro
The Studio
Remotes
Talent
9. A person who oversees several production.
Servo
Post-Production
AGC
Executive Producer
10. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Control Room
Lighting Director
Graphics Operator
11. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Talent
CU
Control Room
Macro focus
12. ...
ECU
Macro focus
How to focus a camera like a pro
Graphics Operator
13. The person who assembles raw footage into a final program.
Editor
ECU
Pre-production
Rack focus
14. Pointing the camera down or up
Servo
Stage Manager
Technical Director
Angle of Elevation
15. The ratio of the height of a television screen to its width.
Aspect Ratios
Set Production Designer
Digital
NTSC
16. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
NTSC
long lens
Firewire (IEE-1394)
HDTV
17. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Pre-production
Director
Talent
Associate Director
18. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
AGC
Rule of thirds
Pedestal mount
Tilt
19. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Servo
Pre-production
Producer
Graphics Operator
20. The person who determines the environment where the production takes place.
dolly
Producer
Set Production Designer
Lighting Director
21. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
trucking
NTSC
Firewire (IEE-1394)
22. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Executive Producer
Medium Shot (head to toe)
How to focus a camera like a pro
Coaxial Cable
23. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Pan
Aspect Ratios
Performer Tips
AGC
24. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Video Shader
Aspect Ratios
Tilt
Teleprompter Operartor
25. creates great depth and interest
Control Room
Foreground
Analog
long lens
26. A series of digital television formats developed by the Advanced Television Systems Committee.
The Studio
ATSC
Lead room
Rack focus
27. To move the camera and its mount laterally to the right or left.
trucking
Servo
Talent
Tilt
28. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Master Control
Production
Pan
trucking
29. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Associate Director
Tally light
AGC
Engineer
30. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Servo
HD
Art Director
ECU
31. Pointing the camera down or up
Angle of Elevation
VTR
Pre-production
Set Production Designer
32. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Tally light
Long shot (head to toe)
Control Room
Rack focus
33. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Studio Production
Tripod
HD
Pan
34. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Graphics Operator
Studio Production
Production
35. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Editor
Director
Firewire (IEE-1394)
Angle of Elevation
36. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Horizon Line
Video Shader
Lead room
37. Interns - Cable Pullers - 2nd Assistant Directors
Performer Tips
Firewire (IEE-1394)
Grunts
Teleprompter Operartor
38. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Interruptible Feedback
O/S
Tally light
HD
39. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Digital
Macro focus
How to focus a camera like a pro
Field Production
40. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Analog
HDTV
Angle of Elevation
41. A camera shot that starts with one object in focus - then changes to focus on another object.
Rack focus
Tally light
Tilt
crane
42. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Editor
long lens
Digital
Video Shader
43. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Engineer
Standard Definition
Lighting Director
crane
44. The place in a studio complex where people who are about to appear on a TV show can wait.
Green Rooms
Camera Operators
Production
Foreground
45. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Field Production
The Studio
Executive Producer
trucking
46. A person who sets mics in a studio or location setting and/ or operates the audio console.
Production
Macro focus
Audio Operator (A1) (A2)
Graphics Operator
47. The stage during which all the shooting for a program is undertaken.
Director
Production
Angle of Elevation
CU
48. A person who creates words - drawings and some visual effects that are incorporated with a production.
Graphics Operator
Coaxial Cable
NTSC
ECU
49. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Producer
Rule of thirds
crane
Standard Definition
50. The person who determines the environment where the production takes place.
Stage Manager
Analog
Associate Director
Set Production Designer
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