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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The place in a studio complex where people who are about to appear on a TV show can wait.
Tilt
dolly
Green Rooms
Lighting Director
2. combination of studio and field production. Sports - parades
Iris
trucking
Associate Director
Remotes
3. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Video Shader
Lighting Director
Grunts
4. The person who assembles raw footage into a final program.
Talent
Engineer
Editor
Stage Manager
5. A method of representing video or audio signals using a 'wave' of continuously.
Rule of thirds
Aspect Ratios
White Balance
Analog
6. Interns - Cable Pullers - 2nd Assistant Directors
Grunts
crane
Master Control
Set Production Designer
7. The person who assembles raw footage into a final program.
Editor
Pedestal mount
Lens
Digital
8. The stage during which all the shooting for a program is undertaken.
Macro focus
Production
Engineer
Talent
9. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Camera Operators
O/S
Field Production
VTR
10. Over the shoulder
Analog
Pan
O/S
Set Production Designer
11. Indicates that the camera is level
Horizon Line
Stage Manager
HD
Video Shader
12. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Control Room
Digital
Tally light
ECU
13. ...
The Studio
Graphics Operator
How to focus a camera like a pro
Remotes
14. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
crane
HDTV
long lens
Graphics Operator
15. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
Digital
CU
Digital
Lead room
16. The person who frames the shots for a production. Must have knowledge of camera - lens - angles
trucking
Iris
Graphics Operator
Camera Operators
17. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
Aspect Ratios
HD
Analog
18. A person who deals with the look of sets and other artistic aspects of a television program.
Tripod
Production
Foreground
Art Director
19. The stage during which all the shooting for a program is undertaken.
Associate Director
Graphics Operator
Production
Horizon Line
20. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
White Balance
Headroom
Rule of thirds
Angle of Elevation
21. Makes sure camera match - lighting
Video Shader
Performer Tips
Coaxial Cable
Audio Operator (A1) (A2)
22. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Performer Tips
VTR
Camera Operators
Editor
23. The place in a studio complex where people who are about to appear on a TV show can wait.
Standard Definition
dolly
Green Rooms
Field Production
24. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Horizon Line
Lead room
Audio Operator (A1) (A2)
ECU
25. A digital interface that allows the simultaneous transfer of audio and video information.
HDTV
Green Rooms
Firewire (IEE-1394)
Director
26. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Set Production Designer
Director
AGC
Tilt
27. To move the camera and its mount closer to or farther from the subject.
Pan
dolly
Rack focus
Digital
28. helps with routine stuff - anything the director needs - timing of production
Associate Director
Rule of thirds
Executive Producer
Firewire (IEE-1394)
29. A method of representing video or audio signals using a 'wave' of continuously.
Performer Tips
Macro focus
Control Room
Analog
30. To move the camera and its mount closer to or farther from the subject.
VTR
long lens
Pedestal mount
dolly
31. A person who oversees several production.
Executive Producer
Aspect Ratios
trucking
Stage Manager
32. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HD
Lead room
Executive Producer
long lens
33. 1) To turn a camera horizontally by rotating the camera mounting head. 2) The shot produced by panning a camera. 3) A rectangular floodlight
Production
Interruptible Feedback
Aspect Ratios
Pan
34. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Analog
Audio Operator (A1) (A2)
NTSC
Rack focus
35. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Grunts
Rule of thirds
HD
36. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Editor
Firewire (IEE-1394)
Camera Operators
37. A person who sets mics in a studio or location setting and/ or operates the audio console.
AGC
Audio Operator (A1) (A2)
Angle of Elevation
crane
38. To move the camera and its mount laterally to the right or left.
trucking
Standard Definition
Remotes
long lens
39. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
VTR
Digital
long lens
Lighting Director
40. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Post-Production
Pedestal mount
Art Director
Associate Director
41. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Iris
dolly
Production
Field Production
42. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Aspect Ratios
Graphics Operator
Video Shader
The Studio
43. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
HDTV
Post-Production
O/S
VTR
44. The space between the top of a subjects head and the upper edge of the camera frame.
Headroom
Editor
Engineer
Video Shader
45. creates great depth and interest
Remotes
Foreground
AGC
O/S
46. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Coaxial Cable
Rack focus
Headroom
Studio Production
47. A view of the subject from a comfortable distance between a wide shot and close-up.
Stage Manager
Teleprompter Operartor
Medium Shot (head to toe)
dolly
48. Interns - Cable Pullers - 2nd Assistant Directors
Pedestal mount
Lens
Pre-production
Grunts
49. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
Audio Operator (A1) (A2)
Coaxial Cable
White Balance
Digital
50. A camera shot that starts with one object in focus - then changes to focus on another object.
Long shot (head to toe)
Engineer
Tripod
Rack focus
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