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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Aspect Ratios
Teleprompter Operartor
Analog
Set Production Designer
2. in control room
Teleprompter Operartor
Engineer
Firewire (IEE-1394)
NTSC
3. Indicates that the camera is level
long lens
Rule of thirds
Digital
Horizon Line
4. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Long shot (head to toe)
Post-Production
Horizon Line
Graphics Operator
5. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Headroom
AGC
Camera Operators
Master Control
6. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Analog
crane
Grunts
Iris
7. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Pan
Art Director
Set Production Designer
Grunts
8. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Macro focus
ECU
HDTV
Analog
9. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
Lighting Director
Art Director
Graphics Operator
Coaxial Cable
10. The ratio of the height of a television screen to its width.
Aspect Ratios
Rack focus
Pre-production
Executive Producer
11. A person who oversees several production.
Lens
Talent
Executive Producer
Technical Director
12. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
Rule of thirds
Camera Operators
Lens
Teleprompter Operartor
13. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Lead room
How to focus a camera like a pro
Analog
14. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Pan
Associate Director
Coaxial Cable
15. To move the camera and its mount laterally to the right or left.
Analog
Green Rooms
Set Production Designer
trucking
16. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Aspect Ratios
AGC
Medium Shot (head to toe)
White Balance
17. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Tally light
CU
Angle of Elevation
Graphics Operator
18. A person who creates words - drawings and some visual effects that are incorporated with a production.
Grunts
Graphics Operator
Coaxial Cable
Remotes
19. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
crane
Post-Production
HD
Remotes
20. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Performer Tips
Rule of thirds
Macro focus
Rack focus
21. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Pan
How to focus a camera like a pro
CU
Art Director
22. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Horizon Line
Remotes
VTR
Studio Production
23. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Remotes
Control Room
Foreground
Digital
24. A series of digital television formats developed by the Advanced Television Systems Committee.
ATSC
Medium Shot (head to toe)
Lens
The Studio
25. people who deliver lines
ATSC
Talent
Green Rooms
Long shot (head to toe)
26. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
NTSC
Studio Production
Long shot (head to toe)
Horizon Line
27. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Graphics Operator
Tripod
Studio Production
Servo
28. creates great depth and interest
O/S
Foreground
ATSC
Standard Definition
29. Pointing the camera down or up
Video Shader
Angle of Elevation
Digital
Standard Definition
30. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
HD
Long shot (head to toe)
Lens
Coaxial Cable
31. A person who sets mics in a studio or location setting and/ or operates the audio console.
Rule of thirds
The Studio
Audio Operator (A1) (A2)
Performer Tips
32. A method of representing video or audio signals using a 'wave' of continuously.
Analog
Pan
Technical Director
CU
33. Planning the project
NTSC
Control Room
Performer Tips
Pre-production
34. The part of the lens that allows light to pass through.
Talent
Iris
CU
Interruptible Feedback
35. To move the camera and its mount laterally to the right or left.
Teleprompter Operartor
Rule of thirds
trucking
Tally light
36. A person who deals with the look of sets and other artistic aspects of a television program.
Stage Manager
Art Director
crane
Production
37. The space between the top of a subjects head and the upper edge of the camera frame.
Horizon Line
Rack focus
dolly
Headroom
38. helps with routine stuff - anything the director needs - timing of production
Director
Rule of thirds
Firewire (IEE-1394)
Associate Director
39. ...
Iris
Control Room
AGC
How to focus a camera like a pro
40. A camera mount - usually used in studio productions - that facilitates smooth movement of the camera across the studio floor and limited range of camera height adjustment.
Executive Producer
Pedestal mount
Associate Director
Iris
41. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
trucking
Studio Production
dolly
Producer
42. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Remotes
Analog
Studio Production
Digital
43. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
O/S
Iris
Production
44. Makes sure camera match - lighting
Horizon Line
crane
Video Shader
Analog
45. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Studio Production
Rule of thirds
Green Rooms
VTR
46. With the advent of high- definition television - this term is used to refer to NTSC television and ATSC formats that have a 4:3 aspect ration.
Production
Standard Definition
trucking
Aspect Ratios
47. The person who determines the environment where the production takes place.
Audio Operator (A1) (A2)
Headroom
Set Production Designer
Engineer
48. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Rack focus
Macro focus
Servo
Field Production
49. The place in a studio complex where people who are about to appear on a TV show can wait.
Teleprompter Operartor
Pan
Green Rooms
How to focus a camera like a pro
50. A view of the subject from a comfortable distance between a wide shot and close-up.
Medium Shot (head to toe)
Production
White Balance
Macro focus