SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
TV Production Basics
Start Test
Study First
Subjects
:
performing-arts
,
industries
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Program creation that takes place in a controlled environment meant for it - as opposed to production that takes place in the field
Studio Production
Grunts
Executive Producer
Audio Operator (A1) (A2)
2. Pointing the camera down or up
Angle of Elevation
CU
Horizon Line
Firewire (IEE-1394)
3. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
crane
NTSC
Lighting Director
Angle of Elevation
4. Automatic gain control. An internal control device - for either audio or video signals - that automatically increases or decreases the strength of the incoming sound of picture to maintain optimum strength.
Digital
AGC
Horizon Line
HD
5. An audio setup that allows the talent - wearing a small earpiece - to hear program audio or receive instruction from the director or someone.
Interruptible Feedback
Angle of Elevation
crane
Rule of thirds
6. focual length determines how wide or narrow the viewing range (field of view) is. The longer the lens the more narrow the field of view - shorter lens gives wider shots
Studio Production
Editor
Lens
How to focus a camera like a pro
7. A three legged camera mount - sometimes equipped with casters to facilitate camera movement.
Interruptible Feedback
HDTV
Executive Producer
Tripod
8. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Video Shader
Lighting Director
Digital
Pedestal mount
9. A method of representing video or audio signals using a 'wave' of continuously.
CU
Analog
Executive Producer
Talent
10. helps with routine stuff - anything the director needs - timing of production
ECU
Tilt
The Studio
Associate Director
11. The person who oversees the lighting of the set and makes lighting changes - if they are needed - during production.
NTSC
Lighting Director
Firewire (IEE-1394)
Lens
12. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
Medium Shot (head to toe)
The Studio
Rack focus
NTSC
13. The stage during which all the shooting for a program is undertaken.
HDTV
Video Shader
Production
Pedestal mount
14. A principle of composition that divides the TV screen into thirds - horizontally and vertically and places objects of interest at the points where the lines intersect.
CU
Angle of Elevation
Director
Rule of thirds
15. A method of representing video or audio signals that uses discrete 'on' and 'off' pulses. The value of a digital signal at any point can be either 'off'(0) or 'on'(1)
Stage Manager
trucking
Digital
Analog
16. Camcorder is essential because this is when you are filming outdoors or not in a studio. 'real world' shooting
Field Production
Rack focus
Lighting Director
Lens
17. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
NTSC
Tally light
Producer
Digital
18. A feature found on some zoom lenses that allows the operator to focus on objects very close to the lens.
Control Room
Pan
Macro focus
Associate Director
19. A series of digital television formats developed by the Advanced Television Systems Committee.
long lens
Long shot (head to toe)
Control Room
ATSC
20. combination of studio and field production. Sports - parades
Firewire (IEE-1394)
Remotes
VTR
Editor
21. A person who sets mics in a studio or location setting and/ or operates the audio console.
Lighting Director
Stage Manager
Audio Operator (A1) (A2)
Camera Operators
22. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
Standard Definition
Aspect Ratios
Digital
crane
23. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Tilt
Long shot (head to toe)
long lens
Macro focus
24. Sincerity - Organize--don't memorize cue cards - On camera clothing - Make-up and hair
Analog
Performer Tips
Master Control
Rule of thirds
25. To move the camera and its mount closer to or farther from the subject.
dolly
Audio Operator (A1) (A2)
Rule of thirds
Associate Director
26. A person who oversees several production.
Long shot (head to toe)
Executive Producer
Talent
O/S
27. 1) A large camera mount with an extended boom arm for a camera and a seat for a camera operator - all placed on a large four-wheeled base. 2) To move the boom arm of a crane up and down.
White Balance
Audio Operator (A1) (A2)
crane
Camera Operators
28. A person who oversees several production.
Lead room
Executive Producer
Pre-production
Lighting Director
29. The period of time - after individual program segments have been produced and recorded - when elements of a program are assembled.
Iris
Iris
Post-Production
VTR
30. The part of a tape recorder or player that pulls the tape through the machine at the proper speed.
Servo
Green Rooms
Control Room
O/S
31. people who deliver lines
Set Production Designer
Horizon Line
Talent
ECU
32. To move the camera and its mount laterally to the right or left.
Director
Rule of thirds
Digital
trucking
33. large room at least 20 feet by 30 feet without any posts obstructing its space. Best located on the ground floor. The space where all acting or performing takes place.
The Studio
Performer Tips
How to focus a camera like a pro
Long shot (head to toe)
34. The creator and originator of a television program - usually in charge of elements such as writing - music clearance - financial considerations - and hiring the director.
Video Shader
CU
ECU
Producer
35. 1) To pivot the camera vertically by pointing the camera mounting head up or down. 2) the shot produced by tilting a camera.
Tilt
Set Production Designer
Engineer
Tally light
36. A person who creates words - drawings and some visual effects that are incorporated with a production.
White Balance
HD
Angle of Elevation
Graphics Operator
37. A device used to record video and audio information onto a magnetic tape. Stands for videotape recorder
Performer Tips
Green Rooms
VTR
Pre-production
38. A camera shot that starts with one object in focus - then changes to focus on another object.
Rack focus
Studio Production
Producer
Control Room
39. A camera view of the subject from a relatively great distance - usually showing the subject in its entirety.
Long shot (head to toe)
Green Rooms
CU
Performer Tips
40. To move the camera and its mount closer to or farther from the subject.
Green Rooms
O/S
Angle of Elevation
dolly
41. The area where all video signals are mixed. The director and technical director (and other crew members) control all program elements from this location.
Graphics Operator
White Balance
Performer Tips
Control Room
42. The original television standard approved in the United States in the 1940s. The letter stand for National Television System Committee.
Grunts
Tripod
NTSC
Tally light
43. The person who assembles raw footage into a final program.
Standard Definition
Camera Operators
Editor
AGC
44. Close up- A view of a subject from a relatively short distance. A close-up of a person - for instance - might include only the person's face.
CU
Associate Director
Remotes
Lead room
45. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
trucking
Stage Manager
AGC
HD
46. A view of the subject from a comfortable distance between a wide shot and close-up.
Audio Operator (A1) (A2)
CU
Medium Shot (head to toe)
Director
47. combination of studio and field production. Sports - parades
How to focus a camera like a pro
Aspect Ratios
Production
Remotes
48. A person who deals with the look of sets and other artistic aspects of a television program.
Art Director
Producer
Servo
CU
49. creates great depth and interest
Rule of thirds
Headroom
Foreground
Lead room
50. A television format with more lines of resolution and a wider aspect ratio than standard-definition NTSC television.
Performer Tips
ECU
Digital
HDTV