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Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Interns - Cable Pullers - 2nd Assistant Directors
Lead room
Digital
Pan
Grunts
2. ...
How to focus a camera like a pro
Lens
Foreground
Pedestal mount
3. Over the shoulder
Medium Shot (head to toe)
Stage Manager
O/S
Standard Definition
4. Camera and video cable with a central insulted conducting wire and a concentrically arranged outer wire.
Performer Tips
Aspect Ratios
Coaxial Cable
long lens
5. A person who creates words - drawings and some visual effects that are incorporated with a production.
Graphics Operator
Coaxial Cable
Macro focus
Standard Definition
6. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Lens
Tilt
Field Production
Medium Shot (head to toe)
7. To move the camera and its mount closer to or farther from the subject.
Graphics Operator
dolly
AGC
Executive Producer
8. Indicates that the camera is level
Macro focus
Headroom
Horizon Line
Studio Production
9. The place in a studio complex where people who are about to appear on a TV show can wait.
Graphics Operator
Set Production Designer
Stage Manager
Green Rooms
10. A camera view of the subject from a relatively great distance usually showing the subject in its entirety.
Stage Manager
Teleprompter Operartor
Digital
long lens
11. The person who makes sure the script is appearing on the right part of the prompter screen so the talent can read it properly.
Analog
Engineer
Teleprompter Operartor
Medium Shot (head to toe)
12. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Control Room
dolly
Macro focus
Set Production Designer
13. combination of studio and field production. Sports - parades
Remotes
Foreground
Engineer
crane
14. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Digital
Aspect Ratios
How to focus a camera like a pro
Field Production
15. punched switcher
Iris
ATSC
Production
Technical Director
16. An electronic adjustment of a camera to compensate for differences in color temperatures so that a pure white object will appear on-screen as pure white.
White Balance
Headroom
Remotes
Horizon Line
17. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Servo
The Studio
Foreground
crane
18. A view of the subject from a comfortable distance between a wide shot and close-up.
Lens
ATSC
Firewire (IEE-1394)
Medium Shot (head to toe)
19. A person who sets mics in a studio or location setting and/ or operates the audio console.
Servo
Video Shader
Associate Director
Audio Operator (A1) (A2)
20. A person who sets mics in a studio or location setting and/ or operates the audio console.
Field Production
Executive Producer
Audio Operator (A1) (A2)
Set Production Designer
21. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Tally light
Pre-production
Headroom
Post-Production
22. A camera shot that starts with one object in focus - then changes to focus on another object.
Lighting Director
Director
Pre-production
Rack focus
23. The person in charge of the creative aspects of a production and all the procedures that occur in the studio or field.
Director
Pan
Lighting Director
Camera Operators
24. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Production
Pan
Audio Operator (A1) (A2)
Rule of thirds
25. Additional framing space in a camera picture on the side toward which a subject is looking or moving
Lead room
Remotes
dolly
Aspect Ratios
26. A view of the subject from a comfortable distance between a wide shot and close-up.
Audio Operator (A1) (A2)
Long shot (head to toe)
Medium Shot (head to toe)
Art Director
27. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Tripod
Long shot (head to toe)
Production
Master Control
28. The primary engineering control center where all video and audio signals are ultimately channeled; program input - camera controls and transmitter distribution often are handled from this location.
Coaxial Cable
Master Control
Director
White Balance
29. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Tripod
long lens
Studio Production
ECU
30. A digital interface that allows the simultaneous transfer of audio and video information.
Firewire (IEE-1394)
Set Production Designer
Art Director
Director
31. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Performer Tips
Digital
Macro focus
Engineer
32. small red indicators on a camera to let the talent and camera operator know that the camera is on the air or recording
Producer
Tally light
Rule of thirds
VTR
33. Makes sure camera match - lighting
Digital
Producer
Pedestal mount
Video Shader
34. The ratio of the height of a television screen to its width.
Tilt
Producer
Aspect Ratios
Tripod
35. The person who determines the environment where the production takes place.
Macro focus
Executive Producer
ATSC
Set Production Designer
36. The space between the top of a subjects head and the upper edge of the camera frame.
Tripod
Headroom
Rack focus
Producer
37. The part of the lens that allows light to pass through.
White Balance
White Balance
Iris
Executive Producer
38. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Lighting Director
CU
Servo
Talent
39. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Performer Tips
White Balance
Video Shader
trucking
40. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Director
Talent
AGC
Long shot (head to toe)
41. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
Executive Producer
Studio Production
Lead room
Rule of thirds
42. The person who assembles raw footage into a final program.
Editor
Headroom
White Balance
Talent
43. Pointing the camera down or up
Analog
Angle of Elevation
Lead room
Coaxial Cable
44. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
HDTV
VTR
Macro focus
Performer Tips
45. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Firewire (IEE-1394)
Tilt
Headroom
Executive Producer
46. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Teleprompter Operartor
VTR
Analog
trucking
47. Interns - Cable Pullers - 2nd Assistant Directors
Teleprompter Operartor
trucking
Angle of Elevation
Grunts
48. Extreme close up- A very close shot of a person or object - used to intensify drama or show close detail.
Pre-production
Performer Tips
ECU
Control Room
49. Over the shoulder
White Balance
Horizon Line
O/S
Foreground
50. ...
Post-Production
Art Director
How to focus a camera like a pro
Field Production